logo
‘I had no clue': Winnipeg man serves John Travolta dinner

‘I had no clue': Winnipeg man serves John Travolta dinner

CTV News2 days ago
A Tony Roma's chef with John Travolta (right) in Winnipeg on July 14, 2025. The photographer, Dan Edwards, served Travolta dinner. (Submitted: Dan Edwards)
A Winnipeg man said he initially 'had no clue' the customer he was serving was John Travolta—a Hollywood icon who is in the city for a movie.
Dan Edwards, a server at Tony Roma's on St. James Street, said at approximately 7 p.m. on July 14, Travolta and his personal assistant entered the restaurant and were seated at a corner booth.
'He sat down, and his assistant asked for an Arnold Palmer, the classic drink, and (Travolta) asked for an unsweetened iced tea,' said Edwards.
'I said, 'Come on, you Yank. We're in Canada, now we don't serve unsweetened iced tea in Canada.'
Though Edwards said he still did not know he was serving Travolta at that point, who had his head shaved, he recognized the customer was from the U.S. by the drink order.
'It's an American thing that's sort of unseen … but he went on to order a pot of Red Rose tea instead with a glass of ice to pour it on top. So essentially, that's what unsweetened iced tea is.'
Edwards said he had no idea who he was serving for the first 30 minutes, until a co-worker told him, but he never asked Travolta directly.
'And I said, 'Come on man, you got to be kidding me.'
Edwards, a self-described 'sports guy,' said he is not a movie buff but was familiar with the 1978 movie 'Grease' starring Travolta.
He later served Travolta medallions and a lobster combo, per his order, along with a brownie with no ice cream and extra whipping cream.
Edwards, who was born and raised in Canada, said Travolta asked him if he was from Ukraine, prompting him to ask Travolta where he was from.
'And he responded, 'I'm from Jersey, but I live in Florida now.'
Travolta's assistant said he was also from New Jersey, adding that they were in Winnipeg to make a movie.
'That's when I knew,' said Edwards.
Nearly two and a half hours later, Edwards said Travolta left but agreed to take a photo with a chef who was a fan.
Edwards said the personal assistant paid the bill in cash—adding a $150 tip and extra cash with a directive to take the chefs out for beers.
'I said, 'Absolutely, I'll make sure of that. And we did.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Longtime CBC Vancouver weather forecaster Phil Reimer dies at 84
Longtime CBC Vancouver weather forecaster Phil Reimer dies at 84

CBC

timean hour ago

  • CBC

Longtime CBC Vancouver weather forecaster Phil Reimer dies at 84

Social Sharing Longtime CBC weather forecaster Phil Reimer has died at the age of 84. Reimer worked at CBC News for more than two decades. He also worked at CKWX, CKNW and the Vancouver Sun. His children say Reimer died at Vancouver General Hospital on Wednesday surrounded by loved ones. Gloria Macarenko, host of CBC's On The Coast and Reimer's former on-air colleague, shared her condolences with his family. "Anyone who knew Phil will remember his warm smile, his countless stories, his never-ending projects and his constant optimism," she said. "I will certainly treasure memories of times that I spent with him and I will miss him dearly." Born in Winnipeg, Reimer left school in Grade 10 for an all-night disc jockey job at a radio station in Victoria. He worked as a sportscaster in Winnipeg, even playing in a CFL game with the city's Blue Bombers. "I just got beat up," he told the Vancouver Sun of his time as an embedded reporter. He spent part of the 1970s selling tours to Elvis Presley concerts, and returned to broadcasting following the singer's death in 1977. Ahead of his final weather report for CKNW in 2006, Reimer told the Vancouver Sun that he had delivered about 75,000 forecasts in his career. "How many people blame me for the weather? About the same amount," he joked. Reimer told the Sun that one of the jobs of a weather forecaster is to keep things simple. "You have to relate to your audience. Don't get too scientific," he said. "Weather is probably one of the most relevant parts of any newscast. It determines what people do for the next 24 hours." A little humour also helped.

Guelph author Melinda Burns uses poetry to connect to her Indigenous roots
Guelph author Melinda Burns uses poetry to connect to her Indigenous roots

