US late night TV host Jimmy Kimmel 'loses his mind' over viral Aussie twins Bridgette and Paula Powers after their bizarre interview shot duo to worldwide fame
Australian twin sisters Bridgette and Paula Powers have defended their unusual speaking style in an interview with an American TV host who said he was "losing his mind" over their unique synchronicity.
The Sunshine Coast sisters spoke on Jimmy Kimmel Live! on Wednesday as they continue to garner international media attention following their viral interview with Seven News Queensland, during which they spoke in sync.
Bridgette and Paula finished each other's sentences when they told Seven of the moment their mother faced an alleged gunman in the aftermath of a multi-vehicle crash he is claimed to have caused in the Sunshine Coast suburb Palmview on Monday.
After playing their viral interview with his audience, Kimmel declared Bridgette and Paula's unison-speaking style is "real."
He called for the women to be given their own reality TV show "immediately" and joked he was "losing (his) mind right now" over their synchronous speaking.
Dressed in identical outfits, Bridgette and Paula told Kimmel they "annoy a lot of people," but those who can't "stand hearing us talk" should "simply turn off the TV."
Kimmel replied, 'I love it; I don't find it annoying at all.'
'This seems like a comedy show, and I know it's not, but do you speak in tandem on purpose?" he asked the sisters who founded Twinnies Pelican and Seabird Rescue.
"No, no, no, this is us, and that's how we are," they said together.
"We go out shopping. yes, we do confuse a lot of people, like the policeman the other day; we freaked him out."
'Well, Bridgette and Paula, I want to thank you, and if you ever want to come, we would love you to visit (the US) sometime, show you our pelicans, and take you around,' Kimmel said.
The sisters, known affectionally as the "twinnies", said their mother was "doing great" after they claimed the gunman allegedly threatened her as he emerged from the crash that killed a woman on Monday.
"And one guy, he was up there with our mum, and he went up there, and he was coming back down towards us," they told Seven.
"And he goes, 'run, he's got a gun, and our hearts started to pound, and I said, 'Mum, where's mum?'
"And poor mum was stuck up there, but apparently our brave mum she goes, 'Are you alright?' Because he had all blood all over his face.
Bridgette and Paula finished each other's sentences as they said the alleged gunman told their mother, "I'll shoot you".
"And the guy goes to her, 'I'll find you, and I'll shoot you'," they said.
The sisters have been media figures for years and in 2016 told TV's Good Morning Britain their unique ability comes from a lifelong bond of sleeping in twin beds, wearing identical clothes daily, and sharing a single phone.
On Tuesday, detectives charged a 41-year-old Tewantin man with 15 offences in relation to the six-vehicle crash.
A passenger of a Nissan, a 22-year-old Upper Mount Gravatt woman, died of her injuries sustained in the crash.
The driver of the Micra, a 22-year-old Strathpine man, was transported to hospital with minor injuries.
The offender exited the Porsche armed with a firearm and allegedly shot the driver of a white SsangYong Rexton, a 62-year-old Branyan man.
