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Admit it: no one really likes eating fish

Admit it: no one really likes eating fish

Spectator19 hours ago
As I sit under the sole tree on a Spanish beach, watching my fellow Brits shudder at the writhing horror show contained in the restaurant's seafood display, it strikes me the middle classes don't actually much like the dead-eyed edibles under the waves – we're just conditioned to pretend to because eating them is supposedly chic.
Sure, we extol fish as a sustainable and sophisticated source of high-quality protein, vitamin D and what sounds like K-pop's next girlband, omega-3. It's the well-informed, thinking man's dinner, akin to choosing a Tesla before Elon Musk's meltdown phase. But let's be honest: the glassy stare (I'm still talking about the fish), the slimy skin (still fish) and the teeth that could make a dentist cry (fish) do not scream yum.
'We love seafood in Spain,' my Spanish friend Pablo says, happily confirming my suspicions with no prompting. 'But I find it mind-boggling that you guys live on an island and hate it. Japan is the exact opposite.' Is it a deep-rooted fear of the unknown that we don't like? Or a deep-rooted yet ultimately warped infantilism that means we prefer eating things with cute faces, after the cute faces have been removed? Or are we simply more squeamish than other nations?
Perhaps the truth lurks somewhere in the depths of our culture: 'That smells fishy to me,' a detective might say in a cop show – our mistrust right there in the vernacular. From films all the way back to Twenty Thousand Leagues Under the Sea, when Captain Nemo challenged Ned Land to an underwater bushtucker trial, to Bill Murray's blowfish in Charlie's Angels, we instinctively understand that seafood is nothing more than an endurance test – and that, somewhere along the way, it's morphed into a middle-class pretension, designed to set us apart from the, er, shoal we swim in.
Of course, some people have made entire careers out of our supposed love of fish, transforming towns into one-man industries and providing the BBC with hours of what looks like quite reasonably priced telly. I ask Rick Stein what he thinks. 'The idea that no one really likes fish has oppressed me since I started cooking,' he says. 'But I am conscious of people not sharing my enthusiasm; a builder who worked for me in the early days asked if I cooked real food or just fish.' For Rick, it was the 'wonderful oysters and crabs' of childhood holidays on the Cornish coast that ignited his passion, which was compounded by the catches coming in off the local boats in Padstow. As he points out: 'The Seafood Restaurant has been open for 50 years this year so one or two other people might disagree with you.'
Fine – but why is it considered classy to like gross things? I remain unconvinced that an oyster is any different, in both taste and consistency, to a sorry day out with the team at Thames Water. Frogs' legs weren't eaten out of choice, they were eaten because French monks got bored of Lent. There's a reason snails are drenched in garlic. Is there an element of Brit grit – a kind of officer-class, stiff-upper-lipness – the middle-class psyche aspires to? A facet of semi-conscious social coding whereby swallowing a repulsive organism sets you apart as a leader, a visionary, maybe even a bit of a sexy masochist? (A truly posh person would simply eat whatever they want, whenever they want it, beaked things for breakfast and tailed for tea, but that's another story.)
Which brings us back to Pablo, who's warming up to his theme. He reckons 'the only fish most people will eat in the UK has to be deep-fried or processed beyond recognition'. And the facts support his statement: there are 10,500 chippies in the UK, as according to the National Federation of Fish Friers, whereas SeafoodSource counts just 1,000 fishmongers. It helps explain why the furthest most of us will go in the supermarket is a block of salmon – which retailers instinctively understand must be presented in non-fishy chunks the way Americans cut all meat, to avoid any indication that it used to breathe, and drenched in an Asian-inspired sauce that's surely the precursor to how our lab-grown slabs will be sold in 2050.
A similarly confused approach is there on the lunchtime high street too: how else to account for the success of Itsu, a chain that twists its offerings into such childish contortions a Japanese tourist could fairly assume it was a kids' restaurant, or a practical joke in an elaborate gameshow (I once shared a lift with a brain behind Itsu, who didn't see the funny side).
Perhaps it's time for us to admit to who we really are, to do away with the knackering middle-class curse that has us constantly striving to stand out from the crowd, and order something that we'll enjoy eating because it's tasty and not because we're supposed to like it. All of which brings me back to that beach in Spain and the honest holidaymaker's one true meal – the classic Benidorm full English.
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‘I'm no deid yet!' Miriam Margolyes heads to the Edinburgh Festival with her love letter show to Dickens
‘I'm no deid yet!' Miriam Margolyes heads to the Edinburgh Festival with her love letter show to Dickens

