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Netflix profits surge off ads, higher subscription prices

Netflix profits surge off ads, higher subscription prices

eNCA2 days ago
NEW YORK - Netflix reported stronger-than-expected second-quarter results, with profit jumping 45 percent year-over-year as the streaming giant benefited from subscription price increases and a growing advertising business.
Revenue climbed 16 percent to $11.1-billion in the quarter ended June 30, beating analyst estimates and the company's own guidance, while net profit surged to $3.1-billion.
The company raised its full-year revenue forecast, noting that it expects revenue to be between $44.8-billion and $45.2-billion in 2025, up from a range of $43.5-billion to $44.5-billion.
Netflix highlighted strong performance from its content offers in the quarter, with major hits including the third season of "Squid Game," which drew 122 million views.
It "has already become our sixth biggest season of any series in our history, with just a few weeks of viewing so far," the company said in a statement.
Other standout titles included the third season of "Ginny & Georgia" with 53 million views and "Sirens" with 56 million views.
There was also the animated film "KPop Demon Hunters" with 80 million views, which became "one of our biggest animated films ever" and generated a soundtrack that topped music charts globally.
"Korean content continues to be popular with our audience," the company said, pointing to the continued success of international programming that has become a hallmark of Netflix's global strategy.
Netflix expressed optimism about the second half of 2025, highlighting an upcoming slate that includes the highly anticipated second season of "Wednesday," the final season of "Stranger Things" and new films from major directors including Kathryn Bigelow and Guillermo del Toro.
The company has also announced plans to expand live programming with marquee boxing matches and NFL games, as it continues to diversify its content offerings beyond traditional on-demand entertainment.
Netflix shares have surged more than 40 percent year-to-date as investors have responded positively to the company's shift toward profitability, which saw it crack down on password sharing and turn to ads for more revenue.
The company counted over 300 million subscribers last December, at the end of a particularly successful holiday season, when it gained almost 19 million new subscriptions.
But the company no longer discloses these figures, in order to focus on audience "engagement" metrics (time spent watching content).
In the quarter, Netflix continued to build out its advertising capabilities, saying that it expects to roughly double ads revenue in 2025, though it did not provide specific figures.
The service is forecasting $9-billion in revenues from its ad-based subscriptions by 2030.
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KwaZulu-Natal is a new powerhouse in global storytelling
KwaZulu-Natal is a new powerhouse in global storytelling

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KwaZulu-Natal is a new powerhouse in global storytelling

KwaZulu-Natal is no longer just the setting for other people's stories - it is now the source. Driven by a rising generation of homegrown writers, directors, and actors, the province is exporting talent and stories that are grounded in local identity but resonate across global audiences. These creatives are not waiting for permission - they are claiming space, shiftingthe centre, and telling stories that pulse with Zulu heritage, Indian identity, exile,womanhood, and unshakeable resilience. What was once a province on the margins is now a powerhouse - producing work that is winning awards, opening international festivals, and redefining what South African cinema looks and sounds like. KwaZulu-Natal - which celebrates film month in July - has produced severalcelebrated creatives who've made their mark far beyond provincial boundaries. Nosipho Dumisa, from Margate, earned widespread recognition directing andproducing Nommer 37 (2018) and the Netflix series Blood & Water, launching local talent onto global platforms. KZN based documentary filmmaker and cinematographer, Nicole Schafer, directed Buddha in Africa (2019), which won Best South African Documentary atthe Durban International Film Festival and was put forward as an Oscar contender. Veteran documentarian Xoliswa Sithole - though raised mainly in Zimbabwe - has strong KZN roots and earned a Peabody Award (2010) and BAFTA (2011) for Zimbabwe's Forgotten Children reinforcing KZN's reputation in global documentary storytelling. Durban-born Kajal Bagwandeen, is a versatile actress, presenter,and dancer, known for roles in Impunity, 3 Days to Go, 7de Laan, and Isidingo. Meanwhile, Dawn Thandeka King, from Eshowe, became a household name asMaNgcobo in Uzalo, winning a SAFTA and a KZN Entertainment Award. These creatives exemplify how the province's talent thrives at national and international levels - as directors, cinematographers, producers, and performers - solidifying the province's impact on global screen culture. Acclaimed actor Melusi Yeni, famous for his roles in Generations and Sokhulu and Partners Image: Supplied Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Next Stay Close ✕ For veteran actor Melusi Yeni, the spark came early-right in the heart of Durban.'Growing up in KZN, I had the opportunity to see the cast of the original Sarafinarehearse, under the directorship of the late Mbongeni Ngema. This encounter was the catalyst for my interest in the arts.' Yeni's big break came with the pioneering legal drama Sokhulu & Partners, scripted by KZN-born writers Bongi Ndaba and Portia Gumede. It revolutionised African representation on SABC1. 'The show was a first of its kind and drew a huge following with SA audiences and made me a recognisable name. This amazing production changed the waythe industry and audience looked at me.' But for years, the challenge for KZN talent was not creativity - it was access. 'The plan for any actor… was to pack your bags and head to Jhb… since thework opportunities were not available in KZN… This proved to have manychallenges for young people who had to move away from their families andcommunities,'' said Yeni. This narrative is shifting fast, as broadcasters increasingly recognise the value of anchoring the industry in KwaZulu-Natal — empowering local talent to build their careers at home rather than migrating elsewhere. 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'In 2004, I returned to the SABC as the inaugural head of drama — a homecoming of sorts. We created innovative programming… bringing Zulu narratives to national television.' She encourages KZN youth to see their heritage not as a limitation, but as asuperpower. 'Embrace your heritage as your superpower… the praise poetry, the oral traditions… These aren't old-fashioned. They're your competitive advantage in a global industry hungry for authentic voices.' From television series like Uzalo, Umkhokha, and Shaka iLembe to awards recognition at the Simon 'Mabhunu' Sabela Awards, KZN's presence is no longer a footnote in South African film. It is the headline. Thanks to the catalytic work of the KZN Tourism and Film Authority, whose support for local development, location tours, and international collaborations continues to elevate homegrown talent, the province is poised to become apermanent fixture in Africa's cultural capital. 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Get ready for the endgame: ‘Stranger Things' season 5 teaser promises an epic showdown
Get ready for the endgame: ‘Stranger Things' season 5 teaser promises an epic showdown

