logo
What caused the Concorde Air France crash? 25 years on from the tragedy that set supersonic travel back decades

What caused the Concorde Air France crash? 25 years on from the tragedy that set supersonic travel back decades

Independent24-07-2025
The 100 passengers who boarded Air France flight 4590 from Paris Charles de Gaulle to New York JFK on the afternoon of 25 July 2000 believed they were in for the trip of a lifetime. The German cruise line Peter Deillmann had chartered Concorde for a supersonic start to a cruise holiday from New York to Ecuador.
While they sipped champagne and waited for departure, three miles west of the airport in the village of Gonesse, the staff of a budget hotel – the Hotelissimo Les Relais Bleus – were at work as normal.
For the two pilots and the flight engineer, as well as the six cabin crew, it was a routine mission. While Concorde had never proved a commercial success on its scheduled routes to the US, Brazil or Venezuela, there was plenty of demand for such charter flights.
Five minutes before the supersonic jet began its take-off along runway R26, a Continental Airlines DC-10 had lost a titanium strip from one of its engines during take off from the same runway. While that flight was unaffected, this small piece of debris began a sequence of events that would end in tragedy within 90 seconds.
Thirty-four seconds after beginning the take-off roll, at a speed of 185mph, Concorde ran over the metal strip. It cut one of the tyres on the left-hand landing gear, sending a 10lb chunk of rubber into the left wing – where some of the 95 tons of fuel for the journey was stored.
A tank was ruptured. As the fuel gushed out, it was ignited 'by an electric arc in the landing gear bay or through contact with hot parts of the engine', according to the the official report.
At this point the supersonic plane was still on the ground. But had passed 'V1' – the speed beyond which it is not possible safely to reject the take-off . For this flight V1 was calculated to be 173mph.
Concorde left the ground. But hindered by drag from the undercarriage – which could not be retracted because of the damage – the aircraft was catastrophically short of power and out of control. Despite the pilots' best efforts, the aircraft stalled and struck the hotel. All 109 passengers and crew on the plane, and four hotel staff, died.
'At first, the details were sketchy,' recalls Kay Burley. She was on air, presenting Sky News.
'A producer was in my ear, calmly feeding me the basics: a Concorde had crashed shortly after take off from Paris, with a group of German tourists on board.
'I started reporting what we knew, conscious that the facts were thin and the story was still unfolding.
'Soon the pictures came in and we began commentating on the shaky camcorder footage from a motorist near the perimeter of Charles de Gaulle airport. Flames were pouring from beneath the delta wing as the aircraft struggled to climb.
'Moments later, it had crashed into a hotel. One hundred and thirteen people were killed in under two minutes. It didn't seem possible.
'To see such a beauty fail so catastrophically was hard to comprehend. I was shocked but remained calm as I processed the images and shared what I knew with Sky News viewers.'
One of those viewers was Jock Lowe, flight operations director for British Airways – the only other carrier flying Concorde.
'It was bewilderment at BA. Whilst we had considered what would happen if it did crash, we didn't believe it would happen.'
Captain Lowe was the longest serving Concorde pilot, and knows the aircraft better than anyone else.
The big question as the reports came in, he says, was: 'What shall we do – do we keep flying BA aircraft? What do we check? My little input was to say: 'As well as the engines, check the wheels and tyres and brakes'.'
'I felt, like everyone else, a bit of disbelief, sadness for the project and sadness for all those poor people.'
The senior aviation executive, Jonathan Hinkles, recalls: 'I was working for an airline in Gatwick at the time and wandered into our airline operations room in the afternoon of that day, just to routinely see how things were going on for the day – to be told by our ops team that there'd been a terrible accident involving Concorde outside Paris.
'It was not totally clear at that point just how awful the events had been. But clearly it was traumatic, tragic and a real shock to the system.
'I'd flown my one and only trip on Concorde myself with British Airways the year before, which is a memory that I'll always keep very fondly. And so the fact that another trip had ended in tragedy, such a short time later outside Paris was a shock to everybody in the airline industry, but also one that I felt keenly myself.'
As the investigators sifted through the wreckage and eventually reached their conclusions, Kay Burley was covering events for Sky News.
'I remember the details of the tragedy unfolding like it was just yesterday,' she says. 'But the part that stayed with me most came from the black box. The captain said nothing in his final moments. No mayday. No instructions. Just silence. He knew there was nothing to be done. Chilling.'
The accident report advised that the airworthiness certificate should be suspended pending modifications. For travel people in the area around Heathrow, the familiar din of the twice-daily departures and arrivals fell silent.
Lyn Hughes, founding editor of Wanderlust magazine, says: 'Living in Windsor, like all residents I was very aware of Concorde – we used to regularly hear it and see it in and around the town. Indeed, the skylight in the Wanderlust Windsor office used to sometimes rattle when it went over!
'The sound of it was very distinctive; you always knew what it was. Yet, despite it being noisy, there was a lot of affection towards it.
Sixteen months later, Ms Burley was on board as Concorde returned to service for British Airways.
'It was 7 November 2001, and I flew from London to New York. Seated next to Sting, we raised a quiet glass to those who'd been lost.
'Both the British and French Concordes landed at JFK that day, reunited in the city they had flown to so very often before.'
Within two years, Concorde flew commercially for the final time. On 10 April 2003, Rod Eddington – the then-British Airways chief executive – announced that supersonic flying would end on 24 October that year. As he spoke, the afternoon flight from New York to Heathrow had only 20 of its 100 seats filled.
'The writing was already on the wall,' says Captain Lowe. 'The crash itself knocked confidence of the passengers, it knocked the confidence of everyone in the aviation industry.
'Undoubtedly Concorde never got back to where it was after the crash. It was only going to be a matter of time after that. In the end it had flown for 27 years, it had been pretty trouble-free.'
'When it did its final flight, a lot of residents – myself included – went out on the street to watch it go over,' says Lyn Hughes.
'I think that affection will be hard to replicate. With its distinctive design, it had personality and it seemed to symbolise the romance of travel but I'm not sure we will ever regain that with flying.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Berlin's dark past and me
Berlin's dark past and me

