Inside Jennifer Aniston's ‘Casual,' Friends-to-Lovers Romance With Jim Curtis
Jennifer Aniston and hypnotist Jim Curtis are officially dating, sources told People and Us Weekly over the weekend. But right now, their relationship is casual.
Both outlets revealed that Aniston and the life coach were set up by a friend. It was platonic at first: '[They] started off as friends but really hit it off [over time],' Us Weekly's source said. 'They've been hanging out a lot, but very much on the DL at her home in L.A. It's very zen, and she has always been very much into that. They're a good match.'
'They are being super private but have been spending a lot of time together,' the source added. 'They are happy and really into each other.'
People's sources provided a little more background on how their romance blossomed. 'They've been seeing each other for a few months now,' one source shared. 'They were introduced by a friend and started out as friends. Jen had read his book [Curtis wrote The Stimulati Experience (2017) and Shift: Quantum Manifestation Guide (2024)] and was familiar with his work. She's really into self-help and wellness. They are dating, but it's still casual.'
The insider added, 'She's been happy on her own, but she's also open to sharing her life with someone. As long as it feels right. Jen's in a very good place right now—grounded, fulfilled and very happy.'
A second source told People that the two are just enjoying their connection: '[They are] casually dating and having fun.'
Aniston and Curtis first sparked dating rumors when they were photographed on vacation in Spain last week. This marks Aniston's first public romance since her 2018 split from Justin Theroux.
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Newsweek
5 minutes ago
- Newsweek
'I Know What You Did Last Summer' Reboot: A Summer Must-See
Sam Lansky Sam Lansky Jonny Marlow/SONY PICTURES ENTERTAINMENT INC. "We want to slam those dopamine buttons in your brain. We want to give you a good time at the capital M movies." As a writer and a fan of the original I Know What You Did Last Summer, Sam Lansky knew he wanted to do right by everyone who loved the original before co-writing (with Jennifer Kaytin Robinson) the script for the new reboot of the franchise. "I hope fans will have a really good time, because you will recognize things and be like, 'Oh sh**, I see what they did there,' in a way that will feel really fun." One of the things fans will recognize is the return of some of the original stars. "Both Jennifer [Love Hewitt] and Freddie [Prinze Jr.] really, really cared about who these people would be all these years later, and how to bring that to the screen with so much integrity and authenticity and depth," but also "make this really, really fun for the fans." But ultimately, Lansky wants people to put their phones down and go see the new iteration of the franchise in theaters. "Everything is capital F, capital U, for you. When you go to a movie theater, you get to have a rare communal experience of entertainment.... This is a fun summer popcorn movie, it is meant to be a blast." SUBSCRIBE TO THE PARTING SHOT WITH H. ALAN SCOTT ON APPLE PODCASTS OR SPOTIFY AND WATCH ON YOUTUBE Editor's Note: This conversation has been edited and condensed for publication. The Fisherman in Columbia Pictures I KNOW WHAT YOU DID LAST SUMMER The Fisherman in Columbia Pictures I KNOW WHAT YOU DID LAST SUMMER Matt Kennedy How did all of this come about for you? When I think about my career, I feel like I've had phases where I've worked in specific mediums and have really, really enjoyed getting to experience the fullness of that medium. And then I reach a point where I feel like I've done what I can do in that medium, and I'm ready to move on and move forward and climb a new mountain. Three years ago, I had the very fortunate experience of getting to go to Tanzania and climb Mount Kilimanjaro, which was an amazing life experience, and I would never climb that mountain again. It was so incredible. I don't need to climb again. I feel really, really grateful to have been able to do that, and once was enough. And so for me, I had really, really incredible experiences as a journalist, I was so fortunate to get to spend formative years of my career at Time magazine, where I worked as an editor and got to profile some of the most interesting people in the world, people of whom I was huge fans and admirers and found deeply inspirational. So I had all these amazing experiences as a journalist. I also wanted to tell my own stories, and I was fortunate enough to write two books. The first, my memoir, [The] Gilded Razor, which was about my crazy teenage years, coming of age in New York City, was published in 2016. The second novel, called Broken People, which is set in the world of Los Angeles, Neoshamanism, was published in 2020, and when I sold that book, I felt a bunch of things. One was that I'd worked in solitude for a really long time on these two big projects, which were both very personal to me. So really, it was about 12 years of project-based work that was extraordinarily solitary in nature, and I really wanted to work in other mediums, and I wanted to collaborate with interesting people. I wanted to work with my friends. I wanted to make new friends working on other projects. I wanted to be a part of things, as opposed to being the driver of this ship. I also feel like I had outgrown what I now think of as a kind of youthful self-involvement. Like in my 20s, definitely the most interesting subject I could think of was myself. And by the time I turned 30, I was very ready to explore other people's