Scotsman

time15 minutes ago

  • Scotsman

‘I'm no deid yet!' Miriam Margolyes heads to the Edinburgh Festival with her love letter show to Dickens

Miram Margolyes | Miram Margolyes The veteran actor is as large as life and twice as noisy as she heads to the Fringe to meet her audience. Sign up to our daily newsletter – Regular news stories and round-ups from around Scotland direct to your inbox Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... 'I'm no deid yet!' says Miriam Margolyes, channeling her dad's Glasgow accent as she points out that she's still alive and kicking and will be at this year's Edinburgh Fringe with her show about Charles Dickens. Zooming from Australia where she lives with her life-long partner Heather Sutherland, the 84-year-old is outraged about the misinformation spread about her health and recent stories that she wouldn't be attending the Fringe, and the expletives are out. Advertisement Hide Ad Advertisement Hide Ad 'Yeah, I'm no deid yet. I'm not even sure I'm gonna die, but I'm bloody sure I'm gonna be there at The Fringe.' The award-winning actress, TV personality and author returns with the show that is testament to her lifelong love of all things Dickens and she promises more characters and stories about the famous writer, as well as a Q&A session in which she takes questions from the audience which she will answer in her usual unfiltered frank and funny way. 'There were articles saying I was dying and I wouldn't be coming to the Fringe this year. I believe that there was some kind of a conspiracy against me to stop me from being a success at the Fringe,' she says. 'It came from an article from two years ago when I had a heart operation and was given a cow's aortic valve. I put a photograph on Facebook saying I'm in hospital but I'm coming out soon and I'm fine. Somebody took that and made an article of it and sent it round the newspapers and they printed it again. Advertisement Hide Ad Advertisement Hide Ad 'I was very angry. It's the most utter rubbish. It's like Mark Twain who said 'reports of my death have been greatly exaggerated'. It's extraordinary, but I do think it was a kind of conspiracy. I never will get to the bottom of it. But I'm here!' Raised in Oxford in a middle-class Jewish household, Margolyes is known for a long career on stage and screen in which she has appeared in the Harry Potter films, Scorsese's The Age of Innocence (which earned her a BAFTA for Best Supporting Actress), James and the Giant Peach, Mulan, and on TV more recently for Call the Midwife and the Voice of Meep in last year's Dr Who, she has also explored her adopted homeland with the Almost Australian and Australia Unmasked Documentaries and BBC travelogue Miriam Margolyes: Impossibly Australian. On stage she has performed in WICKED, The Vagina Monologues and Blithe Spirit, as well as writing two bestselling memoirs, This Much is True and Oh Miriam. Having put the record straight about her health, her indignation subsides and our attention turns to what we can expect in her Fringe show, Margolyes & Dickens: More Best Bits. 'There will be humor and tenderness and political comment and there will be quite shocking language. There will be sexual innuendo and there will be wonderful characters. Advertisement Hide Ad Advertisement Hide Ad 'It's a development of what I did last year. People enjoyed it and I enjoyed doing it. So it's talking about Dickens and acting some of the characters. Because he created 2,000 characters, and they weren't just out of his head. They were out of his life, people he met, that he knew, that fascinated him. He was a journalist, that's what fired him, a fascination with people, wanting to know why they were like they were and how they expressed themselves. And he was utterly brilliant. 'For me, he's the greatest prose writer who ever lived. A genius. He was an observer and a moralist and someone who created a world. It's brighter and sharper and crueler and busier and more dangerous even than ours. He takes you in, and that's what I want to do with the audience, bring them into the Dickens world through the characters.' 'I want to share the thrill I get when I become Mr Bumble or the lesbian, Miss Wade. Share that enthusiasm. It's a gleeful experience for me. The variety of characters from very august, top drawer, upper class to the evil and comic and desperate, that he was able to create because of his curious background. He experienced poverty and the imprisonment of his parents, then later success so he could cross class boundaries, which most writers couldn't do,' she says of the writer who loved and was inspired by Edinburgh, visiting many times and being given the freedom of the city in 1841. 'People know Christmas Carol, Great Expectations, the ones that have been on telly. But they don't know the man. They don't know about his life, his problems, his occasional wickedness. He was just boiling with fascination and rage and delight, surprise and humour. And that is in his books. He was an extraordinary man. And we're losing him. Advertisement Hide Ad Advertisement Hide Ad 'And then, when I come to the end of my Dickets bits, the audience can ask me questions and that's always fun because they're cheeky,' she says, eyes twinkling with anticipation. Does she set out to be cheeky and shock people or does it just happen? 