
Katherine Schwarzenegger reveals ‘number one' thing step-parents should do
Schwarzenegger, 35, married Pratt in 2019 and has since had three children with him; Pratt shares 12-year-old Jack with his ex-wife, Anna Faris.
She said it was the 'number one thing' that helped her become a step-parent, stating that step-parenting lacks a handbook and is confusing, as it is distinct from being a parent, nanny, or assistant.
Schwarzenegger expressed gratitude that she, Pratt, Faris, and Faris's husband, Michael Barrett, co-parent Jack effectively, calling it a "huge blessing."
Anna Faris has also spoken positively about the current family dynamic, noting that she is "getting closer" to Pratt and Schwarzenegger and appreciates their support.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
a minute ago
- Daily Mail
Secrets of Brad Pitt's 'facelift' shared by top plastic surgeons
With Brad Pitt's F1 movie thrilling fans, talk of his youthful looks have taken pole position. One person boldly to social media to declare: 'Brad Pitt got a facelift,' while a second added: 'The surgeon who did [his] facelift should be the richest person on Earth.' has spoken to three plastic surgeons to uncover the procedures the actor may have received. Despite the suggestions, each said he likely did not receive a facelift, saying they couldn't see the typical giveaway signs of taut skin, squinting eyes, and scars around the ear. Instead, they suggested it was much more likely that he had received fat transfers or fillers into the mid-face to boost volume and make him appear younger. Dr Michael Bassiri-Tehrani, a facial plastic surgeon in New York City, said: 'This is a subtle touch-up procedure that tends to be more desirable, especially if you are in the public eye. 'This is because it means... a less drastic change in your appearance, which is important, especially for someone who is in movies and whose face is their identity and their brand.' Brad first debuted his incredibly youthful new looks in September last year, which again sparked speculation from fans about a potential facelift. Sources close to the star denied rumors that he had had a facelift, or received any other procedures to The plastic surgeons did not treat or get the chance to examine Brad in person, and instead based their comments on photos and videos of the star online. Dr Barry Weintraub, a top facelift surgeon in New York City who examined two pictures of the star, said: 'Looking straight at these images, it is clear that he is handsome as hell. 'But I do also notice that in the later photo his face is fuller, and that would either be from fat transfers or a variety of fillers that were used. 'It could also be simply because he gained weight, because that can also lead to more fullness appearing in the face.' He added: 'As you get older, you start to lose volume in your own face... so placing volume back into it is a great way to add youth, and I think that is what was done here.' Surgeons said he'd likely received the filler or fat transfers into the cheeks and jawline to add volume to these areas. They said that overall it was more likely this was fat, typically taken from the abdomen or thighs, because this is longer lasting and can trigger a more natural result. Many celebrities also opt for blepharoplasties, a procedure to remove skin above the eyes to make someone appear more youthful. But all three surgeons said Brad had avoided this. Dr Gary Linkov, a plastic surgeon also in New York City, said: 'I still don't see great proof that he's had a facelift. His hairline area looks ok to me, and I don't see any clear evidence for me. 'But it is possible that he might have had a fat transfer or filler to the mid-face. 'I mentioned a few years ago that he may have had that procedure, so it's definitely possible that he did something like that again.' Dr Adam Scheiner, a cosmetic surgeon in Florida and author of 2017 book The True Definition Of Beauty, said Brad may appear so youthful because of how someone views a person's face. 'When we look at a person's face, our brains focus on the eye and mouth region first and the skin and facial contours area second. 'So it tends to be much more dramatic when someone has the eyes or mouth worked on, whereas if it's on other areas it tends to be much more subtle - like the work we see here.' Brad has not commented on any recent work he may have, but he has repeatedly spoken about aging - saying after he turned 60 years old that he was starting to feel his own mortality. Surgeons have previously suggested that Brad has been receiving fillers and Botox during the years to maintain his youthful appearance but this has never been confirmed. Surgeons suggested too that Brad may be maintaining his skin using moisturizers, micro-needling, and other procedures.


