logo
CSIRO creates 3D model of Richmond River catchment to test flood mitigation options

CSIRO creates 3D model of Richmond River catchment to test flood mitigation options

In an effort to better understand flood behaviour in one of the wettest parts of Australia, scientists have turned the region's river system into a virtual model.
The CSIRO has mapped the Richmond River catchment in northern New South Wales at an unprecedented level of detail.
The first-of-its-kind model will help test the most effective way of protecting communities against floods.
Senior principal research scientist Jai Vaze said it was a detailed mathematical representation of the 7,000-square-kilometre catchment.
It includes millions of data inputs capturing flood-relevant factors including topography, hydrology, evaporation, soil types and vegetation.
"To look at any flood-mitigation scenarios reliably, whether it will work or not, you need a catchment-scale model," Dr Vaze said.
The model shows how flooding unfolded across a six-week period in 2022 across the catchment.
Its pinpoint accuracy relies in part on Bureau of Meteorology rainfall data refined to hourly readings localised to one-square-kilometre grids.
It may sound simple enough, but the model has been the result of more than two years of painstaking work by Dr Vaze and his team.
Lidar technology with 3D laser scanning gathered 16 measurement points per square metre across 30,000 square kilometres of the Tweed, Brunswick, Richmond and Clarence river catchments.
The team used sonar to collect high-resolution data on river depths and riverbed undulation.
Dr Vaze said the model would have the capacity to accurately test the effect of various flood mitigation options, or "bundles" of options, that could include hard infrastructure such as levees.
He said the project shifted the dial from reactive flood responses to actively planning ahead to mitigate their effects.
"The government wanted to look at whether something could really be done [to mitigate flooding].
"There are a number of local area models built over past decades, but a full catchment model was needed to answer any real questions for flood mitigation."
The 2022 Northern Rivers floods have cost the NSW and federal governments $880 million in reactive solutions designed to move people off the flood plain, or elevate and retrofit people's homes to withstand the next flood when it inevitably comes.
A further $150 million has been allocated to resilience measures including repairs and upgrades to pumping stations, improvements to town drains and flood channels, establishing community-led resilience teams and reforestation projects.
The Lismore Citizens Flood Review Group has been lobbying for action to address flooding in the catchment since the Cyclone Debbie flood of 2017, and worked closely with Dr Vaze to feed local knowledge into the model.
Beth Trevan and her son Richard said it was serendipitous good fortune that led to then National Recovery and Resilience Agency coordinator Shane Stone supporting and funding the project.
Mrs Trevan said it was also the region's great fortune that Dr Vaze was assigned to do the job.
"He is totally committed to the region and solving the problem," she said.
"He has given his life to it for the past three years, seven days a week — he never stops working on it.
"What is being developed is international best practice; it's not only going to be a template for Australia, it's going to be a template internationally.
Richard Trevan said a lot was riding on the success of the model in coming up with flood-mitigation solutions for the Richmond River catchment.
"We are the most at-risk community in the nation for floods, but to date fully effective solutions have not been implemented," Mr Trevan said.
"Nationally, just 3 per cent of government funding has gone into mitigation while 97 per cent is spent on recovery.
"Lismore has one chance to get this right. For us, it's about getting the final recommendation to the point where our politicians can actually move forward and make the kinds of changes that are needed.
"Ultimately, for our kids and our grandkids, we want them to be able to look back at this moment and say that we got it right."
Whian Whian resident Patrick Tatam has lived for a decade at the headwaters of a tributary feeding the catchment.
When the rain really comes down at his place, two-hourly checks of his rain gauge reveal what's in store for downstream communities including Lismore, Coraki and Woodburn.
He is skeptical that anything can be done to protect them.
"It is strong and violent."
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How to take beautiful wildlife photos with your smartphone: a beginner's guide
How to take beautiful wildlife photos with your smartphone: a beginner's guide