'I think it always has just happened. I mean, I love it when people laugh. And when they're slightly shocked. Whenever you say something like c***sucking to people, they go, gulp, ho ho and I find that hysterically funny. I don't know why. I mean, I always did talk about it. 'But I think it's a bit sort of silly to shock people. I don't totally approve of it. But every now and again, I think it's quite useful to say 'Farage is a c***. People don't like it, but I think he is.' What do the audience ask her about most? Advertisement Hide Ad Advertisement Hide Ad 'They often ask me about celebrities. They want to know about well known people I worked with and I worked with a great many in my life, in Hollywood and in the theatre and the people I've met on the Graham Norton show. Because everybody's very obsessed with celebrities now. 'And they ask me about my sex life and what do I think about being gay or would I change sex or what do I think about trans? That kind of thing. But I want to talk about Israel and Kier Starmer. I'm very political, but I don't think they want that.' Margolyes, has always been political, but finds herself increasingly motivated as she observes the world around her. 'Now because of the terrible things that have been happening in Israel, I've become even more political and I'm shocked by what's happening in the world, how it's allowed to happen. And I see that we have learnt nothing at all from history. Nothing. And that charlatans like Farage and Boris Johnson, and indolent, entitled people, like Rees-Mogg, still hold power, and corrupt, total a***holes, run countries, like Putin and Trump. We are in the grip of very terrible people.' Advertisement Hide Ad Advertisement Hide Ad It's not just politics that Margolyes finds alarming. Her home in New South Wales was recently without water, electricity and internet after devastating floods ravaged the region and she's planning to move somewhere less rural. 'We have to sell the house here, it's just too far out. We're too old to make the journey into town and it's too isolated. I need electricity. It's one of the things I need to put down on my rider - must have electricity.' What else does she have on her rider for Edinburgh? 'Well for everywhere I have spicy tomato juice, a bloody mary mix without the vodka, and I like line caught smoked salmon and cream cheese and capers on sourdough. Does she like any other Scottish delicacies, haggis or tablet for instance? Advertisement Hide Ad Advertisement Hide Ad Tablet! My God, I mustn't eat tablet, because I never stop. Some people can take one piece,' and [the Scottish accent is back], 'forget that! I just scoff the lot!' 'And what's that wonderful fish soup? Cullen Skink. I love that. Years ago I was in a play written by a Scottish Jewish writer Jack Ronda, directed by Tom Cotter, called The Lost Tribe. And it was a kind of fiction that there was a lost tribe of the Jews of Scotland and Billy Paterson was in it and Phylis Logan and we were on location in a sweet wee house near Fordyce and Billy and I bought the location and did it up and it's still there. 'Billy played my father. And you know, I'm older than he is. And Phyllis was wonderful too. We had such fun. And that's where I first came across Cullen Skink. And they did high teas.' Why doesn't she reconnect with her roots and split her time between Scotland as well as England and Australia? Advertisement Hide Ad Advertisement Hide Ad 'Oh, I'd love to live in Scotland. I'd love to live in the sort of house that my father grew up in after his parents made money. I love Glasgow. I think it's a magnificent city. It's got heart and soul. And it's real and I've always loved it. 'And there are terrific people in Scotland. You know, one of my joys last year, when I did the show in Edinburgh, was to meet Janey Godley. I'd admired and loved her for a long time. And I rang her up one day and say 'can we meet? I just think you're fabulous.' And said, 'Oh, God, I'd love to. You know, I've got cancer and I don't know how long I'm going to live', but she got her husband to drive her to Edinburgh and we spent a magical day together. We talked all day, and a couple of times we both had a nap, because we were exhausted. It was very special for me, to get to know her and she was a great lady. And she was a moralist, you know? I think that the great artists are moralists. She was a great comedian.' On the agenda for Margolyes after the Fringe is making a podcast and the follow up to her BBC documentary series, Miriam Margolyes: Almost Australian, this time round exploring New Zealand. 