
What makes a fashion pop-up a success in the UAE?
In recent weeks, regional social media algorithms have been awash with images of New York brand The Frankie Shop's two-week installation in Abu Dhabi, while, over in Dubai, British designer Victoria Beckham put the star power into promotion for her exclusive capsule collection created for online retailer Ounass.
For the uninitiated, pop-ups are temporary installations leveraged by brands (who often don't have a permanent store in the region) to showcase their products, get customers posting on social media, and build brand awareness. Contemporary fashion label The Frankie Shop created a custom space in the capital's Mina Zayed Port, while Victoria Beckham took over Ounass Maison in Dubai's Mandarin Oriental hotel. Pop-ups can serve as a testing ground before a brand invests in its own store, or simply drive customer acquisition through email sign-ups and app downloads. The best pop-ups dial up brand awareness from vaguely-on-my-radar to drank-all-the-Kool-Aid.
Over recent years, Dior has taken over luxury beach restaurant Nammos at Dubai's Four Seasons, Kim Kardashian's Skims held a Valentine's themed pop-up complete with prize-dispensing claw machine in Alserkal Avenue (the queues were wild), and Jordanian footwear designer Amina Muaddi took a stance against scruffy sandals by installing a temporary paean to high-heels right in the middle of flip-flop central, Dubai's Kite Beach.
The man behind many a fashion pop-up is Lebanese entrepreneur and founder of The Haute Agency, brand strategist Wael Al Fatayri. 'Pop-ups work really well in the UAE because people here are driven by novelty and exclusivity. They want the drama,' he says, 'the goal is to get people to talk, to build a buzz. You have to give people a reason to show up and share'.
The most successful pop-ups will incorporate an exclusive collection of styles not available anywhere else, be playful or photogenic (ideally both) and, Wael cautions, don't forget the food and beverages. 'Feed your customers, they drive long distances,' he advises, adding that innovative culinary elements, such as a unique ice cream flavour, add a wholesome sprinkling of sweetness to what is essentially a giant sales pitch. Guests want to feel special and taken care of. Besides being fed, this means making customers feel seen within the wider brand narrative. The Frankie Shop installation, which wrapped earlier this month and was held in collaboration with The Abu Dhabi Investment Office, served a masterclass in local integration by working with regional artists and stylists. 'They respected the Abu Dhabi vibe, not just copying what has been done in New York,' observes Wael, 'when people feel like the brand cares about them it really translates.' The Frankie Shop, known for oversized suiting and a minimalist aesthetic, honoured its hosts with an exclusive Abu Dhabi collection, amplifying the collaboration to a global audience and placing Abu Dhabi on the pulse of one of the world's coolest brands. 'They took The Frankie Shop signature look and localised it, it felt like it belonged where it was,' says Wael. And yes, there was a café, serving collagen lattes to be sipped and snapped while wearing an LED face mask.
Meanwhile, Beckham's capsule of designs for Ounass is 'created with the Dubai woman in mind', according to the online luxury retailer. Showcased by a bevy of the region's most glamorous influencers, the styles are selling out fast online and in the Ounass Maison pop-up, as social storytelling trickles down to serious spending. With her visit supported by Dubai Tourism, the potential power of the pop-up goes far beyond selling a few dresses; it's about cementing the UAE as a central stop on the global fashion circuit, a draw for the world's most chic. Top of the Pops.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Broadcast Pro
2 days ago
- Broadcast Pro
Red Sea Film Foundation unveils jury and teams for 48Hr Film Challenge
In September 2025, all completed films will be screened during two professional days dedicated to industry engagement and feedback. The Red Sea Film Foundation has announced the jury panel for the fifth edition of its 48-Hour Film Challenge, set to take place later this year. The jury will feature Saudi presenter and actor Yasser Al Saggaf, Lebanese actress and director Carmen Bsaibes, and French-Moroccan filmmaker and actor Ayoub Layoussifi. All three are widely recognised for their diverse contributions to Arab and international cinema, bringing with them valuable expertise in both acting and directing. Al Saggaf, a leading voice in Saudi media, has long championed young talent in film and broadcasting. Bsaibes is celebrated across the Arab world for her memorable roles in film and television and her growing influence as a director. Layoussifi has gained acclaim for his award-winning works, including TIKITAT-A-SOULIMA, Dis-moi Mohammed… and Shikha, which was selected for the Red Sea Short Film Competition in 2024. Their combined insights are expected to bring both depth and constructive guidance to this year's challenge. Organised in collaboration with