
Documentary Reveals The Beauty And Fragility Of Wellington's Underwater Forests
Seaweed: A Love Story is a powerful short documentary diving into the hidden underwater forests along Wellington's coast. The film draws attention to the previously undocumented decline of these vital nursery grounds and habitats.
This 17-minute documentary captures the drastic changes unfolding on the rocky reefs of Te Whanganui-a-Tara (Wellington Harbour). It follows local marine advocate Dr. Nicole Miller as she scuba dives and films 70 kilometres of coastline, revealing the intricate beauty and diversity of our native seaweeds, and exposing the growing threats these vulnerable ecosystems face from overfishing, pollution, and climate change.
Produced by SALTY SLATE in collaboration with Explore Your Coast, Seaweed: A Love Story was filmed over two years and blends art, science, and technology to highlight both the beauty and the urgent plight of Wellington's underwater forests. The film invites viewers to dive alongside Dr. Nicole Miller and experience the delicate beauty of these vital ecosystems.
'The seaweed forests along our coastlines are nursery grounds for many treasured kaimoana species, including pāua and crayfish. Like rainforests on land, our seaweeds support many other species and build the foundation for a food web that benefits penguins, dolphins, and us,' says Dr. Miller.
'This is more than just a documentary; it's my personal story and a powerful call to action to save our underwater forests. We hope to inspire Wellingtonians to protect these incredible ecosystems and the species that depend on them — from seahorses, octopuses and kaimoana to the diverse marine life that thrives there, before it is too late.'
Seaweed: A Love Story will premiere on May 5, from 6:30 to 7:30 PM, followed by a special Q&A session with the director, film lead, and local scuba divers at the Penthouse Cinema, 205 Ohiro Road, Brooklyn, Wellington.
Tickets available at https://www.penthousecinema.co.nz/movie/seaweed-a-love-story.
Watch the Seaweed: A Love Story trailer: www.exploreyourcoast.co.nz/docu.
About Dr. Nicole Miller
With almost 1,000 hours logged underwater, Dr. Nicole Miller has dedicated her life to documenting the rich biodiversity of New Zealand's marine environments. She is the founder of Explore Your Coast, the Chair of the Friends of Taputeranga Marine Reserve Trust, and a Winston Churchill Fellow.
About the producers
SALTY SLATE Ltd. and Explore Your Coast have collaborated to connect people with New Zealand's natural marine heritage. By combining scientific expertise with creative storytelling, they aim to inspire stewardship and raise awareness about the importance of protecting coastal ecosystems.
For more information and to sign up for upcoming events, visit www.exploreyourcoast.co.nz/docu.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Scoop
08-05-2025
- Scoop
Wellington's Summer Of Events Delivers $15.9 Million Economic Benefit To The Capital
Press Release – WellingtonNZ Newly released figures highlight the positive impact of the citys summer schedule of major, regional and performance events Wellington's event line-up took centre stage throughout the summer months, delivering an estimated $15.9 million of visitor spend through its diverse programme of events. Summertime calendar highlights including Jim Beam Homegrown, Māoriland Film Festival and Toast Martinborough drew impressive crowds, and sports action including BLACKCAPS and WHITE FERNS cricket matches and the NZ Breakers basketball game proved popular with local, out of region and international visitors. Adding to the city's vibrant arts and music scene were five sold-out comedy shows at the Michael Fowler Centre featuring Sarah Millican, Paul Smith, and Jack Whitehall, three sold-out Graham Norton shows, Groove Armada at TSB Arena, and the launch of the St James and Opera House theatre tours. Between December 2024 and March 2025, Wellington hosted 72 events spanning major, regional and performance events, resulting in 211,686 people taking to the region over that period. Heidi Morton, WellingtonNZ Events & Experiences General Manager, says: 'Events bring vibrancy, liveliness and atmosphere to Wellington for both locals and visitors – and this summer was no exception. Featuring a fusion of sports, festivals, music and arts events in the calendar, there was something for everyone this season. 'These impressive results endorse the capital's major events strategic framework delivered by WellingtonNZ, working in partnership with the events sector to maximise the economic, reputational and social outcomes to the region. The accommodation, hospitality and retail sectors have all seen a benefit from the breadth of events that have taken place over the last few months.' Recent research figures have revealed that 90% of locals agreed that hosting events makes Wellington a great place to live. 