
Wrestling legend dead at age 60, just a month after retirement match
Many past and present wrestlers shared tributes to the hardcore icon on social media.
Article content
'I would not have had the career that I have had, and I've been blessed to have, if it wasn't for Sabu. That man got me over, and he didn't have to get me over, and he did,' Taz said in a video posted on X.
Article content
'A great heart and soul. I'm gonna miss him immensely.'
Article content
WWE superstar Sami Zayn shared that he had been pushing to get Sabu into the WWE Hall of Fame.
Article content
'This is a gut punch. I was pushing this agenda again a few weeks ago after Sabu had his final match,' Zayn wrote. 'RIP Sabu. One of a kind, absolute legend, and a true game changer for professional wrestling.'
Article content
This is a gut punch. I was pushing this agenda again a few weeks ago after Sabu had his final match.
RIP Sabu. One of a kind, absolute legend, and a true game changer for professional wrestling. https://t.co/wVgZ4ao42k
— Sami Zayn (@SamiZayn) May 11, 2025
Article content
Article content
Jake 'The Snake' Roberts shared a photo of himself and Sabu at a convention, writing, 'I'm very sad to learn of the passing of Sabu.
Article content

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CTV News
an hour ago
- CTV News
'Weapons' maintained top spot during second weekend, scaring off newcomer 'Nobody 2'
This image released by Warner Bros. Pictures shows Cary Christopher in a scene from "Weapons." (Warner Bros. Pictures via AP) LOS ANGELES — 'Weapons' scared its way to the top of the box office in its debut and managed to stay there during its second box office weekend, beating out 'Freakier Friday' and newcomer 'Nobody 2.' Zach Cregger's horror earned $25 million in 3,450 North American theaters, a 43 per cent drop from its first weekend. The highly anticipated film benefitted from strong audience reviews and social media trends to attract large crowds. 'Freakier Friday,' which lost the battle for first place to 'Weapons' during its double premiere, also maintained its second spot, bringing in $14.5 million domestically. The films' staying power comes during a slower box office weekend, said Paul Dergarabedian, senior media analyst for the data firm Comscore. Both films also prevailed against 'Nobody 2,' the R-rated action sequel. The Bob Odenkirk-led film earned $9.25 million across 3,260 North American theaters in its debut weekend. 'August came on strong last year, so it makes comparisons tough,' Dergarabedian said, noting the box office success of movies like 'Deadpool and Wolverine' and the horror sci-fi 'Alien: Romulus' that premiered this time last year. This summer is unlikely to hit the $4 billion benchmark, but succeeded in provided movie goers a dynamic and diverse slate of movies, he said. 'I can't find a genre that's not represented or a demographic that wouldn't be attracted to one of these films out there,' Dergarabedian said. 'It's just that eclectic mix of films with appeal to every demographic.' 'Nobody 2' follows the pandemic success of the first in the series, 'Nobody,' which released in 2021. In the sequel, Hutch Mansell, the assassin-turned-nice-guy, played by Odenkirk, returns to the big screen, this time taking a much-needed family vacation that goes awry. The calm weekend turns anything but as Mansell uncovers a corrupt town. Jim Orr, president of domestic distributions at Universal Pictures, said he hopes the movie's reaction scores — a 89 per cent Audience score and B+ CinemaScore — point 'to a long and successful run at the domestic box office.' 'The Fantastic Four: First Steps' took the fourth spot during its fourth weekend in theaters, bringing in $8.8 million domestically. The film stumbled at the box office after its initially strong $118 million debut. Another sequel, 'The Bad Guys 2,' took fifth place with $7.5 million during its third weekend in theaters. Notably, Dergarabedian said, international movies made a splash in the top 15 this weekend. 'Coolie,' an Indian action thriller, debuted domestically and snatched the tenth spot, followed by 'War 2,' another Indian action movie, at number 11. The domestic re-release of 'Shin Godzilla,' a Japanese film that initially premiered in 2016, came in at the 12th spot. Top 10 movies by domestic box office With final domestic figures being released Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 1. 'Weapons,' $25 million. 2. 'Freakier Friday,' $14.5 million. 3. 'Nobody 2,' $9.25 million. 4. 'The Fantastic Four: First Steps,' $8.8 million. 5. 'The Bad Guys 2,' $7.5 million. 6. 'Superman,' $5.3 million. 7. 'The Naked Gun,' $4.8 million. 8. 'Jurassic World Rebirth,' $2.9 million. 9. 'F1: The Movie,' $2.6 million. 10. 'Coolie,' $2.4 million. Itzel Luna, The Associated Press


