Black Book: Benedict Cumberbatch in Norway with Prada, Dior's Chiffre Rouge, Louboutin and Margiela team up
Every week, The National's Luxury magazine team puts together Black Book, a cheat sheet of the most interesting and noteworthy arrivals in fashion, watches, jewellery and cars. Prada Re-Nylon Prada continues its sustainability journey with a new chapter in its Re-Nylon campaign, unveiling a series of films that explore the collection's impact on communities and ecosystems around the world. The first episode, starring British actor Benedict Cumberbatch, takes viewers to Norway's breathtaking Lofoten Archipelago within the Arctic Circle, shedding light on the plastic pollution. The film highlights how Prada Re-Nylon repurposes ocean plastics into luxury fashion, showcasing the industry's potential to drive environmental change. The latest Sea Beyond collection introduces a line of bags and accessories crafted from Prada Re-Nylon, a fabric made by recycling and purifying plastic collected from oceans, fishing nets, landfills and textile fibre waste. Standout pieces from the collection include men's backpacks, a handbag and a bucket hat, all designed in this sustainable material. Dior Chiffre Rouge Dior expands its Chiffre Rouge collection with three new timepieces that pay homage to the house's haute couture heritage. With an elegant, eye-catching black design, the watch is accentuated by bold scarlet-red details and white highlights, as well as the brand's cannage motif which appears across the dial and strap. Each watch embodies Dior's distinctive aesthetic and in a nod to the house's founder, the number 8 – Christian Dior's favourite number – is highlighted in red. This limited-edition release includes three models: a 38mm dial model, available with or without diamonds, and a 41mm chronograph. Designed for both men and women, only 100 pieces of each watch will be produced, making it a collector's must-have. Celine Celine introduces the Camille, a new addition to its 16 Soft Line. This hobo-style bag, featuring a curved silhouette and a versatile shoulder strap, offers practicality combined with Parisian elegance. The rounded shape of the Camille 16 Soft is crafted in soft leather and finished with the house's gold lock closure. Available in two sizes and a timeless palette of tan, black and sand hues, the bag also features a multifunctional strap. AED10,500 for the small version and AED12,000 for the medium bag. Christian Louboutin X Maison Margiela Shoe designer Christian Louboutin has collaborated with Maison Margiela to create an avant-garde capsule footwear collection which combines the unique design aesthetic of both brands. Conceived by Maison Margiela's now former-creative director John Galliano and Christian Louboutin, the brand's founder, the collection reinvents Margiela's trademark Tabi shoe, reimagining it with Louboutin's signature red sole and a more sculptural, curvaceous silhouette. In a reverse exchange of aesthetics, Margiela's influence extends to classic Louboutin styles like the Rosalie and Loubiella, which now feature the house's deconstructed, split-toe design. Available from March 12. Louis Vuitton High jewellery Louis Vuitton has unveiled the second chapter in its Awakened Hands, Awakened Minds high jewellery collection, showcasing the house's savoir-faire through a series of bracelets, rings, watches and necklaces. Designed by Francesca Amfitheatrof, the collection combines precious metals combined with diamonds and coloured gemstones. Drawing inspiration from 19th-century France and its revolutionary design era, the pieces feature the LV Monogram Star Cut Diamond, which debuted in chapter one, as well as a limited men's high jewellery collection – a first for the brand. Sebago X Weekend Max Mara Weekend Max Mara has partnered with Sebago, the American footwear brand, known for its preppy Dan Penny Loafer. The loafers were popular amongst American college students in the 1950s. For the collaboration with the Italian fashion brand, the two have reinvented the Dan Penny Loafer in smooth brushed leather, featuring hand-sewn details, micro studs and a detachable tassel. Available in brown, burgundy and black editions. AED1,587
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Dubai Eye
17 hours ago
- Dubai Eye
Frederick Forsyth, 'Day of the Jackal' author, dies at 86
British novelist Frederick Forsyth, who authored best-selling thrillers such as 'The Day of the Jackal' and 'The Dogs of War', has died aged 86, his publisher said. A former correspondent for Reuters and the BBC, and an informant for Britain's MI6 foreign spy agency, Forsyth made his name by using his experiences as a reporter in Paris to pen the story of a failed assassination plot on Charles de Gaulle. The Day of the Jackal, in which an English assassin, played in the film by Edward Fox, is hired by French paramilitaries angry at de Gaulle's withdrawal from Algeria, was published in 1971 after Forsyth found himself penniless in London. Written in just 35 days, the book was rejected by a host of publishers who worried that the story was flawed and would not sell as de Gaulle had not been assassinated. De Gaulle died in 1970 from a ruptured aorta while playing Solitaire. But Forsyth's hurricane-paced thriller complete with journalistic-style detail and brutal sub-plots of lust, betrayal and murder was an instant hit. The once poor journalist became a wealthy writer of fiction. "I never intended to be a writer at all," Forsyth later wrote in his memoir, The Outsider - My Life in Intrigue. "After all, writers are odd creatures, and if they try to make a living