
Obituary: Jean Marsh, actress
Jean Marsh and close friend and collaborator Dame Eileen Atkins created not one but two hit TV series, Upstairs Downstairs and The House Of Eliott.
While different in subject matter — the former focused on the servants quarters of an Edwardian home while the latter told the tale of sisters who established a fashion house in the 1920s, each shared female starring roles, great scripts and exceptional acting.
Marsh was born in London but raised in Stoke Newington. She left school at 15 to train as a dancer, before building a career in repertory theatre as an actress.
Her big break came in 1959 when she appeared on Broadway with John Gielgud in his production of Much Ado About Nothing.
That same year she moved into television and during the 1960s appeared in such shows as The Saint and Doctor Who. Marsh had a long association with Doctor Who: as well as being married to the third Doctor, Jon Pertwee, for five years, Marsh played Joan of England in The Crusade; Sara Kingdom, a companion of the First Doctor; and was a villain opposite the Seventh Doctor.
Upstairs Downstairs first aired in 1971, and its five series earned two Bafta awards and Marsh won an Emmy for best actress. At its peak, viewership exceeded 18 million. The House of Eliott (1991-94), which the duo produced, proved equally as popular, rating highly and selling worldwide.
In 2010 Marsh and Atkins remade Upstairs Downstairs, in which Marsh reprised her role as parlourmaid Rose Buck, but the show was overshadowed by another period blockbuster Downton Abbey. It was cancelled after its second season.
Her film credits included Cleopatra (1963), The Eagle Has Landed, Return To Oz and Willow.
Jean Marsh was made an OBE in 2012. She died on April 13 aged 90. — APL/agencies
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Scoop
2 days ago
- Scoop
Unleashing Aotearoa's Monster: NZ Opera's Groundbreaking Premiere Of The Monster In The Maze
New Zealand Opera is proud to announce details around the highly anticipated Australasian premiere of the powerful community opera, The Monster in the Maze. Written by acclaimed British composer Jonathan Dove (Mansfield Park, Flight, Marx in London) with libretto by Alasdair Middleton, The Monster in the Maze is a unique community opera that earned a British Composer Award in 2016. Celebrated as one of the most successful contemporary operas of its kind globally, it was originally commissioned by prestigious institutions the Berlin Philharmonic, the London Symphony Orchestra, and the Festival d'Art Lyrique d'Aix-en-Provence. Since its premiere in 2015, the opera has garnered widespread acclaim and has been performed to great success around the world, in multiple languages. Led by the creative powerhouse duo of Director Anapela Polata'ivao ONZM (Tīnā, Red White and Brass, Wild Dogs Under My Skirt) and Creative Producer Stacey Leilua (The Savage Coloniser Show, Wild Dogs Under My Skirt, Young Rock), NZ Opera's The Monster in the Maze will be performed in English across Aotearoa New Zealand this September, offering a profound exploration of identity and cultural resonance. The production brings together professional singers, the Christchurch Symphony Orchestra, New Zealand Symphony Orchestra and the Auckland Philharmonia and the Freemasons Foundation NZ Opera Chorus with large numbers of amateur, youth, and children's choirs and musicians, in a groundbreaking operatic collaboration with communities in each location. The production marks the significant NZ Opera directorial debut for Anapela Polata'ivao. Reflecting on what drew her to The Monster in the Maze she explains: 'What attracted me was the community aspect. This is an incredible opportunity for our local choirs and community members to participate in a high-level, professional performance. This collaborative involvement not only enriches the storytelling but also fosters a sense of connection to the production's cultural themes and to each other, making it an inclusive and empowering experience for all participants and audiences.' The Monster in the Maze opera reimagines the ancient Greek myth of Theseus and the Minotaur, exploring themes such as resistance, justice, and the power of collectivism in a dramatic, Hunger Games-style, one-hour opera. The narrative follows the aftermath of King Minos's victory over the Athenians, as he demands their youth as tribute to be fed to the terrifying Minotaur beast at the heart of his maze. Despite this, the tyrannical king soon discovers these youth are far from passive. Crucially, this new production pays homage to the rich Pasifika heritage that profoundly shapes New