New Statesman​

timean hour ago

  • New Statesman​

Berlin's dark past and me

The platform was empty. It was a serene scene: the rain had stopped and the air smelled green, the trees showering droplets each time the wind blew. My mother and I carefully stepped around the puddles as we read the plaques on the very edge of the platform. 18.10.1941 / 1251 Juden / Berlin – Lodz. 29.11.1942 / 1000 Juden / Berlin – Auschwitz. 2.2.1945 / 88 Juden / Berlin – Theresienstadt. The Gleis 17 (Platform 17) memorial at Grunewald station on the western outskirts of Berlin commemorates the 50,000 Jews who were deported from the city to concentration camps by the Nazis. There are 186 steel plaques in total, in chronological order, each detailing the number of deportees and where they went. Vegetation has been left to grow around the platform and over the train tracks, 'a symbol that no train will ever leave the station at this track again', according to the official Berlin tourist website. Were we tourists? I wasn't sure. I paused at one plaque in particular: 5.9.1942 / 790 Juden / Berlin – Riga. My great-grandmother, Ryfka, was one of the 790 Jews deported to Riga on 5 September 1942. She was murdered three days later. Her husband, Max, had been arrested and taken as a labourer to the Siedlce ghetto the previous year. In 1942 he was shot and thrown into a mass grave. When I told people we were taking a family trip to Berlin, many brought up Jesse Eisenberg's 2024 film A Real Pain (released January 2025 in the UK), in which Eisenberg and Kieran Culkin play mismatched cousins on a tour of Poland, confronting the inherited trauma of their grandmother's Holocaust survival story. But when we first started planning our trip six years ago, that wasn't the idea at all. It wasn't supposed to be about Max and Ryfka. It was about their daughter, my grandmother, Mirjam, and my grandfather, Ali, whom we called Opa. Opa's ancestry enabled us to claim German citizenship. My mother, sister and I started this process in 2017 without really thinking about it. The UK had voted to leave the EU, and Brits with relatives from all over were looking for ways to retain an EU passport. The Global Citizenship Observatory estimates that 90,000 Brits have acquired a second passport from an EU country since 2016, not counting those eligible for Irish citizenship. Article 116(2) of the German Constitution states: 'Persons who surrendered, lost or were denied German citizenship between 30 January 1933 and 8 May 1945 due to persecution on political, racial or religious grounds are entitled to naturalisation.' The same applies to their descendants. Mirjam died in 1990, before I was born, and Opa in 2003 – both British and only British citizens. But we had his voided German passport, his birth certificate, the notice of statelessness he'd received when he came to England in 1936. It took two years, but on 3 June 2019, the three of us attended the embassy in Belgravia and were solemnly dubbed citizens of Germany. We received our passports a few weeks later. Subscribe to The New Statesman today from only £8.99 per month Subscribe My mother wanted to celebrate with a trip to Berlin – the city where her parents grew up, and which my sister and I had never visited. Five years later than planned, thanks to Covid travel bans, we made it, honouring Opa by sweeping through immigration on the passports he had posthumously gifted us. I was prepared for the attempts at schoolgirl German, the arguments over bus timetables, itineraries and whether or not it was acceptable to fare-dodge on the U-Bahn. What I wasn't prepared for was being struck down by tears on a suburban street, faced with the reality of how exactly I had come to be there and what my presence meant. Memorial to the Murdered Jews of Europe, Berlin. Photo by Jon Arnold Images Ltd My grandfather's family made it out of Nazi Germany. So did my grandmother and her siblings. Her parents did not. Max and Ryfka were typical middle-class Berliners, owners of a profitable cigarette factory. They had three children: Fanny, Mirjam and Harry. The family lived in a five-storey apartment block with a dramatic art nouveau facade – an open-mouthed deity staring down as residents came and went – on Thomasiusstrasse, on the edge of the Tiergarten city park. Around the corner, in the same affluent neighbourhood, lived the boy who would become my grandfather, Ali. They used to play together as children. Two decades, multiple emigrations and an internment in Canada later, Ali married Mirjam. My mother was born two years later. I know all this thanks to her, her sister and their cousins. A few years before the Brexit vote, they had set out to consolidate everything we know about the family – sifting through documents, photos and letters, sharing recollections of their parents, writing down everything so the story would not be forgotten. I know, for example, that the basement of the house in Thomasiusstrasse was used for meetings of their Zionist youth movement long before emigration became an urgent