the Consulate General of France in Jeddah, the Embassy of France in Saudi Arabia, Alliance Française and the Centre for French Culture, the initiative is designed to empower emerging Saudi filmmakers through a demanding time-bound competition rooted in collaboration and innovation. The 2025 edition will feature 14 teams: Albaraa Moazzin (SAIL), Abrar Alqurashi (CINEMANIA), Sara Amari (JULY ECHO), Fares Salah (SARJ), Essam Alkhairy (GARBA3A), Rmas Alhazmi (THE DECLIC), Maan Alsiari (CINEPHILES), Tala Faisal (PSYCHOSIS), Rakan Wafa (SEA HORSEMEN), Saad Alderaan (CMPRSN), Khaled Kaseb (ABU HADRIYAH ST BOYS), Hassan Alradhi (WESTRICH), Summer Alashari (ON THE EDGE) and Mohanad Alzahrani (TWINREEL). Ahead of the competition, the selected teams participated in a two-day preparatory workshop on July 11–12, 2025. The sessions were led by Iraqi director Ahmed Yassin Aldaradji, Saudi filmmaker Ahd Kamel and Academy member Cyril Aris, who provided training in directing, screenwriting, and editing to help participants prepare for the challenge of producing a complete short film within 48 hours. The completed films will premiere in September 2025 during two professional days focused on industry engagement, where participants will showcase their work and receive mentorship from Saudi and French professionals. Two winning teams will be chosen based on creativity, technical execution, and storytelling impact. Their films will be screened at the fifth Red Sea International Film Festival in December 2025, and the team leaders will also be awarded an exclusive filmmaking residency in France in 2026. Now in its fifth year, the 48-Hour Film Challenge has become a cornerstone of Saudi Arabia's independent cinema movement. Since its launch, it has nurtured a new generation of storytellers, enabling young filmmakers to showcase their talent, participate in international film platforms, and advance their professional careers.

Broadcast Pro
2 days ago
- Broadcast Pro
Documentary ‘Diaries From Lebanon' returns to Metropolis Cinema in Beirut
The film is a multinational co-production between Lebanon, France, Qatar and Saudi Arabia. Following its world premiere at the 74th Berlinale and a series of successful commercial screenings, Lebanese director Myriam El Hajj's feature documentary Diaries From Lebanon will return to Metropolis Cinema in Beirut on Monday, August 18. The opening screening will be followed by a discussion with Lebanese journalists Joumana Haddad and Ibrahim Totanji. The special run is presented through a collaboration between MAD Solutions, Nadi Lekol Nas and Metropolis Cinema, giving local audiences another opportunity to engage with this intimate and timely documentary. Diaries From Lebanon unfolds as a docudrama told in the form of personal diaries, capturing four turbulent years in the life of a nation struggling against political and social upheaval. Against the backdrop of Lebanon's ongoing crises, the film explores how individuals pursue meaning, survival and dreams in the midst of collapse. Written, directed and co-lensed by El Hajj alongside Jihad Saadé and Mohamed Siam, the film is produced by Myriam Sassine of Abbout Productions and Carine Ruszniewski of GoGoGo Films. Editing was handled by Anita Perez and Stéphanie Sicard. The documentary features prominent figures including author and activist Joumana Haddad, Lebanese war veteran Georges Moufarej and artist-activist Perla Joe Maalouli. By weaving together stories of resilience and struggle, Diaries From Lebanon offers a deeply personal reflection on a country's fight to overcome adversity. The screenings mark a significant moment in bringing the voices and experiences of Lebanon's people back to the forefront, highlighting both their challenges and hopes for the future.

The National
2 days ago
- The National
Terence Stamp, who portrayed General Zod in Superman, dies at 87
Tributes are being paid to British actor Terence Stamp, who has died at the age of 87. Stamp will be remembered for playing the role of a villain, including that of General Zod in the early Superman films, and for a successful 60-year career in show business. His death on Sunday prompted a wave of tributes from fans and those close to him within the industry, including the British Academy of Film and Television Arts (BAFTA). Stamp started his film career with seafaring Billy Budd in 1962, for which he earned Oscar and BAFTA award nominations. Highlights of his career include his portrayal of the transsexual Bernadette in 1994 film The Adventure of Priscilla, Queen of the Desert, the second of his two BAFTA nominations. Edgar Wright, who directed Stamp in his final feature film, Last Night in Soho (2021) remembered the actor as 'kind, funny, and endlessly fascinating'. Bill Duke, who starred with Stamp in director Steven Soderbergh's 1999 crime drama The Limey ' said he was 'deeply saddened' to hear of his death. 'He brought a rare intensity to the screen, but off-screen he carried himself with warmth, grace and generosity,' he said. Born in the East End of London in 1938, Stamp rose to acting fame in the 1960s after he won a drama school scholarship.