Zealand's cultural tapestry, highlighting themes of displacement and resilience. The Athenian youth's journey from a warmer homeland to the cold, unforgiving land of Crete powerfully echoes the migration experiences of many Pacific peoples. In this Aotearoa-specific interpretation, Athens symbolises the warmth and familiarity of the islands, while Crete metaphorically becomes contemporary urban New Zealand, embodying the challenges and opportunities of arriving in a new land. An exceptional, all-New Zealand cast star in the principal roles. Acclaimed UK-based mezzo-soprano Sarah Castle (Andrea Chénier, Semele, La Cenerentola) brings her powerful presence to the role of Mother. Popular baritone and 2018 Lexus Song Quest winner Joel Amosa (La Traviata, Mansfield Park, Rigoletto) steps into the role of maze architect Daedalus. Rising operatic talent Ipu Laga'aia, recently named NZ Opera Freemasons Foundation Company Artist for 2025, makes his professional operatic role debut as the hero Theseus. Completing the principal cast, versatile entertainer and actor Maaka Pohatu (Ngai Tāmanihiri, Tūwharetoa), known for The Modern Māori Quartet and screen roles in Happiness, Far North, and Wellington Paranormal, makes his NZ Opera debut as the vindictive King Minos. Joining Anapela Polata'ivao and Stacey Leilua in the creative team, conductor Brad Cohen leads the Christchurch Symphony Orchestra in Ōtautahi, Christchurch, and Brent Stewart conducts the New Zealand Symphony Orchestra and the Auckland Philharmonia in Te Whanganui-a-Tara, Wellington and Tāmaki Makaurau, Auckland respectively. The Freemasons Foundation NZ Opera Chorus, child, youth and adult community performers join the production in each city. A highly innovative set, costume, and lighting design by Filament Eleven 11 (Rachel Marlow and Brad Gledhill) vividly transforms the worlds of Athens and Crete into a compelling contemporary setting. The design skillfully weaves local narratives into the production elements, showcasing Aotearoa's unique identity and its ongoing dialogue between traditional heritage and contemporary realities. The Monster in the Maze begins its national tour in Christchurch at the start of September, before travelling to Wellington and Auckland for strictly limited seasons.


Scoop
2 days ago
- Scoop
Unleashing Aotearoa's Monster: NZ Opera's Groundbreaking Premiere Of The Monster In The Maze
New Zealand Opera is proud to announce details around the highly anticipated Australasian premiere of the powerful community opera, The Monster in the Maze. Written by acclaimed British composer Jonathan Dove (Mansfield Park, Flight, Marx in London) with libretto by Alasdair Middleton, The Monster in the Maze is a unique community opera that earned a British Composer Award in 2016. Celebrated as one of the most successful contemporary operas of its kind globally, it was originally commissioned by prestigious institutions the Berlin Philharmonic, the London Symphony Orchestra, and the Festival d'Art Lyrique d'Aix-en-Provence. Since its premiere in 2015, the opera has garnered widespread acclaim and has been performed to great success around the world, in multiple languages. Led by the creative powerhouse duo of Director Anapela Polata'ivao ONZM (Tīnā, Red White and Brass, Wild Dogs Under My Skirt) and Creative Producer Stacey Leilua (The Savage Coloniser Show, Wild Dogs Under My Skirt, Young Rock), NZ Opera's The Monster in the Maze will be performed in English across Aotearoa New Zealand this September, offering a profound exploration of identity and cultural resonance. The production brings together professional singers, the Christchurch Symphony Orchestra, New Zealand Symphony Orchestra and the Auckland Philharmonia and the Freemasons Foundation NZ Opera Chorus with large numbers of amateur, youth, and children's choirs and musicians, in a groundbreaking operatic collaboration with communities in each location. The production marks the significant NZ Opera directorial debut for Anapela Polata'ivao. Reflecting on what drew her to The Monster in the Maze she explains: 'What attracted me was the community aspect. This is an incredible opportunity for our local choirs and community members to participate in a high-level, professional performance. This collaborative involvement not only enriches the storytelling but also fosters a sense of connection to the production's cultural themes and to each other, making it an inclusive and empowering experience for all participants and audiences.' The Monster in the Maze opera reimagines the ancient Greek myth of Theseus and the Minotaur, exploring themes such as resistance, justice, and