
Kim Kardashian 'grandpa robber', 69, dies a month after his conviction
's 'grandpa robber' has died a month after he was convicted of stealing jewellery worth $10million from the reality television star.
Didier Dubreucq, 69, was diagnosed with lung cancer during pre-trial detention and had been undergoing chemotherapy.
He was among ten suspects to be tried earlier this year for stealing jewels from the star, including a huge diamond ring from her now ex-husband, rapper Kanye West.
Dubreucq, who police nicknamed 'Blue Eyes' due to his piercing gaze, was accused of being the second person who stormed into Kim's hotel room on October 2, 2016, but he denied the charges.
A Paris court last month sentenced him to seven years in jail, including five suspended, for the robbery.
He was absent for the ruling as he was undergoing chemotherapy, and did not return to jail as he had already served his two years in pre-trial detention.
In April, he had however turned up in court after a chemotherapy session to say he had 'nothing to do' with the theft.
He said he did not like to be labelled an 'armed robber' despite having served a 23-year sentence for past armed robberies.
He rejection suggestions that he is a 'thug' and said: 'I'm a good guy.'
Since becoming a father at the age of 50, Dubreucq added that he had put an end to his 'big mistakes' of the past.
None of the eight people convicted last month returned to jail, including 69-year-old ringleader Aomar Ait Khedache, because of the time they had spent behind bars while awaiting trial.
A few hours after the verdict, Dubreucq addressed the court in a letter read by his lawyer.
He wrote: 'I never participated in this jewelry theft. You don't condemn a man on the altar of suspicion and doubt.'
Dubreucq even addressed a few words Kim, who was held captive and gagged during the robbery, as well as to Abderrahmane Ouatiki, a receptionist at the hotel where the star was staying at the time of the events.
He said: 'The ordeal they endured deeply disturbed them, and I felt the trauma they are experiencing today in their voices. It did not leave me indifferent. I dare to hope that in time they will find the path to healing.'
The audacious early hours raid in October 2016 took place at the height of Paris Fashion Week, and at the height of the socialite's fame.
Kim was alone in the penthouse apartment of her hotel, dozing on the bed in a silk nightgown, when two men disguised as policemen burst into the room and held a gun to her head.
The celebrity was bound and gagged, 'like a sausage' and dumped in the bath of her ensuite bathroom while robbers spent 49 minutes snatching millions of pounds worth of gems and watches including her 18.88 carat diamond engagement ring.
As they fled, one robber dropped a platinum cross adorned with diamonds that was recovered the following morning.
A visibly traumatised Kim fled the country by private jet after giving a brief statement to French detectives and was consoled by then husband Kanye who halted a concert, telling fans he had a 'family emergency'.
In the intervening years, the mother told how she feared for her life and cried: 'Don't kill me, I have babies!'
Kim has been denied justice for years, with delays on bringing the case to court blamed on the priority of high-profile terrorist trials.
There were also fears that the publicity of this trial would destroy Paris' reputation as a high-class tourist destination ahead of the 2024 Olympic Games.
But last month the reality TV star re-lived her terrifying ordeal that occurred almost nine years ago when she gave evidence in the trial.
A career criminal known as 'Old Omar' was accused of masterminding the heist that was France's highest value robbery in a decade.
Omar's 79-year-old mistress Christiane 'Cathy' Glotin was also said to be involved.
Old Omar denied being the mastermind of the heist. He instead said another man, who he refused to name, presented the opportunity to him.
