
Taylor, Mulder show why cricket is called the game of gentlemen
When two teams play in a Test match in white kits – with eleven fielders scattered all over the ground – the view is simply spectacular, especially in a place like England.
England is renowned for its marvellous stadiums with breathtaking views in the backdrop. The overcast condition and blowing wind adds to its charm. The spectators are usually seen wearing a tie and hat, which is seldom accompanied by a stick, giving them a look of an English gentleman.
These gentlemen are often seen in the company of their bella donnas. The fans acknowledge a good shot or a dismissal by gently clapping, irrespective of the team they are rooting for. They never forget to give a standing ovation to a batter who plays a good knock or a bowler who picks up the most wickets without any bias.
But, it is always the players who steal the show when it comes to the discipline, behaviour and respect for the peers and the past greats.
Mark Taylor
Cricket history is replete with such examples when the opposition captain called back a batsman after he was declared out by the umpire to show sportsmanship.
Many instances are found in the history of the game, when bowlers have come to the rescue of batsmen after having hit them with an unintentional bouncer or a beamer. The Incidents became the folklore of cricket fraternity for a kind gesture or apologetic behaviour of a certain player.
But, two instances which stand out among all the kind and good gestures shown by the cricketers till date and will remain etched in the memories of the fans, came from two players from completely different eras, different countries and different backgrounds.
Australia's former captain Mark Taylor and South Africa's stand-in skipper Wiaan Mulder both declared their innings out of respect for the past greats. Taylor, when batting on 334 against Pakistan in Peshawar, declared his innings due to respect for the Australian great Don Bradman, the greatest batsman ever to have graced the game of cricket with an average of 99.96 in Tests.
He declared his innings as he did not want to go past Bradman. He could have gone on to play and may have become the first person to reach the magical figure of 400, which was breached many years later by the West Indian great Brian Lara.
But, he chose to remain on the same score as that of Bradman. After the match, Taylor said that he did not want to go beyond Australia's greatest batsman.
In an interview with cricket cricket.com.au, years later, Taylor revealed his decision.
'I spent hours that night contemplating what to do. I finally got to sleep at about 2 o'clock in the morning. I was thinking about what to do so I certainly didn't crash as well as I'd hoped.I think ideally I would have batted on for 20 minutes just to put their openers out in the field for 20 more minutes before we declared,' Taylor was quoted as saying by cricket.com.au.
'But, I thought if I did that I would then end up on 340 not out or something like that and I think people would have assumed that I'd batted on just for my own glory.
'I didn't want to send that message either so the more I thought about it, I came to the decision that the best thing I can do is declare (and) end up on the same score as Sir Donald, which I'm more than delighted with,' he added. Memories of Taylor's gesture of paying a tribute to a legend were revived when South Africa's Mulder declared his innings while batting on 367 not out against Zimbabwe.
Mulder had a chance to get his name etched in the pinnacle of the sport by breaking the record of Lara. He was just 33 runs short of Lara's 400-run mark. But instead of trying to break the record of Lara, he preferred to declare the innings as a befitting tribute to the great batsman.
After the match, Mulder said in the-match conference, 'Brian Lara is a legend. He got 401 or whatever it was (it was 400) against England. For someone of that stature to keep the record is pretty special.'