'Events don't just fill calendars – they ignite civic pride and bring communities together. Wellingtonians are strong supporters of our events schedule and it's important that continues,' says Heidi. While summer remains a key season, WellingtonNZ's events teams recognise the broader impact of events and actively secure a vibrant, diverse line-up to keep the city's calendar thriving year-round. This autumn and winter, the city welcomes an eclectic schedule including NZ International Comedy Festival, Kia Mau Festival, a series of All Blacks and Black Ferns matches, Hot Wheels Monster Trucks, Visa Wellington On a Plate, Beervana, Dracula's: Sanctuary, and Mamma Mia – an exclusive to Wellington. For more information about WellingtonNZ's events programme or to secure tickets, visit Notes: Wellington's Major Events, Regional Events and Performance Events between December 2024 and March 2025 wrap-up estimated figures: 72 events in total hosted across the region 211,686 total attendance $15.9 million visitor spend 102,736 bed nights 88% average guest satisfaction About WellingtonNZ: WellingtonNZ's purpose is to make the Wellington region thrive as a place to live, visit, study, work, do business, and invest. The organisation's mission is to create a thriving region for all; with more businesses succeeding and employing more people, more people participating in and attending events and experiences, and supporting more collaboration and engagement across the region. WellingtonNZ supports businesses to build capability, attracting, hosting and investing in events, running civic venues, marketing and storytelling, and destination development. The organisation receives funding from Wellington City Council, the Greater Wellington Regional Council, Central Government, and a range of private sector partners.


Scoop
08-05-2025
- Scoop
Wellington's Summer Of Events Delivers $15.9 Million Economic Benefit To The Capital
Wellington's event line-up took centre stage throughout the summer months, delivering an estimated $15.9 million of visitor spend through its diverse programme of events. Summertime calendar highlights including Jim Beam Homegrown, Māoriland Film Festival and Toast Martinborough drew impressive crowds, and sports action including BLACKCAPS and WHITE FERNS cricket matches and the NZ Breakers basketball game proved popular with local, out of region and international visitors. Adding to the city's vibrant arts and music scene were five sold-out comedy shows at the Michael Fowler Centre featuring Sarah Millican, Paul Smith, and Jack Whitehall, three sold-out Graham Norton shows, Groove Armada at TSB Arena, and the launch of the St James and Opera House theatre tours. Between December 2024 and March 2025, Wellington hosted 72 events spanning major, regional and performance events, resulting in 211,686 people taking to the region over that period. Heidi Morton, WellingtonNZ Events & Experiences General Manager, says: 'Events bring vibrancy, liveliness and atmosphere to Wellington for both locals and visitors – and this summer was no exception. Featuring a fusion of sports, festivals, music and arts events in the calendar, there was something for everyone this season. 'These impressive results endorse the capital's major events strategic framework delivered by WellingtonNZ, working in partnership with the events sector to maximise the economic, reputational and social outcomes to the region. The accommodation, hospitality and retail sectors have all seen a benefit from the breadth of events that have taken place over the last few months.' Recent research figures have revealed that 90% of locals agreed that hosting events makes Wellington a great place to live. 'Events don't just fill calendars – they ignite civic pride and bring communities together. Wellingtonians are strong supporters of our events schedule and it's important that continues,' says Heidi. While summer remains a key season, WellingtonNZ's events teams recognise the broader impact of events and actively secure a vibrant, diverse line-up to keep the city's calendar thriving year-round. This autumn and winter, the city welcomes an eclectic schedule including NZ International Comedy Festival, Kia Mau Festival, a series of All Blacks and Black Ferns matches, Hot Wheels Monster Trucks, Visa Wellington On a Plate, Beervana, Dracula's: Sanctuary, and Mamma Mia - an exclusive to Wellington. For more information about WellingtonNZ's events programme or to secure tickets, visit Notes: Wellington's Major Events, Regional Events and Performance Events between December 2024 and March 2025 wrap-up estimated figures: 72 events in total hosted across the region 211,686 total attendance $15.9 million visitor spend 102,736 bed nights 88% average guest satisfaction About WellingtonNZ: WellingtonNZ's purpose is to make the Wellington region thrive as a place to live, visit, study, work, do business, and invest. The organisation's mission is to create a thriving region for all; with more businesses succeeding and employing more people, more people participating in and attending events and experiences, and supporting more collaboration and engagement across the region. WellingtonNZ supports businesses to build capability, attracting, hosting and investing in events, running civic venues, marketing and storytelling, and destination development. The organisation receives funding from Wellington City Council, the Greater Wellington Regional Council, Central Government, and a range of private sector partners.


