
From 'The Bixie' To The Nineties Bob, 3 Extra Short Hairstyles To Try This Summer
Case in point: Emma Stone has been sporting a tousled pixie cut, while Victoria Beckham recently revived her iconic graduated 'uncut' bob, leaning into a softer, more effortless hairstyle. Meanwhile, famous faces who have never cut off their lengths before are now jumping on the trend. See: Sofia Richie-Grainge who chopped off her signature long waves and debuted a French bob whilst on holiday this summer.
'Extra short hair is having a moment as the ultimate style reset this summer. After seasons of long hair, people are now embracing bold, low-maintenance cuts that feel fresh and fun,' shares Eugene Smith, a Senior Stylist at John Frieda's Salon in Mayfair. 'It's a great way to shed any past hair damage, and with the hotter weather right now, short hair means quicker styling, fewer ponytails, and a cooler nape.'
Thinking of braving the chop but not sure where to start? Three hairstylists break down the trending extra-short hairstyles that are dominating this summer...
'The Bixie is simply a cross between a pixie and a bob; it's short and cropped at the nape like a pixie, with more length at the crown and fringe like a bob,' shares Smith. From Florence Pugh and Iris Law to Taylor Hill, the Bixie cut has been cropping up more than ever this summer. 'It's a cut that balances femininity and edge perfectly,' notes Smith.
As to why it's gaining popularity? 'It's the perfect in-between haircut for those transitioning from long hair to short hair or growing out their current cut. It helps create a soft, face-framing finish in the front and an edgier feel at the back,' shares Smith.
The Bixie can work for a number of hair types and textures, too. 'For fine hair, you can finger dry your ends using a root-lifting mousse like Cool Girl Volume by Sam McKnight to add volume and then finish with a texturising spray to define the movement,' says Smith.'For thick or coarse hair, a layered haircut is key to prevent bulk. You can finish the look with a smoothing balm to help control the shape,' he adds. If you have curly hair, he recommends embracing the natural pattern of your curls and opting for a curl cream to add volume and definition.
A grown-out pixie cut is an obvious choice for summer. 'It's because it's so versatile; you can air-dry your hair, tuck it behind the ears or wear it slicked back,' shares Smith.
Styling a grown-out pixie is also pretty straightforward. 'You can revive it by creating volume and texture,' shares Smith. 'For naturally straight hair, tongs are a great way to add movement.'
'The key to growing out short hair is having regular trims to keep it in shape and using conditioning products to keep it healthy and hydrated,' says Cos Sakkas, TONI&GUY's Global Creative Director. 'Try to minimise heat styling too– the great thing about the pixie is that it can be air-dried. As it starts to grow out play with different textures and shape; change the parting or add some curls through the top,' he adds.
'Most iconically seen on Christy Turlington in the Nineties, this head hugging short haircut is becoming increasingly popular,' shares Eva Goulding, a Stylist at the Nicola Clarke salon.
The aesthetic centres on a short classic bob style, which can be cut with soft layers or straight, and takes its name thanks to the iconic Nineties supermodel blow-dry; it's reminiscent of the 'old money' bob and has plenty of volume and movement. Today's iterations are mostly worn with a voluminous side parting and soft waves which you can create using wide curling tongs and setting spray.
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Amelia Bell is the Multiplatform Beauty Director for ELLE UK and Harper's Bazaar, developing beauty strategy, writing, editing, and commissioning, and leading beauty content across both sites. Amelia has a particular interest in wellness and longevity, exploring the skin-mind connection, and decoding the latest treatments, tweakments and runway trends. She also has bylines for Women's Health, Refinery29, British Vogue, Harrods Magazine, and more.