He claimed this man presented detailed plans, including layouts of the hotel building and pictures of Kim wearing the prized jewellery.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
43 minutes ago
- The Guardian
‘Smooth with a sinister edge': readers on who the next James Bond should be
Bond should have an element of danger about him. So yes Tom Hardy immediately springs to mind. I also think Tom Hiddleston would be good at a more lighter touch Bond though, the Roger Moore to Hardy's Connery. All the other candidates either sound way to young or in the case of Idris Elba, great actor though he is, a bit old for the role. machinehead Whilst Idris and Tom Hardy would undoubtedly have been excellent – Tom Hardy, in particular, has that undercurrent of menace that Connery always carried – as, I think, would Christian Bale, their time has passed. I did think Nicholas Hoult might be a reasonable pick, though possibly too 'pretty'. But were I casting it, my money would go on Jack O'Connell: right age, English, dashing and could probably do rugged, thuggish violence if SAS Rogue Heroes is any guide. EvanByrne2 Ten years ago I'd have said Tom Hardy was a gimme, I think he still has the action chops for it, but is now over 50 so … Norton as the first ginger Bond? I reckon he's a good shout, Richard Madden and Kit Harington have also got to be in with a shout having both done pretty well in spy caper action roles before. DezzyDisco Jack O'Connell. Very impressed with his Paddy Mayne in SAS Rogue Heroes. The right blend of charm and danger. JudeScorpio I never would have believed that I would ever have typed the names James Bond and Eddie Redmayne in the same sentence. It would have been a bit like suggesting Kenneth Williams should on the shortlist. However, Mr Redmayne was chillingly good in The Jackal and he would be a very different kind of cold and calculating Bond. Nigeleastsussex I think the next one needs to be JANE BOND. Since fact is stranger than fiction, there are plenty of real life examples of heroic women of the cold war intelligence/espionage world, from which an excellent writer can draw upon. An exemplary performance was provided by Noomi Rapace in The Girl with the Dragon Tattoo (2009). Consider the economic success of the Wonder Woman movies – which may be difficult for Bezos to grasp. NotACustomer Definitely James Norton. He has the looks, the acting skills and experience and would be perfect as the next 007. christinen101 No more Bonds, for Heaven's sake! They lost the plot, over-hyped the character, killed any humour or charm and turned Bond into some kind of American action cartoon. Just watch Dr No or something and move on. fabcat21 Matthew Goode. I have nothing to add. Riotsnotdiets Hugh Laurie, obviously. He can play anything, especially upper-class Englishmen who can morph into convincing Americans when required. Erbium Boris Kodjoe! Handsome, tall, fit, wryly funny, and a pretty decent actor. Knowitallie I quite like the idea of Tom Ellis. He would be smooth after Daniel Craig's more gritty performance. I guess more in the Roger Moore range. But with Denis Villeneuve in the director's chair not sure it would work. Tom Hiddleston would also make a good choice. MillyTant I think George MacKay (1917) would make a great Bond. He's got that look that mixes vague meanness with woolly competence, so he could fit all kinds of different scenarios. Trying to replace Daniel Craig (RIP) with another toughie street fighter would be too easy. I think MacKay also adds a spoonful of the eccentric enigmatic, would make him tough to pin down but still quite vulnerable. studious1 Tom Hiddleston. Another visceral actor would just look shite compared to Craig so I would go for a more cerebral Bond but with enough gravitas to stop it looking like a parody (unlike Brosnan). FeedTheEnemy Chris Hemsworth might be a good option. Depends if they want to go hardcore like Craig's Casino Royale or if they want to ham it up like Roger Moore's tenure. TheMrGaffer Jack Lowden would be a good shout. I'd like to see the role reclaimed for Scotland. mikebhoy Tom Hiddleston, after seeing his work as Jonathan Pine in The Night Manager. Smooth with a sinister edge. DewinDwl Robert Pattinson. He played a suave agent in Tenet. He's got the looks, the charisma, the elegance. BTW my solution to the reboot problem is to take a leaf from The Man With the Golden Gun's book (literally, from the book). Bond has lost his memory (so no need to include his new family from No Time To Die). He also suffered burns in the explosion and has had to have plastic surgery so, cough, he looks completely different. But we get to keep his found family of SIS team members who I love – Ben Whishaw, Naomie Harris and Ralph Fiennes. catwhowalksbyitself How about Matthew Macfadyen? He can do the upper-class British thing, but after seeing him be a real asshole in Succession I think he can do just about anything. kirkmc1 My pick would be Ṣọpẹ́ Dìrísù, he has the action stuff, he has the acting chops; just check out the first few episodes of Gangs of London for the audition tape. Richlieu Like the idea of Tom Hardy; Idris – maybe a little too old? Don't know? Am I being ageist here? I see someone has mentioned James Norton – he has great charisma and range. JojoSum Tom Hardy is probably too old now, as he's pushing 50. Proper reboot territory should have Bond mid to late 30s. Theo James is a good call, he's already done the 'posh hardman' routine in The Gentlemen, like Craig, who basically got the gig after his turn in Layer Cake. Owlyross