
Jisoo Finally Did The Kitten Interview And It's Even More Adorable Than We Imagined
We have the purrfect Valentine's Day present for you! To celebrate the release of her new album AMORTAGE, global superstar Jisoo stopped by our studio to answer some questions while playing with the most adorable lil' kittens.
She discussed the inspiration behind her album, her journey with BLACKPINK, the artist she dreams of collaborating with, and so much more!
BuzzFeed Celeb
Watch all the cuteness here! You don't want to miss this.
View this video on YouTube
Be sure to stream AMORTAGE, out now!
All of the cuddly kittens in our interview are available for adoption at Friends of Normie!
BuzzFeed Celeb

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Buzz Feed
26 minutes ago
- Buzz Feed
Scooter Braun Gives Update On Justin Bieber Relationship
In 2008, a then-25-year-old Scooter Braun stumbled upon a talented 13-year-old Canadian kid singing Ne-Yo on YouTube. That teen turned out to be Justin Bieber, who would quickly go on to become one of the most famous people in the world. Throughout his rise the 2010s, Justin continued to be managed by Scooter, and the two were pretty much inseparable, even amid the ups and downs of JB's public image at the height of his fame. Scooter became one of the most prolific managers in the music business, taking on other clients like Ariana Grande, Demi Lovato, and Kanye West. So, in 2023, when rumors surfaced that he and Justin were no longer working together, fans had a lot of questions. Justin and Scooter's professional breakup was confirmed by People on June 16, 2024, and a day later, Scooter announced that he was retiring from management entirely. Now, nearly a year later, Scooter has reflected on his and Justin's decision to part ways after 15 years together, saying on the Diary of a CEO podcast this week that their relationship is 'not that same that it was.' 'We worked together for so long and we had such extreme success,' Scooter said, giving some insight into Justin's desire for a new direction. 'I think you get to a point as a man where you want to show the world you can do it on your own, and I completely respect that. I think, at this point, that's what he's doing. And myself and everyone from the old team is rooting for him.' Scooter's comments come amid a lot of speculation and concern for Justin's well-being. The 31-year-old singer — who shares a 1-year-old son, Jack, with his wife, Hailey Bieber — has been the topic of many conversations due to his unusual online behavior, including cryptic posts about relationships, business, and religion. In February, his representatives spoke out to refute speculation he's using drugs. As for his professional life, Justin, who is said to be working with a new team since his split from Scooter, has not released a new album since 2021, and in 2023, he sold his nearly 300-song music catalog to Hipgnosis Songs Capital for a reported $200 million. In April, Justin's reps also denied rumors that he is in 'financial distress,' and prior to that, his team assured fans that he is doing well personally and professionally. In a statement given to Rolling Stone in February, a spokesperson for the singer said that the past year has been 'very transformative for him as he ended several close friendships and business relationships that no longer served him.' When asked if it 'hurt' when Justin wanted to part ways, Scooter said on the podcast that he was also ready for something new. 'At that point, it had been a couple of years where I knew I wanted to do something else, and I wanted to find out who I was,' he said. 'We were both communicating enough with each other…The writing was on the wall.' It's wild how things change... You can find Scooter's full appearance on the Diary of a CEO podcast here.