The man was being treated for his injuries at Sunshine Coast University Hospital.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Sky News AU
3 hours ago
- Sky News AU
‘It's time for me to take a breath': The Project star Sarah Harris jokes about possible gig on OnlyFans after series axed
Sarah Harris has broken her silence for the first time since Channel 10 confirmed The Project has been axed. A Ten spokesperson confirmed to that The Project wound end its run after 'almost 16 years and more than 4,500 episodes'. "The Project will air for the last time on Friday, June 27, ending an incredible run of almost 16 years and more than 4,500 episodes,' the network said in a statement. "The impact that The Project has had on the media and entertainment industry, countless careers, as well as on Australian society and culture, cannot be overstated.' It is unclear whether the series' high profile hosts, including Waleed Aly and Sarah Harris, will be deployed to other projects at Ten or leave the network entirely. In a tongue-in-cheek statement, Harris teased that fans should 'keep an eye out' for when she starts a page on adult subscription content website OnlyFans. 'I've had a blast, but it's time for me to take a breath and spend some time with my boys… keep an eye out for my OnlyFans page,' she said in a statement shared via the program's official Instagram page. Harris, a Channel 10 veteran who previously co-anchored the canned daytime series Studio 10, joined The Project in 2022. 'Our supportive Queen, Sarah Harris, has spoken following the news that we are finishing up on June 27 and her boys are going to have the best time with their Mum over the next few months,' the channel said in a statement. The Melbourne-based program features a rotating line up of regular presenters including Waleed Aly, Sarah Harris, Sam Taunton, and Georgie Tunny from Sunday through Friday. The series' original panel consisted of Carrie Bickmore, Charlie Pickering and Dave Hughes, but its most well-known line up was arguably Bickmore, Peter Helliar, Waleed Aly, and Hamish McDonald. It was this era that saw The Project and its hosts pick up a trophy case of Logie wins, including Gold Logies for Bickmore in 2015 and Aly in 2016. Bickmore and Helliar left the Melbourne-based show in 2022 amid reported budget cuts and declining viewership at the free-to-air broadcaster. A new half hour news program called Behind the Lines, hosted by high-profile journalist Denholm Hitchcock, is set air in July or August. It is understood Ten will be broadcasting the new show from Sydney to save on costs and already broadcasts The Project from Sydney on Sundays.

The Age
5 hours ago
- The Age
‘A hefty, triple-cooked beast': Bear's serves the Goldilocks of potato cakes
This warm bear hug of a venue has plenty to offer across the board, but its fate is tied to this battered snack. Previous SlideNext Slide Critics' PickHow we score Has winter's generalised bah humbug disorder set in yet? If so, the perfect antidote can be found at a snug wine bar in North Melbourne, where the humble potato cake has received a glow-up for the ages. Shaped like a flip-flop – a child's size 10, at a guess – they're a hefty, triple-cooked beast. Rich and creamy innards are cased in a rice and tapioca flour batter enlivened with bicarb soda and a flash of sherry vinegar, which react into a filigree of startling crunch. The sound is what you'd get if you were inclined to chew fine crystal glassware into a microphone. It's like eating the Danish concept of hygge. This being a wine bar and not the neighbourhood fish and chipper, there's creme fraiche and lumpfish caviar to swipe these bad boys through, though just like any self-respecting local, they're fond of throwing in an extra one for free (a serve is nominally $16 for three, but the room is full of couples cooing over their unexpected windfall). Just add chicken salt and call them a late entry to the retro-nostalgia party that has seen Australian chefs embrace everything from Iced VoVos to vol-au-vents. The Queensberry Street hang is a great place to indulge your yearning for a kinder, simpler time. Austin Kangket and sommelier Nathan Schofield met while working together at Supernormal and took the plunge into doing things their way last year. Their ye olde shopfront is a beacon on a rapidly greying evening. Rough red brick walls and warm hued lighting are a dramatic code-switch from the street. Being primarily a wine bar (I think), Bear's is a place to ponder the great existential question: what is dinner, anyway? A menu of mini cocktails is designed to aid the inquiry: a half-sized negroni, Tommy's margarita and even a rye whisky and pony chaser that won't send you to the sobriety wall. The clever wine list runs to their theme of 'interesting wine from interesting producers' from all around Oz. Go by the glass and varieties such as gruner veltliner, garganega and marsanne muscle out old mates sauv blanc and chardonnay. Natalie Imbruglia proved you can have one hit and coast on it for the rest of your career, but Bear's