the power of collectivism in a dramatic, Hunger Games-style, one-hour opera. The narrative follows the aftermath of King Minos's victory over the Athenians, as he demands their youth as tribute to be fed to the terrifying Minotaur beast at the heart of his maze. Despite this, the tyrannical king soon discovers these youth are far from passive. Crucially, this new production pays homage to the rich Pasifika heritage that profoundly shapes New Zealand's cultural tapestry, highlighting themes of displacement and resilience. The Athenian youth's journey from a warmer homeland to the cold, unforgiving land of Crete powerfully echoes the migration experiences of many Pacific peoples. In this Aotearoa-specific interpretation, Athens symbolises the warmth and familiarity of the islands, while Crete metaphorically becomes contemporary urban New Zealand, embodying the challenges and opportunities of arriving in a new land. An exceptional, all-New Zealand cast star in the principal roles. Acclaimed UK-based mezzo-soprano Sarah Castle (Andrea Chénier, Semele, La Cenerentola) brings her powerful presence to the role of Mother. Popular baritone and 2018 Lexus Song Quest winner Joel Amosa (La Traviata, Mansfield Park, Rigoletto) steps into the role of maze architect Daedalus. Rising operatic talent Ipu Laga'aia, recently named NZ Opera Freemasons Foundation Company Artist for 2025, makes his professional operatic role debut as the hero Theseus. Completing the principal cast, versatile entertainer and actor Maaka Pohatu (Ngai Tāmanihiri, Tūwharetoa), known for The Modern Māori Quartet and screen roles in Happiness, Far North, and Wellington Paranormal, makes his NZ Opera debut as the vindictive King Minos. Joining Anapela Polata'ivao and Stacey Leilua in the creative team, conductor Brad Cohen leads the Christchurch Symphony Orchestra in Ōtautahi, Christchurch, and Brent Stewart conducts the New Zealand Symphony Orchestra and the Auckland Philharmonia in Te Whanganui-a-Tara, Wellington and Tāmaki Makaurau, Auckland respectively. The Freemasons Foundation NZ Opera Chorus, child, youth and adult community performers join the production in each city. A highly innovative set, costume, and lighting design by Filament Eleven 11 (Rachel Marlow and Brad Gledhill) vividly transforms the worlds of Athens and Crete into a compelling contemporary setting. The design skillfully weaves local narratives into the production elements, showcasing Aotearoa's unique identity and its ongoing dialogue between traditional heritage and contemporary realities. The Monster in the Maze begins its national tour in Christchurch at the start of September, before travelling to Wellington and Auckland for strictly limited seasons.


Otago Daily Times
3 days ago
- Otago Daily Times
Wuthering dance open to all
Red-clad dancers gather to celebrate a previous Most Wuthering Heights Day Ever community dance event in the Octagon. The popular event returns on July 26. PHOTO: MARTIN BUYCK A sea of red-clad dancers will fill the Octagon in the fun and flamboyant midwinter community dance event, the "Most Wuthering Heights Day Ever". The annual event, based around a flash mob re-creating Kate Bush's iconic 1978 song and dance, will be held from 11am next Saturday, July 26. Organised locally by Dunedin city councillor Mandy Mayhem, under the HeartCore umbrella, the free event will be the first and most southern of hundreds of Most Wuthering Heights Day Ever celebrations going on all over the world. The project was founded in 2013 by "Wuthermothers" — British performance group Shambush — and is facilitated globally by Berlin-based Samantha Wareing. Participants will come together in the lower Octagon at about 11am for a warm-up and a practice run-through of the main dance — guided by lead dancer Hannah Rouse and her team. At noon, the full Wuthering Heights dance flash mob will swing into action. Cr Mayhem said everyone was welcome to just turn up and take part in the Most Wuthering Heights Day Ever event — all that was needed was a red dress/outfit and some moves. The event will be accessible, with modified moves for all levels of participation — all ages, abilities and genders are welcome. There is no need to register, just turn up and join in. "We have red ribbons on sticks and pom-poms for those with limited mobility — it is all about participating and having fun," Cr Mayhem said. "We also have spare red clothes, including t-shirts and scarves, so there's no need to miss out if you don't have red clothes at home." The event will also raise funds for local mental health and wellbeing organisation Weka — Wellness, Empathy, Kindness Aotearoa.