stories, other characters, other worlds, ones that were totally foreign to me, being a conduit or a surrogate for other people's creative impulses, worlds, their stories, all of that became exciting to me in ways that it hadn't been previously. And so I started writing for the screen. This is a franchise that is very well known to one generation, while this film will be an introduction to it for another generation. What was it about this film that made you want to dive into this franchise? So the short answer is, in terms of the process of the movie, Jennifer Kaytin Robinson, who is our fearless director on this new installment of I Know What You Did Last Summer, and my co-writer on the movie, has been a friend for about 10 years, and we had collaborated previously on projects that never reached their full capacity, but had a very close working relationship, a deep, deep, dear friendship and a shared sensibility. And so she had broken the story for the movie with another writer, and then generously invited me in to write the screenplay with her. That was a deeply surreal thing for me, because when I say this movie shaped my early love of films, I don't know that there is another film that shaped my early love of films as significantly as the original I Know What You Did Last Summer did. Like that movie had everything for me. I remember exactly where I was the first time I saw it, at a sleepover at my friend Kyle's house. Shoutout to Kyle. His mom took us to see I Still Know [What You Did Last Summer] in theaters, even though we were 9. We had an absolute blast. I am a I Still Know defender. I loved the original so much. I loved Jennifer Love Hewitt. I loved Sarah Michelle Gellar. I think those two scream queens are some of the most defining and beloved in movie history. Freddie [Prinze Jr.] and Ryan [Phillippe] are both sensational. All four of those actors are so beautiful, so charismatic, and I think you care deeply about them. You care deeply about Julie [Hewitt] and Helen [Gellar]. Their friendship, I think, is fully realized in a way that made a really strong impression on me at the time. I have watched the movie so many times now, the original movie, and there's a scene where they're in the car together a year later, and Helen asks Julie what happened to us. And it's one of the most poignant, deeply felt, real scenes I can think of from any horror movie in existence. In the canon, I think you love those characters, you root for those characters. You're devastated when they die, truly devastated. For anybody who hasn't seen the original, awesome, but I think there's a reason that that Helen Shivers final chase sequence is one of the most talked about scenes in horror of all time. So to be invited in, to have the privilege to be invited into this process, which is really how I think of it, felt like the fulfillment of my childhood dream in a way that was surreal from the jump and has been surreal at every stage of this process. This movie, a new installment, a new imagining of this movie that I loved so fiercely as a kid, that was so defining for me and helped instill in me a love of this medium, a love of popular culture, a love of being scared. And I think Jen and I both, as collaborators on this script, and then watching her work as the master filmmaker she is, we're able to bring that love and genuine excitement into every phase of the project. I feel like if there's one thing I'm sure of, we brought that sense of fun that we felt about the movie into every part of the process, and I hope and believe that comes across on screen, like full-throttle fun. We want to slam those dopamine buttons in your brain. We want to give you a good time at the capital M movies. (L to R) Tariq Withers, Sarah Pidgeon, Chase Sui Wonders, and Madelyn Cline in Columbia Pictures I KNOW WHAT YOU DID LAST SUMMER (L to R) Tariq Withers, Sarah Pidgeon, Chase Sui Wonders, and Madelyn Cline in Columbia Pictures I KNOW WHAT YOU DID LAST SUMMER Brook Rushton A big driving force of this film is nostalgia. It's what is going to put butts in the seats. What is it about the power of nostalgia right now? Particularly in entertainment. There were things that were in the original movie, the first film, that I really wanted us to be able to carry forward. And also, when you get into making a movie, there's production realities that you have to consider. There are parameters and things to be solved, and we were so lucky that we had the support of Sony and our whole team in getting to bring some of those things to life. There were locations from the original movie that we were really excited to bring forward and say, thoughtfully, okay, 25 to 30 years later, essentially, almost 30 years later, what would this town be like? What would have happened to this place? What would have happened to this character? Who would they be, and what would this environment be? Because in the first movie, Southport is very much a character. It is as much a character as any of the characters are. And the nautical feel of the movie, Jim Gillespie, who directed the first film, talked about Jaws as an inspiration for him, which you definitely feel of this idyllic seaside town that is then suddenly haunted by the specter of violence. We really wanted to have fun with pushing that forward a couple decades and imagining what it would be like and how it would have changed, with specific places from the original movie that are familiar, what might have come of them? So we had a really good time with that. And I hope fans will have a really good time with that too, because you will recognize things and be like, oh