Otago Daily Times
30-04-2025
- Otago Daily Times
Art seen: May 1
"Easter Exhibition", group show (Gallery Thirty Three, Wanaka) Gallery Thirty Three's "Easter Exhibition" is a gem, featuring intricate sculpture, quirky still life, and profoundly impactful landscapes, showcasing the new works of six artists in multiple media. In Peter Miller's oil paintings, vintage toys are depicted against cloudy, neutral backgrounds, as if emerging from the depths of our memories. With their flaked paint and the solemn composition, they could feel like the silent, abandoned relics of a long-ago childhood; but instead, the toys seem to be captured in action, forever at play, the tractor leaving the fields after a long day, the race car heading for victory. Miller perfectly captures the power of imagination that's hopefully never lost. Caroline Bellamy's gorgeous landscapes are stylised and just slightly abstracted, with sharply sketched-out planes and lines. With bold, dynamic brushstrokes and dramatic use of shadow, her rolling mountains seem to shatter into geometric fragments from one angle, then piece smoothly together from another. Stephen Howard skilfully blends out edges and texture in his Fiordland Rain Cloud paintings to create an intense sense of atmosphere. The clouds are closing in, the light is focused and resilient; you can imagine the clean, renewing smell of rain in the air and the first touch of mist. Fiordland Rain Cloud #3 has a minimal palette and a hazy simplicity of form, but it resonates with emotional power—the light in the dark, the moment of realisation during the storm. "Treasures", Group Show (Milford Galleries, Queenstown) Celebrating the opening of their new gallery site in Queenstown's Gorge Rd, Milford Galleries has curated a visual journey through some of the peaks, highlights, and seminal moments in New Zealand's art history. "Treasures" is a showcase of culturally significant and beautiful works, spanning decades of artistic innovation and exploration, from the expressive sense of place and connection in the 1970s modernism of Toss Woollaston to the striking imagery and immersive narratives of Lisa Reihana. Alongside his iconic beehive paintings, Michael Hight's Paterson Inlet and the recent Arrow Junction blend still life, landscape, and elements of the Wunderkammer, the cabinets of curiosity, creating the impression of stepping into the "storeroom" of our minds, with objects, locations, and emotions being inextricably entwined in our memories. Among the paintings, it's also a treat to see Gretchen Albrecht's 1978 Illumination (3) again, a work of abstraction that always reminded me of an open book and quill, the knowledge and imagination within the pages surging upwards like fire. The expansive, airy space of the new gallery is perfectly suited for sculptural displays—and sculpture is arguably the star of the show here, with Neil Dawson's expert manipulation of architectural angles, light and shadow in Vanishing Point 6 and Reflections — Clouds , the pared-back avian imagery and sleek lines of Mike Crawford's cast glass, and Paul Dibble's majestic bronze bird forms in The Lost Garden and the unexpectedly tense-feeling Flock . "Purely Pastel 2025", PANZ (Pastel Artists of New Zealand) (Central Stories Museum and Gallery, Alexandra) The Pastel Artists of New Zealand are holding their national exhibition at Alexandra's Central Stories, and it was a privilege to see the works of "Purely Pastel 2025". From sun-drenched hills to blue-tinged icy plains and chaotic, dangerous seas, the landscapes are evocative and atmospheric, in some cases almost vibrating with the harnessed power of the elements. The still life works are intricately detailed and playful in their choice of subject, and the portraits — of both people and animals — so lifelike and life-filled that a personality seems to reach out through the canvas. The sheer range of subjects, technique, and application is striking, and viewers could spend hours examining every inch of each canvas for surprising and clever details. In works like Jackie Krzyzewski's Grapes on the Vine , the almost translucent bloom on the grapes is touched by the light, with both a richness of colour and delicacy of detail; like the glittering icy sheen of Olga Parr's Silver Blue , the parched, deserted land in Michael Freeman's Petrified , and the thoughtful regard and suppressed humour of Anne Berry's portrait Red Nails , it's a piece where people will look closely to see exactly how many different tones and layers created the illusion of realism. Some works are photorealistic and others more stylised and impressionistic; all are impactful and often extremely emotive. Visitors can vote for the piece to which they're most drawn, but this isn't a show of one or two standouts—every work is worth seeing, and I suspect there'll be a wide range of favourites.