logo
In 1978, Pat Wells cut an album that didn't make it big. In 2025, songs from it landed on Netflix.

In 1978, Pat Wells cut an album that didn't make it big. In 2025, songs from it landed on Netflix.

Boston Globe3 days ago

The new show that wanted to incorporate her music is '
Advertisement
'It's a very, like, up-in-the-tower kind of recognition,' Wells, now 71, said recently in a phone interview from her home in Grantham, N.H. It feels like a major upheaval in her life, 'like if you read my tarot cards, they'd say TOWER!'
Get Love Letters: The Newsletter
A weekly dispatch with all the best relationship content and commentary – plus exclusive content for fans of Love Letters, Dinner With Cupid, weddings, therapy talk, and more.
Enter Email
Sign Up
On the day the series dropped in late May, Wells sat down and binge-watched all five episodes. When she was finished, she thought, there must be some mistake. The songs weren't there.
Oh, yes they were, responded Douglas Mcgowan. They were just buried deep in the mix.
Mcgowan is the owner of the small California reissue label that made 'Hometown Lady' available to download more than 15 years ago. He found a copy at a Boston-area record shop —
Advertisement
And that, once again, was that, for more than a decade. About a year ago, he reconnected with Wells and told her he was sending her a check, rounding up to $100, the amount he felt he owed her.
'I'm pretty sure you could count the number of people who paid to download her record on your fingers and toes,' he said recently.
Pat Wells grew up in West Newbury, the fourth of five children born to a radiologist and his stay-at-home wife. At 10 or 11, she became interested in learning to play the guitar. She'd close her bedroom door to drown out the commotion in her crowded house, and try to write songs.
When she was 16, one of her older sisters encouraged her to sign up to sing at the open mic night at
'Nobody could drink at that table,' Wells recalled.
There was a robust circuit of barrooms and stages across the North Shore for songwriters at the time, Wells said. At the
Pat Wells plays her guitar at her home in Grantham, N.H.
Jim Davis/Jim Davis for the Globe
She remembers seeing Tom Rush perform in Salem and Bonnie Raitt in Ipswich, and there were lots of artists — Bill Madison, Kenny Girard, Charlie Bechler — who drew local followings. Younger than most of her peers, she felt supported by the audiences she encountered.
Advertisement
'There was something about creating music, having people listen to you and enjoy what you had to say about your life, your friends, the area,' she said.
When she picked up some work assisting a piano tuner, she asked to pick his brain.
'You know, I've got all these songs,' she said. 'How do people make records?'
The piano tuner happened to know Josiah Spaulding Jr., the songwriter who would later become
Spaulding helped organize the band that backed Wells in the studio. They recorded at Century III, then a video editing and post-production company on Boylston Street that took in occasional musical acts on the side. Each day, Wells drove her beat-up Ford F-100 pickup truck across the I-93 bridge into the city.
Pat Wells grew up in West Newbury. She now lives in New Hampshire.
Jim Davis/Jim Davis for the Globe
'It was a wonderful opportunity to work with studio musicians who were so talented,' she said. 'Joe was able to do that thing that producers do — rise above and take the 50,000-foot view.'
'I thought she was a terrific songwriter,' said Spaulding, who has a home on Plum Island. 'We had a ball, but she basically stopped making music soon after we finished.'
Changing tides in the music world worked against any prospects the album may have had, Wells recalled.
'This was when disco was incredibly popular,' she said. 'The A&R guy from Sail would go around with me to the radio stations. The guy would drop the needle, listen for a short time, and say, 'Well, it's not disco.' I mean,