ABC News

time3 hours ago

  • ABC News

How to take beautiful wildlife photos with your smartphone: a beginner's guide

Lying belly down on the grass, I saw my quarry cruising along the bank of Perth's Swan River. It's a pelican paddling towards my position. I'm a few metres back from the river's edge where I've set up a tripod low on a small sandy shore. With the click of button on a remote trigger, I take a snap with my smartphone. If you want to start getting into nature photography, there's a lot you can do with your phone before you consider getting a dedicated camera. I've teamed up with photographers to see how to get the best out of a smartphone to take wildlife images, use macro functions to snap tiny creatures, and catch birds in action with minimal impact on them or their habitat. What species is that? One of the easiest ways to get into nature photography, and that doesn't require the most spectacular image quality, is to shoot for citizen science projects. Sites such as iNaturalist allow users to upload their snaps online, where a community of experts and other amateurs can help identify what you've captured on camera. This way, you can take photos and learn about different species at the same time. Uploading location data can also help scientists better understand the range limits of a species or even changes in its population over time. But you do need to be careful about what you share on open sites and not swamping single locations where a species has been recently sighted (more on this below). Lights, zoom and angles To get started, you can use the stock camera app that comes with your phone. From a technical perspective, phone cameras tend to have small sensors, which means they need a lot of light to take sharper images. That means while shooting during the day is generally fine, you'll need additional light to shoot at night, according to James Dorey, a evolutionary biologist and photographer at the University of Wollongong. Capturing an angle with identifying features like skin patterns helps identify this lizard as a western heath dragon. ( Supplied: Laura Skates ) "You'll probably need to have a torch or have a friend with another phone that can light your subject from the side." Check whether your phone has an optical or digital zoom function too. Optical zoom is when your camera lens actually adjusts to magnify your subject whereas digital zoom often crops an image, making the quality no sharper than if you didn't zoom in. A spider photographed phone front-on in Fiji. ( iNaturalist: James Dorey, Sprangspannen, CC BY-NC 4.0 ) An unidentified spider photographed in Fiji with a smartphone. (iNaturalist: James Dorey, Sprangspannen, CC BY-NC 4.0) Fiji spider from upside down. ( iNaturalist: James Dorey, Sprangspannen, CC BY-NC 4.0 ) Taking photos of the same species from multiple angles can help with identification. (iNaturalist: James Dorey, Sprangspannen, CC BY-NC 4.0) Fiji spider from behind. ( iNaturalist: James Dorey, Sprangspannen, CC BY-NC 4.0 ) Losing picture quality when zooming in on a subject may not matter for identification purposes. (iNaturalist: James Dorey, Sprangspannen, CC BY-NC 4.0) Dr Dorey also recommends taking multiple shots from different angles if you are shooting something for identification purposes. This means scientists can get a good look at colours, patterns and other key features of an animal. "Bees, for example, it's often really important to get a good photo of the wings and the veins on the wings," Dr Dorey says. How to use the macro setting to snap tiny details If you're looking to get a little fancier with your nature phone photography, the next step might be macro. Macro photography is where tiny subjects look life-sized. Dr Dorey, who is also an award-winning macro photographer, usually uses a digital camera but says phones are improving in capability. "A lot of phones have multiple lenses now and are actually pretty good at getting macro," he says. Invertebrates, such as a spider in your house or a bee in the garden, make great macro targets that you don't have to chase around too much. Jumping spiders are fairly easy subjects to engage for macro photography as they will turn their body towards movement. ( ABC Science: Jacinta Bowler ) To get a good close-up, you simply need to switch to the macro mode and get your lens nice and close to the subject, about 2 to 5 centimetres away. If your subject is on the ground or close to a surface, you can spin your phone around so the top is balanced on the ground (so the lens is at the same level) for a steadier shot. How to frame your subject Keep the subject in the centre of your frame for the best performance out of your lens. Whether it's bugs or larger species like lizards and frogs, try to get the lens at your subject's eye level for the most engaging portrait. Larger insects like dragonflies, with their compound eyes and intricate wing vein patterns, make good macro subjects for phones. ( ABC Science: Peter de Kruijff ) Using macro mode often requires a lot of light. In dim