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Tom's Guide
32 minutes ago
- Tom's Guide
This mind-bending movie on Tubi blew my mind — hurry up and stream it now before it leaves
I absolutely love weird and unconventional movies. I went into "Holy Motors" thinking it'd be one of those slow, artsy French films people only pretend to understand. Instead, I got a total mind-melter. Star Denis Lavant manages to live a dozen different lives in one night throughout this fever dream of a film, and somehow makes every single one feel real. One minute he's a motion-capture actor in a skintight suit, the next he's a sewer-dwelling goblin eating flowers and licking people. There's a limo, a weird accordion break, a Kylie Minogue musical number, and absolutely no explanation for any of it. And for all of those reasons and more, it couldn't be cooler. It sounds like chaos, and it is — but it's also weirdly emotional and kind of beautiful. You won't totally get it (no one does), but you'll feel it. If you're into movies that make you question reality a little, "Holy Motors" is a trip worth taking. And it's streaming for free on Tubi for a very short time before it's set to be removed. So if you want to check it out, you don't have much time left. Monsieur Oscar (Lavant) is a mysterious man who spends his day riding around Paris in a white limousine, taking on a series of wildly different "assignments." Each stop transforms him into a new character. That might be a dying father, a beggar woman, a hitman, a sewer monster, or anything really. All complete with makeup, costume, and a new identity. Oscar throws himself into each role like it's life or death. He's not acting, though. He's living these lives, one after another, with no break in between, if you can believe that. One minute, Oscar is stabbing a man in a suit; the next, he's comforting a dying daughter; then, he's a wild-eyed troll eating flowers and kidnapping models. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. There's no explanation for who he is or why he's doing this, and you shouldn't really look for one in the film. His driver gives him quiet prompts, but no one ever asks questions. The world around him just rolls with it. Even when it makes no sense, which is often, everyone still seems at peace with what's happening on-screen. You start to wonder: Is he an actor? A puppet? Is this all for someone's entertainment? Or is it just the way he exists, constantly becoming someone else, because staying himself is too much? By the end, "Holy Motors" keeps quiet about its true intentions. It just leaves you with a strange, lingering feeling that maybe performance is the only thing keeping Oscar (and the rest of us) going. You should stream "Holy Motors" because there's truly nothing else like it, and Lavant gives one of the most insane, committed performances you'll ever see. He doesn't just play a character. He plays like 10, back-to-back, without a second to breathe. And somehow, each one feels totally real. You stop trying to figure out what's going on and just get pulled along for the ride. That alone makes it worth catching before it's no longer available to check out for free. It's weird, yeah. But it's the kind of weird that sticks with you. Lavant goes all in, and it's clear it's all-encompassing: physically, emotionally, everything, and you kind of forget you're watching a performance at all. That's what makes it so good. Once you've seen "Holy Motors", you'll get why people won't shut up about it. But if you don't want to miss out, you're going to have to act fast, as it's set to leave Tubi soon. It's going to get even more difficult to find to stream, so make sure you catch it while it's still super simple to track down. Watch "Holy Motors" free on Tubi Follow Tom's Guide on Google News to get our up-to-date news, how-tos, and reviews in your feeds. Make sure to click the Follow button.


Hamilton Spectator
3 hours ago
- Hamilton Spectator
Cape Breton filmmaker's latest work inspired by Donald Marshall Jr.
