Baby elephant uses dustbin like a pro in viral video; internet asks who the real animal is. Watch
The video, whose location remains unconfirmed, has taken social media by storm, garnering shares and praise from political leaders and netizens alike.
In the now-viral clip, the elephant calf is seen picking up a piece of garbage lying on the roadside and carefully dropping it into a bin, all while walking in sync with its mother. The gentle act of civic responsibility has triggered admiration, and introspection, across platforms.
(Also Read: Baby elephant adorably wraps trunk around man's head in heartwarming cuddle moment. Watch video here)
Watch the video here:
BJP leader and former Karnataka minister C T Ravi shared the video on X (formerly Twitter) with the caption, 'If a baby elephant can use a dustbin, why can't we?'
(Also Read: 'Reply in good manner': Indian boss scolds sick employee for not calling him 'sir')
How did X users react?
Social media reactions poured in quickly. One user wrote, 'Even elephants are not immune to the effects of our waste. A lovely indication by this baby elephant to human beings.' Another added, 'A baby elephant just threw a can in the dustbin. Humans are busy throwing chips packets out of car windows. Who's the real animal?'
Some even called it 'grace meeting purpose,' while pointing out how the young elephant had more civic sense than many adults.
However, as the clip continued to spread, a section of users questioned its authenticity, with some claiming it might be AI-generated. Despite the doubts, the message hit home for many, if animals can be mindful about litter, what's stopping humans?
(Also Read: 'Chotu's hugs are stress busters': Baby elephant wins internet with adorable gesture)
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
38 minutes ago
- Time of India
'Saiyaara' box office collection Day 21: Ahaan Panday and Aneet Padda starrer ends week 3 with Rs 308 crore haul
After a record-breaking start and two strong weeks at the box office, Mohit Suri 's romantic drama 'Saiyaara' has been showing signs of slowing down in its third week. On Day 21 (third Thursday), starring debutants Ahaan Panday and Aneet Padda , dropped to a new low, earning an estimated Rs 1.85 crore, according to Sacnilk. This is the first time that the film's collections fell below the Rs 2 crore mark. Box Office Collections 'Saiyaara' opened to rave reviews and massive audience turnout, scoring Rs 172.75 crore in its opening week alone, and recording one of the highest-ever collections for a romantic drama in Bollywood. The film continued its strong momentum in Week 2, and managed to keep its collections above the Rs 100 crore mark. The movie collected Rs 107.75 crore, defying expectations for a film led by newcomers. However, Week 3 saw a noticeable dip in footfalls, with 'Saiyaara' earning an overall total collection of around Rs 27.95 crore. Despite the dip, the overall India net collection has now hit a solid Rs 308.45 crore. Global Box Office It recently became the highest-grossing love story in Indian cinema history, crossing Rs 507 crore globally. Stiff Competition The film will have another weekend at the box office, battling it out with 'Mahavatar Narsimha' and upcoming biggies like 'Son of Sardaar 2' and 'Dhadak 2', before the release of Hrithik Roshan and Jr NTR's 'War 2' which hits theatres on the Independence Day extended weekend. Directed by Mohit Suri, 'Saiyaara' also features supporting performances by Ronit Roy, Sheeba Chaddha, and Rajesh Sharma.