sh**, I see what they did there in a way that will feel really fun. I also think knowing that not everyone who comes into the theater will have seen the original—although I do think that we need to open the schools, because everyone should see the original. That should be required. Even though you can totally watch this without seeing the original, having the original fresh in mind will make this movie that much more fun. That's the hope. I think it was important that it stood on its own and that you did not need a deep familiarity with the original movie to enjoy this one to its fullest potential. And if you are a true head [fan of the original], you are going to get those needs met too, because there's a lot of little Easter eggs. There's one line that Freddie has in the middle of the movie that I won't spoil, it's so, so, so funny, so satisfying. And I think there's just a lot of little bits and pieces that if you know the first movie and/or the sequel you'll really appreciate it, [but] it's not necessary. So to your question about balance, making sure that there was nothing that required real knowledge going in to have an absolute blast at the theater was such a priority for us, and we really did want to deliver for the people who are like us, absolutely scholars of this canon, and wanted to do right by them. Chase Sui Wonders and the Fisherman in Columbia Pictures I KNOW WHAT YOU DID LAST SUMMER Chase Sui Wonders and the Fisherman in Columbia Pictures I KNOW WHAT YOU DID LAST SUMMER Brook Rushton I want to speak about Jennifer Love Hewitt for a second. All I want to do is speak about Jennifer Love Hewitt. I really feel like she doesn't get enough love as a scream queen. For me, she's our generation's Jamie Lee Curtis. What was it like not just getting her back, but getting other original actors back? I mean, I think I actually cried sitting at the monitor watching. Like on day one, it was utterly surreal. They were movie stars for a reason, and they still are movie stars for a reason, and even if it's been a beat since you've seen Love, for example, on a giant movie screen, she has "it" in a way that is so undeniable and she is so eminently watchable, and you just want to watch her work. And with Freddie, it is every ounce, the same thing, where he steps out and the camera gets him, and you are like, "That's a f****** movie star. Oh my God." And you just really, really, really feel it. And also, with both of them, the level of care, depth of thought and commitment to these characters, I don't know, as a fan, I guess from a distance, I imagine that actors would have a relatively detached relationship with these characters they've played, because it was a job they did for a couple weeks, and then they go on to their lives. Like Jennifer Love Hewitt goes home and she's not Julie James. You know what I mean? I think I had always imagined wrongly, that there was more of a kind of detachment from these characters, especially ones that you played years ago. Both Jen and Freddie really, really cared about who these people would be all these years later, and how to bring that to the screen with so much integrity and authenticity and depth, and also how to make this really, really fun for the fans. That was so impressive to me, just two people of consummate artistic integrity. And when I say integrity, I really do mean it. This is a fun summer popcorn movie, like it is meant to be a blast. And what they brought to that was such a commitment and dedication that felt really deep and really inspiring to see. Like, I want to in my career approach everything I do with the level of care and thought to craft that both of them came to these performances. 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And I feel like I'm doing a worse version of Nicole Kidman's AMC ad. Nicole comes in and she just goes, "Let's just say, 'We come to this place.'" A much better version. "You're absolutely botching this, bro." [laughs] No, I do feel like it's a really special experience. And so it seems to me, when I kind of look at the things that are popping at the box office, when we thought about what we wanted to bring to this movie, when I think about the next movies I want to write and create and be a part of, I want to be a part of movies that feel like those big theatrical experiences, because that's what I grew up on. That's where I saw the world for the first time. In so many ways, for so many of us, it's such a powerful portal to other worlds and other lives and other experiences. And when you share that with other people, I think it is fundamentally better. My favorite film of last year, I think, was probably The Brutalist. Not everyone wants to sit through four hours of The Brutalist, that is a self-selecting group of people, and The Brutalist is a profound, brilliant movie, [but] my first word for it would not be fun. I think so many people are starved for fun, and they are starved for fun in community with connections with other people. I think we want to have fun together. The pandemic shutdown era was really difficult and scarred a lot of us. I think the world gets weirder and scarier in all kinds of ways all the time, and an extraordinary tonic for that is getting your friends together and going to the movies and screaming and laughing and throwing your popcorn and having an absolute blast. And that is what we want to deliver to people. And that's what I want to deliver to people in my career. Period, full stop. And if we can Trojan horse some social commentary or a big idea or something more thematically sophisticated or complex, 100 percent I want to do that.