'Oh, gosh, it's an extraordinary country. It's actually more impressive than Australia in many ways. It has a strong Scottish influence - I have quite a few relatives there because people emigrated. Advertisement Hide Ad Advertisement Hide Ad 'But I think it is the relationship with the Maori people that really impressed me. They've been on a journey together and it's impressive. The Australians are still fractious about the First Nation. And actually, there are elements in New Zealand that are too, that are trying to overturn the Treaty of Waitangi, which was the treaty that cemented the respect that the white people must have for the First Nation.' At this point in the interview, which I'm conducting from home, I realise my daughter has been perched on a chair listening, drawn like a moth to a flame from another room by the sound of Margolyes' hilarity and profanity, the voices of the stream of characters she inhabits and the tales of people she has met in the places she's visited. 'Oh, can I have a look at her?' says Margolyes, more curious about other people than talking about herself, but worried about how she sounds (not the swearing of course, but the voice). 'What do I sound like? Very posh, I suppose. I think my voice puts people off, that's the trouble. You know, if I want to talk to somebody I don't know, I put on Scottish, like this [and we're back to her Glasgow accent]. 'Because I think my own voice is a bit too English and I want to try to reach people. Advertisement Hide Ad Advertisement Hide Ad 'My dad was from The Gorbals in Glasgow so the accent is part of the world that I grew up in. I didn't grow up in the Gorbals, but my father did. And it was a very nice place in some ways but it was the worst slums of Europe. The people were friendly. And his family went from the Gorbals, first to Govan, then Pollockshields when they made a bit of money and bought a lovely sandstone house and he became a doctor. I went and called once. I rang the bell and the lady opened the door and looked at me and said, 'what are you doing here?' And I said, "Well, I'm in Vagina Monologues, and as soon as I said the word 'vagina', she looked round to see if anyone had heard. She was sweet and invited me in.' For the rest of the interview and chat with my daughter [who tells Margolyes she finds her 'refreshing'], the actor keeps up the accent seamlessly. Will she use it when she's in Scotland to avoid being recognised, which is unlikely but she hopes won't happen. 'I hope people won't recognise me because they get overexcited when they see me.' What do they say to her? 'Harry Potter, that kind of stuff, you know.' Do they ask her about JK Rowling? 'Yeah, all the time. I've never met JK Rowling. I mean, I like her detective stories, but I've never read The Harry Potter books. Because science fiction, I go to sleep because it's all about gadgets and stuff like that.' Advertisement Hide Ad Advertisement Hide Ad 'And in the show if people ask me what I think about things, I will absolutely say. And I will certainly make a comment about Gaza. Because it's not acceptable. I reject it completely. That the Jewish people can do what they're doing, it's wrong. No question about it. I do think what Hamas did was terrible. I don't support that. But my God, the retaliation. It's really shocking. 'And people ask about the trans issue so I will say things about that. I just want people to be a bit kinder. People should be able to be what they want to be. I think it's awfully sad to find that you're in the wrong body. So I'm very sympathetic to trans people. But if somebody was trying to rape me and were pretending they were changing sex and still had a p**** and were doing damage, well, I'd f***ing kill them. But let's get realistic. The number of people who cause trouble is very, very small. Violence is a crime. If trans people commit crime, they're to be treated like anybody else. But because you want to change your sex, that's not a crime. It's not a crime to want to be called 'them'. It's ungrammatical, but it's not a crime.' Margolyes has plenty to say and will continue to do so as long as she's alive and kicking, which we've established that she is. Is it true that Queen Elizabeth II once told her to be quiet? 'Oh, yes. It was a rather uncomfortable moment because when you meet the royals, you slightly lose your marbles. Anyway, I met her at this British Book Week event and she came over and she said, 'what do you do?' And instead of saying, 'I'm an actress' or 'I record books', I said, 'Your Majesty, I am the best reader of stories in the world'. She looked at me, rolled her eyes and sighed, and obviously thought this woman is barking mad. And then she turned to the next person and said, 'what do you do?' and ignored me. He said, 'Mam, I published books for children and we've discovered that if the pages and the ink for the various letters is different colours it helps children absorb the information more quickly and easily,' and I said, 'good heavens, that's extraordinary. I didn't know that. What an amazing thing.' And Her Majesty turned to me and said, "Be quiet." With a very crisp tea on the end of 'quiet'. Never to be forgotten.' Advertisement Hide Ad Advertisement Hide Ad Never to be forgotten, but heeded and obeyed? Nae chance. Her audience will expect nothing less. Margolyes & Dickens: More Best Bits, Pleasance @ The EICC – Pentland, 9-24 Aug (except 18th & 21st), 6pm (show runs for 70 minutes)