issue. I know when and how the siblings fled Berlin to what was then British-occupied Palestine: Fanny going first to Denmark in July 1937, then to Palestine in February 1939, where she worked at the first haute couture fashion house in Israel. Mirjam left in April 1936 via a boat from Italy. She studied horticulture before eventually marrying Ali in 1951 and moving to England. Harry arrived in Palestine on 1 September 1937, his 16th birthday. And I know, from the letters we have, how often and how seriously all three urged their parents to sell the cigarette factory and leave Berlin, before it was too late. On the pavement outside the apartment block on Thomasiusstrasse, set into the cobblestones, gleamed the Stolpersteine. Any visitor to Berlin will find the streets scattered with these 'stumbling stones', small brass plates, each one a memorial to a victim of the Nazis who lived at that address: their name, year of birth, where and when they were killed. The commemorative art project, begun in 1992 by artist Gunter Demnig, has spread across Europe: there now are more than 116,000 stones, in 31 countries. The Stolpersteine for Max and Ryfka were laid in August 2014. My mother and her family attended; a clarinettist played klezmer music. There are eight stones for that single apartment block. The day before we visited, my mother had booked us on a tour of the Jewish quarter. Our guide told us that the aim of the Stolpersteine initiative was to compel confrontation and reflection, causing passers-by to stumble, both figuratively and physically, over this dark period of European history. Berlin is forthright about confronting its past – using art and architecture in innovative ways to do so. At the Holocaust memorial by the Brandenburg Gate, visitors get lost in an unnerving maze of concrete slabs. At the entrance to the Jewish Museum, the floors slope and the walls are set at odd angles, making the space difficult to navigate with confidence. The 'Garden of Exile' just outside the museum, designed by the Polish-American architect Daniel Libeskind to capture the disorientation of the refugee experience, is similarly slanted and boxed in by columns. The day we visited, it was raining again, the uneven cobbles slick and treacherous. The garden was empty. I slipped – and through my perhaps disproportionate tears realised there was a lot more to my new German passport than I had imagined. Everyone knows about the Holocaust. Six million Jews, more than a quarter of a million Gypsies, millions more Poles, Soviets, homosexuals and people with disabilities, systematically exterminated at death camps. I had always known that my family was in some way linked to it all, that the Holocaust was why we were in Britain in the first place, that I wouldn't be here were it not for my maternal grandparents being 'denied German citizenship… due to persecution on political, racial or religious grounds'. Hundreds of thousands of Jews fled the Nazis. Every Jewish family I know has a story: of how their ancestors escaped, and what happened to the ones who didn't. I knew long before I visited Berlin that there is nothing special about my family's history. But I had always seen it as just that: history. The Jewish Museum's core exhibition charts the history of Jews in Germany from medieval times to the present day. The final section looks at descendants of Holocaust victims and refugees who chose to restore their German citizenship – and why they made that decision. Why had I done it? To get an EU passport after Brexit. To make it easier to work abroad one day. To give my future children the option to live anywhere in Europe. To skip the queues at immigration. All valid reasons. And all, suddenly, entirely inconsequential Staring at the memorial plaques on Platform 17, sitting on the steps of the apartment block on Thomasiusstrasse, losing my footing in the Garden of Exile, I felt myself slot into the narrative, the next chapter of a story that is both unfathomable and at the same time utterly unexceptional. Opa died when I was 12. He was so proud of being British. I never asked him how he would feel about us using the trauma of his past to become German for the sake of convenience. I'd always thought he'd like the idea of us reclaiming his rightful heritage, but in Berlin it seemed less clear. But I do think he would have liked the fact that we were all there in Berlin, on the streets where he and his wife grew up, laughing and crying together, realising our mother-and-daughters getaway had ended up a lot like Eisenberg's A Real Pain after all. The three of us lost in reverie outside the apartment block, picturing my grandmother coming and going. A sign by the door was engraved in looping gothic script. It looked like a memorial plaque. We struggled to decipher first the letters, then the German. Eventually we resorted to Google Translate, and discovered in lieu of the profound message we had expected, a polite request for guests to please wipe their feet. [See also: Rachel Reeves' 'impossible trilemma'] Related