conditions, it may be too difficult to take a photo just holding a phone in your hands. One way to get around this is to use a cheap tripod and a LED ring light. Ring lights stop you covering your subject in your shadow. By targeting flowering plants you will likely come across pollinators such as bees. ( ABC Science: Peter de Kruijff ) Let the animals come to you A lot of nature photography is done with cameras using large telescopic lenses. While you can buy external magnifying lenses to attach to your smartphone, award-winning West Australian bird photographer Georgina Steytler says phone photography requires you work smarter. "The best tip to get bird photos is to sit down and let the birds come to you," she says. Your choice of location is, unsurprisingly, important. If you lie on a bank next to a lake or wetland, at some point a bird is probably going to swim or wade past. A white swan captured on a smartphone. ( Supplied: Georgina Steytler ) White swan. (Supplied: Georgina Steytler) A white-faced heron caught on a smartphone camera. ( Supplied: Georgina Steytler ) White-faced heron. (Supplied: Georgina Steytler) Pied stilt caught on camera in Mandurah, WA. ( Supplied: Georgina Steytler ) Pied stilt. (Supplied: Georgina Steytler) A Pacific gull captured on a smartphone. ( Supplied: Georgina Steytler ) Pacific gull. (Supplied: Georgina Steytler) You can get closer to your subject by using a selfie stick (the extra cost is the self-awareness that people will think you're self-obsessed among the ducks). There are also selfie sticks that double as a tripod and come with a remote control for triggering photos via a Bluetooth connection to your phone. That means you can be even further away from the birds and hopefully get a closer shot. Australasian swamphen taken on a phone on a small tripod with a remote trigger. ( Supplied: Georgina Steytler ) How to use the pro mode For the best shots, use the pro mode on your phone. In this mode you can pick a shutter speed that is at least 1/250 of a second, or 4 milliseconds, fast. This should get you a freeze frame of a subject that's not moving too much, but if the subject is a little blurry, you may need to go faster with your shutter speed. One good thing about phones is you can see on the screen whether the shot is too dark or light to take, and adjust your setting accordingly. Think about your background The background of your photo is another element to consider, Mrs Steytler says. "Try to pick birds like a seagull on a bench or standing on a pole because you have a clear background." Mrs Steytler says standard photography tips such as shooting around sunrise and sunset also apply to phone shoots. Free editing apps can not only sharpen up images, but they can also combine shots to create dynamic images. Portraits like this photo of a nankeen night-heron are difficult to capture with a smartphone, but not impossible. ( Supplied: Georgina Steytler ) To do this, Mrs Steyler recommends taking a photo with a black background first by underexposing it (this is where not enough light is captured so the image is dark). That image can then be combined with another shot taken at the same angle where you focus on getting a good exposure of the bird. How to take photos ethically Taking photos can be a nice way to immerse yourself in nature or learn something new, but how you go about it is just as important (so you're not derided like an influencer grabbing a wombat). Birdlife Australia has got a set of guidelines for birdwatching and photography. Edith Cowan University conservation biologist Rob Davis, who co-authored a study on biodiversity damage from social media, also has several tips for ethical photography, including: don't play recorded animal calls to attract photo subjects don't play recorded animal calls to attract photo subjects don't photograph or go near bird nests don't photograph or go near bird nests don't entice animals with food don't entice animals with food don't touch or pose creatures don't touch or pose creatures rethink publicly sharing locations of rare species rethink publicly sharing locations of rare species don't go off established tracks as you may trample flora and fauna. Dr Davis says it is generally illegal in Australia to handle native wildlife and flora without a permit. Besides that, you can inadvertently spread killer diseases. "If you handle frogs you can spread chytrid [an infectious amphibian disease] from animal to animal," Dr Davis says. Besides, many species react badly to human interference. Some bats will abandon roosting caves for good if disturbed by people. Little red flying-foxes fly over the Ord River in Kununurra. ( ABC Science: Peter de Kruijff ) Dr Davis notes another example where photographers damaged the ground burrows of rainbow bee eaters at a suburban lake after people became aware of their seasonal arrival. "Think before you share," he says. "There's really rare stuff my wife and I have seen which we don't put on any platform. "That can be a good choice sometimes as sites do get trashed."

