Women's Prize for Non-Fiction 2025: 6 timely books shaping how women document our complex world

Tatler Asia

11-06-2025

'The Story of a Heart' by Rachel Clarke
Above 'The Story of a Heart' by Rachel Clarke (Photo: Abacus)
Palliative care doctor Rachel Clarke brings her signature depth and restraint to the story of a child's heart transplant, an event that might, in another writer's hands, invite melodrama. Instead, Clarke writes with a clinician's precision and a humanist's empathy, charting the emotional undercurrents of grief, hope and moral complexity that surround organ donation. It's not about the transplant as a 'miracle' but as an existential moment shared by multiple families, connected by something more than just biology. 'Raising Hare' by Chloe Dalton
Above 'Raising Hare' by Chloe Dalton (Photo: Canongate Books)
What begins as an act of compassion rescuing an injured hare during the early days of lockdown becomes an unexpectedly haunting meditation on care, autonomy and the porous boundary between wildness and domestic life. Chloe Dalton resists the twee instincts of nature writing, instead offering a narrative that leans into the uncanny. The hare, which keeps returning unbidden, becomes a symbol not just of resilience but of something older and harder to name: instinct, memory and the nonverbal contracts between species. 'Agent Zo: The Untold Story of Courageous WW2 Resistance Fighter Elżbieta Zawacka' by Clare Mulley
Above 'Agent Zo: The Untold Story of Courageous WW2 Resistance Fighter Elżbieta Zawacka' by Clare Mulley (Photo: W&N)
Clare Mulley resurrects the story of Elżbieta Zawacka or 'Agent Zo', the only woman to serve as a courier for the Polish resistance and later the British Special Operations Executive. This isn't a Cold War caricature of female espionage. Instead, Mulley paints a nuanced, multidimensional portrait of a woman navigating the brutal moral calculus of war. Without softening Zawacka's contradictions or overplaying heroism, Agent Zo becomes both a gripping biography and a serious exploration of patriotism, gender and survival under totalitarianism. 'What the Wild Sea Can Be: The Future of the World's Oceans' by Helen Scales
Above 'What the Wild Sea Can Be: The Future of the World's Oceans' by Helen Scales (Photo: Grove Press UK)
Marine biologist Helen Scales writes with the curiosity of a scientist and the sensibility of a poet in this quietly urgent account of our oceans. She doesn't sugarcoat the damage of coral bleaching, acidification and extinction, but neither does she descend into apocalyptic hopelessness. Instead, Scales chooses to write about resilience: ecosystems that adapt, communities that fight for preservation and the complex, often contradictory emotions that come with loving a world in decline. It's a book about awe as much as warning. 'Private Revolutions: Coming of Age in a New China' by Yuan Yang
Above 'Private Revolutions: Coming of Age in a New China' by Yuan Yang (Photo: Bloomsbury Publishing)
Economist and former journalist Yuan Yang follows the lives of four women in modern China as they navigate the competing pressures of ambition, family, state control and personal freedom. Structurally daring and emotionally layered, Private Revolutions avoids the trap of Western simplification. Instead, it captures the fractal nature of change: personal, political, generational and how it manifests inside kitchens, courtrooms, office towers and dissident networks. Yang's reporting is sharp, empathetic and rigorously unsentimental.
What makes the Women's Prize for Non-Fiction shortlist interesting isn't its diversity, it's the editorial rigour. These aren't neat stories with clean morals. They are dense, sometimes uncomfortable and always engaging. And in an industry that still favours polished narratives told by the usual suspects, it matters that these books were chosen. The 2025 Women's Prize for Non-Fiction doesn't offer easy consensus. Not every book will appeal to every reader, but taken together, they offer a snapshot of the questions serious non-fiction is grappling with now. That's reason enough to pay attention.