logo
Scorched Earth review: An individual tragedy and a national malaise

Scorched Earth review: An individual tragedy and a national malaise

Irish Times24-05-2025
Scorched Earth
Abbey Theatre, Dublin
★★★★☆
The first moments of Scorched Earth explain that a public inquiry into a spate of 'land-based crimes' has led to a report highlighting the link between violent crime and ownership of land. Although inspired by John B Keane's play The Field, it is clear that what is about to unfold isn't just an individual tragedy but a national malaise.
A cold case has been reopened by Detective Kerr (played by Sarah Dowling) into the death of a developer, William Dean (Will Thompson). He was found dead in a field shortly after outbidding a local (Luke Murphy) who had leased the field for years.
[
Luke Murphy on Ireland's land obsession: 'There's something about having and owning. I see a fixation on that, and I feel it in myself'
Opens in new window
]
Murphy's character remains the prime suspect for Kerr as she tries to get a confession in a bleak interrogation room. He reiterates his innocence, but Murphy's tense squirming constantly contradicts those words of denial.
The claustrophobic setting recalls some of Murphy's previous works, particularly
The Archivist
and
Volcano
, as does the theme of individual versus system, but here it is difficult to empathise with the slippery suspect and his false bravado.
READ MORE
The setting is ahistorical, in spite of references to the 1990s and Celtic Tiger excesses, and many of the themes are universal, particularly the tension between stasis and change. A local guard who ineffectually investigated the original crime (Ryan O'Neill) is constantly wary of the outsider, in contrast to the local radio host (Tyler Carney-Faleatua), who can't contain her gushing admiration of the developer during an interview.
A final group dance suggests that it is the land, expressed through Alyson Cummins's ingenious set, that has a timeless grip over individuals' behaviour. The obsession with possession of land and consequent exclusion are embedded in society, whether at a micro level between neighbours or a macro level with attitudes to immigrants.
Scorched Earth is at the
Abbey Theatre
, as part of
Dublin Dance Festival
, until Saturday, May 24th and at
Black Box
, as part of
Galway International Arts Festival
, from Tuesday, July 15th, until Saturday, July 19th
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Secret Byrd at Kilkenny Arts Festival review: Exquisite singing, quietly searing playing
Secret Byrd at Kilkenny Arts Festival review: Exquisite singing, quietly searing playing

Irish Times

time2 hours ago

  • Irish Times

Secret Byrd at Kilkenny Arts Festival review: Exquisite singing, quietly searing playing

Secret Byrd Black Abbey, Kilkenny ★★★★☆ Secret Byrd, an immersive music event, explores the idea that your music can get you in trouble. The stories of musicians ranging from Kneecap, Pussy Riot and (formerly) the Dixie Chicks to Stravinsky, Mahler and Shostakovich show the kinds of popular or official consequences that can arise when music is mixed with faith or opinion. It was the same for the great English Renaissance composer William Byrd. Being Catholic but writing music – notably church music – for the Protestant English court meant the defiant Byrd relied on the favour of Queen Elizabeth I to shield him from the worst of the punishments others suffered for failure to attend weekly Anglican Communion services or for participating in underground Catholic Masses. Secret Byrd converts the Black Abbey, Kilkenny's 13th-century Dominican priory, into the interior of a well-off Catholic household, centred on a large round table, the entire space lit only by candles, representing the kind of domestic setting where illicit Masses took place. The all-male vocal ensemble the Gesualdo Six appear in 16th-century servant costumes and move around, separating and regrouping, or sitting at the table. The audience also move about, some taking up invitations to join the singers at the table. READ MORE Despite this carefully engineered atmosphere the audience feel free to chat during the 20 minutes before the action proper begins, this while the outstanding viol consort Fretwork is giving quietly searing performances of music by Byrd and his contemporaries. Conversation ceases, however, the minute the singing for the outlawed worship begins, in this case the opening Kyrie from Byrd's Mass for Five Voices. It's no wonder. The sound is breathtaking. This Mass – as with Byrd's other two, for Four Voices and Three Voices – is exquisite, and in this moment it's hard to imagine a more compelling performance. The near-flawless unanimity of vocal sound in tone and vowels, as if a single brain were controlling the vocal production of five people, is in beautiful contrast with the individuality of musical shaping that each of Byrd's polyphonic lines requires. Instrumental pieces separate the Mass movements, with voices and instruments eventually joining together for the motet Infelix Ego, which recounts a martyr's preparation for death, and the solo countertenor Guy James in the consort song Ye Sacred Muses, Byrd's elegy on the death of Tallis. The presentation of important historical context – printed on a series of wall hangings – is a little hit and miss given restrictions on light and time. But there is no mistaking the central message when the Mass's closing Agnus Dei is abruptly interrupted by ferocious pounding on the abbey door. The singers panic, hushing each other, extinguishing all candles, and then hiding from view before the one acting as the priest is spirited away to safety, presumably to a priest hole. Secret Byrd's staging is directed by Bill Barclay, who says, 'We artistic types tend to look at the world and vainly wonder how we could improve it. Why not look to Byrd and consider what he is still saying today?'