News18
an hour ago
- News18
Smriti Irani Confirms She's TV's Highest-Paid Actor: ‘I Beat The Boys And The Girls'
Last Updated: Reports suggest Smriti Irani is charging Rs 14 lakh per episode, making her the highest-paid actor on Indian TV, surpassing contemporaries like Rupali Ganguly and Hina Khan. Smriti Irani's return to television with Kyunki Saas Bhi Kabhi Bahu Thi 2 has been making waves, not only for nostalgia's sake but also for her record-breaking pay-check. Reports suggest she is charging Rs 14 lakh per episode, making her the highest-paid actor on Indian television, surpassing contemporaries like Anupamaa's Rupali Ganguly (approx Rs 3 lakh per episode) and Hina Khan (up to Rs 2 lakh). In an exclusive conversation with CNN-News18, Irani confirmed the news without hesitation. When asked about her journey from a struggling actress who landed the role of Tulsi in 2000 to becoming television's top earner, she smiled and said, 'Yes, I see the glee on your face." She elaborated on why such remuneration is justified for professionals who consistently deliver. 'You also set that benchmark as a professional to say that if you deliver on history on numbers and revenue, why not? Because not everybody who's watching us knows we get to negotiate our contracts as employees. I'm a part of a union, so the first thing I do is actually have my union number registered. We all are part of a larger organisation and flow of work. For one person to stand up and say listen, not only pay parity, I beat the boys and the girls and how much I make that is a lot of hard work," she said. For Irani, the role of a lead actor goes beyond individual success. 'The idea is, are you truly the star or do you have the professional capacity to make stars around you? I think that I have actually, mercifully, had the capacity of making stars out of others who are with me. If there is a Tulsi, then Amar Upadhyay quintessentially creates his own market. So do you become that pivot, that sounding board, that other actors then can enhance their economic value? That I have managed to do through the project, so my co-stars today can say, 'Oh, we are a part of that.'" She emphasised that such influence comes with responsibility. 'There is a presumption that you have to be damn good at your job if you are a part of that show. And obviously, that means there's a lot of economic benefit they get." When asked if younger actors view her more as a seasoned performer or as a politician, Irani said, 'What is extremely satisfying for me is the fact that many of them discuss politics, they want to know how Parliament works. Amar (Upadhyay) is the one that has spoken about it, I spoke about it." First Published:
Mint
an hour ago
- Mint
Beyond the joke: how the growth in India's comedy industry pays the bill for its crew
The Indian comedy industry has grown tenfold since 2018, with top comedians earning up to ₹25 crore annually from ticket sales, corporate gigs, and brand endorsements. This growth has created more jobs for editors, producers, managers, scriptwriters, and cameramen, all now earning competitive pay instead of working on barter. Comedy show producers now make between ₹50 lakh and ₹3 crore a year, and managers—who typically take 10% of a comedian's earnings—see their incomes rise as the comic's popularity does. Young professionals are increasingly attracted to these behind-the-scenes roles. Take Sohail Abbas, a 21-year-old cinematographer, who has filmed shows for major comics like Ravi Gupta, Harsh Gujaral, and Anubhav Singh Bassi. 'When it all started, the revenue opportunities in this space were minimal, but after the live comedy industry blew up post covid, the earnings for cinematographers, photographers, and creative visionaries like me have grown at least five times," he said. He highlighted how YouTube and Instagram boost comedians' visibility. As per Saksham Mishra, a talent manager at production and talent management agency Oriole Entertainment, 30-40% of comedians' income comes from social media content. Photographers and videographers help comics produce polished content, attracting wider audiences and brand deals. Editor Harshal Sharma, 24, shifted from the wedding video industry to comedy editing in August 2024. "Comedy, when performed on stage, is very different and raw from how it appears on YouTube videos. That is because the shows can go up to 2-2.5 hours, but the edited version that is uploaded on YouTube ranges between 20 and 40 minutes." An editor needs to present the funniest moments of the show in a seamless way to attract more audience to the comic's live shows, Sharma said. He edits 5-6 videos a month, making ₹50,000-70,000—triple his earlier income. Industry growth In 2018, an IIM Ahmedabad report valued Indian stand-up at ₹30 crore with 25% annual growth. Between 2016 and 2018, the scene was chaotic, with talent managers working on barters. Expansion into Tier 2 and 3 cities changed that. 