
'Bend it Like Beckham' Director Confirms Sequel
More than twenty years after the original film inspired many young women to play football, Chadha says she has finally found the right story—one that reflects how much the sport and its cultural resonance have evolved.
Chadha shared her excitement in an interview with Deadline, emphasizing her intent to revisit the original characters —including Jess (Parminder Nagra) and Jules (Keira Knightley)—and build on the legacy they helped establish in women's football. She hopes the entire original cast will return, though their participation depends on presentation and script quality.
Chadha aims for a 2027 release, aligning with Beckham 's 25th anniversary and the FIFA Women's World Cup in Brazil.
The sequel could take the form of a feature film or a television series, depending on the final creative direction.
Chadha is collaborating with her husband and original co-writer, Paul Mayeda Berges, and has enlisted Emma Hayes, coach of the U.S. women's national team, to help shape an authentic football narrative.
The original Bend It Like Beckham became a defining film of early 2000s British cinema and was instrumental in spotlighting diversity, female empowerment, and cross-cultural identity in sports.
Fan anticipation is high for the return of stars like Parminder Nagra, Keira Knightley, Archie Panjabi, Juliet Stevenson, and Jonathan Rhys Meyers. The original cast has been informed about the script, so fans are excited to see them return to the sequel.
This sequel marks a pivotal moment—not just for fans nostalgic for Jess and Jules, but for a sport and culture that has evolved dramatically in the years since the original game-changing film.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Khaleej Times
4 hours ago
- Khaleej Times
Thrilling Women's Copa America final can't hide challenges ahead
The Women's Copa America in Ecuador ended with a thrilling final as Brazil edged Colombia in an eight-goal spectacle to win their ninth title but logistical challenges and half-empty stadiums showed the hurdles that face South American women's football. Colombia pushed Brazil to the brink in a decider capped by a Marta masterclass as her side won 5-4 in a shootout after a roller-coaster final in Quito had finished 4-4, delivering a level of play organisers hoped to see when the tournament began. CONMEBOL president Alejandro Dominguez said ahead of the opener: "We are confident that the Copa America in Ecuador will confirm the growth and expansion that South American women's football is currently experiencing." However, the event faced criticism over facilities from the start when Brazil complained after teams were forced to warm up in cramped indoor spaces, while Chile forward Yanara Aedo called the lack of VAR in the early rounds "disrespectful". Widely praised as the best final in the tournament's history, the match drew the highest attendance of the 2025 edition, with the Ecuadorian Football Federation pleased that 23,798 fans turned out at the Estadio Rodrigo Paz Delgado. Still, that number fell short of filling the 41,575-seat venue, with ESPN reporting that the tournament's average attendance stood at 962 per match before the final. Media reports also said locals and international visitors were unaware the Women's Copa America was even taking place. Following Colombia's penalty shootout win over Argentina in the semifinal at the same venue, responses gathered by CNN pointed not to a lack of interest or ticket accessibility - with prices starting at $5 - but a broader failure in promotion. Tickets only went on sale on July 4, eight days before the opening match, underlining how late planning hurt visibility. "It's a shame that the tournament has been played here in Ecuador and we don't know about it and the stadiums are empty," a local mother who attended the match with her son told CNN. Reuters has contacted CONMEBOL for comment. The gap between on-field quality and local engagement was also highlighted by the increase in international viewers. FOX Sports said on Tuesday that 302,000 tuned in to watch the final — up 273% from 2022 — making it their most-watched Women's Copa America broadcast. Overall viewership averaged 79,000, a 114% jump across the network's two channels. The first CONMEBOL Women's Nations League kicks off in October, serving as South America's path to the 2027 World Cup, but beyond qualification, the tournament offers a fresh chance to address the off-field issues at the Women's Copa America. With players already performing at a world-class level, CONMEBOL has the audience and the talent to showcase. The question is will South America's governing body invest in promotion, infrastructure and planning to match Europe's record-breaking Women's Euros, which had their highest-ever attendances this year, while its own stadiums were half empty.


