
Food stylist and influencer Sunny Han's house is inspired by holidays in the Italian countryside
I had looked forward to that meal, as Han is a famous culinary virtuoso who documents her cooking on Instagram with sprezzatura aplenty. She diligently makes everything from scratch – risotto alla Milanese, tteokguk, soya sauce chicken rice, to name a few – spending hours in her kitchen with nary a hair out of place and ears adorned with vintage earrings – Chanel, no less.
Han's impeccable style and gastronomic preoccupation is traced to a lineage of connoisseurs. Her grandmother was married to South Korea's first naval admiral and hosted many dignitaries, including President Park Chung Hee. Han's mother cooked in South Korea's first bistro before opening the country's first international interior design store.
'She would go to the Maison & Objet Paris fair twice a year to shop, and I would follow her when I was 10 to 15 years old,' shared Han, who studied hospitality management at Cornell University, New York, followed by two years at the Culinary Institute of America in Napa Valley, California.
A meal by the seasoned host is always a thorough affair. Han recapped a recent Easter meal featuring a five-hour, slow-roasted leg of lamb 'cut very thin, soaked in its own pan drippings and served in a variety of condiments and sauces, including silky tahini sauce.'
This was matched with a spring tablescape of a green-outlined, yellow vintage jacquard French linen tablecloth, emerald-green Marie Daage dinner plates Han hand-painted and parrot tulips arranged in a Japanese flower frog. 'I wore a vintage pink gingham Chanel shirt – a classic Easter colour and pattern to suit the occasion,' detailed Han.
An aesthete through and through, she also puts her perceptive design sense to good use as creative director of Singapore's largest high-end co-work operator, The Work Project (TWP), which was founded by her husband Junny Lee. Both of them hail from South Korea but carved a life in Singapore running their business that has expanded to include locations in Hong Kong, Melbourne, Brisbane, Sydney and soon, London.
The couple made a great pair of hosts during the dinner they invited me to – Lee, with his candidness and humour, and Han with her elegant meal of handmade pasta and beef. The setting was equal part homely and aesthetic, with candlelight saturating the room with atmosphere.
The pair moved into this Bukit Timah detached house two years ago from their apartment in town for more space as well as a different pace of family life with two young boys. They were drawn to the site for the leafy park across the street with 'a handsome, grand-looking tree.'
Han elaborated: 'We love living in this quiet and intimate neighbourhood. The park is such a versatile place for us, where the kids can play in the mornings and afternoons, where we do picnics, and where we can have a glass of wine as an aperitivo before dinner.'
The Italian-inflected house was steered by their love for the country. 'We do a three-week-long summer trip to Tuscany, and some shorter trips over the year to other parts of Italy,' said Lee. These are dreamy days, of Han in her element, wandering into markets to buy fresh produce to whip up Italian dishes as the children play in fields against ombre sunsets.
"I like to cook various cuisines – Japanese, Korean, Vietnamese, French, Italian and more. However, if i were to choose one, it is Italian cooking that mesmerises me. I roll different shapes of pasta with different sauces based on what is available in the season. All the inspiration comes from the travels. Italian cooking looks simple but it can actually be very technical in order to do it correctly," said Han.
Diego Molina and Maria Arango of ArMo Design Studio, formerly from ONG&ONG (the house's architect of record), helped design their dream house. Matthew Shang Design Office (MSDO), known for creating narrative-led dining destinations like Revolver and Atlas Bar, designed the interiors. Shang had also designed the couple's previous home as well as some TWP Singapore locations so this partnership was seamless.
While neoclassical Italian villas provided the precedent, the house's expressions are contemporary. 'We incorporated materials like natural stone, timber and [red travertine tiles inspired by] terracotta that age gracefully and resonate with the Italian countryside inspiration. Architectural features such as arches and pergolas not only provide structural rhythm, but also pay homage to classical design principles,' explained Molina.
In the entrance vestibule, a statement staircase finished in smooth stucco curls gracefully to one side like a side-swept skirt, carving a void for Han to welcome guests with seasonal floral displays – for example, large bursts of yellow mimosa in spring and branches of autumn leaves in fall, accessories by pumpkins.