CBC
10 hours ago
- CBC
Remake, reboot, recycle: Why Hollywood will never stop giving you the same stories
Social Sharing The Naked Gun. 28 Days Later. I Know What You Did Last Summer. Jurassic Park. Thought these are all titles from 2025, you could be forgiven for thinking they came from Moviefone. This year's summer blockbuster season has been dominated by nostalgic fare: reboots, remakes and sequels. And while the retold story has been an element of the movie business going back to its earliest days, studios seem to be cashing in more than ever before — and audiences are buying in. From Lilo & Stitch becoming the year's first billion-dollar box office earner, to Happy Gilmore smashing Netflix audience records (47 million watched it on the streaming service in the first three days it was available), to King of the Hill clocking in as Disney's biggest adult animated premiere in five years, the desire for old stories made new seems to have never been higher. "We all look back with, you know, rose-coloured glasses on the times we grew up in as better," Freakier Friday director Nisha Ganatra explained to CBC News in a recent interview. "Right now especially, the world is a little bit of an unsure place. And I think that the comfort of these movies and that collective feeling of togetherness we got when we watch these movies … it's why people are going back to theatres." WATCH | The comfort of remakes: Freakier Friday director explains why sequels and remakes hit so hard today 10 days ago A return to the well Hollywood's affection for recycled and rehashed stories started right alongside Hollywood itself: going as far back as Georges Méliès' L'Arroseur from 1896, a remake of the previous year's L'Arroseur arrosé. And 1903's The Great Train Robbery was infamously recreated in an essentially a shot-for-shot remake the year after, then numerous times after that. And the trend of journalists pointing out remakes is nearly as old as the remakes themselves. "Remaking old films is really old hat for the cinema people," read a 1937 article from the New York Times. "Although the screen has only recently emerged from its swaddling clothes and managed to crawl just about halfway into its metaphorical knee-pants, it already belies its years and even casts fond, reminiscent glances backward." "More often than not these yearnings for the past have been prompted by pecuniary rather than esthetic motives. Depending upon one's point of view, the studios may be regarded either as taking critical stock of themselves or as cashing in on their old preferred. The latter view seems more consistent with the facts." Other than the flowery language, the complaint that a given year was overloaded with remakes sounds like it could have come from today. Why director Dean DeBlois is 'not a fan' of live-action remakes 2 months ago 'They often miss the soul' "I am not a fan. I continue to not be a fan of live-action remakes because they often miss the soul," explained director Dean DeBlois, despite releasing a live-action remake of How To Train Your Dragon earlier this year. "Too often they feel like they are lesser versions of the animated movie to me." So why have remakes and reboots become the dominant fare of 2025's movie slate? According to ComScore senior media analyst Paul Dergarabedian, it comes down to dollars and cents. The summer blockbuster has been a tentpole for Hollywood going back decades; Dergarabedian notes that it generates roughly forty per cent of North America's total box office. So success often depends on studios launching their surest bets during this "play it safe" period where they have the best chance of satisfying the widest-possible audience. That, Dergarabedian says, is not a recipe for originality. WATCH | Remakes are a form of insurance during summer blockbuster season: Summer movie remakes, sequels considered box office 'insurance' 3 days ago "As much as so many people decry the lack of originality in movies, when you look at the top 10 movies of the year, generally speaking, there might be one or two out of the top ten that are true original films," he said. "That right there tells you why studios, marketers, PR folks, advertisers — they love the tried and true and those known brands." Instead, it was a recipe that led to films built around spectacle and excitement, with studios relying on huge franchises and superhero fanaticism to draw in ever-higher box office receipts. But as recently as 2023, a string of blockbuster bombs suggested audiences were no longer as interested in that fare. Chasing those audiences, Dergaradedian says, meant studios started making movies that might appeal to even wider demographics. And over the last two and a half years, he says that's led to PG movies out-grossing PG-13 movies for the first time. That spurred a return to films and shows that people remembered from their own childhoods, he said. Film titles that were already thought of as wholesome and accessible, or were remade to be as inoffensive as possible, as with Lilo & Stitch, a live-action remake with a sanitized ending that drew wide criticism. It was a move foreshadowed by Disney Entertainment co-chairman Alan Bergman, who told the LA Times ahead of the film's premiere that changes were made to the original story because "to do the kind of box office that I think we're going to do, you need to get everybody." WATCH | What caused a summer of box office flops? Summer blockbusters are supposed to be back, but so far it's a season of flops 2 years ago The nostalgia impulse Robert Thompson, Syracuse University's professor of television and popular culture, says the desire to return to familiar stories far predates movies; as evidenced by The Odyssey being viewed as a sequel to The Iliad, and both being retellings of ancient Greek myth. Even genre itself is a larger extension of the remake, according to Thompson. Likening it to the auto industry, he says stories — like cars — historically couldn't be made for each individual audience member's tastes. Making narratives similar enough to fit a genre was the solution. "You're not going to make each driver an individual automobile. You've got to churn those things off of an assembly line," he said. "And that's what genre is all about … getting something that works and keep doing it. Over and over again." The problem is what Thompson believes is potentially driving this current cycle of remakes and reboots: A reactionary shift to the digital age's fracturing of pop culture. As the internet and streaming democratized entertainment, we went from consuming media from a few dominant viewpoints to a landscape full of competing productions giving voices to demographics that never had them before. That complicated what sorts of stories and stances were viewed as right or acceptable, Thompson says. The ensuing fear and discomfort some felt fed a desire to return to a simpler time; to recreate a media landscape they viewed as preserving traditional social norms, "because we celebrate this traditional, fictionally perfect past." He suggests our current glut of rose-coloured stories celebrating that past has reverberated through media. "In the sense of, 'Let's just go back to when things were simple. Let's go back to when things were good. Let's make art great again.' "


CTV News
14 hours ago
- CTV News
Cats cover Nickelback + Nessie? + Cheese wheel
Calgary Watch We take a look at the lighter side of the news and what's trending online and on air.