Jemima Burke's public order conviction quashed after she wins High Court review
Jemima Burke's public order conviction quashed after she wins High Court review

Irish Times

time3 hours ago

  • Irish Times

Jemima Burke's public order conviction quashed after she wins High Court review

A member of the Burke family who was convicted of a public order offence will not face a retrial. Jemina Burke (30), a sister of teacher Enoch Burke, was convicted of a public order offence on June 20th last year by Judge Vincent Deane in Ballina District Court, Co Mayo. The conviction arose out of an incident on the same day where Ms Burke filmed the coroner and several Mayo University Hospital staff at lunchtime on the streets of Swinford, following an inquest into the death of a man who died from sepsis having attended the hospital. A garda arrested Ms Burke, confiscated her phone and brought her to Ballina Garda station where she was detained in a cell for more than two hours. She was then charged with two public order offences relating to a breach of the peace. She refused to sign a bail bond. READ MORE The District Court hearing was held that evening and she was fined €350. Ms Burke argued she had been the victim of a 'serious' miscarriage of justice as there was 'excessive haste' in hearing the original case and no disclosure was made to her at her trial. She challenged the decision in the High Court. The Director of Public Prosecutions said it was not opposed to the original conviction being quashed, but recommended it be sent back to the District Court for a different judge to hear. In her written High Court judgment, Ms Justice Sara Phelan said Ms Burke was entitled to choose not to enter into a bail bond. Had she entered into a bail bond, she would have been remanded in custody pending a hearing. Her constitutional right to a fair trial was an absolute one. The judge added: 'In preferring to not remand her in custody, and thereby conducting the trial on the same day on which the offence allegedly occurred, it is clear that the District Court judge fell into error. 'It seems to this court that the actions of the District Court judge were such as to deprive the applicant of her constitutional right to a fair trial and, that being so, the District Court ought not to have embarked on the hearing.' The gardaí involved could have asked the judge to adjourn the matter with a view to ensuring Ms Burke's constitutional rights were protected, but they did not do that. 'The District Court, whilst having jurisdiction to hear the case, did not have jurisdiction to embark on a peremptory hearing and therefore, the District Court acted in excess of jurisdiction from the outset, leading this court to the conclusion that the hearing was void.' She concluded Ms Burke had suffered enough and the prosecution 'cannot be acquitted of all the blame for some, at least, of what went wrong at the trial'. However, the judge concluded that Ms Burke was not entitled to an award of compensatory damages. She quashed Ms Burke's original conviction and prohibited any further prosecution of the applicant in the District Court.

Oasis fans warned no public parking allowed around Croke Park
Oasis fans warned no public parking allowed around Croke Park

Irish Times

time3 hours ago

  • Irish Times

Oasis fans warned no public parking allowed around Croke Park

There will be no public parking around Croke Park this weekend as tens of thousands of Oasis fans head to the long-awaited Irish leg of the Oasis Live '25 world tour. Before the tour Oasis had not performed live in Britain or Ireland in 16 years and crowds are expected to be significant on both Saturday and Sunday nights. Transport for Ireland has warned concertgoers not to bring cars to the stadium and parking will be prohibited in a wide area, including residential streets around the stadium. On the Dart and commuter rail network, there will be extra trains before and after the concerts on the Maynooth line, serving Drumcondra Station directly, while the northern commuter line and city centre routes will have additional Dart services to cater for demand. READ MORE Concertgoers are encouraged to travel early and to expect trains to be busy. Alcohol is not permitted on any train services. [ Oasis at Croke Park: Stage times, set list, ticket information, how to get there and more Opens in new window ] Irish Rail has announced additional intercity train and commuter services. But the company warned that many trains on intercity routes are already sold out – on Friday, as well as for the Saturday and Sunday concert dates – with remaining tickets selling fast. Irish Rail urged those planning to travel long distances for the gigs or for other reasons to book their travel as soon as possible at or the Iarnród Éireann app, as tickets will not be available at intercity stations on the day. Customers must travel on the specific train booked. Extra intercity trains are as follows: Saturday August 16th 08.00 Cork to Dublin Heuston 10.15 Waterford to Dublin Heuston 00.30 Dublin Heuston to Galway (departs after midnight so check August 17th for ticket sales) 00.40 Dublin Heuston to Cork (departs after midnight so check August 17th for ticket sales) with connection at Limerick Junction for Limerick [ Oasis in Cardiff: This was emotional. For the Manchester-Irish diaspora, it's like family Opens in new window ] Sunday August 17th 07.45 Cork to Dublin Heuston 10.45 Waterford to Dublin Heuston 14.15 Du in Heuston to Waterford 00.40 Dublin Heuston to Cork (departs after midnight so check August 18th for ticket sales) with connection at Limerick Junction for Limerick There will be a 23:59 Dublin Connolly to Belfast both nights. Concert goes have been advised to check for the full list of services.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store