der
— it's not disco!'
Advertisement
The songs on 'Hometown Lady' give off echoes of Joan Baez and Janis Ian. It's evocative of its time and place, said Mcgowan, who grew up in Newton.
'When I started my label, I was zeroing in on anything I could find that was local,' he said. 'I was scratching an itch I didn't know I had, a connection with my place of origin.' What he heard in Wells's album was 'a specificity and a vibe. So much music is generic — it could be anyone, anywhere. She manages to evoke a very beautiful, earlier time.'
Mcgowan specializes in what the record-collecting world now refers to as 'private press' recordings — the obscure, independently released albums from previous eras that have become ripe for reissue. His label reintroduced the music of a psychedelic folk-rocker from Detroit named Ted Lucas, and Mcgowan teamed with industry leader Light In the Attic on a landmark reappraisal of new age music called 'I Am the Center.'
Pat Wells in her yard in New Hampshire.
Jim Davis/Jim Davis for the Globe
'It turns out there was a massive number of incredibly talented people making albums in incredibly restricted circles,' Mcgowan said. 'There was no pipeline for a local artist to get into the mainstream.
'Virtually no one in Pat's position ever broke out of where they were. Only because of the internet have people started to be able to compare notes on their record finds.'
It was the internet presence of
Advertisement
Jen Malone, a onetime Boston-based publicist, served as the music supervisor on 'Sirens.' The producers, she said, were initially hoping for Joni Mitchell songs to accompany scenes in episode three that feature Moore's character, Michaela, a powerful woman of means in the fictional, Nantucket-like town of Port Haven.
Julianne Moore as Michaela and Kevin Bacon as Peter Kell in "Sirens."
Macall Polay/Netflix/MACALL POLAY/NETFLIX
Mitchell's songs weren't in the budget, Malone said in a phone call, so she consulted with a company that sources music options for film and television.
When that company suggested Pat Wells, Malone took one listen, 'saw that she was from New England, and I was like, 'Done and done.'
'We love using undiscovered vintage catalog,' she explained. Wells's songs 'are in the background, but they're still very important to the palette of the show. To be a little part of that story and give her that platform, it's a great feeling.'
Since the release of 'Sirens,' there's been a new flurry of activity for Wells. Mcgowan just posted 'Hometown Lady' on Spotify for the first time, and in early June he received confirmation that a British label will license another of her songs, 'The Seeker,' for an upcoming compilation of 'music for a fictitious tropical resort.'
All of these unexpected developments have inspired Wells to think about picking up her guitar and writing some new music. Her voice may not be quite as angelic as it was in 1978, but 'the folks at church really like it,' she said. 'I tend to go right over the top.'
Advertisement
After remarrying, she and her second husband adopted several children from Ethiopia. It's important for her, she said, to show her adult children and her grandchildren — she has 11 — that creativity can strike at any time.
'I don't want this to be a story of, 'Oh, my dreams were dashed in 1978,'' she said. 'No. This is something great. Isn't it lovely that somebody heard me and said, 'We'd like to put this on our platform'?'
For now, she's enjoying her retirement and the small pleasures of daily life.
'My tenant has a 2-year-old,' Wells said, 'and he was following me around as I was mowing the lawn with his bubbly lawn mower, with his ear protection on. That's wonderful.'
James Sullivan can be reached at
.
James Sullivan can be reached at

