
‘Profound sadness': American actress dies aged 63
The Knots Landing and Friday the 13th Part VII: The New Blood actress — whose real name was Laurie Jill Park — passed away on April 22 after battling breast cancer since 2008, her company Actors Audition Studios have announced.
The firm said in a Facebook post: 'It is with profound sadness that we announce the passing of Lar Park Lincoln, celebrated actress, founder of Actors Audition Studios, and America's beloved Audition Coach, on April 22, 2025.
'Over her 45-year career, Lar left an unforgettable mark on Hollywood through her dynamic performances and dedication to mentoring aspiring actors.
'A Dallas-based entrepreneur, Lar founded Actors Audition Studios and authored Get Started, Not Scammed.
'Her television legacy includes her iconic five-year role as dual characters on 'Knots Landing', alongside Michele Lee and William Devane, and her powerful lead performance in 'Children of the Night' opposite Kathleen Quinlan and Mario Van Peebles.
'She also guest-starred alongside legends like Michael Landon, Angela Lansbury, and Christina Applegate.
'Lar earned the Bronze Halo Award for her contributions to entertainment and is best remembered as the telekinetic 'scream queen' Tina Sheppard in Friday the 13th Part VII.' Lar Park Lincoln Credit: BANG - Entertainment News
Lar is survived by her daughter Piper and son Trevor — whom she had with her late husband Michael Lincoln, who died from cancer at the age of 43 in 2015 — as well as sister Karen, brother Michael, her four grandchildren, Aura, Benjamin, Jack, and Mia, and her poodle, Charlie.
The statement continued: 'The family requests privacy during this time and is grateful for the outpouring of love over Lar's four-decade career.
'In lieu of flowers, donations may be made to The SAG-AFTRA Foundation or The Entertainment Community Fund.'
Lar was born in Dallas, Texas, and made her acting debut in telefilm Children of the Night in 1985.
Her other credits included appearances in the likes of Heart of the City, Highway to Heaven, The Princess Academy, Murder, She Wrote, and Beverly Hills, 90210.
Lar's most famous small-screen role was the scheming Linda Fairgate in Knots Landing, who she played during the ninth season in 1987, before returning for the 11th season in 1989 and staying until her character was murdered during season 13.
On the big screen, she was best known for playing Tina Shepard in the gruesome horror flick, 'Friday the 13th Part VII: The New Blood' in 1988. She later reprised the role in 2021's 'Rose Blood: A Friday the 13th Fan Film'.
As well as acting and her business, Lar published a book in 2008 called 'Get Started, Not Scammed' - which offered advice to budding actors on how to make it in showbusiness.
She was also a guest on the QVC channel for almost 20 years, where she showed off her Piper Alexander Collection clothing line, as well as beauty and travel items.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Sydney Morning Herald
5 minutes ago
- Sydney Morning Herald
This master filmmaker realised his work was meaningless. So he made more art
When he won the Palme d'Or with Uncle Boonme in 2010, he was approached to make independent American films – but preferred writing his own and working with his trusted producers. So, was he never offered a Hollywood superhero movie? 'I wish,' Weerasethakul says. 'That would make my day.' But he quickly plays down his interest. 'I really like special effects so if I do it, it will be to learn that.' For the new installation, Weerasethakul wanted to create 'something about movement, about components of cinema, about activating space that is not normally there'. It continues one of the masters of slow cinema's fascination with dreams, nature, time, ghosts and memory. After earlier versions were exhibited in Bangkok and Japan, Weerasethakul recruited two artists from Bangkok experimental studio DuckUnit, Rueangrith Suntisuk and Pornpan Arayaveerasid, to create a new version with him for the MCA. He says installations allow him to create a different relationship between the viewer and the image than he can with a film. 'In cinemas, you just become zombies,' he says. 'Just hypnotised.' While he tries to break that down by making audiences more aware of time than in a conventional film – using such techniques as a meditative pace, unusual sounds and unexpected framing – an installation lets the viewer create their own experience. MCA senior curator Jane Devery says Weerasethakul is rare among artists for having equal status in film and visual arts. 'With film, it's generally 90 minutes long, you sit in a theatre and you're kind of directed how to behave and how to experience the work, whereas with installation the viewer has greater agency,' she says. 'You can choose what to look at, how much time you spend here, how you move around the work. So it's a very different experience.' When he last visited for the opening of an installation at the Sydney Biennale in 2016, Weerasethakul was planning to make his first film outside Thailand because of concerns about censorship at a politically volatile time. That became Memoria, which had Swinton as a Scottish expat in Colombia searching for the source of strange booming sound that only she could hear. Weerasethakul is no longer worried about Thailand authorities blocking artistic expression. Loading 'Questions [about] authority, the monarchy and all these taboos shifted really quickly and there are more younger people allowed to lead,' he says. 'As an older generation, I used to lose hope in living there and so-called freedom. Now it's much more open.' Despite that change, Weerasethakul is still planning to shoot his next film outside Thailand. He will shoot what's reportedly called The Fountains of Paradise, inspired by writer Arthur C. Clarke's life, in Sri Lanka with Swinton starring again. 'It's going to be focused on Sigiriya, this mountain rock in Sri Lanka,' Weerasethakul says. 'That's a big fascination for me. 'In Close Encounters of the Third Kind, Richard Dreyfuss was really attracted to this mountain. It's the same for me.' Swinton has become such a muse that she also features in a new installation opening in Amsterdam next month. 'Because of her playfulness, it's almost like she's water or something I can sculpt and play together,' he says.