Yahoo
34 minutes ago
- Yahoo
My sister took her life after online abuse at 21 – I will never be the same
If my sister Aimee and I were a Venn diagram, the internet was our intersecting centre. We grew up in Southampton and spent every summer in north Turkey, in the small coastal village Edincik, where our mum is from. While we shared the same interests – music, fashion and food – our tastes were different, and online was where they flourished. I always loved second-hand clothes, having practically been raised in charity shops. I grew up cutting out and sticking pages out of Elle magazine to my bedroom walls, and was obsessed with America's Next Top Model, meaning I could name designer brands more confidently than recalling my eight times tables. I was drawn to the early YouTube pioneers – Zoella, Glozell and Jenna Marbles – and I looked up to them for being fully themselves online, at an age where I felt unseen and misunderstood, like so many teenagers do. Aimee, on the other hand, was far more unique – she'd found out she was neurodivergent in her teens. She was way ahead in terms of her taste in music: as a 14-year-old, she was fixated by Pharrell Williams's bands N.E.R.D and The Neptunes, and her curious mind led her to discover the likes of Sade, Kelis, Stevie Wonder, Ice Cube, Tyler, The Creator and Kaytranada. As a teen, Aimee taught herself Japanese, and immersed herself in the food and culture of the country, becoming obsessed with sushi and artists such as Takashi Murakami, which led to her travelling to Japan solo when she was just 18. Sharing my love for thrifting, Aimee sourced rare, collectable Pharrell merchandise, saving up all of her money from part-time jobs to bid in international eBay wars against veteran collectors. She always won. Aimee was brave and bold, and unapologetic in her passions, despite not sharing them with others at school, which marked her as different at an age where being cool meant following the crowd. This was what drew her to social media. Having faced bullying at school, like many neurodivergent teens, Aimee was attracted to online communities that shared her interests. She discovered Grindin', a forum for Pharrell fans. We were glad that she had found a community where she finally felt accepted, and had a space where she could fully express herself and connect with others. Being Gen Z, part of the guinea-pig generation that grew up as children without smartphones but who then got them as teens, both my sister Aimee and I were avid users of social media from its early inception. We would spend hours as teens scrolling on Tumblr, photographing each other in our best outfits on holiday for Instagram, messaging friends on Snapchat. It wasn't the centre of our world, but it occupied a huge part of our adolescence: our online profiles were an extension of ourselves. But in the pandemic, this social media community soon became a double-edged sword. Aimee was at the tricky in-between stage of having finished college and not knowing her next step, and she retreated further online during lockdown. Being cut off from the things that she loved doing – going to art exhibitions, attending gigs and festivals, and eating out with her boyfriend – drastically impacted Aimee's mental health. Spending more and more time in her room, she became withdrawn and removed from us. She split from her boyfriend, stopped going out and was no longer interested in the treasured Pharrell-related belongings she had invested so many years collecting. When I'd try to connect with her, or spark a conversation, she seemed distant. This went on for a year. When she was at her most unwell, she was drawn into the dark side of the internet. In October 2022, the unimaginable happened. My parents were met with a knock on the door from two police officers informing us that Aimee had died. She had been found in a hotel room more than 60 miles from our home town, with a stranger from the United States. We later found out from police that Aimee had been on a partners thread, where members of this forum seek out others to end their lives with. The man who she was found with had been with Aimee for 11 days in the hotel room, and had told authorities he was 'working' during that time. All I can remember from the weeks that followed is a blur of words that seemed wrong being used in the same sentence as Aimee's name; words you only ever hear in crime drama series: investigation, incriminating evidence, assisted suicide, inquest, coroner, family liaison officer. It was clear to me that there was so much more beneath the surface to uncover, how none of the piecemeal bits of information the police told us about the circumstances surrounding Aimee's sudden death added up. We still have countless unanswered questions, questions detectives have failed to answer, and which the pending inquest may not even explore. As a family, we have learnt more about the circumstances of Aimee's death from journalists than we have from the police. Sadly, we only learnt what was happening in her online world after it was too late. Aimee was just 21 when we lost her. We found out after she died, that Aimee had been on a forum which actively encourages people to take their lives, instructing them and even providing the means for them to do so. This forum has taken at least 50 UK lives, including my sister. From looking at the forum myself, I can see just how easy it is to end up in a rabbit hole of despair, where vulnerable users are told their loved ones don't care about them. Essentially, Aimee was radicalised by a toxic network into taking a decision that she could never return from. These are known as 'Com networks', and the National Crime Agency has even set up a taskforce dedicated to investigating men who target vulnerable women and girls and pressure them into acts of self-harm. Being informed by police that Aimee died in a hotel room with a stranger who she met on this forum, and who flew from the US to witness her death, still haunts me. Knowing that Aimee's vulnerability was preyed on, and that others like her could fall victim to the same circumstances, is why, as a journalist and campaigner, I now channel my efforts into advocating for online safety and tech accountability. Since losing Aimee, I've spoken in the European parliament, met with the UK Tech Secretary with fellow bereaved families, protested outside Meta HQ, signed letters to the Prime Minister, all to advocate for better safeguards online. Speaking up about sibling grief and sudden loss is immensely hard and takes a toll, and sometimes I guiltily wish that this wasn't how I was spending my 20s. None of this will bring my sister back, but even if speaking up saves one life, then it is worth it. Until I lost my sister, I never knew the scale of risk that exists online, and the number of bereaved families who are fighting to tackle them. Being part of that fight, I now know that people who are vulnerable offline – children, women, people with mental health issues, neurodivergent people – are more vulnerable online, too. We urgently need a greater public awareness of the scale of harm already taking place, if we are to build a safer digital world for young people. Most children today will experience some type of online harm. What's vital is that they know they can communicate openly and honestly with you about their experiences. Make sure your children know that it is not their fault if something bad happens to them online, and encourage them to come to you or a teacher if something has upset or scared them on social media. The Online Safety Act is at a pivotal point in its enforcement right now. You can email your MP to demand that platforms of all sizes are subject to the fullest force of the Act. While I don't think a smartphone ban is the solution to online harm, it will ensure that children have to best chance to experience their childhood fully in the offline world. This is vital if they are to grow into confident, resilient and empowered young people. There is great strength in numbers – the more parents who support a delay in social media use, the better. R;pple is a secure and confidential free web extension tool that intercepts online searches for self-harm and suicide, diverting users away from content that puts them at risk. Created by Alice Hendy MBE, who lost her brother Josh to suicide, R;pple is a life-saving tool that proves technology can be designed with user wellbeing at the core. Logging Off: The Human Cost of Our Digital World by Adele Zeynep Walton is (Trapeze, £20) is available now. Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
Yahoo
39 minutes ago
- Yahoo
It started with a scrunchie. How Strider Patton is building a girl dad community, one braid at a time.