'Sublime' period drama adaptation of 'extraordinary novel' now streaming
'Sublime' period drama adaptation of 'extraordinary novel' now streaming

Daily Mirror

time16 minutes ago

  • Daily Mirror

'Sublime' period drama adaptation of 'extraordinary novel' now streaming

The acclaimed novel was turned into a groundbreaking series A period piece based on an acclaimed novel is now streaming and a must watch for any fans of costume dramas. ‌ Audience members have praised the limited series on IMDb, with one user giving a 10/10 review and the title: 'A skilled adaptation of an extraordinary novel'. ‌ A second person titled their review 'sublime' and said: 'The BBC has done it again: this is a wonderful production of a very good book, and they have done it up in style.' ‌ Another person heaped praised on the programme: 'The sets and costumes are flawless, the direction is stylish and the characters are likeable. There is a fair amount of humor [sic] but it has surprisingly dark interludes. The protagonist is really a tragic figure, but not devoid of happiness.' They added: 'The BBC have made some wonderful productions in the past, and this adventurous period piece only confirms their standard of excellence on all fronts.' ‌ A fourth commented: 'This wonderful 3 part BBC production is one of the sweetest love stories that I have seen in a while.' They went on to say: 'The characters are well defined and very believable. I guess this is a by-product of a good adaptation from a well written novel.' Tipping the Velvet aired on the BBC in 2022, based on Welsh author Sarah Waters 1998 debut novel of the same name. ‌ The three-part series saw Pride and Prejudice and The Fortunes and Misfortunes of Moll Flanders screenwriter Andrew Davies overseeing the scripts. Tipping the Velvet was set in the Victorian era and followed the sexual awakening of Whitstable native Nan Astley (played by Rachael Stirling) after she headed to the big smoke of London and fell in love with male impersonator Kitty Butler (Keeley Hawes). The pair embarked on a passionate romance as Nan funded her life in London, before the pair form an onstage double-act. ‌ The series was a coming-of-age tale with moments of humour and darkness with a bawdy twist. ‌ Tipping the Velvet featured a stellar cast, including Four Weddings and a Funeral star Anna Chancellor, Game of Thrones' Jodhi May, Oscar nominee Sally Hawkins, Line of Duty's Daniel Mays, Downton Abbey favourite Hugh Bonneville, Monica Dolan of Appropriate Adult fame, and even a turns from Doctor Stranger star Benedict Cumberbatch, Johnny Vegas and Alexei Sayle. Both the TV series and novel have had a positive impact on the depiction of queer characters on screen and led to more LGBTQIA+ stories to be told onscreen. Previously reflecting on the success of her novel and the subsequent BBC adaptation, author Waters wrote at length about it in 2018, marking the book's 20th anniversary. She explained in The Guardian how she was 'thrilled' by the reception among the queer community but the success among straight readers 'took me by surprise'. Waters also pondered on whether she'd write a sequel and would focus on Kitty.