at it, even more so." So influential was the novel that Venezuelan militant revolutionary Illich Ramirez Sanchez, was dubbed 'Carlos the Jackal'. Forsyth presented himself as a cross between Ernest Hemingway and John le Carre - both action man and Cold War spy - but delighted in turning around the insult that he was a literary lightweight. "I am lightweight but popular. My books sell," he once said. His books, fantastical plots that almost rejoiced in the cynicism of an underworld of spies, criminals, hackers and killers, sold more than 75 million copies. Behind the swashbuckling bravado, though, there were hints of sadness. He later spoke of turning inwards to his imagination as a lonely only child during and after World War Two. The isolated Forsyth discovered a talent for languages: he claimed to be a native French speaker by the age of 12 and a native German speaker by the age of 16, largely due to exchanges. He went to Tonbridge School, one of England's ancient fee-paying schools, and learned Russian from two emigre Georgian princesses in Paris. He added Spanish by the age of 18. He also learned to fly and did his national service in the Royal Air Force where he flew fighters such as a single seater version of the de Havilland Vampire. Impressing Reuters' editors with his languages and knowledge that Bujumbura was a city in Burundi, he was offered a job at the news agency in 1961 and sent to Paris and then East Berlin where the Stasi secret police kept close tabs on him. He left Reuters for the BBC but soon became disillusioned by its bureaucracy and what he saw as the corporation's failure to cover Nigeria properly due to the government's incompetent post-colonial views on Africa. It was in 1968 that Forsyth was approached by the Secret Intelligence Service, known as MI6, and asked by an officer named "Ronnie" to inform on what was really going on in Biafra. By his own account, he would keep contacts with the MI6, which he called "the Firm", for many years. His novels showed extensive knowledge of the world of spies and he even edited out bits of The Fourth Protocol (1984), he said, so that militants would not know how to detonate an atomic bomb. His writing was sometimes cruel, such as when the Jackal kills his lover after she discovers he is an assassin. "He looked down at her, and for the first time she noticed that the grey flecks in his eyes had spread and clouded over the whole expression, which had become dead and lifeless like a machine staring down at her." After finally finding a publisher for The Day of the Jackal, he was offered a three-novel contract by Harold Harris of Hutchinson. Next came The Odessa File in 1972, the story of a young German freelance journalist who tries to track down SS man Eduard Roschmann, or The Butcher of Riga. After that, The Dogs of War in 1974 is about a group of white mercenaries hired by a British mining magnate to kill the mad dictator of an African republic - based on Equatorial Guinea's Francisco Macias Nguema - and replace him with a puppet. The New York Times said at the time that the novel was "pitched at the level of a suburban Saturday night movie audience" and that it was "informed with a kind of post‐imperial condescension toward the black man". Divorced from Carole Cunningham in 1988, he married Sandy Molloy in 1994. But he lost a fortune in an investment scam and had to write more novels to support himself. He had two sons - Stuart and Shane - with his first wife. His later novels variously cast hackers, Russians, Al Qaeda militants and cocaine smugglers against the forces of good - broadly Britain and the West. But the novels never quite reached the level of the Jackal. A supporter of the United Kingdom's exit from the European Union, Forsyth scolded Britain's elites for what he cast as their treachery and naivety. In columns for The Daily Express, he gave a host of withering assessments of the modern world from an intellectual right-wing perspective. The world, he said, worried too much about "the oriental pandemic" (known to most as COVID-19), Donald Trump was "deranged", Vladimir Putin "a tyrant" and "liberal luvvies of the West" were wrong on most things. He was, to the end, a reporter who wrote novels. "In a world that increasingly obsesses over the gods of power, money and fame, a journalist and a writer must remain detached," he wrote. "It is our job to hold power to account."
Al Etihad
a day ago
- Al Etihad
'The Day of The Jackal' author Frederick Forsyth dies aged 86
9 June 2025 22:31 LONDON (AFP)Prolific British thriller writer Frederick Forsyth, who instantly became a global bestselling author when his book 'The Day of the Jackal' was published in 1971, died on Monday aged 86, his literary agents Curtis Brown famously penned his most famous work, about a fictional assassination attempt on French president Charles de Gaulle by right-wing extremists, in just 35 days after falling on hard times."The Jackal" went on to be made into a hit film starring Edward Fox as the assassin.A Netflix remake last year with Eddie Redmayne in the lead role was released last year."We mourn the passing of one of the world's greatest thriller writers," his agent Jonathan Lloyd died at home surrounded by his family following a brief illness, according to Curtis former journalist and pilot wrote over 25 books including 'The Odessa File' (1972) and 'The Dogs of War' (1974), and sold over 75 million copies of his novels were also turned into films. Forsyth attributed much of his success to "luck", recalling how a bullet narrowly missed him while he was covering the Biafra civil war between 1967 and 1970.