The other parts of the home embody a similar tempered elegance, with marble floors, walls of marmorino stucco (a material used in Venetian palaces of yore), spaces conceived as rooms from one to another, arched doorways of oak, and sun-tipped lemon and olive trees outside the windows.
Symmetry, colour and proportion are carefully considered with features like teal- and artichoke-coloured silk panels, and dark green Verdi Alpi marble portals flanking a faux red travertine hearth in the living room. 'It is always difficult to do a 'fake' fireplace in the tropics but here, the marble accents and scale make it a wonderful focal point,' said Shang.
Han also contributed vintage Murano glass Venetian sconces bought in an online auction. 'I have been adding small furniture and decor items everywhere in the house since we moved in. I think adding stories and layers to every corner of the house as you live in it is the real beauty of home decorating,' she said.
Many special pieces came from the couple's travels. 'While the house was being built, I was pregnant with my second son, and we went on a long trip to Tuscany as a babymoon. We met so many local artisans in different parts of Tuscany, hand-making all sorts of things – from ceramic floor tiles to brass door handles and hand-carved wood appliques,' said Han.
An artisan in Florence made one of these appliques – a vanilla-coloured piece now attached to her custom cooker hood as a centrepiece in the kitchen. This space sees constant addition not just of decor, but also of cooking apparatuses, other culinary paraphernalia and 'kitchen stories'.
'The kitchen is very much the heart of the home – not just in function, but in how it brings the family together,' Arango commented. The large island often sees family and friends gather around to chat with Han as she preps and cooks.
The professional-grade kitchen incorporates a red La Cornue stove and everything that Han had always wanted in her workspace, including a rotisserie that works its magic every week for a regular Sunday roast. Events in this room segue into those in the backyard through large doors that are kept open in the late afternoons.
'The children truly love every part of the house. Yet, it is definitely the kitchen that they enjoy the most. Since our pool is connected to the kitchen, it has become a ritual [for them] to swim before mealtimes, and watch me cook and prepare meals. By appreciating these daily rituals and slow lifestyle, the children have gradually made the home their own,' Han reflected.
Arango observed that this connection between the inside and outside spaces 'reinforces the open, relaxed spirit of the home, where boundaries between living, cooking and leisure are gently dissolved.' She and Molina had shifted the original driveway here to another side of the plot to allow for a bigger pool that they clad in the same red travertine as the kitchen floor in the style of Mediterranean kitchens.
I asked Lee if he cooks and he chuckled: 'I used to quite a lot but my skills have been rendered useless. On the odd weekend, Sunny will let me do the poolside barbecue. But my job is to play with the boys, and get them really hungry and tired.'
View this post on Instagram
A post shared by Sunny Han (@sunnyskitchen)
The rustic kitchen is presided over by two grand conical Wastberg lamps that appear like abstracted upside-down chefs hats. Walls of oak storage include glass-fronted cabinets showcasing Han's collection of plates and crockery.
'These displays add a personal and lived-in character to the kitchen, making it not only a functional workspace but also a space that tells a story – one that is always evolving with the seasons, meals and memories made there,' said Arango.
The dedication of Han's hosting is found in a 'party closet', accessed by a butler's corridor. Here, Han keeps her heirloom silverware (some have been used by past South Korean presidents), serve ware, piles of neatly folded linen, et cetera that take their turn to be admired at gatherings. 'I like to buy vintage and objects that looks used. A lot of them were inherited from my grandmother,' said Han. There are also vintage espresso cups belonging to her mother.
Guests close enough for a tour upstairs often marvel at the peach-coloured walls tracing the round void of the stair core on the second storey. The shade was chosen to match the terracotta downstairs. 'Since it's the kids' area, I wanted it to be more vibrant, yet still in keeping with the Italian language. It was really hard to arrive at that colour,' said Han.
The library and doors to bedrooms encircle this void. One of the doors leads to the couple's suite in the attic that has a dedicated bar area.. 'We spend a lot of time here in the evenings,' said Lee. For the space, Shang was inspired by Italian architect Piero Portaluppi's classic Milanese modernist interiors. Rather than downplay the quirk of the slanted ceiling, he celebrated it with rich polished green stucco plaster.