Love Island finale, and Wednesday returns: What's coming up this week?
Love Island finale, and Wednesday returns: What's coming up this week?

BBC News

time16 minutes ago

  • BBC News

Love Island finale, and Wednesday returns: What's coming up this week?

This week, we will finally find out which couple has been crowned winners of the latest Love that's not all the next seven days have in show Wednesday is back for series 2, new Sir David Attenborough-narrated series Parenthood is released, and MasterChef is scheduled to be back on BBC One - after a rocky period for the on for what's coming up this week... A dramatic end to a drama-filled Love Island By Lizzy Bella, BBC NewsbeatThere won't be any more bombshells on our screens this summer as Love Island wraps up its 12th series on series came with less filter but more chaos and more drama than you may have bargained for – with arguably the biggest girl divide the villa has ever you're team Toni and Shakira or team Meg and Helena, you'll probably agree the cast have had you laughing, frustrated, teary-eyed but always craving inevitable a great cast makes a great while the winners of the £50,000 cash prize may seem obvious, if there's one thing this season has taught us it's that situations change, feelings change and people do too. Wednesday is out, on Wednesday The first four episodes of Wednesday's second season are released this week (on Wednesday, naturally).It follows Wednesday Addams as she returns to Nevermore Academy, now under the leadership of a new also sees a bigger role for Wednesday's parents, who will have an increased presence on the school's first season of the show about the Addams family's deadpan daughter became Netflix's most popular English-language series ever after its release in ahead of the new season's launch, lead star Jenna Ortega told my colleague Lizo Mzimba that the sudden fame that came with the show was "very overwhelming".But she added she was "very grateful and glad that it was able to resonate with people in the way that it did". Parenthood with Sir David (not Steve Martin) By Paul Glynn, culture reporterSir David Attenborough returns to BBC One on Sunday with a new five-part wildlife series showing how parents from across the animal kingdom sacrifice everything in order to raise their spoilers but this is quite literally true in the case of the African social spiders who, as we discover in Parenthood, eat their mothers and elderly relatives alive. Do not try this at home please, kids."Success for all parents has perhaps the greatest of consequences," we hear Sir David - now 99 - declare at one stage. "It ensures the future of life on our planet."In other words: respect your elders. MasterChef is back MasterChef has been rocked by controversy in recent on Wednesday, the new amateurs series of the BBC show is scheduled to begin - with both Gregg Wallace and John Torode in series was filmed in 2024, before its two presenters were this month, a report by the show's production company revealed that more than 40 claims against Wallace had been upheld, while an allegation that Torode had used a severely offensive racist term was also week, the BBC announced that the series would still be shown on BBC One and iPlayer. The corporation said it had taken the decision "after careful consideration and consultation with the contestants" - but it's faced a backlash from some News understands the new series may be re-edited in light of the findings, with the prominence of Wallace and Torode show is on three nights a week until the finals. Freakier Friday hits cinemas It's been a long, long time since the 2003 film Freaky Friday, but the wait for a sequel is finally Friday hits cinemas on Friday, and sees Jamie Lee Curtis and Lindsay Lohan reprise their roles as mother and daughter duo Tess and Anna played by Lohan, is now a mother herself, and the film once again sees a body swap - with even more characters chaos and identity crises galore, much like what ensued in the first Friday became a huge hit more than 20 years ago, and won a cult following - so you can expect many of its original fans (your writer included) to be heading out to catch this next week. Other highlights this week Chloe Ayling: My Unbelievable Kidnapping is released on BBC Three and BBC iPlayer on MondayRambert Dance in Peaky Blinders is on at Sadlers Wells from TuesdayBoardmasters Festival in Cornwall starts on Wednesday

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