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Get ready for the endgame: ‘Stranger Things' season 5 teaser promises an epic showdown

The final battle begins as Netflix reveals the trailer for 'Stranger Things' Season 5, set to premiere in three parts in November 2025. Image: X Netflix has released the first teaser trailer for "Stranger Things" season 5, and it's packed with action, suspense and a glimpse into the final showdown between the Hawkins crew and the forces of evil. The trailer drops exactly nine years after the beloved series first premiered on Netflix, launching the streaming giant's massive cultural phenomenon. "Stranger Things" is gearing up for a thrilling finale, with its three-part final season wrapping up with a bang on New Year's Eve. The fifth and last season is set to premiere with the first four episodes dropping on November 26. Volume 2 will follow on Christmas Day, and the series finale will conclude the saga on New Year's Eve. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Next Stay Close ✕ The series wraps up with a 139-minute finale on New Year's Eve, which will air in South Africa on New Year's Day. For South African binge-watchers, they will get to see it a day after the US release. According to "TUDUM", the finale unfolds in fall 1987 with Hawkins scarred by the Rifts and the gang fixated on finding and taking down Vecna, who's vanished without a trace. The government's military lockdown on the town and intensified hunt for the beloved Eleven complicate matters, forcing her into hiding once more. With the anniversary of Will's disappearance looming, the stage is set for the ultimate showdown against a darkness more powerful and deadly than ever which will require the gang to unite to stand a chance of survival one last time. A look back at the beginning "Stranger Things" premiered on Netflix in 2016, created by the Duffer Brothers. The science fiction series is set in the fictional town of Hawkins, Indiana, in the 1980s. The series explores the dark side of small-town America, where supernatural forces and government conspiracies threaten the lives of its residents. Due to its intriguing storytelling and memorable characters, the show's impact extended beyond the screen, influencing the dedicated fanbase and pop culture as a whole. "Stranger Things" also inspired countless fan art, cosplay and fan fiction.

Netflix profits surge off ads, higher subscription prices
Netflix profits surge off ads, higher subscription prices

eNCA

time2 days ago

  • eNCA

Netflix profits surge off ads, higher subscription prices

NEW YORK - Netflix reported stronger-than-expected second-quarter results, with profit jumping 45 percent year-over-year as the streaming giant benefited from subscription price increases and a growing advertising business. Revenue climbed 16 percent to $11.1-billion in the quarter ended June 30, beating analyst estimates and the company's own guidance, while net profit surged to $3.1-billion. The company raised its full-year revenue forecast, noting that it expects revenue to be between $44.8-billion and $45.2-billion in 2025, up from a range of $43.5-billion to $44.5-billion. Netflix highlighted strong performance from its content offers in the quarter, with major hits including the third season of "Squid Game," which drew 122 million views. It "has already become our sixth biggest season of any series in our history, with just a few weeks of viewing so far," the company said in a statement. Other standout titles included the third season of "Ginny & Georgia" with 53 million views and "Sirens" with 56 million views. There was also the animated film "KPop Demon Hunters" with 80 million views, which became "one of our biggest animated films ever" and generated a soundtrack that topped music charts globally. "Korean content continues to be popular with our audience," the company said, pointing to the continued success of international programming that has become a hallmark of Netflix's global strategy. Netflix expressed optimism about the second half of 2025, highlighting an upcoming slate that includes the highly anticipated second season of "Wednesday," the final season of "Stranger Things" and new films from major directors including Kathryn Bigelow and Guillermo del Toro. The company has also announced plans to expand live programming with marquee boxing matches and NFL games, as it continues to diversify its content offerings beyond traditional on-demand entertainment. Netflix shares have surged more than 40 percent year-to-date as investors have responded positively to the company's shift toward profitability, which saw it crack down on password sharing and turn to ads for more revenue. The company counted over 300 million subscribers last December, at the end of a particularly successful holiday season, when it gained almost 19 million new subscriptions. But the company no longer discloses these figures, in order to focus on audience "engagement" metrics (time spent watching content). In the quarter, Netflix continued to build out its advertising capabilities, saying that it expects to roughly double ads revenue in 2025, though it did not provide specific figures. The service is forecasting $9-billion in revenues from its ad-based subscriptions by 2030.

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