'Regional content and the reach of mobile internet have fuelled expansion into Tier 2 and 3 cities, making comedy accessible and aspirational well beyond the metros," said Oriole's Saksham Mishra. Artists now perform in regional languages like Punjabi, Gujarati, Haryanvi, and Kannada, apart from English and Hindi, and regional crew members benefit from more jobs. Digital platforms and youth preferences have fuelled growth. 'Platforms like YouTube and Instagram, along with OTT services, have let comics like Zakir Khan, Anubhav Singh Bassi, Harsh Gujral, and Ravi Gupta build massive fanbases directly," Mishra explained. Many first became popular online before selling out theatres. The demand for escapism is rising exponentially, fuelling the growth of the entertainment industry overall, said Asish Pherwani, partner at consulting firm Ernst and Young, who tracks the media and entertainment sector. "Almost 80% of a viewer's screen time is spent on entertainment content, and comedy is one genre that is doing extremely well within that category. Due to this high demand for comedic content, this industry is attracting a lot of young talent in different roles. Despite facing hiccups, I believe this industry will continue to grow and provide more employment as its demand is on the rise," he said. Also read | Influencers' quiet quitting—when the likes don't pay for the rentStatistically, the broader media and entertainment sector in India was valued at ₹2.5 trillion ($29.4 billion) in 2024 and is projected to reach ₹2.7 trillion in 2025 and ₹3.1 trillion by 2027. "Within that, digital media has surged to become the largest segment, contributing 32% of total revenues in 2024. The events and experiential segment, which includes live comedy, grew 15% in 2024 and crossed the ₹100 billion mark for the first time," said Preranaa Khatri, chief business officer at talent management agency Only Much Louder (OML). More specific to comedy, data suggests a 29% jump in industry revenue in 2021, and India's stand-up and sketch content has seen explosive growth on streaming platforms and YouTube, with many comedians reaching hundreds of millions of views and subscribers. "The combination of script deals, individual global tours, and digital-first launches has helped convert niche creators from Tier 2 and Tier 3 cities into mainstream earners," Khatri noted. She added that this growth is marked not just by the number of comedians, but also by the scale of investment pouring into the genre, and the sector is expected to rival the US and UK markets in the next few years. "With the media and entertainment industry expected to grow at nearly 10% annually, reaching $73.6 billion by 2027, the comedy sector is poised to benefit massively from this growth," Khatri said. Also read | Internships to jobs: IIMs see surge in offers as startups, NGOs step up Young audiences have driven up demand for live shows. 'Average ticket prices have leapt from ₹300 pre-2018 to ₹3,000 or more now, and the top comics regularly command crowds of 10,000 or more at major shows. Income for leading acts has grown as much as 50 times, with the best now earning ₹10-25 crore annually, mostly from ticketed shows, and about 20-30% from corporate gigs and brand work," said Mishra. Revenue now mainly comes from live shows, with additional earnings from social media and brand partnerships. Support professionals also now earn ₹1-3 crore annually, working with top comedians. According to Mishra, jobs behind the scenes have increased 10-20 times, especially for people in their 20s and 30s. More venues Many comedians perform at open mics, which are mostly free for audiences, to test the waters before ticketed shows. Ujjwal Kala, cofounder of Hideout Comedy Club in Delhi, recalled that around 2020, there were only one or two dedicated venues for open mics in Delhi that charged comics around ₹300 per act of roughly five minutes. Comedians also requested café owners to host shows on barter deals. Kala added, 'Today, there are about 15 dedicated comedy rooms in Delhi NCR, with three to four shows daily. These venues are expanding to Mumbai, Bengaluru, and Tier 2 and 3 cities." Emerging comics pay ₹100-300 to perform at open mics, and venues offer recording services for a fee. 'The most premium venues charge established comedians up to ₹12,000," he said. Also read | Why influencer management firms are looking within to enhance brand performance Despite the growth, the industry faces challenges. 'Censorship, backlash over controversial material, show cancellations, and unpredictable venue rules are real risks," Oriole's Mishra noted. 'Top comics enjoy unprecedented success, but newcomers face low pay, heavy competition, and a widening gap between stars and struggling comics." Additional hurdles include high costs, licensing issues, and regulatory uncertainty.