Airline launches ‘world's first trackable suitcase' so you will never lose your bag again
Airline launches ‘world's first trackable suitcase' so you will never lose your bag again

Scottish Sun

time6 hours ago

  • Scottish Sun

Airline launches ‘world's first trackable suitcase' so you will never lose your bag again

A NEW suitcase that claims to be the first trackable one in the world has been launched by a major airline. Qantas has teamed up with luggage brand July to create the new range. Advertisement 2 Qantas has teamed up with July to launch the world's first trackable suitcase Credit: JULY The 'World's First Trackable Suitcase' has built in CaseSafe which is an integrated TSA lock that cam be tracked. It can link with both Apple's Find My and Google's Find Hub so most phones are compatible. The website states: "Crafted from aerospace-grade German polycarbonate with custom aluminium bumpers, soft top-grain leather handles, and an integrated Qantas luggage tag holder. Every detail has been designed for the perceptive Qantas frequent flyer." Other suitcase additions include an internal compression strap and mesh compartment cover, as well as a telescopic handle and aluminum corner bumpers. Advertisement There are two products in the range - a Carry On size and a Checked size. The smaller option is 55cm x 38.5cm x 21.5cm, while the carry on is 66cm x 47cm x 29cm. July co-Founder, Athan Didaskalou said: "This built in tracking technology allows travellers to set and forget – knowing that their luggage is always tracked and connected through every step of their journey gives them complete peace of mind.' Qantas Group Chief Customer and Digital Officer Catriona Larritt added: "We know our customers want to have access to leading technology and the latest information about their flight at their fingertips. Advertisement "By seamlessly connecting the July baggage to Apple and Google networks, our customers will have enhanced visibility of their baggage from departure to arrival. Like other July products, the suitcases have a lifetime warranty although the CaseSafe lock is only two years. Cara Delahoyde-Massey shares clever mum hack to squeeze extra liquids in your hand luggage on your next holiday Prices start from AUS375 (£183) for the small bag and $425 (£207) for the larger option. Or buy both of them together to save £18. Advertisement The new collection launches on September 3, although has warned it is for a limited time only. And there is a slight catch as you can only order them in Australia or New Zealand. Until then, you can buy the standard July range which starts from £245. Don't want to splurge? Here are five of our tried and tested Bluetooth trackers you can put in your luggage instead. Advertisement We've also tried and tested 10 of the best suitcases this summer.