I asked the couple what a normal day is like in this home after the children have returned from school. 'We have the kids at the playground, then have dinner, and then reading time in the library. Then they will go off and get ready for bed. Usually, I will do a little more work at home, a bit of reading, listening to music, then a nightcap and go to sleep early before 11pm,' narrated Lee. Han mused: 'We sound like old people.'
Clearly, family life is given serious attention. But so too is fun with friends – such is the couple's joie de vivre attitude to life. 'When we entertain friends, we invite them to the living room first with a glass of champagne to start before dinner. Then we all move to the kitchen where I cook and entertain simultaneously,' shared Han. 'Afterwards, we continue to the upstairs bar with a digestif or two. It always ends up in a small house party with endless songs and drinks through the night.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNA
4 hours ago
- CNA
Japan Hour - Gaia Series 96: Delicious food! Don't lose that taste
This week's episode is a heartfelt exploration of iconic eateries facing closure and the quiet crisis of succession in Japan's food culture.


CNA
14 hours ago
- CNA
Paralympian Frech eyes 'biggest party of all time' as LA28 approaches
LOS ANGELES :For American Paralympian Ezra Frech, the countdown to the LA28 Paralympic Games is an all-consuming passion as he prepares for what he calls a transformative moment for the city and the world. "I lay in bed at night and that's all I think about. I get up in the morning and that is all I think about. It goes through my head 24-7," Frech told Reuters on the red carpet of the ESPYs, where he was nominated for Best Athlete with a Disability. Frech, a track and field athlete who competed at the Tokyo and Paris Games, is confident that Los Angeles will deliver an unparalleled spectacle in 2028. "LA28 will be literally the biggest party of all time," said Frech, a Los Angeles native who competes at the University of Southern California. "This city knows how to throw a party and it knows how to throw a sporting event." Frech, who was born with congenital limb differences, captured two gold medals in Paris - winning the 100m and high jump in the T63 category for athletes with a single above-the-knee leg amputation. The Paris 2024 Paralympics set a high bar, Frech acknowledged, but he believes Angelenos are ready to take the event to new heights. "Paris set a great foundation. They showed us what a Paralympic Games can be, and now we as Angelenos have to take it to the next level," he said. Frech is featured in the documentary "Adaptive," to be released on Peacock on July 28. The show follows Frech, swimmer Jamal Hill, and women's wheelchair basketball players Courtney Ryan and Josie Aslakson as they navigate the road from Tokyo to Paris. "It's raw, it's emotional, it's gritty," Frech said. "There's laughter, tears, highs, lows, and then ultimately, the ultimate peak, which was Paris for me." Looking ahead to 2028, Frech is resolute about his goals. He has said he was gunning for the triple crown in LA - defending his two titles from Paris and adding a long jump gold to his collection. "One hundred percent I plan to compete, and I guarantee I'm winning all golds in LA," the amiable 20-year-old said with a smile. Beyond personal achievements, Frech emphasized the ongoing fight for Paralympians to be recognized alongside their able-bodied counterparts. "We are not asking for pity claps. We're not asking people to celebrate us just because we're disabled," he said. "We're out here competing on the highest level."