The Age
5 minutes ago
- The Age
This master filmmaker realised his work was meaningless. So he made more art
When he won the Palme d'Or with Uncle Boonme in 2010, he was approached to make independent American films – but preferred writing his own and working with his trusted producers. So, was he never offered a Hollywood superhero movie? 'I wish,' Weerasethakul says. 'That would make my day.' But he quickly plays down his interest. 'I really like special effects so if I do it, it will be to learn that.' For the new installation, Weerasethakul wanted to create 'something about movement, about components of cinema, about activating space that is not normally there'. It continues one of the masters of slow cinema's fascination with dreams, nature, time, ghosts and memory. After earlier versions were exhibited in Bangkok and Japan, Weerasethakul recruited two artists from Bangkok experimental studio DuckUnit, Rueangrith Suntisuk and Pornpan Arayaveerasid, to create a new version with him for the MCA. He says installations allow him to create a different relationship between the viewer and the image than he can with a film. 'In cinemas, you just become zombies,' he says. 'Just hypnotised.' While he tries to break that down by making audiences more aware of time than in a conventional film – using such techniques as a meditative pace, unusual sounds and unexpected framing – an installation lets the viewer create their own experience. MCA senior curator Jane Devery says Weerasethakul is rare among artists for having equal status in film and visual arts. 'With film, it's generally 90 minutes long, you sit in a theatre and you're kind of directed how to behave and how to experience the work, whereas with installation the viewer has greater agency,' she says. 'You can choose what to look at, how much time you spend here, how you move around the work. So it's a very different experience.' When he last visited for the opening of an installation at the Sydney Biennale in 2016, Weerasethakul was planning to make his first film outside Thailand because of concerns about censorship at a politically volatile time. That became Memoria, which had Swinton as a Scottish expat in Colombia searching for the source of strange booming sound that only she could hear. Weerasethakul is no longer worried about Thailand authorities blocking artistic expression. Loading 'Questions [about] authority, the monarchy and all these taboos shifted really quickly and there are more younger people allowed to lead,' he says. 'As an older generation, I used to lose hope in living there and so-called freedom. Now it's much more open.' Despite that change, Weerasethakul is still planning to shoot his next film outside Thailand. He will shoot what's reportedly called The Fountains of Paradise, inspired by writer Arthur C. Clarke's life, in Sri Lanka with Swinton starring again. 'It's going to be focused on Sigiriya, this mountain rock in Sri Lanka,' Weerasethakul says. 'That's a big fascination for me. 'In Close Encounters of the Third Kind, Richard Dreyfuss was really attracted to this mountain. It's the same for me.' Swinton has become such a muse that she also features in a new installation opening in Amsterdam next month. 'Because of her playfulness, it's almost like she's water or something I can sculpt and play together,' he says.


Perth Now
7 hours ago
- Perth Now
New Addams Family animated feature film being developed
Wednesday creators Alfred Gough and Miles Millar are creating a new animated Addams Family feature film. The two showrunners of the Netflix series are developing an Addams Family reboot for Amazon MGM Studios which will be unconnected to Wednesday - which stars Jenna Ortega as Wednesday Addams - and the previous two animated films released in 2019 and 2021. Gough says his and Millar's inspiration is to honour the characters created by late American cartoonist Charles Addams, which were turned into a popular TV series in the mid-60s. Speaking on Deadline's Crew Call podcast, Gough said: "We're working on it with Amazon MGM and with Kevin Miserocchi who runs the Addams Foundation, he knew Charles Addams and the keeper of the Addams flame, and with Gail Berman and John Glickman. We're rebooting the animated film franchise. So it won't have anything to do with the two films before it, nor is it connected with this show. It will be a brand new Addams feature. There's not really much we can say about it, because it's in the very early stages.' The 1960s series about the macabre family - who first appeared in a cartoon strip in The New Yorker magazine - starred John Astin as patriarch Gomez Addams, Carolyn Jones as Gomez's wife Morticia Addams, Jackie Coogan as Uncle Fester, Ted Cassidy as Lurch, Lisa Loring as Wednesday Addams and Ken Weatherwax as Pugsley Addams. The Addams Family has also appeared in a 1973 animated series, a remake series which ran from 1992 to 1993 as well as several feature films, including Barry Sonnenfeld's 1991 live action movie.