Daily Mail
a minute ago
- Daily Mail
Here's what's leaving Netflix soon
By Netflix has scrapped a string of blockbuster film franchises as part of a major movie clearout. This month the streaming service will wave goodbye to an award-winning animation, a legendary horror and a film series dubbed the 'sexiest ever'. Fans will be gutted to know that the likes of Fifty Shades of Grey, Shrek and the Final Destination franchise will no longer be available. Don't worry though, you have around two weeks until these programs and popular blockbusters are taken off the streaming service. Scroll down to find out if your favorite Netflix flick or show is set to be removed and how much time you have to watch it. August 1, 2025 Close Your Eyes Before It's Dark (2016), Cloudy with a Chance of Meatballs (2009), Drinking Buddies (2013), Fifty Shades Darker (2017), Fifty Shades Freed (2018), Fifty Shades of Grey (2015), Georgia Rule (2007), The Ghost and the Tout (2018), Have You Ever Fallen in Love, Miss Jiang? (Season 1), Life Plan A and B (Season 1), Little Man (2006), Love Storm (2016), Masha and the Bear: Nursery Rhymes (1 Season), The Nightingale (2018), The Nut Job 2: Nutty by Nature (2017), On Nom Stories (Season 1), Suspect (Season 1), Think Like a Man (2012), Warcraft (2016), The Water Horse (2007), White House Down (2013). August 2, 2025 August 3, 2025 Aloe Vera (2020), Elevator Baby (2019), Final Destination (2000), Final Destination 2 (2003), Final Destination 3 (2006), Final Destination 5 (2011), Shaka Inkosi YamaKhosi (2021) August 4, 2025 August 5, 2025 '71 (2014), Lockdown (2021), Love Is War (2019), Nairobby (2021) August 6, 2025 A Man Apart (2003,) DC League of Super-Pets (2022), Norbit (2007), Sugar Rush (2019) August 7, 2025 A History of Violence (2005), Demolition Man (1993), Ever After High (5 Seasons), N Gods of Egypt (2016), Up North (2018) August 8, 2025 August 9, 2025 Deep Blue (1999), Merry Man 2: Another Mission (2019), Peter Rabbit (2018) August 10, 2025 American Psycho (2000), Chef (2014), Coming from Insanity (2019), Conan the Barbarian (2011), How to Be a Latin Lover (2017), The Hunger Games (2012), The Hunger Games: Catching Fire (2013), The Hunger Games: Mockingjay – Part 1 (2014), The Hunger Games: Mockingjay – Part 2 (2015), What to Expect When You're Expecting (2012) August 11, 2025 The Vendor (2018) August 12, 2025


The Guardian
15 minutes ago
- The Guardian
Breaking the Binary: meet the founder behind a US theater company for trans and non-binary artists
For George Strus, theater was one of many roving interests during their childhood in northern New Jersey. First, there was baseball. Then, a short stint in ice skating. 'I was really into Webkinz for like, two months,' said the 27-year-old during a phone interview. A fixation on Sillybandz, the brightly colored, animal shaped rubber bracelets, soon followed. But, a musical being produced at their local YMCA caught Strus's attention. Seussical the Musical, to be exact, a comedy based on the works of author Dr Seuss. 'I saw the ad in the paper at the time, so I auditioned for the show and got in', they said. A tiny role in Seussical catapulted Strus's love for the art form. They began checking out cast albums from the library, used their minimum wage job in high school to pay for cheap Broadway tickets. Now, as a young adult, Strus leads Breaking the Binary Theatre (BTB), a new work development incubator specifically for transgender, non-binary, and Two-Spirit+ (TNB2S+) artists. The BTB community and transness has been 'life changing', said Struss, who is trans, non-binary and uses they/them pronouns.'The community I've met through BTB has shaped me as a human,' they said. '[It] really solidified my personal value system and helped me understand so much more about the world and what freedom can mean when you strip yourself of any inhibitions that society has put on you.' BTB Theatre, founded by Strus in July 2022, is a revelation, one of the only theatrical spaces created for and run by gender-expansive artists. BTB employees, who help facilitate the organization's many projects, are based in New York and at other theater hubs in the US, onboarding throughout the year according to the organization's needs. The group doesn't have a formal theatre space, preferring to stay 'nimble' in response to the community's varying needs, said Strus. Instead, group members meet virtually and collaborate around specific projects. 'I'm really thinking about how BTB can best be serving our community in a moment where the circumstances around are changing and shifting ever so rapidly every day,' they said. BTB oversees a rotation of initiatives for artists in various roles within the theater industry. The theater hub hosts an annual reading series, with work written and presented by TNB2S+ creatives. The series, which sells out annually, features a mix of artists at varying career levels. Emerging playwrights will often work alongside veteran actors and directors. Noted participants of the program include L Morgan Lee, the first openly trans performer to receive a Tony award nomination, playwright and TV writer Jen Silverman, and actor Indya Moore, who starred in the FX series Pose. The organization also hosts their free 'summer intensive' for six TNB2S+ performers, a coveted chance to work with Lee on audition materials, storytelling and how to engage with an industry that is often prickly towards trans artists. BTB also produces a zine every year for Trans Day of Visibility on 31 March, commissioning writers to contribute. The group will be going to Edinburgh festival fringe in late July through August to produce Red Ink, a one-woman show by trans activist and artist Cecilia Gentili. Gentili suddenly passed in February 2024, an 'earth shattering [moment] for so many people', said Strus. Even following Gentili's death, Strus and other producers wanted to continue producing the show with trans artists who could inhibit Gentili's artistry. 