MEMBERTOU - A road trip when Glenn Gould was 17 with his uncle, who had just been released from prison, was the inspiration for Gould's first feature length film due to be released early next year. His uncle wasn't just any ordinary guy. His uncle was Donald Marshall Jr. and the road trip was anything but ordinary. The new film, Jeffrey's Turn, is loosely based on real life as experienced by Gould. He wrote the script ten years ago and says he took some creative license with the words and events. But with Gould playing the role of his uncle, it's sure to be a must-see project. Gould was born and raised on the Membertou First Nation in Unama'ki (Cape Breton). He's been home recovering from a stroke that hit him around the end of May when he was already in post-production. Fortunately, the effects of the stroke have been mild and he is able to work remotely while others work on editing and finishing the project in Halifax. 'It caused a little delay,' he says, 'but nothing major. My editor has been working on a rough cut.' Jeffrey's Turn is about a 17-year-old named JR Sylliboy who lives on Black Bear First Nation with his widowed, environmentalist mother, Anna. He is contacted by his uncle Arty who has just been released from prison after being incarcerated in Maine for getting into a scrap with some locals. Once united, the pair venture on a summer road trip from Cape Breton Island back to Maine and they have an unforgettable journey where nothing seems to go right. In a director's note, Gould explains the premise of his film that is fictionally based on true events: 'A lot of us have that one uncle that your mother is always comparing you to, and she does not want you to 'end up like.' I grew up with not just one, but a few of those uncles. There was never a boring moment growing up, that's for sure. Growing up on the Rez can be absolutely amazing for the most part. The closeness of friends and family around. The freedom to roam around the community freely and safely. Although, one of the 'cons' of having that freedom, is that you are not sheltered or censored from anyone or anything. There are a lot of traumatizing events witnessed by many of us who grew up on the Rez. Events that have resulted with many of us walking through life, hurt and damaged, heavy and broken, burdened with layers of PTSD from the events we have witnessed.' COMING OF AGE STORY Gould has written a fictional 'coming-of-age' story about an impressionable, naive teenager about to be introduced to sides of life he never knew existed. An actor since his teen years, the 53-year-old Gould is best known in Canada for his starring role as Det. Jerry Commanda in the crime drama 'Cardinal' which ran for four seasons on television in both English and French. He has also had roles in such hits as 'Outlander', 'FBI Most Wanted', 'Murdoch Mysteries,' 'DaVinci's Inquest', and Liam Neeson's movie, 'Cold Pursuit.' Gould says a lot of Nova Scotian actors were used in the film which was shot mostly in Dartmouth, Halifax and Eastern Passage. There was some drone overhead filming that used Millbrook First Nation as a backdrop. As well as writing and acting in his labour of love, he's a producer and director of the movie he hopes to show at film festivals in 2026. Although he would have loved to shoot it in Cape Breton, the island still lacks the infrastructure needed for feature-length films and the cost was prohibitive. Two of the young actors playing the main character's friends are from Eskasoni. One young man will have a story of being 'discovered' by Gould to tell in the future. Gould says he met Sydney Francis, 21, at an event at Sydney's Highland Arts Theatre. 'I saw him and I thought, 'who is that kid?' He has a great look for film. He has long native hair and a really cool look to him. And then I was at a wake in Eskasoni and he was tending the sacred fire.' 'I asked him if he ever thought of acting and he said, 'not really.' And then he said: 'but that would be kind of cool.' Gould said he thought of him when the part in Jeffrey's Turn came up, so Francis auditioned. He got the part and is in his first movie. A second person from Eskasoni is Desna Michael Thomas, 24, who is cast as a non-binary character. Thomas has some previous acting experience. They were nominated for an outstanding performance award by Screen Nova Scotia in 2022 for their role in the movie Wildhood. It's been ten years since Gould started the draft for Jeffrey's Turn and told Halifax producer Hank White of Stone Cold Productions, about it. A couple of years later, government funding became available for film projects and White asked him about it again. He liked what he heard and optioned the project. And Gould says 'it's been a journey' ever since. WRONGFUL CONVICTION Being a part of the Donald Marshall Sr. and Jr. family changed the trajectory of Gould's life from the time he was a child. Donald Marshall Sr. – his grandfather – was Grand Chief of the Mi'kmaq Nation for 27 years. His son, and Gould's uncle, Donald Marshall Jr. was wrongfully convicted of murder in 1971 and spent 11 years in prison. His case unveiled systemic racism within the Canadian justice system. A Royal Commission later found the system failed him 'at virtually every turn.' Gould remembers the family always believing in his uncle's innocence, but the children in the family – including himself – were taunted at school before the conviction was overturned. Jeffrey's Turn is in part, an homage to his uncle. In fact, there is a scene in the movie where Gould, as Donald Marshall Jr., re-enacts the fight scene that led to his uncle's wrongful murder conviction. 