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

This Pride Month, Sister Lida Christ manifests a message of joy and tolerance
This Pride Month, Sister Lida Christ manifests a message of joy and tolerance

Boston Globe

time9 hours ago

  • Boston Globe

This Pride Month, Sister Lida Christ manifests a message of joy and tolerance

Advertisement Sister Lida Christ and her companions departed for an evening out in Boston on Sept. 7, 2023. The group was going to attend the History Maker Awards ceremony, where the Boston Sisters of Perpetual Indulgence would be honored with the 2023 Lavender Rhino Award for their, 'invaluable contributions to creating queer-welcoming space in Boston," and "efforts to protect queer freedom of expression, individuality, and joy.' Craig F. Walker/Globe Staff Sisters Lida (left), Jessa Belle, Judy B Good, and Tori D'Affair had their picture taken during GAY BASH'D at the Roadrunner in Boston on June 8, 2024. Sister Lida was a cohost for the prominent Pride party. Craig F. Walker/Globe Staff 'Pride is, jokingly, the high holy month,' she says. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up In their vivid makeup and distinctive outfits, the 15 or so Boston Sisters are ubiquitous in June. Their itinerary this year includes a fund-raiser for Sister Lida, a North Shore native who asked that the Globe keep her everyday identity private out of concern for her safety, joined the resplendent Sisterhood in 2013, attracted by the order's wit and irreverence, but also its outreach and commitment to community service. Most recently, the Sisters participated in a fund-raiser to replace the decrepit heating system at Arlington Street Church. (The drag nuns proved to be effective auctioneers, driving up the price of items with their antics.) Advertisement Sister Lida and Sister Rosetta Stone called numbers during Drag Bingo at Club Cafe in Boston on Sept. 11, 2023. The Sisters of Perpetual Indulgence were hosting a fund-raiser for Harbor to the Bay, an AIDS benefit bike ride. Craig F. Walker/Globe Staff 'I've always been that person who stood up to the bullies in the high school hallway,' says Sister Lida, who came out at 14 and attended prom with a same-sex date. 'Sometimes, though, bullies are not a person, they're a concept. Sometimes bullies are the inequality in our life.' The Sisters of Perpetual Indulgence originated in San Francisco in the 1970s, a whimsical response to so-called (The Sisters now 'You're creating a superhero. It's a temporary costume that I put on. It gives me anonymity. I become a conduit for people's stories,' says Sister Lida. 'You can tell me your most painful truth or what you're most happy about and you don't know who you're talking to. Sister Lida worked on her makeup during her 'manifestation' at her home in Boston on Sept. 7, 2023. 'It is definitely a moment for reflection and meditation. You're bringing forth your sister persona when you're manifesting. You're creating the work of living art. It's an opportunity to take whatever is happening in your life at the moment and go, 'OK, this goes on pause.' You're here to be part of community and to make sure you're leaving the house centered and ready to be a conduit,' she said. Craig F. Walker/Globe Staff Sister Lida mapped out a route for Sister Betty Esem (right) while departing for an evening out in Boston on Sept. 7, 2023. Craig F. Walker/Globe Staff 'At the end of the night,' she says, 'I get to wash it off and when I do, it leaves me.' A Sister's persona evolves and the names tend to be playful: Sister Faith N. Humanity, Sister Bearonce Knows, Sister Nova Aggra. (Sister Lida Christ is a play on 'Light of Christ.') The outfits? They vary. Sisters typically wear a wimple with a habit or robe that approximates a nun's cloak. Some garments are custom, while others are gems found at Off the Rack, Marshall's, or, for Sisters on the West Coast, Ross. Advertisement 'This one is loosely inspired by Judy Garland's look toward the end of her life,' Sister Lida says, taking a sequined jacket from her closet. 