'We found that it was really fruitful to hear other people do it [and] stepping in to keep stories and her spirit and her work alive,' said Strus. A posthumous, off-Broadway production of Red Ink last June starring actors Jes Tom, Angelica Ross and Peppermint raised over $35,000 for various organizations, including Trans Power in Diversity. The latest iteration at the Edinburgh festival will feature performer Chiquitita, one of Gentili's chosen daughters. '[When] I'm thinking about people who could actually take this work on and honor the legacy of the work and the ways that we wanted to, Chiquitita was the perfect person,' Strus said. Strus's day-to-day tasks rarely look the same, especially as they juggle work as a commercial theater producer. There's draft announcements that need to be sent to BTB Theatre's press representative as they gear up for a summer show and a script that Strus needs to give notes on. There's also payroll for BTB artists, offer letters that need to be emailed out for upcoming projects, and play readings to attend, all in the pursuit of more TNB2S+ creatives. Strus's mother asked about Strus's work-life balance during a recent visit to the city, bringing up the subject with a slight touch of concern. In response, Strus responded that they 'do not really have one'. 'My hobby is also the thing I work in. I'm really blessed that the thing that pays my bills is also the thing I'm most passionate about in the world,' Strus said. 'So much of my life revolves around the theater, I wouldn't have it any other way.' Strus's journey with gender predates the creation of BTB, they said, but the creation of the organization remains integral to their own self-discovery. They first started questioning their identity in 2019, and those questions intensified during the Covid-19 pandemic. 'When the world shut down, it was something I had a lot more time to think about,' said Strus. 'When you take away all of the distractions of work and socializing and you just have time to sit with your own thoughts, you really learn a lot about yourself.' Being trans, said Strus, has been the greatest blessing. 'I don't even know I have words to explain, because I don't think words exist that can encapsulate the gift that it is.' At the time, Strus was working as an agent at the now defunct A3 Artists agency. By chance, Strus began representing a number of TNB2S+ artists: costume designer Qween Jean, playwright Reid Tang, and others. That work experience proved foundational, defining 'where my understanding of community really came from'. Even now, Strus said, TNB2S+ creatives and their work was seen as 'not being profitable'. 'My philosophy around that was different,' said Strus. 'I want to work with artists I'm interested in, and art that excites me. I think naturally, that was the connective tissue. With all those artists, their work excited me and maybe it had something to do with transness, even if I didn't know at the time. But I also wonder if it had to do with [the fact that] these artists couldn't find homes elsewhere, so I was like the agent that was willing to or interested in working with them.' Months later, Strus was hired by Second Stage Theater in New York City to work as the manager of artistic development. As a part of the role, Strus attended a mandatory diversity, equity and inclusion training. Facilitators presented a visual called the 'wheel of diversity' to the group. '[The image] said diversity in the middle and then around the word were all of the sort of things you should think about when you're trying to build a diverse group of people: race, ethnicity, age, gender, class, for example.' Strus realized that each represented group had a theater company made specifically for them, except TNB2S+ artists. Black artists had the National Black Theatre. Older creatives had the Mind the Gap initiative with New York Theatre Workshop. 'There [was] no company specifically focusing on trans and non-binary artists,' said Strus. A close friend, dramaturg Sarah Lunnie, was one of the first people Strus talked to about their discovery, the fact that there was no theatrical home for gender-expansive artists. Lunnie gave them two directives: write a short blurb about the project and tell at least three people. Heeding Lunnie's advice, Strus began to tell anyone who would listen, peaking the interests of others who had felt left out in theater's narrow binaries. Eight months later, BTB was born. Creating art as a TNB2S+ artist continues to be difficult as the Trump administration escalates its attacks against the community. Republicans have tried to malign gender-expansiveness and legislate out the existence of trans and non-binary people. As BTB's founder, Strus is trying to prepare for potential attacks, especially as the group has only ever operated under the Biden administration. But, in the meantime, Strus noted that they find 'great solace in what our community is able to do for one another, and how we're able to uplift each other in this moment'. When it comes to creating art in times of far-right extremism, Strus added: '[Trump's agenda] is a reason for me to stop and think about how we can do it the most safely, but it's not a reason to stop doing it.'