That's a career-wrap on Michael Douglas
In the meantime, he's 'happy to play the wife,' which we'll take in the good spirit of his sentiments and not as a weirdly regressive way of looking at his marriage with Zeta-Jones, who he admits is '25 years younger than' he and 'very busy right now.'
Douglas' IMDb page lists a couple more projects in the pipeline, including a drama called Looking Through Water, which is reportedly scheduled for release this summer, and the long-in-development Reagan & Gorbachev mini-series, co-starring Christoph Waltz, for Paramount+. Selfishly, we implore Douglas to reconsider his retirement until after his dramatic retelling of the Reykjavík Summit. Still, we understand if he'd rather play Catherine Zeta-Jones' wife until something really good comes along.
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Some critics nonetheless grumble that even this 'new' machine is past and present in another way, effectively being an amalgamation of existing products, from the keycaps to the having the Ultimate64 board at its core. However, Ultimate64 creator Gideon Zweijtzer has publicly disagreed that Simpson is merely assembling other people's hard work and slapping on a logo. He believes the Commodore 64 Ultimate was a 'joint effort between parties to create a cohesive package' and credits Simpson as someone with reach who can 'bring people together.' The $64,000 Question That reach will be essential because noble efforts, sentiment, and saying the right thing won't bring sustainability. Even pent-up demand for a new Commodore 64—at the time of writing, over 4000 units have been sold, amounting to $1.5 million in revenue—is a one-off trick that can't be repeated. History shows retro appeal can be short-lived. 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The alternate mainstream option would be an attempt to reestablish Commodore's reputation as a brand that offers computing for the masses, not the classes, ringing in Simpson's desire for a 'simpler, distraction-free computing experience.' But what would that mean in practice? Unplugging? Educational and creative tools? Commodore 64 BASIC is notoriously bad, and it's unclear whether enough newcomers will see value in a relatively expensive beige retro box when a Raspberry Pi costs a fraction of the price and can tap into a massive existing ecosystem. But an entirely new platform would be a colossally risky endeavor. The Last Byte of a Legend What is the endgame, then? Without hit games and obvious mainstream appeal, how does Commodore survive, let alone thrive? Is it even possible for this 1980s cultural icon to move beyond people who were there at the time and break out of its bubble? It's hard to say. Perhaps it doesn't have to. Simpson envisions a 'single, joined-up family of Commodore machines,' and that could be enough. Commodore would become a community-focused brand, presiding over a modest ecosystem, acting as a benevolent curator that elevates quality projects, brings just enough polish and legitimacy to help the scene flourish, and simply refuses to let the legacy fade. Although investors who've pumped in cash might see things differently. A much worse scenario would be a repeat of the past: panic over income, leading to the brand again being stamped on unremarkable products, or the mismanagement and misfires that alienate partners and fans. There's also the very real possibility that Commodore might just discover the harsh reality of being a very niche, small player in an industry of giants. Any one of those could deal a final, fatal blow to the brand from which it would never recover, taking down swathes of the community with it. Still, this time feels different. This revival doesn't come from cynicism but from genuine passion and love for the brand. Even so, the odds of success feel slim, whether that means sparking a new wave of computing optimism or returning the brand to cultural relevance. But for a while at least, fans can remain optimistic this might finally be the play that truly brings Commodore back to life.