'It's got a loose swing pant and this long, almost-kimono coat.' It's not all about face paint and garish get-ups. The Sisters' practice is focused on ministry, activism, education, entertainment, and service. On this particular day, once she's painstakingly applied her makeup, Sister Lida is driving to a studio to tape a public service announcement. Sister Lida used a water bottle while collecting donations before the Boston Dyke March in Boston on June 7, 2024. The Sisters of Perpetual Indulgence took donations from the crowd before and after the march to fund future events. Sister Lida explained the playfulness involved in their mission, 'I'm not manifesting drag. I'm manifesting my joy for the community." She said, 'I do think there needs to be room for comedy. If we can't be the jester in society, then society has lost its ability to commentate. We are the sacred clowns.' Craig F. Walker/Globe Staff @font-face { font-family: BentonSansCond-Regular; src: url(" format('woff2'), url(" format('woff'); } @font-face { font-family: BentonSansCond-Bold; src: url(" format('woff2'), url(" format('woff'); } .dipgrid { display: flex; flex-wrap: wrap; align-items: stretch; margin: 25px -28px; } .dip__main { position: relative; overflow: hidden; } .dip__image { position: relative; top: 50%; left: 0%; } .dip__image.portrait { height: auto; width: 100%; padding-top: 24px; } .dip__image.landscape { height: auto; width: 100%; padding-top: 10px; } @media only screen and (min-width: 700px) { .dipgrid { display: flex; flex-wrap: wrap; align-items: stretch; max-width: 1200px; margin-left: auto; margin-right: auto; } .dip { width: 48.5%; } .dip:not(:nth-child(2n)) { margin-right: 3%; } .dip__image.portrait { height: auto; width: 100%; padding-top: 10px; } .dip__image.landscape { height: auto; width: 100%; padding-top: 0px; } .dip__main { position: relative; overflow: hidden; } } .dip_cap_cred { font-family: "BentonSansCond-Regular", "Times New Roman", Times, Georgia, serif; font-size: 14px; letter-spacing: .5px; text-align: left; margin: 3px 15px 0px 0px; font-weight: 200; } .dip_cap_cred span{ text-transform: uppercase; color: #6b6b6b; } .theme-dark .dip_cap_cred{ color: #fff; } .theme-dark .dip_cap_cred span { color: #fff; } Sister Lida Christ passed through the Public Garden on her way to the Boston Dyke March in Boston. Sister Lida Christ walked among the crowd at the Boston Common to volunteer for the Boston Dyke March. 'A comforting and inspirational message reminding folks that the arc of justice does swing, and to have faith, work together, and watch out for one another,' she says. To those who think the Sisters are 'I have nothing but the deepest respect for all faiths,' says Sister Lida. 'With the simple caveat that as long as those practicing their beliefs do no harm unto themselves or unto others.' Sister Lida of the Sisters of Perpetual Indulgence took a break backstage during GAY BASH'D at the Roadrunner in Boston. Craig F. Walker/Globe Staff Sister Lida of the Sisters of Perpetual Indulgence entertained the crowd while introducing the next act during GAY BASH'D at the Roadrunner in Boston on June 8, 2024. Sister Lida was a cohost for the prominent Pride party. She said she was reborn when she joined the order. 'When in my life would this have ever happened if I hadn't joined this organization and made a commitment not only to myself but to community? One thing I truly believe is when you say yes to the universe, the universe says yes back to you in ways that you can be not at all prepared for,' she said. Craig F. Walker/Globe Staff Her devotion to the work of the Sisters of Perpetual Indulgence has grown over time, in part because of the country's political climate, which she considers increasingly less tolerant of those who live, or love, on the margins of society. Advertisement 'What I'm seeing are words that we would never use — the n-word, the r-word, the f-word — all these slurs that are coming back,' she says. 'When you say to a kid that queer people don't exist, or you ban this or that book, they don't know. They think they can say the f-word. Then you've got a generation making decisions based on a reality that's not true. 'I'm going to try to make the world better,' Sister Lida says. 'As long as I'm physically able, I'll do this until I'm in the ground.' Sister Lida checked her makeup, wimple, and jewelry before taking the stage. Craig F. Walker/Globe Staff Craig F. Walker Globe Photo. Follow him on Instagram