Darwin uni's inaugural TEDx event welcomes regional expertise to global stage
Darwin uni's inaugural TEDx event welcomes regional expertise to global stage

ABC News

time5 hours ago

  • ABC News

Darwin uni's inaugural TEDx event welcomes regional expertise to global stage

Storytelling is key to creating an engaging TED talk — but breaking down a subject you understand so deeply, to share that knowledge with the world, comes with a whole lot of nerves. Ten experts from various fields are gearing up to speak on the global TED stage for the first time, and the ABC has been given an insight into how it all works. This Saturday's sold-out TEDx Charles Darwin University (CDU) show will hear from wildlife gurus, tech experts, environmental academics, social thought-leaders and more. PhD candidate and crocodile expert Brandon Sideleau said preparing for the big event was "very much a team effort" between the university and its academics. "I sent my script to the team and they said 'that's not going to work' because I was using some [technical] terminology," he said. Mr Sideleau ditched the jargon in favour of storytelling, using real-life examples and photos to help the audience understand why crocodile attacks happen and how interactions with the predator can be limited without culling. It's a timely reminder since the reptile has already been hunted to extinction in six countries and remains "critically endangered" in others. "I'm nervous for sure, being on a stage of that scale and impact, but I'm also looking forward to getting the information out there," he said. Mr Sideleau said it was important he pointed out "just how rare saltwater crocodile attacks are" locally. Despite the fact at least a quarter of the global saltwater crocodile population lives in the Top End, Mr Sideleau's work exploring "the true extent" of fatal attacks found most of them happened overseas. He discovered, across 14 countries, there were almost 300 crocodile attacks each year — about 150 of them proving fatal. "I was noticing that that there were a lot of incidents in Indonesia especially," he said. The NT researcher found "massive differences" in attack numbers due to the need for people in developing nations to bathe, fish and collect water around crocodile habitat. "Here in Australia, almost all victims are attacked while engaging in leisure activities … compared to middle-income countries in general, 30 per cent of people are attacked while engaging in activities related to sanitation," he said. Mr Sideleau said work needed to happen to help developing nations access plumbing, water pumps and wells. CDU research fellow Sharna Motlap, who is presenting this weekend, has spoken at conferences in the past but never on the TED stage. She's also feeling nervous ahead of the big show, but has a similar story-led strategy to Mr Sideleau that she hopes will engage the audience. Ms Motlap said academic papers were "just love letters to other researchers", so she'll use storytelling to unpack complex ideas in a way the average viewer can understand. "There's this great analogy in this book [which] discusses the concept of 'the best story wins,'" she said. Ms Motlap's work, which looks to safeguard traditional dance by creating digital replicas, will be framed in an entertaining way — so the audience can expect to see video snippets from her lab and references to the famous Macarena. She said it was important to help the crowd understand the research because "it's not about the technology, it's about what it can do". In the same way Mr Sideleau's TED talk hopes to influence a better future, Ms Motlap wants to explain the benefits her project can have on future generations. She's studying the same kind of technology that was used to produce the movie Avatar but, rather than creating for entertainment's sake, her work is protecting traditional culture and knowledge. While director James Cameron's team used motion capture to make Na'vi movements reflect the actors playing the fictional blue characters, Ms Motlap has used the technology to digitise Indigenous dance. "We place reflective markers on the dancer's body and then we use the system of cameras to track the reflective markers," she said. It's a significant step forward from standard video recordings, with computer models able to calculate the angles of a dancer's joints and how force is applied to parts of their body. Beyond immortalising the movements, her research protects the Indigenous culture and knowledge associated with those dances from being lost over time. She described the territory as "a unique part of the world" and said there was plenty of excitement about the chance to share local research with a global audience.

Global fire seasons grow longer, threatening international collaboration
Global fire seasons grow longer, threatening international collaboration

ABC News

time5 hours ago

  • ABC News

Global fire seasons grow longer, threatening international collaboration

An increasing overlap of global fire seasons could challenge the ability for countries like Australia, the United States and Canada to help each other fight wildfires. With firefighting aircraft and personnel historically shared between the two hemispheres, researchers are warning that a creeping closeness of fire weather is likely to put that under threat. The warning comes as Australian firefighters help battle raging fires in Canada, which is experiencing one of the most severe wildfire seasons on record. University of NSW climate scientist Doug Richardson said nations had long taken advantage of the "historically distinct" Northern and Southern Hemisphere fire seasons to lend each other a hand. "It's been a really nice collaboration between Australia and the USA and Canada, for example, in how they fight fires and share resources, but unfortunately climate change is meaning that the fire seasons in both of those regions are getting longer and they're starting to bleed into each other a little bit now. "That raises the question that perhaps these long-standing arrangements aren't going to be suitable moving forward." Dr Richardson's research found that, since 1979, the degree of overlap between Australia's and North America's fire season weather increased by an average of one day per year. "That doesn't sound like a lot … but when you accumulate that over several decades, this translates to nearly a month of extra overlap compared to what we were seeing in the 1980s and 1990s," he said. As Australia leased firefighting aircraft from North America each year, Dr Richardson said that should prompt a review of the nation's resources. "So far, thankfully, there haven't been too many problems with this, but it's something we're trying to raise awareness of that you should be thinking about whether we have to review these agreements." Canada's wildfire season has started earlier than usual in recent years after hot, dry spring seasons. Australian firefighters have been deployed to Canada in recent weeks to provide assistance, including from South Australia. SA Country Fire Service executive director of operations Brenton Hastie said the Canadian fire situation had become increasingly problematic in recent years. "Areas that have never been susceptible to fire before are now burning, and it's a bit of a global effort to support Canada and the USA as we saw last year dealing with these unprecedented fires," Mr Hastie said. South Australia has already flagged it may enter its upcoming fire season early, after back-to-back years of drought. "We had significant fires right up until five days before the start of winter this year in parts of SA," Mr Hastie said. "That dryness makes more fuel available to burn, so when a fire does occur it can occur with a ferocity that is above what is expected in a normal year." Mr Hastie said SA was in a lucky position to have sovereign capability with its firefighting aircraft, given the increasing overlap of global fire seasons. "Some other jurisdictions do have contracts that rely on aircraft to come from the Northern Hemisphere," he said. "For those states, it is increasingly problematic that the pinch point between the start of one season and the start of another is starting to overlap. "Thankfully in SA that is not yet a problem for us."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store