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Gulf Today
a day ago
- Gulf Today
England beat Sweden on penalties to reach Euro semis
England roared into the semi-finals of Women's Euro 2025 on Thursday after coming back from two goals down and then beating Sweden 3-2 in a chaotic penalty shoot-out to continue their title defence. Smilla Holmberg blasted over from the spot to settle the shootout drama in Zurich after the match finished 2-2 thanks to Lucy Bronze and Michelle Agyemang's quick-fire strikes just as England looked to be limping out of the tournament. The reigning European champions were staring at elimination with 11 minutes remaining in normal time after Kosovare Asllani, who opened the scoring with her 50th international goal in the second minute, and Stina Blackstenius shot Sweden into a two-goal lead at half-time. England will face Italy, who are in the last four for the first time since 1997, in the last four in Geneva on Tuesday after a rollercoaster comeback. 'Not how we planned it to be, of course, but it's a learning experience that we put in our back pocket and learn from going forward,' Chloe Kelly, who was key to both England goals and took one of the few good penalties of the shootout, told reporters. 'We solved the problems and then it was about getting back in the game. The resilience of the team is incredible.' Defeat ended Sweden's bid for a first major honour since winning the first official Euros back in 1984, Peter Gerhardsson's team falling in the most painful of fashions. Goalkeeper Jennifer Falk, who saved four penalties, had the chance to send Sweden through but like Holmberg she scooped her effort over the bar and gave England the chance to reach the last four. 'All analysis feels fairly pointless right now, right now it's melancholy. You feel a certain sadness that it turned out this way,' said Sweden coach Peter Gerhardsson. England survive: England scored 10 goals in their final two Group D matches to reach the last eight but showed none of that attacking flair in the early stages at the Letzigrund Stadium. Sweden were on the front foot from the off and somehow it was no surprise when Asllani drilled home her opener after just one minute and 46 seconds, the attacking midfielder being left completely free to collect Blackstenius' lay-off and score. Jess Carter's loose pass led to that goal and moments later goalkeeper Hannah Hampton almost gifted Blackstenius her third goal of the tournament after miscontrolling the ball and allowing the Arsenal striker to bear down on an open goal before Leah Williamson slid in to cut out the danger. Lauren Hemp's pot shot was brilliantly tipped onto the bar by Falk but that was a rare bright spot in a dismal opening half for England, who were deservedly two behind at the break. Blackstenius showed how lethal she can be in the 25th minute when she raced in behind a dozing English defence, collected Julia Zigiotti Olme's pass, held off Carter and slotted home. England were brighter after the restart and Hemp should have halved the deficit when she failed to direct Lauren James' cross on target. And Bronze gave England hope by heading home a searching cross in the 79th minute from Kelly, one of four late substitutions alongside Agyemang who two minutes later reacted quickest to a loose ball and prodded England level. Extra time passed without much incident and that left the shootout in which a parade of poor penalties ended with Holmberg ballooning her effort way over and sending England through. Wiegman hails his players: An exhausted looking Sarina Wiegman said Thursday's wild finish made England's comeback victory. 'The adrenalin is still flowing, I can't remember anything like this,' Wiegman said. 'The team just fighting to get back in the game, that's the quality that's so strong in this team, they're together, fighting back, sticking together and just showing so much resilience.' Wiegman subbed on Agyemang, Beth Mead and Esme Morgan in the 70th minute, and then Chloe Kelly shortly after, and the attacking intensity instantly picked up. 'That really helped at that moment,' Wiegman said. Agencies


Time Out Abu Dhabi
2 days ago
- Time Out Abu Dhabi
5 reasons to visit Louvre Abu Dhabi this summer
If you're looking for an exciting (and blissfully) air-conditioned thing to do this summer, why not head to Louvre Abu Dhabi? Tucked away on Saadiyat Island and topped with that iconic dome that plays with sunlight like a dream, the museum has lined up some brilliant experiences over the sunny months. From VR time-travel to seeing a historic painting and cosmic fun for the kids, this season is packed with reasons to swing by. Here's why you should book your next outing at Louvre Abu Dhabi. Cheaper tickets for UAE residents First off, there's a handy 30 percent off on online bookings for UAE residents, so tickets worth Dhs65 are now available for Dhs45. That's a decent little bonus for planning ahead. And if you're visiting with kids under 18, even better, there's a cosmic exhibition at the Children's Museum that's completely free for them. VR takes you back in time One of the biggest highlights this summer is the new Quantum Dome Project – a collective VR experience that's like a time machine. This 40-minute adventure lets you journey through Imperial Rome, medieval Baghdad and Mughal India