Regé-Jean Page is the obvious contender. He has a solid fanbase but is not yet typecast, and has a fluidity that would enable the role to be reimagined without changing 007 completely and alienating diehards. Not exactly unknown of course. Estella1960 Dan Stevens would be my choice. About the right age, looks the part and can prove experience in both action and comedy. And he did an excellent film a few years back called The Guest where he played a steely-eyed murderous bastard to perfection. Sadly he's one of those 'tipped for big things a decade ago' actors who might be regarded as a bit of a yesterday's man for such a high-profile role these days (although he's done fine work since). Kevcoe I would personally go for Jack O'Connell as an outside bet. It won't happen of course. And he's a bit short, but so was Craig. But he definitely has the charisma and the acting chops to pull it off. Lazygunn As a longtime fan of the Bond franchise, I'm surprised that one actor's name hasn't come up in casting speculation, and that is Tom Weston-Jones, who I first became aware of via his starring role in Copper. After just a couple of episodes, I thought from the intensity he projected, especially with his eyes, that he would make a great James Bond. Creative_Conquest


Telegraph
an hour ago
- Telegraph
‘Even Paris taxi drivers have opinions on Dior': Jonathan Anderson makes his debut
For someone making his debut on the world stage in the biggest job in fashion, embarking on a volume of work that's almost unheard of, 40-year-old Irishman Jonathan Anderson was cheerfully relaxed on the morning of his inaugural men's show at Dior. In the citadel of a show venue that Dior has installed against the gold-gilt majesty of the Hôtel des Invalides, he swerves a van that's offloading provisions and swings open its doors unexpectedly, threatening to fell Dior's new all-powerful creative director before he's even begun. 'That wouldn't have been a great start,' he jokes. Then it's down to business curating the biggest moment of his life so far. Anderson's been up until dawn – a celebrity fitting with a star renowned for her elastic take on time (we wager Rihanna, who was front row at the show) – but he's fizzing with energy about this momentous day. It's certainly seismic in terms of fashion. In February, he was announced as the new creative head of Dior Men, later confirming that he would take over not just the menswear but the women's ready-to-wear, couture, resort collections and accessories. That might sound standard, but it's not – houses traditionally split the workload of the two, and Dior is a French national treasure with the output to match. No designer has worked at this prolific level since Karl Lagerfeld, who famously split his time between Chanel, designing for Fendi, and his own line. Anderson's aware of what has gone before: John Galliano's infamous departure from the house following an anti-Semitic rant, which he later claimed was the result of a substance abuse-fuelled, cataclysmic burnout. But if he has butterflies at the task ahead, he's not showing it. 'I can't say that I'm not nervous or I'm not petrified – this is Dior and we are in France after all – but I'm really focusing on trying to enjoy it. I'm relaxed, I'm ready,' he says. You'd be forgiven for having not heard of Anderson before, but in fashion terms he's revered. After starting his own namesake label in London, a tenure at Spanish house Loewe, owned by Bernard Arnault-run parent house LVMH duly followed in 2014. It resulted in a full Loewe-vication of fashion, creating a greatest hits seller of an accessory (a must at LVMH) in terms of the Puzzle bag and enlisting a constellation of artists, craft collaborations and stars, including the most recent ad campaign with Daniel Craig. The bosses were watching – the Succession -like brood that is the Arnaults – and towards the end of 2024 rumours swirled that Delphine Arnault, daughter of the founder, and Dior CEO, was planning to chopper him into the house, replacing men's creative head Kim Jones and womenswear designer Maria Grazia Chiuri. All caught up? A plucky Irish fellow (the son of former Irish rugby captain Willie Anderson), with the lilting accent to match, taking over the most storied and romantic of couture houses in Paris made for quite the fashion fairy tale. Anderson began as a London menswear designer talent, so it was kismet that his first collection would be a men's one. 'I had the idea of this gang of guys, a little bit Sorbonne, a little bit Jean-Luc Godard. I wanted formality, a take on history and mixing it with a kind of personal style,' comments Anderson of the collection, which mixed historic references such as the Court of Versailles with traditional Donegal tweed, sculpted into his own riff on the iconic Dior Bar jacket, the shape that became a signature of the house in 1947. 'It was important to open the show with Donegal tweed; I'm Irish obviously, and Dior used it in his first two collections,' he explains. 'Then I paired it with these ballooning cotton drill cargo trousers that use 15 metres of fabric folded like layers of cake in squares.' The trousers, coincidentally, were inspired by the folds in Dior's 1948 Delft dress. 