ARN News Center
a day ago
- ARN News Center
Frederick Forsyth, 'Day of the Jackal' author, dies at 86
British novelist Frederick Forsyth, who authored best-selling thrillers such as 'The Day of the Jackal' and 'The Dogs of War', has died aged 86, his publisher said. A former correspondent for Reuters and the BBC, and an informant for Britain's MI6 foreign spy agency, Forsyth made his name by using his experiences as a reporter in Paris to pen the story of a failed assassination plot on Charles de Gaulle. The Day of the Jackal, in which an English assassin, played in the film by Edward Fox, is hired by French paramilitaries angry at de Gaulle's withdrawal from Algeria, was published in 1971 after Forsyth found himself penniless in London. Written in just 35 days, the book was rejected by a host of publishers who worried that the story was flawed and would not sell as de Gaulle had not been assassinated. De Gaulle died in 1970 from a ruptured aorta while playing Solitaire. But Forsyth's hurricane-paced thriller complete with journalistic-style detail and brutal sub-plots of lust, betrayal and murder was an instant hit. The once poor journalist became a wealthy writer of fiction. "I never intended to be a writer at all," Forsyth later wrote in his memoir, The Outsider - My Life in Intrigue. "After all, writers are odd creatures, and if they try to make a living at it, even more so." So influential was the novel that Venezuelan militant revolutionary Illich Ramirez Sanchez, was dubbed 'Carlos the Jackal'. Forsyth presented himself as a cross between Ernest Hemingway and John le Carre - both action man and Cold War spy - but delighted in turning around the insult that he was a literary lightweight. "I am lightweight but popular. My books sell," he once said. His books, fantastical plots that almost rejoiced in the cynicism of an underworld of spies, criminals, hackers and killers, sold more than 75 million copies. Behind the swashbuckling bravado, though, there were hints of sadness. He later spoke of turning inwards to his imagination as a lonely only child during and after World War Two. The isolated Forsyth discovered a talent for languages: he claimed to be a native French speaker by the age of 12 and a native German speaker by the age of 16, largely due to exchanges. He went to Tonbridge School, one of England's ancient fee-paying schools, and learned Russian from two emigre Georgian princesses in Paris. He added Spanish by the age of 18. He also learned to fly and did his national service in the Royal Air Force where he flew fighters such as a single seater version of the de Havilland Vampire. Impressing Reuters' editors with his languages and knowledge that Bujumbura was a city in Burundi, he was offered a job at the news agency in 1961 and sent to Paris and then East Berlin where the Stasi secret police kept close tabs on him. He left Reuters for the BBC but soon became disillusioned by its bureaucracy and what he saw as the corporation's failure to cover Nigeria properly due to the government's incompetent post-colonial views on Africa. It was in 1968 that Forsyth was approached by the Secret Intelligence Service, known as MI6, and asked by an officer named "Ronnie" to inform on what was really going on in Biafra. By his own account, he would keep contacts with the MI6, which he called "the Firm", for many years. His novels showed extensive knowledge of the world of spies and he even edited out bits of The Fourth Protocol (1984), he said, so that militants would not know how to detonate an atomic bomb. His writing was sometimes cruel, such as when the Jackal kills his lover after she discovers he is an assassin. "He looked down at her, and for the first time she noticed that the grey flecks in his eyes had spread and clouded over the whole expression, which had become dead and lifeless like a machine staring down at her." After finally finding a publisher for The Day of the Jackal, he was offered a three-novel contract by Harold Harris of Hutchinson. Next came The Odessa File in 1972, the story of a young German freelance journalist who tries to track down SS man Eduard Roschmann, or The Butcher of Riga. After that, The Dogs of War in 1974 is about a group of white mercenaries hired by a British mining magnate to kill the mad dictator of an African republic - based on Equatorial Guinea's Francisco Macias Nguema - and replace him with a puppet. The New York Times said at the time that the novel was "pitched at the level of a suburban Saturday night movie audience" and that it was "informed with a kind of post‐imperial condescension toward the black man". Divorced from Carole Cunningham in 1988, he married Sandy Molloy in 1994. But he lost a fortune in an investment scam and had to write more novels to support himself. He had two sons - Stuart and Shane - with his first wife. His later novels variously cast hackers, Russians, Al Qaeda militants and cocaine smugglers against the forces of good - broadly Britain and the West. But the novels never quite reached the level of the Jackal. A supporter of the United Kingdom's exit from the European Union, Forsyth scolded Britain's elites for what he cast as their treachery and naivety. In columns for The Daily Express, he gave a host of withering assessments of the modern world from an intellectual right-wing perspective. The world, he said, worried too much about "the oriental pandemic" (known to most as COVID-19), Donald Trump was "deranged", Vladimir Putin "a tyrant" and "liberal luvvies of the West" were wrong on most things. He was, to the end, a reporter who wrote novels. "In a world that increasingly obsesses over the gods of power, money and fame, a journalist and a writer must remain detached," he wrote. "It is our job to hold power to account."
