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'I like to capture the beauty of where I am especially if it makes me smile'

'I like to capture the beauty of where I am especially if it makes me smile'

Yahoo26-07-2025
WELCOME to Behind the Lens, a feature that shines a light on the talented photographers in our Warrington Guardian Camera Club group.
This week, we're talking to Carolyn Danson, who is originally from Colwyn Bay in north Wales but has lived in Lymm for most of her life.
She was given a camera as a birthday present when she was a teenager and her father's amateur photography had a big influence on her life.
If you would like to appear in our Behind the Lens feature, email heidi.summerfield@newsquest.co.uk
Click here if you would like to join Warrington Guardian Camera Club.
Warrington Guardian Camera Club member Carolyn Danson
When and why did you take up photography?
As a teenager, I was given a camera for a birthday present and my interest began from then. It was helped by the fact my father was very interested in photography and would talk about it. He did wedding photos on an amateur basis when we were children and developed his own films. He would talk about apertures and speeds and regularly bought amateur photography magazines. He had a creative leaning which I hope I've inherited to some extent. So, he was a big influence.
Disappearing sun
What do you love about taking pictures?
I like to capture things that make me smile and I like to capture the beauty of whatever it is I am looking at, so that it is kept in a physical way. Light changes so rapidly - the image in front of you can go away quickly and taking a photo keeps it as it is, in that moment. Taking photos makes you look at things more closely and makes you more aware of your surroundings. Taking the monthly pictures for the One Photo A Month Challenge in the Camera Club made me realise that the places I saw frequently changed so much throughout the year without me realising. I do still get my photos printed so have a lovely physical reminder.
Water reflections
READ MORE:
'I love capturing the mood and I love the memories that photographs evoke'
Where is your favourite place to take pictures and why?
I like to take pictures when I am out with my dog Stanley, usually of him having fun. I like to photograph a variety of views and natural things such as plants and trees etc. I do like to consider light and framing. Lymm Dam features a lot as does the Trans Pennine Trail. I love snowy and frosty shots too.
Looking up
What is your favourite subject matter and why?
My dog Stanley because he's special! He cheers me up and I can catch the look on his face which has many different expressions. I also love views, as nature in all its forms is beautiful.
In full bloom
READ MORE:
Every picture you take tells a story and helps keep memories alive
What do you enjoy about being part of our Camera Club on Facebook?
I enjoy looking at others' photos and sometimes working out how they have been taken. I like the fact posting a photo is a positive experience and enjoy the comments others leave. I've enjoyed doing the monthly photos as they've made me even more aware of my surroundings. I enjoy having a picture of the week to focus on. I think it all helps to encourage you to be more mindful.
Along the canal
If you could photograph anyone/any place/anything, who/what would it be?
I enjoy historical buildings, castles, churches and abbeys etc and art as well as culture so a historical city appeals, such as Rome.
Florence and Tuscany for similar reasons and beautiful landscapes.
Carolyn's dog Stanley
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Lever les voiles sur le passé Raphaëlle Peria - BMW ART MAKERS Raphaëlle Peria - BMW ART MAKERS Photography As Archaeology Curated by Fanny Robin, the exhibition is an ambitious feat considering the rapid timeline: from selection in December 2024 to full production and installation by May 2025. Robin, Artistic Director of Lyon's Bullukian Foundation, has worked with Peria on multiple projects over nearly a decade, but this exhibition marks a turning point. 'This is our fifth exhibition together,' she says, 'but it's much more experimental than anything we've done before.' The body of work displayed in Traversée du fragment manquant is structured around a dialogue—between Peria's own photographs, captured during a return journey to the canal this spring, and her father's archival images from the 1970s. 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BMW ART MAKERS exhibition "Traversée du fragment manquant" at Les Rencontres d'Arles 2025 by artist Raphaëlle Peria and curator Fanny Robin. © Raphaëlle Peria/BMW ART MAKERS (07/2025) Memory, Melancholy, and Urgency Beyond the technical and curatorial achievements, what truly defines Traversée du fragment manquant is its emotional resonance. The title itself hints at absence—the missing fragment that Peria seeks to reconstruct not only through image, but through sensation and memory. The photographs bear poetic titles— Le Reflet de ce qu'il reste ( The Reflection of What Remains ), Gathering the Whispers —underscoring the elegiac tone. These are not just images of a canal; they are meditations on how landscapes carry human histories, how childhood moments become mythologized, and how fragile our ties to nature really are. 'I think it's important to show the evolution of an ecosystem,' Peria says. 'The trees are like ghosts now.' 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Traversée du fragment manquant is on view at Cloître Saint-Trophime, Arles, until October 5, 2025. The exhibition will also travel to Paris Photo in November at the Grand Palais Éphémère. Cloître Saint-Trophime, Marseille. Photograph by Lee Sharrock © Lee Sharrock

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