'It's partially my story of bonding with my uncle, but it's his story too,' Gould says. The facts of the case are that in 1971, Donald Marshall Jr. and Sandy Seale, both teenagers, came across Roy Ebsary and Jimmy MacNeil in Wentworth Park in downtown Sydney. A fight broke out and Seale was stabbed by Ebsary who already had a criminal record for violence. Despite Marshall Jr. flagging police down to get help for Seale and telling them about Ebsary and MacNeil who fled the park, it was Marshall they arrested for murder. After a trial in which he always maintained his innocence, Marshall was convicted and sentenced to life in prison. Ten years later, Ebsary confessed to the crime. An appeals court overturned the conviction, and a Royal Commission investigated the case, finding significant flaws in the justice system and highlighting racial bias. Marshall was Mi'kmaq and the victim, Seale, was black. JUSTICE DENIED It was when the National Film Board made the movie: 'Justice Denied', and Gould drove his grandparents to the set every day, (they played themselves in the film), that Gould thought acting was something he would like to be involved in. 'When they were filming, I was living with my grandparents and driving for them. I met the producers, director and actors.' 'One of them was a native actor from Manitoba, In fact I had to ask him: 'so you're a real native like me?' And he said yeah. He was like, 'I'm from the trap line in Manitoba.' 'I didn't even know what that was! So I asked and he said it meant that his family moved around from camp to camp.' He told Gould that his uncle was founder of the Native Earth Theatre Company in Toronto, and that's how he was working in film. Two years later, not finding much to keep him in Cape Breton around 1990, Gould travelled to Toronto, introduced himself to the people at what is now the oldest professional Indigenous theatre company in Canada, and lived the struggling actor lifestyle for a few months until the opportunity came along to act in Ojibway playwright, Drew Hayden Taylor 's one-act play: Toronto at Dreamer's Rock. Gould is happy to have the opportunity to write, act and direct in something that will remind people of his uncle's story. 'I took a bit of creative license to make it a good story,' he says. He adds that it's a story within a story – but it's an important one. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .


New York Times
4 hours ago
- New York Times
The Boldness of Calling a Toupee a Toupee
As Luke Williams looked in the mirror from his salon chair, he debated how short to cut the hair on the sides of his head. The top was already shaved in preparation for his new hairline. He told Emily Cheney, a toupee artist, that he would defer to her expertise because she was the professional. 'Cause I'm the queen!' she exclaimed in response. Ms. Cheney, 25, the self-crowned monarch of nonsurgical hair restoration, has developed a strong brand thanks to the 1.4 million people who follow her on TikTok and Instagram, where her display name is Toupee Queen. In a small one-room salon tucked inside a building in downtown San Diego, Ms. Cheney fits men, most of whom are in their late 20s, with toupees. Her work, which she has been documenting on social media for five years, routinely draws millions of views, with transformation videos that showcase the before and after of a toupee installation. Toupees, which have been rebranded by some as hair systems and are called cranial protheses by medical professionals, have become an unexpected fixture on social media, with both clients and stylists documenting the low-risk method of reinventing a hairline. 'I was struggling to come up with something using the term 'hair system,'' Ms. Cheney said about how she landed on her title. After some deliberating, the Toupee Queen was born, with a pink neon sign on her wall making it official. Ms. Cheney's social media success allowed her move from Utah to San Diego last year, and it is how many clients find her. But she also sees her videos as a way of pushing back against the stigma that so many men face when they engage in anything cosmetic. 'When I decided that one of my goals was to normalize toupees and male cosmetics and femininity among men, I decided that the best way to do this is to use the real word,' Ms. Cheney said of toupees. 'We can't keep changing the word and expect it to be normalized.' Mr. Williams, 44, said his hairline first began receding in his twenties. After evaluating his options, including a hair transplant, he decided two years ago that he would go with a toupee. This was, however, his first visit with Ms. Cheney, whom his wife had found on Instagram. 