China unveils supersonic jet that can fly from London to New York in THREE HOURS
China unveils supersonic jet that can fly from London to New York in THREE HOURS

Daily Mirror

time7 hours ago

  • Daily Mirror

China unveils supersonic jet that can fly from London to New York in THREE HOURS

China say the C949 could reduce Britain to New York journey time from the usual seven hours to less than half that, making transatlantic travel much quicker than it is currently China believes it can build a new mega-fast plane that will fly passengers from from London to New York in under three hours. ‌ The nation has joined the supersonic jet race, and says its C949 plane can transform transatlantic travel again. Designed by China's state-owned aircraft firm Comac, the plane will fly 1.6 times faster than the speed of sound, it has been claimed. ‌ Designers say it could travel an astonishing 11,000km at a time, boosting global tourism. According to reports in the country, the ambitious project also crucially aims to reduce the sonic boom to 83.9 perceived level in decibels - making it only as noisy as a standard hairdryer. It comes after a 'traumatised' family are stranded at Palma Airport after being told they can't board a Jet2 flight. ‌ The South China Morning Post report that the officials hope the aircraft can compete with big-money rival projects from Nasa and Lockheed Martin. However, should it get the go-ahead, travellers face quite a wait with an official launch date not expected until 2049, Globe Trender states. Inside, passengers would enjoy spacious, comfortable cabins equipped with incredible as well as advanced entertainment systems designed to handle the unique conditions of the hypersonic flight. But China aren't the only nation putting forward revolutionary air travel plans. ‌ Several aerospace manufacturers are competing to create the first supersonic jet since the British Concorde and they haven't got there first. Earlier this summer, it was claimed a A-HyM Hypersonic Air Master is set to transform air travel by cutting London to New York flight times to a mere 45 minutes. F lying at Mach 7.3-over 5,600 mph (9,000 kph), it is designed to carry 170 passengers. Spanish designer Oscar Viñals says the A-HyM would cruise at an altitude of 30,000 metres, far above conventional jets, using advanced heat-resistant materials like titanium and carbon fibre to withstand temperatures up to 1,000°C. ‌ Its innovative Sonic Boom Mitigation System aims to reduce the disruptive noise of breaking the sound barrier, potentially allowing supersonic-and even hypersonic-flights over land without disturbing communities below. Powered by a next-generation hydrogen-fuelled combined-cycle engine, the aircraft would blend turbojet, ramjet, and oblique detonation technologies for both speed and eco-friendliness. Although only a concept at this stage, the A-HyM illustrates how rapid breakthroughs in materials science, propulsion systems, and aerodynamics are making the prospect of ultra-fast and sustainable global travel increasingly plausible. According to Oscar Viñals: "This aircraft concept would allow its users not only to experience a unique flight at dizzying speeds in excellent conditions, but it would also allow them to "master" time, because a trip, for example, from London to Los Angeles would only take an hour and a half, from boarding at Heathrow international airport to disembarking at LAX (Los Angeles International Airport)." A plane is classed as having reached 'supersonic' speeds once it passes Mach 1. The Boom XB-1 is the first civil supersonic jet made in the US to break the sound barrier. The goal of crashing through the sound barrier, and the loud bang that happens when planes do, is part of the reason super-fast air travel proved difficult from a business perspective.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store