Vogue Singapore
a day ago
- Vogue Singapore
Behind the scenes for Chanel's FW 2025/26 pre-collection with Jennie
In the gardens of the Palais Royal in Paris, South Korean singer and actor Jennie is dressed in a large navy coat, white T-shirt and jeans for the Chanel fall-winter 2025/26 pre-collection campaign. Earlier, in a Paris apartment, she blew kisses to the Vogue cameras in a light blue tweed jacket and skirt and then posed defiantly in front of the palace's fountain, wearing a beret and a tweed jacket slung over one shoulder. A series of other very Parisian, and very Jennie, looks followed, each of them emblematic in their own way of the Chanel pre-collection, which, in a nutshell, 'was created by Chanel using Jennie, the house's ambassador, and the protagonists of American romantic comedies of the 1990s as muses.' For Jennie, the 1990s are a special time. 'I've been influenced by everything from the 1990s,' she says. She means 'everything' literally—not only its fashions, but also its films, music, and art. In short, the decade as a whole. The collection embraces the same influences too. The Chanel Creation Studio has given an interesting twist to the masculine yet feminine styles that were worn by the stars of 1990s romantic comedies, like Julia Roberts in Notting Hill . The contrasting and opposing elements are evident in the broad-shouldered black jackets with belts, flared trousers with menswear tailoring, corsets reminiscent of men's waistcoats and a navy jacket paired with shorts that has a certain military vibe. Courtesy of Chanel Another theme is lace. One of the symbols of Chanel, lace lends a delicate and poetic touch to the entire collection. From silhouetted dresses to jumpsuits adorned with camellia motifs, detailed skirts and sporty white hoodies paired with floral tights, lace elegantly subverts stereotypes of femininity in unexpected ways. It also appears on tweed and knitted fabrics, reflecting Chanel's soft and poetic sensibility. For the house of Chanel, lace is more than just a detail; it's symbolic of both women's inner and outer worlds at once. In the end, the pre-collection is about more than just clothes, it is also redefining femininity. Ribbons and lace, tweed and denim, corsets and flared trousers, these disparate elements come together to create a new vision of femininity—sometimes elegant and sometimes more rough-edged, sometimes soft and at other times hard. This pre-collection is for all those 'other women' who don't easily fit into simple categories, and Jennie is an icon who represents that complex femininity. Jennie, the inspiration for Chanel's fall-winter 2025/26 pre-collection, shot the campaign with Craig McDean in Paris. Vogue was there to capture the shoot as it took place. Peter Ash Lee In a behind-the-scenes film with Vogue, Jennie shared that, 'every Chanel collection has an iconic woman as its muse, and it was such an honour to be part of the creative process, sharing my favourite things and my own style. Some of the looks are modern interpretations of Chanel pieces I've worn in the past and others are pieces that hold special memories for me. I wanted the collection to capture the appeal of contrasts. I love that Chanel has always celebrated the strong and assertive side of women, and I want every woman to be inspired to follow her dreams and express herself in her own way.' As the face and voice of this pre-collection from Chanel, Jennie shared her taste, style and perspective on women today exclusively with Vogue. Ultimately, the Chanel fall-winter 2025/26 pre-collection is a story about women. How do you and Chanel see women? We have a lot in common. We support all women and want women all over the world to be free to follow their dreams and do what they really want to do. The collection was inspired by 1990s romantic comedy protagonists, Paris and Jennie's own style. Peter Ash Lee The campaign was shot with Craig McDean. What was the atmosphere like on set? It was my first time working with him, and I was really impressed. I studied his work before the shoot, looking at everything I could find. He has his own way of making models stand out, and I especially fell in love with the way he uses colour. I thought a lot about how I could collaborate with him more organically and effectively. Once the shoot started, everything flowed so smoothly. It was as natural as if we had worked together many times. A behind-the-scenes film was also shot for Vogue. Peter Ash Lee The collection has a lovely 1990s vibe to it, like a romantic comedy. I've always been inspired by the fashion, art, music and films of the 1990s, and Notting Hill is my favourite film of all time. The first time I saw it, I fell in love with the atmosphere, the colours, the music and Julia Roberts' style. I still watch it every now and then when I have time. Her style is feminine yet boyish, romantic yet preppy, and I often think of her as a style muse. Was there a look or detail from the collection that you particularly loved? I really liked the denim looks and the ones that appear effortless. I love fashion and I love to dress up, but comfort is always the most important thing to me. Denim is casual and cool, so it's always a staple in my wardrobe. I often mix and match it with different pieces. I also loved the ribbon details throughout the collection, which made it even more special because it's so iconic of Chanel. For her first collaboration with Craig McDean, Jennie says that she looked at his photographs and offered some of her own suggestions. The star kept the mood positive with her infectiously upbeat energy. Peter Ash Lee The key to the Chanel fall-winter 2025/26 pre-collection is the juxtaposition of contrasts: femininity and masculinity, classic Parisian looks and your own style. It's what you and Chanel do best. Chanel has always played with the contrast between femininity and masculinity, and I find that really interesting. It's a brand that makes women feel confident when they wear their clothes, and they reinterpret that contrast in each collection, so it never becomes boring. This collection has the essence of Paris, which I love, but it also incorporates my personal fashion style from over the years. There were looks in the collection that I looked at and thought, 'This is just like something I've worn in the past!' I felt that Chanel really understood my style. This story was originally published on Vogue Korea.