Paul English and Rachel Cohen's grand wedding at an Irish five star resort was the stuff of fairy tales
Paul English and Rachel Cohen's grand wedding at an Irish five star resort was the stuff of fairy tales

Boston Globe

time2 days ago

  • Boston Globe

Paul English and Rachel Cohen's grand wedding at an Irish five star resort was the stuff of fairy tales

Rachel does remember Paul's 'power pose': arms crossed with a slight lean forward. Paul is the founder of career path working for luxury brands, which, to a guy who wears 'sweatshirts and T-shirts,' was intriguing, he says. On Friday, guests were able to explore the grounds of the 840-acre estate — visiting the falconry and taking carriage rides before the welcome dinner. Most stayed on site for the wedding weekend. Christina Brosnan They matched in November 2019. Rachel, then 31 and a Miami native living in New York then 31, was surprised that the app had connected her with someone outside of her set dating preferences. (She and Paul have a 20-year age gap between them.) Still, when he asked her to dinner at 'She was like, ' Just go — what else are you going to do?' says Rachel. Advertisement At dinner, they were seated next to an Academy Award-nominated actor and an uber-famous fashion magazine editor with an equally famous bob. 'I was listening to him, but I'm also trying to listen to the conversation next to us,' remembers Rachel. The Irish ceremony was not overtly religious, however, the pair incorporated a few Jewish traditions from Rachel's family, including a custom chuppah and breaking the glass. The couple also used Rachel's father's tallit during the ceremony. Christina Brosnan Paul, however, won her attention. Nerves and hesitations untangled over shared plates of pasta before they headed to a nearby jazz club called Advertisement 'It was something I didn't expect,' says Rachel, 'but it was such a great, fun, easy date.' He said he had known the moment she stepped out of a taxi at the date's start that he wanted a second; 'but by the time we got to Groove, I really wanted to see her again." His regular work trips from Boston to New York grew from a few days to long weekends during their budding romance. They took leisurely walks through the city during the day and went to hear live jazz at night, pausing for snacks and cocktails along the way. A dozen strings musicians on pedestals lined the aisle, playing — a vision Rachel had when they first began to plan for their big day. Rachel's processional song was "Hallelujah." Christina Brosnan The Covid-19 pandemic, however, put those dates on hold. They talked daily, exchanging texts between meetings while they worked from their respective homes. 'It felt very quickly like Rachel was my best friend,' says Paul. 'We had only gone out a handful of times, and [then], it was nightly FaceTimes.' When travel restrictions loosened, the relationship began to evolve. They introduced each other to close friends, and weekends together stretched into weekdays. Guests were guided by a team of equestrians and hunting dogs to the next event following the cocktail hour. Christina Brosnan A turning point came around Rachel's birthday in 2022. Paul joined her on a trip to Florida to meet her family. 'It was one of those moments of 'What are we doing? Where do we want this to go?'' explains Rachel. 'Because it could either be like, we leave it as is... casual and just fun, or do we want to try to make this work?' Related : Rachel had found herself falling for Paul's good humor and 'approach to humanity.' Both had been frequent daters before they met, and the contextual contrast, for Rachel, helped: 'When you meet people with substance, it's different,' she says. 'He felt like a different level — it drew me in.' Advertisement In addition to a boots-on-the-ground planning team in Ireland, Rachel turned to Etsy, Canva, and her own graphic design skills to create personalized surprises for their guests — from a Paul-Rachel-themed Monopoly board that was left in the resort's sitting rooms to themed newspapers with information about the two and the weekend ahead. Christina Brosnan Paul loved Rachel's duality — her kindness, as well as, her professional ability to command a room and navigate different personalties. He remembers being impressed by her confidence when he overheard her running a meeting while they both worked from home. Her warmth won over his adult son and daughter from a previous marriage. '[My kids] know she has my back... I think both my kids like how happy I am,' says Paul. 'It feels good to have a best friend and a partner who knows everything — the good, bad and ugly — and [is] still my rock." By April 2023, Rachel had moved in with Paul in Boston, where they currently reside with their miniature Yorkshire terrier, Koko. While the couple calls the Seaport home base, they are largely unmoored, estimating they clock 100,000 travel miles each year. The custom dance floor featured the pair's initials — however, it may have gone unnoticed once their band Brooklyn Soul got revelers out of their seats. Rachel gown is by designer Monique Lhuillier; Paul's tuxedo is by Pal Zileri. Christina Brosnan And after Paul proposed that September — moments before the 60th birthday party Rachel had planned for him at Warehouse XI in Somerville — their international mileage ramped up as they prepared for a wedding in Ireland. The multi-day destination celebration took place at the 19th-century former manor home-turned-five-star golf resort named They worked with Irish wedding planner Advertisement American-born Irish dancers and social media stars The Gardiner Brothers were one of several acts that paid tribute to Irish culture throughout the weekend. The duo performed during dinner, but also "dance bombed" the couple during their reception entrance. Christina Brosnan The extravaganza kicked off Friday afternoon; the couple aimed to surprise and delight. A welcome party featured performers who wrote original poems, played the lira, and passed telegrams between guests. By evening, the manor Tack Room was transformed for live music, burlesque, and magic — and a tight five by Paul — before guests were sent to bed with late-night snacks delivered in custom boxes from 'Koko's pizzeria.' (One of the many custom elements Rachel had designed.) They wed in the afternoon on April 26. While they had anticipated rain (it's Ireland), the ceremony took place under blue skies. The couple had legally tied the knot in a New York City Hall ceremony in January, but their April 'I do's were especially poignant, featuring vows they had written themselves. 'I wanted [our guests] to know what a good human Paul is — a good father, grandfather, partner, businessman,' says Rachel of her vows. 'I wanted people to see that it's more than just the one version that they know... or get to see." The giant (inflatable) polar bear is a running joke for the couple who first saw a street artist wearing the costume while on a trip to Berlin, Germany. Rachel ordered a version of the costume as surprise at Paul's 60th birthday, where it hovered over the pair while he proposed. It would have been rude then not invite the bear to the wedding. Christina Brosnan Rachel's design directive for the black tie optional reception had been 'magical, secret garden.' In the manor's Grand Ballroom, floral overgrowth hung among crystal chandeliers, jewel-tone velvet draped the tables and stage, where TikTok-famous Irish dancers newlyweds' first dance was to Aerosmith's 'I Don't Want to Miss a Thing.' F ol lowing t he wedding, they stayed a few more blissful days to explore the Emerald Isle. Advertisement The memories were plentiful , for Paul, the journey will always be his favorite part. 'When the flight attendant says, 'Please buckle your seatbelt,' I get really excited, because it means Rachel and I are off to our next adventure.' Read more from , The Boston Globe's new weddings column. Rachel Kim Raczka is a writer and editor in Boston. She can be reached at