CBC

timean hour ago

  • CBC

Guelph author Melinda Burns uses poetry to connect to her Indigenous roots

The medicine wheel is a sacred symbol in many Indigenous cultures. It represents the four seasons and how each is associated with different aspects of life, growth and teachings. For Guelph author Melinda Burns, it served as a way for her to reclaim and celebrate her heritage. And she does this through a collection of poetry found in her recently released book Homecoming. Her poems are grouped according to the directions found on the medicine wheel. Each section reflects both the universal human journey of growth and learning, and the author's personal experiences. Burns recently sat down with CBC K-W's The Morning Edition host Craig Norris to talk more about the book. The following interview has been edited for length and clarity. Audio of the interview can be found at the bottom of this article. Craig Norris: The poems you wrote represent the four directions of the medicine wheel. For those who aren't familiar with what each direction means, could you walk us through them? Melinda Burns: I t's a symbol in Native American spirituality of wholeness and balance, and it's a circle that's divided into four quadrants. The east is for beginnings, spring, morning, starting out. The south is for summer and the afternoon adolescence of life. And that represents innocence and joy. The west is autumn and evening, and it has to do with loss, but also introspection. And then the north is for winter and for the ancestors and old age. And it has to do with wisdom. Norris: How does your poetry correlate with the wheel? Burns: When I was starting to put this collection together, I was trying to think of how to order the poems that I've written over a long time. So there were poems for my childhood and growing up and my relationship with my mother, marriage, motherhood. And when I thought of doing it chronologically, it just didn't seem quite right. And when I hit on the idea of arranging them according to the medicine wheel, it really presented a sense of wholeness in a life. In the east there are many beginnings, not just the beginning of our life. And in the south there are many joys, not just the joys and wonder of childhood. And of course many losses and the need to go within to understand them. And also a lot of gathering of wisdom over the years as we live and as we connect with our ancestors. Norris: As you've been writing and compiling these poems, what has that done for you personally, as you continue your own journey of reclaiming your heritage? Burns: ​​​Well, it is an ongoing journey. I called the book Homecoming from the very beginning because it's about the journey that all of us make to come home to ourselves, to who we're meant to be and who we really are. So there was a double impact for me. One was just compiling the poems and getting to see my life [and having] that feeling of wholeness, that everything fits, that nothing is good or bad or right or wrong, it is just part of the cycle. But the other part certainly was about putting it out as a native person claiming this very rich heritage that I didn't get to know about from my mother because of her connection to residential schools and her distancing from our heritage. Norris: What has your poetry helped you to learn about yourself? Burns: I really do think poetry helps us learn a great deal about ourselves. There's a quote from Rumi at the beginning of the book that says: 'Through love, all pain will turn to medicine.' And I think it's helped me to see how true that is, that when we, when I approach my life with love, with everything that's happened in it, the highs and lows, the joys and losses, that it does turn to medicine and in the sense that it strengthens and fortifies me. Norris: Could you share a poem with us? Burns: I have one that I wrote some years ago, and you might recognize this particular festival this is referring to... Norris: What do you hope people take away from your collection of poetry? Burns: I hope that they can relate to each section as they read it. So there's four sections and then the centre, which is the place of mystery and the creator. And that as they read my poems in those sections, they think about their own beginnings and their own joys and their own losses and times of going within and their own wisdom that they've acquired. And that it helps them to see their lives in this sense of wholeness rather than that linear idea of birth on the left and death on the right and trying to get somewhere in between. That there's really no place we need to get. We're just always circling the mystery. And I hope that's a comfort to people. Norris: What's next for you? Burns: A couple of things I'd love to mention. The French edition of the book is coming out in 2026, which is just amazing to me to be able to see my poems in another language. I'll be reading at the Eden Mills Writers' Festival this year. It's on Sept, 7 and right now the The Hillside Festival poem is in a poetry and art rotating exhibit at The Boathouse in Guelph, and the exhibit is going to feature poems and artwork that is inspired by the poems [in Homecoming ].

Victoria's Whitney Gardner explores fame, phantoms and free (not haunted) pianos in new graphic novel
Victoria's Whitney Gardner explores fame, phantoms and free (not haunted) pianos in new graphic novel

CBC

time2 hours ago

  • CBC

Victoria's Whitney Gardner explores fame, phantoms and free (not haunted) pianos in new graphic novel

When Whitney Gardner came across an ad for a free piano, advertised as "not haunted," she knew there was a story there. "That piano is obviously very haunted," she told CBC's North by Northwest host Margaret Gallagher. And while she never learned the story of that particular piano, the Victoria-based author and illustrator felt moved to write her own story that includes a haunted instrument. The book, a young adult graphic novel, is centred around a pre-teen girl searching for fame. It begins in 1980 and then jumps forward to the present day. "When I sat down to write the book, I first thought that it would be like this big wooden stand up piano haunted by a Victorian ghost," Gardner said. "I kept hitting roadblocks and hitting the wall and not wanting to write this sad dreary piano music book. And then I realized, wait, I'm in charge. I can write whatever I want." So, she chose a haunted synthesizer, one just like the model John Carpenter used to compose the soundtracks for the Halloween horror films. In Gardner's book, the synthesizer is haunted by a ghost from the 80s, named Vision. The ghost is based on the American pop star Tiffany, who rose to fame with her cover of I Think We're Alone Now in 1987. While writing the book Gardner watched the music video for I Think We're Alone Now every day. "Just to put myself in the mindset of this superstar and also to see all of the backgrounds and the antics of the 80s," Gardner said. The book's main character, Margot, has a lot in common with her creator, Gardner. For one, they both have fathers who spent much of their lives in search of fame, which left Margot and Gardner feeling that they had to compete for attention with their father's fans. Second, Margot and Gardner both tend to write light-hearted pieces. "There's a lot of myself in Margot, probably more so than any of the other books I've written." In the story, Vision and Margot share a commonality: by making music that makes them popular, they're giving up making music for themselves. Gardner is both the author and illustrator of this book as well as her previous works, Fake Blood and Long Distance. While art and drawing are her first loves, writing stories for younger audiences has become her passion. "These books, comic books, have more pictures than any kind of book. This is where my heart is now. I sort of fell in love with telling stories through words and pictures together. And now it's like all I want to do."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store