The National
10 hours ago
- The National
Royal Ballet and Opera cancels Tel Aviv show after staff protest Gaza war
The Royal Ballet and Opera cancelled a planned performance in Tel Aviv after more than 182 members signed an open letter criticising Israel's recent actions 'in the context of the ongoing genocide in Gaza '. The members include dancers, singers, musicians and staff across several departments. Alex Beard, chief executive of the famed UK theatre company, confirmed the decision to The Guardian on Monday. 'I am appalled by the crisis in Gaza and recognise the deep emotional impact this has had across our community and wider society,' Beard said. The RBO was scheduled to stage Puccini's masterpiece Tosca in July. The Israeli Opera, which is hosting the production, still lists the show on its website, but has removed all references to the RBO. The open letter from RBO members comes after a viral July 19 incident when a brief scuffle broke out at the Royal Opera House when a performer unfurled a Palestinian flag during a curtain call. In the clip, a man later identified as RBO's director of opera, Oliver Mears, can be seen trying to wrest the flag away from the performer, Daniel Perry. Perry later told The Times that Mears said he would be banned from performing at the Royal Opera House ever again. 'The events at the curtain call on July 19 were without precedent,' Beard told The Guardian. 'We have reflected carefully and reviewed our internal protocols. We always endeavour to act with integrity and compassion. We want our stage to remain a space for shared cultural appreciation, free from individual political statements.' In the strongly worded letter addressed to Beard and the board of RBO, members called for Mears 'to be held accountable for his public display of aggression'. His actions were 'far from being a neutral administrative intervention', they said, adding 'it sent a clear message that any visible solidarity with Palestine would be met with hostility'. Members also criticised the RBO for hiring out its production of another Puccini opera, Turandot, to the Israeli Opera, which ran across June and July. As reported in The Guardian, preparations for Turandot took place when the Israel-Iran war broke out, and rehearsals were held in bomb shelters, with at least one performer leaving the production. 'The decision cannot be viewed as neutral. It is a deliberate alignment, materially and symbolically, with a government currently engaged in crimes against humanity,' the members said. 'The venue itself, the Israeli Opera, publicly offers free tickets to soldiers of the Israeli Defense Forces 'in recognition of their work', as stated on their website. The RBO is clearly making a strong political statement by allowing its production and intellectual property to be presented in a space that openly rewards and legitimises the very forces responsible for the daily killings of civilians in Gaza.' The members then demanded the RBO withhold productions 'from institutions that legitimise and economically support a state engaged in mass killing'. 'We organised concerts for Ukraine, we played the Ukrainian national anthem before performances, and we publicly displayed the Ukrainian flag as a gesture of solidarity with its people. We understood then that silence was unacceptable. Why is it different now? The double standard is deafening,' they said. In his statement to the The Guardian, Beard said he and the RBO board 'acknowledge and respect the full range of views held by our staff, artists and audiences'. 'Our support for Ukraine was aligned with the global consensus at the time,' he said. 'As the world's geopolitics have become more complex, our stance has changed to ensure that our actions reflect our purpose and values.'

The National
12 hours ago
- The National
John Stones: Manchester City determined to silence critics after season that was 'not good enough'
John Stones insists Manchester City have the 'fire in our bellies' to regain their Premier League title this season. City surrendered the crown they won in the previous four years to Liverpool during a bitterly disappointing 2024-25 campaign. Defender Stones, who struggled for fitness for long spells, believes lessons have been learnt and has detected a strong desire to put things right since the players returned for pre-season training. The England international said: 'It was humbling for us after all the success that we've had. 'It makes us realise what we've done, what we've achieved over the years and how proud we should be, but we're obviously frustrated at what we did last season. It's not what we want to replicate. 'To finish third, three or four points behind Arsenal is – to our standards – not good, (nor) how we played through the season. 'We've got to put that right and get back to our identity, get back to winning matches and having that presence about us and believing in ourselves as a team. 'I'm sure we'll find that and bring it back because it was tough last season to go through what we did. We've definitely come back with that fire in our bellies to go and achieve.' Stones is now fit again after an injury-plagued past season but was not risked by manager Pep Guardiola during the Club World Cup in the summer. City started well but were then dumped out of the competition in shocking fashion by Saudi Pro League Al Hilal. Despite not featuring, the 31-year-old made emphatically clear when speaking to media during that tournament that he would not be leaving the club. Entering the final year of his contract, there had been speculation about his future but the former Everton player hopes that has now been shut down. He said: 'It's laughable to me. I understand why people do it but there's nothing to comment on. 'I love it here, nothing's happening. I'm here to fight and play and hopefully win some trophies.' Stones was speaking as City held an open training session alongside the club's women's side with the new Premier League season edging ever closer. City now have a friendly at Palermo on Saturday before facing Wolves in their opening Premier League game at Molineux on August 16. The side is taking on a different shape with new signings Rayan Cherki, Rayan Ait-Nouri and Tijjani Reijnders having been integrated during the Club World Cup, in which City reached the last 16. Their arrivals continued a squad refresh after the signings of Omar Marmoush, Nico Gonzalez, Abdukodir Khusanov and Vitor Reis in January. Stones said: 'Things evolve, football evolves, and the guys that have come in have been great. 'It takes a bit of time, obviously, to get used to the style of play, what's expected, but the guys have come in for a reason. 'With the quality that they've got, the aspects of the game are different from what we've had in the past. I'm excited to play with them and see what they do.'