Yahoo
4 hours ago
- Yahoo
WWE, AEW power rankings: Whirlwind weekend of wrestling chaos gives us a brand new No. 1
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MJF (Prev: NR) Is it a coincidence that 'AEW Dynamite' has been on a roll at the same time that MJF is hitting his stride again? No doubt wrestling's most arrogant man would be quick to take the credit in either case, and given the quality of his work with Jay Briscoe and Místico, can you really blame him? Having emerged victorious in the Men's Casino Gauntlet match at All In, AEW's most charismatic heel suddenly finds himself at the front of the queue for a world title shot. There's no doubt about it: MJF is back, baby. Advertisement 8. Gunther (Prev: 7) Being chosen as the man to retire Goldberg was a serious honor for WWE's world heavyweight champion. But will it be his last successful title defense on this particular run? With a blockbuster match against CM Punk on the horizon — and the threat of a Seth Rollins cash-in hovering over him — you have to question whether 'The Ring General' is due to take a rare "L" come SummerSlam. 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Seth Rollins (Prev: 6) Depending on your view on that ending to his SNME match with LA Knight, 'The Visionary' is either facing months on the couch with another unfortunate injury or is on the verge of executing one of the most devilish briefcase cash-ins of the past decade. Is the knee injury genuine? Leaving aside the wisdom of these fake injury angles (I detest them, personally), the answer to that question could decide whether Rollins rockets to the top of this list by the end of the summer or drops out of it entirely. 3. CM Punk (Prev: 2) Of the various would-be world title contenders who entered the gauntlet on Monday's latest 'Raw," only one was standing tall at the end of it all: CM Punk. Having consistently proven himself — and stayed out of trouble — since returning to WWE just over 18 months ago, you get a sense that Punk has earned this particular title shot in more ways than one. 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Cody Rhodes (Prev: 1) Halfway through the summer and it's the babyfaces who are back on top when it comes to the power rankings (at least on the men's side anyway), with Cody Rhodes in the ultimate podium place. Having won King of the Ring in Saudi Arabia, "The American Nightmare" now receives his big rematch with John Cena at SummerSlam, where the overwhelming expectation is that Rhodes will get the chance to reverse the injustice of WrestleMania 41. Advertisement It might not have the same emotional hook as the whole 'finishing the story' angle but it certainly makes 'The American Nightmare' look like the most powerful man in wrestling right now. Cody Rhodes celebrates his win during WWE Night Of Champions. (WWE via Getty Images) WOMEN'S POWER RANKINGS 10. Athena (Prev: NR) Did you hear the huge hometown pop when Athena made her entrance at this past weekend's Women's Casino Gauntlet Match at All In? Impressive as it was, that ear-busting roar was topped within 20 minutes, when the former Ring of Honor champ scored the big pinfall, making her the No. 1 contender for AEW's Women's World Championship. The former WWE talent clearly has Tony Khan's backing and deserves all the plaudits for her recent work. Advertisement 9. Becky Lynch (Prev: NR) WWE's veteran Irish star has been on one hell of a run since her big return at WrestleMania, embarking on one of the feuds of the year with Lyra Valkyria and delivering an absolutely stellar triple-threat to kick off Evolution. While few will be expecting Lynch to walk away from her SummerSlam match (the completion of her trilogy with Valkyria) holding the Intercontinental title, you can't deny she's done a stellar job at raising the profile of that particular prize. 8. Lyra Valkyria (Prev: NR) Lynch's protege turned fierce rival has been on an absolute tear this year, delivering the standout match at Backlash as well as that aforementioned curtain-raiser as Evolution. If you want a barometer to just how quickly the WWE audiences are growing to respect Valkyria, listen to how those trademark 'woos' are getting louder when she enters the arena. Come SummerSlam in New Jersey, you'll probably hear them from Central Park. Lyra Valkyria tore down the house with Becky Lynch and Bayley during WWE Evolution. (WWE via Getty Images) 7. Iyo Sky (Prev: 1) While Iyo Sky's title reign might have come to an end (at least for now), no one can say that the 'Genius of the Sky' didn't leave a massive mark during her time at the top — as evidenced by that