menu is a pick-and-mix collection of club bangers disguised as snacky share plates. Produce comes from Natoora, an ethical supplier that connects sustainable, small-scale farmers directly with restaurants – hurray for hyper-seasonality and Red Bison potatoes. The proximity to the Queen Vic Market plays its hand in the kangaroo dimmies, with the lean macropod meat mixed with bacon for a bit of fatty heft. Dip them into black vinegar for happy days. They suffer from the classic construction issue of fried dimmies everywhere – the puck of meat pops out of a wonton wrapper with no consideration for anyone who might be wearing white – but I'm happy to see roo staking its rightful place on a menu like this. Prawn toast enjoys its current victory lap here, using the house-baked focaccia as its carby base and adding a sprightly burnt chilli mayo. Miso eggplant topped with puffed grains is a little mono-dimensional but makes sense as a companion piece to the pork belly. Twice-cooked belly in its cubist abstract form is tossed in a dressing of 'nduja and honey; there's plum adding its fruity sweetness and the bitter lilt of radicchio coming in from left field. It's grand. The sole dessert has me uttering a phrase so improbable it could be a secret code alerting friends to a kidnapping: I'll have the deep-fried Tim Tam. It's a timely point to mention chef Gareth Thomson is a Scot. His CV boasts some exalted Glaswegian spots; nonetheless, it's in his DNA to immerse popular confectionery items in roiling oil. This $15 Tim Tam riff crunches and squishes in all the places you would expect. The commercial vanilla ice-cream is fine, but the batter turns my mind irrevocably back to the only (potato) cake that matters here. I'm sorry to essentialise Bear's into one dish. This warm bear hug of a venue has plenty to offer across the board, but its fate is tied to this potato cake. It's part symbiosis, part suicide pact. Take it off the menu and there will be consequences.

The Age
5 hours ago
- The Age
A new kind of drama is set to unfold with changed privacy laws
An Australian scandal is a like a sudden southerly on a clear summer's day – unexpected, jarring and liable to leave everyone shivering in its wake. From political pitfalls to celebrity slip-ups and the ever-rumbling corridors of Parliament House, we are a nation that guards privacy with one hand and refreshes newsfeeds with the other. Little wonder, then, that a show like Bridgerton – with its heaving corsets, whispered secrets and illicit entanglements – has a devoted fan base here. It's not just the drama that captivates us, but the tension between the private and the public, discretion and spectacle. While fans must wait until 2026 for the next episode, take heart 'dearest gentle reader': whispers among case-starved defamation lawyers suggest a new kind of drama is set to unfold. From Tuesday, a new statutory tort of privacy makes its debut on the Australian legal stage – and it's expected to dance to a familiar tune. Australians who suffer a serious invasion of privacy may claim up to $478,000 in damages and seek remedies including injunctions. As the age of unchecked intrusion draws to a genteel close, Lady Whistledown herself might remark that society's most prominent figures will breathe easier behind their velvet curtains. Or so they may think. As far back as 1960, US professor William Prosser identified four privacy torts: intrusion upon seclusion; public disclosure of private facts; false light portrayal; and appropriation of likeness. By 1977, all four were recorded in the US Restatement of Torts, a treatise issued by the American Law Institute. While not uniformly adopted there, intrusion and disclosure are well established – especially in celebrity-laden California. Britain took longer to get there. In 1991, two Sunday Sport photographers posed as doctors to snap a British actor in his hospital bed. The Court of Appeal famously declared: 'In English law, there is no right to privacy'. By 2000, however, the House of Lords changed course in Naomi Campbell v Mirror Group Newspapers. The action for 'misuse of private information' was born. By 2014, it was recognised as a tort, and today, privacy suits in London have become de rigueur. New Zealand recognised a general tort of privacy in 2004. By 2012 it recognised intrusion into seclusion as a standalone tort when a young woman was secretly filmed in the shower and awarded damages. That same year, Canada did likewise when a bank employee whose financial data had been improperly accessed received damages. Australia, by contrast, wasn't even at the races. It relied on defamation and breach of confidence – a patchy and much-criticised regime. This nearly changed a quarter-century ago in the Lenah Game Meats case. The chief justice urged better protection for privacy; the Australian Law Reform Commission echoed this in 2014. Lawyers even tried to open cracks left by the Lenah case, but these mostly faltered. In 2016, former High Court judge Michael Kirby said the inertia made Australia a ' laughing stock '.