'An incredible work of engineering,' says Anderson; the trousers have the appearance of panniers for men. Other elements in the collection subtly reference Dior's original emblems and signatures for the most feminine of couture houses; roses worked into woven embroidery in waistcoats that nod to Louis XIV rococo pomp, embroidered on knits, balanced with rougher pieces such as heavy wool coats and undone trainers. Jeans slung on hips, worn with moccasins, contrasted with very formal black tie with plumes of silk bows and collars at the neck, perhaps more of a styling flex rather than reality dressing. Military frock coats with frogging and epaulettes were juxtaposed with fisherman sandals ('It's that sense of savoir faire but grounded in today's world,' says Anderson). The Bar jacket interpretation was an interesting proposal for men; sculptural but still lean on the body. Anderson has spoken about his love of Dracula – he's used the cover for the novel and printed it on Dior's book bag; perhaps there was something of the Count in the knitted capes. 'I collect men's fashion pieces from the 18th century and you can find radical clothing from that time in terms of fabrication and colour,' says Anderson. 'There's modernity with the old. It's about not being scared of the past. History maketh the brand.' And profits maketh the LVMH designer, which is why Anderson has focused on the iconic Lady Dior bag – the distinctive, quilted bag that Princess Diana helped put on the map – has been rendered anew by artist Sheila Hicks, with upholstery tassels (artist collaboration being something of an Anderson hallmark). Within the venue space, two 18th-century paintings by Chardin were displayed (on loan). These are favourites of Anderson's and lent a curated, gallery feel rather than thrumming, full-throttle show experience like those of old. The more opulent elements – a severe coat in metallic gold thread, woven capes, those embroidered waistcoats and frou-frou blouses – were countered by loveworn denim jeans, slouching knitwear and jolts of electric colour. Grey was a theme, being a hallmark of the house; 'it gives this incredible depth of colour,' explains Anderson, and a classic grey flannel suit closed the show. The groundswell of support from designers front row, including Donatella Versace, Pierpaolo Picciolo, Silvia Fendi, Pharrell Williams, proved the point that Anderson is a designer's designer. The collection was nuanced in its stories and various themes, telling variants of the Dior mythology, and while the subversive quirkiness that worked at Loewe was dialled way back, that feels correct at Dior. It's a house that's more formal and mannered, and the eveningwear with silk neck scarves or bows were chic without being peacock. The weight of history is palpable; only a rarefied handful of designers have occupied a position like this. But Anderson is quietly methodical and ambitious; he's got the rollout of each new collection meticulously planned. 'There are five shows to come [in the next year], where each will show different aspects of the house, some will contradict it, some will go along with it, some will be radical. To me it's about establishing a language,' he says. It's quite a legacy to inherit, from Monsieur Dior to Galliano, and the other designers who created their own interpretation of the house. 'I looked at everyone. Hedi [Slimane], Raf [Simons], Marc Bohan, John [Galliano],' says Anderson. 'My approach is that you have to de-code to re-code Dior. Some of the greatest designers in history have worked here and it's not about chopping it all down, it's about rebirth within itself. It's bigger than me, it transcends this moment.'


The Independent
an hour ago
- The Independent
This Panasonic deal gets customers a £100 food delivery voucher for a limited time
Panasonic has remained one of the biggest players in the television manufacturing world for decades. The brand is known across the world for a high-quality, broad range of home appliances, cameras, and, of course, TVs. Here at IndyBest, we rate Panasonic's TVs so highly that the TV-55Z95A OLED model (was £2,999.99, now £1,599.99, was named our best buy in tech critic David Phelan 's round-up of the best tried and tested 4K TVs. David found that 'Panasonic's OLED TVs have picture quality so rich and detailed it can take your breath away,' and praised the model's smooth and realistic imagery: 'from faithful skin tones to detailed shadowy areas – and it's still good for vibrant colours and deep black levels.' If you've been toying with the idea of upgrading your current TV, now's the time. There's a deal that not only gets you a discount on a great TV, but also grabs you a whopping £100 voucher on a takeaway. Two Panasonic TVs have big discounts coupled with a £100 food delivery voucher for Uber Eats, Just Eat or Deliveroo. It's the perfect deal for a big night in with your favourite takeaway, all while watching your favourite film on a picture-perfect TV. On top of that, use the code 'Z6015' at checkout and save an additional 15 per cent off your purchase, in addition to the food delivery voucher, and already existing up to £500 off. We think that's a pretty impressive deal. This huge 65' TV sees a massive discount in this deal, with £500 deducted from the list price. This exceptional TV offers bright 4K clarity, and it's compatible with Dolby Vision and Atmos for the ultimate viewing experience. If the large TV is overkill, you can get a similar deal on the 55' TV. Best of all, this TV is even cheaper, coming in at under £1000. If you've got your heart set on a different model, fear not, as there are other ways to save. Those who have access to Student Beans, a Blue Light Card, health service discount, defence discount service, discount for carers, discount for teachers or charity worker discounts can also enjoy 15 per cent off select purchases across Panasonic.