absolute sensational match with Rhea Ripley to cap off Evolution. While her booking hasn't always done her justice, Sky has consistently proven her worth as a generational in-ring performer and one of the brightest lights in the entire women's wrestling landscape. Advertisement 6. Tiffany Stratton (Prev: 5) It was a largely ceremonial victory for Tiffany Stratton at Evolution, who was surely never in any danger of dropping her women's championship to part-timer Trish Stratus. The former NXT champ is now approaching the nine-month mark in her title reign, having chalked up two seriously impressive defenses: one against Charlotte Flair at WrestleMania and one against Nia Jax in a street fight on 'SmackDown.' Whether or not she retains when she faces Jade Cargill at SummerSlam, you suspect Stratton's time in the spotlight is only beginning. 5. Stephanie Vaquer (Prev: NR) It's a fitting tribute to Stephanie Vaquer's stratospheric rise that she already feels like an established name on 'Raw' and a genuine threat to its top talents. In fact, it's only been three months since the Chilean superstar got her big promotion from NXT, during which time she's gone on to team with Rhea Ripley, participate in MITB, and win the 20-women battle royal at Evolution. Now she heads to Clash in Paris for a much-deserved shot at the title of her choosing. Whatever happens in France, she has to be a shoo-in for 2025 Rookie of the Year. Advertisement 4. Jade Cargill (Prev: 6) Being crowned Queen in the Ring was just the latest in a long line of accomplishments for Jade Cargill, who went from her legendary record-breaking run in AEW to making one of the most anticipated WWE debuts in years. With Naomi's MITB briefcase now out of the picture (more on that later...) does Cargill now head to SummerSlam as the favorite to leave with the women's championship? Based on how she's been booked so far, that would look like the most likely outcome. Jade Cargill makes her entrance after winning at WWE Night of Champions. (WWE via Getty Images) 3. Toni Storm (Prev: 8) Just in case you hadn't gotten the message by now, All In provided yet another reminder: Never doubt Toni Storm. While many figured the starlet's days as AEW women's champion were numbered the second we found out she'd be facing Mercedes Moné in Texas, some of us kept the faith and correctly tipped Storm for the victory. Getting the backing from Tony Khan to express her creative side has to be one of the best things to ever happen to Storm, even if we do cringe a bit at her press conference performances. Advertisement 2. Rhea Ripley (Prev: 4) She might not have left with the big prize on Sunday, but there's no doubt: Rhea Ripley was one of the very biggest winners from this weekend's Evolution. As with the Netflix debut on 'Raw,' WWE wisely chose to put 'The Eradicator' front and center when it came to promoting the all-women event and were rewarded with another barnstormer of a match between Ripley and Iyo Sky. Title or not, can anyone beat Ripley when it comes to the massive crowd reactions she receives when her theme song hits? Perhaps WWE needs to bring back that decibel-meter and put it to the test. 1. Naomi (Prev: 2) As much as we've raved about Naomi's performances this year, did we really expect her to leave Evolution as the Women's World Champion? God knows that I certainly didn't. Though as the woman herself explained on 'Raw' this week, wasn't that exactly the point — to catch us off-guard? While we were all speculating as to whether she'd cash in during Jade vs. Tiffy at SummerSlam, we were blindsided when she came for Iyo Sky's world championship instead. Perhaps we should have paid closer attention to her warnings. Advertisement Whether you saw it coming or not, there's no question that the former TNA champ has earned her place at the top of the WWE hierarchy since embarking on her big return back at the 2024 Royal Rumble. Having finally gotten to the top of the mountain, you can be sure Naomi will fight tooth and nail to retain her perch.
Washington Post
4 hours ago
- Washington Post
Rough times for broadcast networks illustrate changing media landscape
NEW YORK — Two milestones revealed this week illustrate the diminishing power of broadcast television in the media world — one fueled by the habits of young people and the other by their elders. During June, viewers spent more time watching streaming services than they did for broadcast and cable television combined. That happened for the first time ever in May, by a fraction of a percentage point, but the Nielsen company said on Tuesday that gap widened considerably in June.