Wilbury's ‘American Idiot' is a triumphant, headbanging, full-frontal assault
Wilbury's ‘American Idiot' is a triumphant, headbanging, full-frontal assault

Boston Globe

time2 days ago

  • Boston Globe

Wilbury's ‘American Idiot' is a triumphant, headbanging, full-frontal assault

Get Globe Rhode Island Food Club A weekly newsletter about food and dining in Rhode Island, by Globe Rhode Island reporter Alexa Gagosz. Enter Email Sign Up And so, too, does the Advertisement 'American Idiot' has made its way onto the Advertisement Written by Green Day front man Billie Joe Armstrong and Broadway/Metropolitan Opera veteran Michael Mayer, the musical enriches the album's thin and scattered narrative with intriguing theatricality. And with the aid of Tony Award and Pulitzer Prize-winning composer Tom Kitt, who wrote the score for the modern opera 'Next to Normal,' the album's angst-ridden guitar riffs, omnipresent and inventive bass lines, and angry, rapid-fire drumming are complemented with more traditional pit instrument orchestrations. All this makes 'American Idiot' something unique: a musical that bears a resemblance to the traditional theatrical artform, but which comes draped in defiance, sarcasm, and youth-fueled exuberance. In this Wilbury production, under director Josh Short and musical director Milly Massey, there is enough youth-fueled exuberance to light up all of Rhode Island. It is accompanied by a team of terrific local musicians that include Chloe Cordeiro on drums, Ernie Lau on violin, James Lucey on bass, Nick Mendillo on guitar, and Christine Perkins on cello. They are particularly good when leaning into ballads like 'Wake Me Up When September Ends,' but someone needs to turn up the volume so that their spot-on rendition of the no-frills anthem 'St. Jimmy' and the hard rocking 'Give Me Novacaine' causes a greater ripple of vibration in our ribcage. After all, this is a punk rock opera. Short and his designers – Scott Osborne (scenic), Alexander P. Sprague (lighting), and Andy Russ (sound and video) – make sure that this production does not resemble the traditional theatrical artform too closely. There's more performance space than seating – which includes ramps, scaffolding, a trap door, a band stand and a band pit. Everything is littered with urban decay and surrounded by large video screens that display images that establish a sense of time, place and mindset. Actors rock punk fashion is courtesy of designer Dustin Thomas. Advertisement Much of the aforementioned defiance and sarcasm is communicated through Ali Kenner Brodsky's choreography as performed by an ensemble of frustrated, passionate, and aimless youth, played by the talented Perry Barkett, Jenna Benzinger, Alexander Boyle, Sofia DaSilva, Michael Eckenreiter, Grace Graham, Annabelle Iredale, Elisabet Ober, Paige O'Connor, Henry Stanton, and Justin Alice Voena. The dance emerges as edgy, explosive movement that would seem organic and guttural if not for the occasional moments when it appears a tad premeditated. Eckenreiter, as Johnny, has the prerequisite hair, physicality, acting chops, and guitar virtuosity to play an endearing antihero. Just not the extraordinary voice needed to sell his solos or stand out in shared songs like 'Jesus of Suburbia' and 'Tales of Another Broken Home.' Fortunately, extraordinary voices – as well as incredible intensity and remarkable stage presence – can be found in Benzinger as Johnny's short-term girl, Whatsername; O'Connor as the walking pharmacy, St. Jimmy; Boyle and Stanton as Johnny's best friends, Tunny and Will; and Iredale as Heather, Will's pregnant girlfriend. Green Day was inducted into the AMERICAN IDIOT Book by Billie Joe Armstrong and Michael Mayer. Music by Green Day with Lyrics by Billie Joe Armstrong. Directed by Josh Short. At Wilbury Theatre Group, WaterFire Arts Center, 475 Valley St., Providence. Through June 22. Tickets are $5-$35. 401-400-7100, Advertisement Bob Abelman is an award-winning theater critic who formerly wrote for the Austin Chronicle. Connect with him

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store