When Strider Patton learned that he and his wife, Brooke, were expecting a daughter, he immediately went into girl dad mode. 'The image of me braiding her hair just flashed in my mind,' the 40-year-old professional artist from Half Moon Bay, Calif., tells Yahoo Life. 'I just started to think about what it would be like to have a little special time for us every day.' First, though, he needed to learn how to braid. Patton decided to do 'what every millennial dad does,' he says, and hop on YouTube. But many of the videos he saw were by moms who already knew the basics. 'They were just flying through the simple stuff,' he says, like how to tie a hair tie. Patton sifted through dozens of videos to get the fundamentals down. It would be a few years before his daughter, Imogen, now 5½, had enough hair for Patton to work with, and the beginning of their braiding adventures was a little hairy. 'I was horrible at it,' he recalls. 'But she [didn't] care because we're just playing and having fun.' Patton soon got the hang of it, though, and their daddy-daughter styling sessions have since become treasured time together. He never imagined other dads would be inspired to follow suit. Imogen regularly received compliments on her hair at school and on the playground. Everyone wanted to know: 'Did your mommy do your hair?' Imogen very matter-of-factly would reply, 'No, Dad braids,' and the line stuck. Soon after, dads were approaching Patton on the playground for pointers. Sensing an audience, he started publishing how-tos online last June under the handle Dad Braids. His instinct proved right: His first TikTok got more than 30,000 views. He's since made more than 120 videos and amassed more than 139,000 followers on TikTok (more than 237,000 on Instagram). Every day, he receives messages from married, single and widowed dads from around the world. The content is resonating, he thinks, because it's tailored to his audience. 'I'm going in real time and showing very simple moves,' says Patton, who is also dad to Hudson, 1. 'I'm explaining the different types of brushes and hair care products because these are things no guys know about.' Still, Patton insists he's no expert and that he's learning right alongside his viewers. That beginner's mindset is important to his message, he says. The goal isn't perfect braids — it's connection. 'I think it's really great for us to show our kids, 'Look at me, I'm taking on a challenging new task,'' he says. ''You're learning how to ride a bike? I'm learning how to braid hair. It's hard, so let's struggle together, but let's have fun while we're doing it.'' While Patton and his family have been surprised by his success, he also thinks there is a simple explanation. 'I think what I've tapped into,' he says, 'is one of the most passionate and most overlooked audiences on the internet: girl dads. This is surface-level braids, but really, it's [about] how to be a good dad.' Dad Braids is currently a passion project but might not be for long. Patton sells merch and will soon release courses for dad braiders of all levels. He even wants to make different colored scrunchies that convey expertise, similar to martial arts belts. He laughs when he reflects on how his life has changed over the last year. 'Ten months of Dad Braids just annihilated 10 years of my art on Instagram,' he says. 'It's one of the most meaningful things that I've ever done, and I never could have ever seen this coming.' Get the right gear. Patton was skeptical at first, but now fully gets the hype behind detangling brushes and sprays. He keeps all his braiding equipment corralled in a metal toolbox. Distract her. To get your little one to sit still, Patton recommends having her play with dolls, Legos or kinetic sand. Prevent bad hair days. 'The best way to tackle a bad hair day is the night before,' he says. 'It is an absolute game changer.' He recommends a loose braid overnight. Start from the bottom. Don't brush top to bottom; lightly brush the ends and work your way up to avoid knots. Don't force it. It's OK if it doesn't always go as planned. 'There should be no forcing or shaming,' Patton says. 'You want the braiding time to be sacred and beautiful.'