in a race across centuries. Tickets are Dhs95 for Louvre Abu Dhabi's admission tickets holders. It's family-friendly, accessible by wheelchair users and available in Arabic, English and French. On weekdays, the last session kicks off at 6pm, while on weekends, it runs until 8pm. See Una Bulaqueña for the first time in the UAE Art lovers will want to make time for Una Bulaqueña, now on display for a year. Painted by the famed Filipino artist Juan Luna in 1895, this rare masterpiece is on loan from the Philippines and hasn't often been seen outside the country. There are some exciting new arrivals worth checking out as well. From a striking portrait of Kosa Pan, Siam's first ambassador to France, to a dreamy Venetian scene by Canaletto, the latest additions span continents and centuries. There's also a self-portrait by 19th-century French artist Antoinette Haudebourt-Lescot, a bold abstract work by Kandinsky, and a limestone head of a youth from ancient Cyprus. Whatever age of history you want to travel back to, there's plenty to admire on your next visit. Take kids to see a space-themed experience at the Children's Museum There's a must-see space-themed experience called Picturing the Cosmos at Louvre Abu Dhabi's Children's Museum. Spread across three floors, the exhibition invites young minds to think about how different cultures throughout time have viewed the stars, planets and universe. There are plenty of hands-on games and activities to keep them entertained while learning something new (bonus points for that). Go on a Family Treasure Hunt And if you've got young adventurers in tow, don't miss the Family Treasure Hunt. It's a mobile game available in five languages – Arabic, English, French, Chinese and Russian – designed to keep curious minds busy. All you need is your phone. Scan the code, follow the clues, and explore the permanent galleries in a fresh, puzzle-solving way. From Dhs45. Open Tue-Thu, 10am-6.30pm (exhibition), Fri-Sun, 10am-8.30pm. Closed on Mon. Saadiyat Cultural District, Saadiyat Island, .


Broadcast Pro
3 days ago
- Broadcast Pro
White Oryx Short Film Festival opens submissions for 2025 edition
The open call invites short films, documentaries, animations and music videos with a maximum runtime of 20 minutes. The White Oryx International Short Film Festival (WOIS Film Fest), an initiative of the Manipal Institute of Liberal Arts (MILA) at Manipal Academy of Higher Education (MAHE) – Dubai Campus, has announced its open call for submissions for the festival's fourth edition. Set to run from November 26 to 28, 2025, the event will be hosted at Dubai Knowledge Park and the MAHE Dubai campus in Dubai International Academic City. Now widely recognised as Dubai's short film event, WOIS Film Fest is a student-led initiative dedicated to celebrating short-form storytelling and amplifying emerging voices in cinema, particularly among students and amateur filmmakers from the UAE, GCC region and beyond. The three-day festival will showcase a diverse lineup of films that reflect the creativity, passion and cultural depth of their creators. In addition to curated screenings, the event serves as a vital platform for networking and community-building within the regional and international film community. This year, the festival has also partnered with Cininfo, a creative network of artists and filmmakers based in India. Submissions are open to short films, documentaries, animations and music videos, with a maximum runtime of 20 minutes. Eligible entries must have been completed after January 2024, be appropriate for general audiences, and include English subtitles if not in English. The competition is open free of charge to school and university students as well as independent filmmakers from across the GCC. The 2025 edition will present awards in four categories: Best Short Film – UAE, Best Short Film – UAE University, Best Short Film – UAE School and Best Short Film – GCC Shorts, which includes entries from Bahrain, Kuwait, Oman, Qatar and Saudi Arabia. Winners will be honoured with the Golden Oryx Award, a mark of excellence in regional short-form filmmaking. Past winners have received filmmaking kits sponsored by Nikon MEA. Prof. Elsa Thomas, Chairperson of MILA and Festival Chairperson, said: 'At the Manipal Institute of Liberal Arts, we believe that storytelling has the power to shape perspectives, spark dialogue, and drive change. The White Oryx International Short Film Festival is not just a showcase of student talent, it is a movement that empowers young filmmakers to nurture original thought, explore bold ideas and fearless creativity, challenge norms, and share narratives that matter. Through this platform, we are proud to cultivate a new generation of creators who are not only technically skilled but also socially conscious and culturally rooted, all vital to the creative economy we aim to inspire through MILA.' More than a showcase of films, the WOIS Film Fest experience includes hands-on workshops, engaging panel discussions, and direct interactions with film and media professionals. With over 5,000 submissions received globally in previous editions, the festival continues to establish itself as a major creative outlet for young and independent filmmakers in the region. Submissions for the 2025 edition will remain open until July 31, 2025.