'I didn't realize the technology was quite as good as it was, and they looked as real as they do,' Mr. Williams said, adding that the fuller head of hair had given him a confidence boost, particularly when going to work or meeting new people. 'Ideally, I'd have nice natural hair,' he said. 'But if you don't have it, you've got to buy it.' Many of Ms. Cheney's clients have a similar story. Ben Sherry, 26, got his first toupee with Ms. Cheney in May. He is open to more permanent solutions in the future, he said, but this is a 'Band-Aid' for now. 'The support that I've gotten has been great,' Mr. Sherry said in reference to his TikTok videos documenting his experience. 'And then obviously, my perception of myself has also improved tremendously.' Restoring Confidence Male-pattern baldness is a common condition that affects up to half of men by 50. While the loss is physical, experts said the experience often influences how men feel. Viren Swami, a professor of social psychology at Anglia Ruskin University whose research focuses on the psychology of body image, said hair loss could affect confidence in interpersonal relationships and social relationships, which in turn might have a negative impact on mental health. 'Losing your hair doesn't necessarily mean you suddenly become depressed,' Dr. Swami said. 'You might feel sad, you might feel like something's changed but that then in turn has an impact on how you negotiate the world around you.' Mr. Sherry said that before getting a toupee, his hair was the first thing he noticed when he looked in the mirror, and he hated it. 'It does take a toll,' he said. For many men, 'their mojo is inextricably linked to the appearance of their hair,' said Dr. Evan Rieder, a physician in dermatology and psychiatry who practices in Manhattan. Hair loss can also lead to feelings of uncertainty and loss of control for both men and women, according to Dr. Carolyn Goh, a clinical professor of dermatology at U.C.L.A. Health. And men may not feel comfortable expressing when they're bothered by it, she said. Certain societal structures, Dr. Swami said, including the patriarchy and the fashion industry, also play a role in making people feel that they need to change something about themselves in order to be accepted — and getting a toupee is part of that conversation. 'Someone shouldn't have to change how they look to feel accepted, to feel that they're a worthy part of humanity,' he said, noting that the concept is a societal question, and not about taking away an individual's agency to want to change. Mr. Sherry said he knew he could eventually work on accepting his hair loss, but at this stage in his life, getting a toupee made it 'just one less thing to worry about.' It allowed him to notice 'all of the other things about me that were special because I wasn't so focused on the hair,' he added. An Elaborate Process At Ms. Cheney's salon in San Diego, she runs an efficient, one-woman operation. First, she meets with potential clients through virtual consultations. If they decide to proceed, they come in for a two-hour application appointment, which includes shaving the top of their head and working to color and texture match toupees to their natural hair. This is followed by washing the toupee, applying it to the scalp with three to four coats of medical-grade glue, and a hair cut and styling. The applications cost $1,400 for the initial installation — she provides a discount for those willing to be featured in her social media videos — and require daily maintenance, as well as a monthly glue refresh. A new toupee is recommended every two to three months, she said. The hair pieces come from Toupees by Argyle, a small business owned by Ms. Cheney's mother, Anndrea Argyle, who introduced her to the industry. That relationship allowed Ms. Cheney to create custom 'blueprints' for her stock toupees. 'I'm very picky which is also why I think I'm the toupee queen,' she said. 'I want it to be the perfect texture match for what they want or for what their hair is, and I want it to be the perfect tone and the perfect color. And my favorite way to do that is just myself. Doing it my way, myself.' As Ms. Cheney begins work on an installation, she sings along to music and chats with her clients, often sprinkling in affirmations about how the look is 'serving already.' Though social media plays a crucial role in her business, Ms. Cheney said she hired someone to post videos for her, as she found it hard to not get caught up in the comments. And even with a significant follower count, she said it still felt 'so virtual.' The number of people who do toupee applications is small, she said, and lacks community, partly because of the shame associated with wearing them. Her attempts to remove that shame, and to use the word toupee, have not always gone over well with her peers. 'I feel rejected by the industry,' Ms. Cheney said. 'And I did feel a bit lonely, but the changes are happening.' 'If the industry won't adjust with us, then we will build a new industry that is kinder and more happy to deal with change,' she added.