
From workwear to logo tote bags: ‘American core' is big in Japan
'Ame-Tra': Japan's take on American traditional fashion
A distinct subgenre of American core in Japan is Ame-Tra, short for American Traditional. This style focuses on classic Americana staples like chore coats, baseball shirts and workwear, often worn with a distinctly Japanese sensibility. Ame-Tra enthusiasts value authenticity but also embrace layering and mixing vintage pieces with modern Japanese streetwear. The style is prevalent among younger generations who see it as a way to connect with an idealised American past while crafting their own identity.
Levi's plays a central role in Ame-Tra. Beyond just the classic red-tab jeans, many Japanese consumers prize Japan-made or Japan-exclusive Levi's for their quality and unique details. These versions often feature distinct fabric weights, stitching and fits tailored to local tastes, reflecting a fusion of American heritage and Japanese craftsmanship. Levi's in Japan thus becomes both a nod to Americana and a bespoke product adapted to the Japanese market.
Ame-Tra enthusiasts carefully curate their outfits on social media and fashion magazines, embracing a nostalgic yet contemporary interpretation of American style. The result is a vibrant subculture where historical Americana is reimagined through the lens of modern Japanese identity. Americana-inspired boutiques in Tokyo and Osaka
Tokyo's youth culture has long been shaped by niche fashion movements, and American core is no exception. In neighbourhoods such as Koenji, Daikanyama and Shimokitazawa, boutiques like BerBerJin and Ragtag curate vintage collections imported directly from the US. Think Levi's 501s, Carhartt jackets and western boots. These shops do more than sell clothes—they double as cultural archives and hangouts for collectors and stylists alike.
In Osaka, the centre of American-inspired fashion is Amerikamura, or 'American Village', a vibrant district near Shinsaibashi. Known for its graffiti-covered alleys, indie shops and second-hand stores, the area has been a street-style hotspot since the 1980s. Vintage stores like Pigsty and Chicago stock racks of varsity jackets, flannel shirts and leather boots, while the crowd outside is often dressed like extras from a Bruce Springsteen album cover. The vibe is younger, louder and more eclectic, a reminder that American core in Japan is not monolithic but varies from city to city. Everyday icons: from grocery totes to gas station chic
Not all American core in Japan is built around big-ticket vintage or subculture codes. Sometimes, it is the small, ordinary things that speak loudest. Trader Joe's tote bags—simple canvas grocery totes from the popular American supermarket chain—have become unexpected street-style favourites. Their appeal lies in their casual charm and instant recognisability, offering a slice of US suburbia that feels exotic, ironic and useful all at once.
Other items follow a similar pattern. Dunkin' Donuts mugs, IHOP T-shirts and Waffle House caps often surface in second-hand shops or curated vintage racks. These pieces, once everyday American objects, have been recontextualised into ironic, nostalgic fashion statements. 7-Eleven logo sweatshirts and Budweiser-branded jackets are worn not for their brand loyalty but for their kitsch Americana feel.
The attraction lies partly in the graphic boldness of these logos and partly in their ability to suggest a specific vision of the American everyday—one that feels oddly foreign, even cinematic, when seen from across the Pacific. The 'Americancore' TikTok trend: satire and cultural reflection
While American core has found a devoted following in Japan through fashion, music and lifestyle, a parallel conversation has taken off online. The TikTok trend known as 'Americancore' offers a satirical lens on American culture, with creators who are mostly from Asian or international backgrounds treating everyday American scenes as if they were exotic exports.
Videos of Walmart aisles, red solo cups or suburban diners are framed with faux-wonder and playful admiration. The trend mirrors how Western media has often aestheticised Asian culture in the past, turning the familiar into the 'other'. It works as both parody and critique, inviting viewers to reconsider the cultural assumptions that shape how we perceive foreign aesthetics.
Some Japanese TikTok users have joined in, offering their takes on Americana's quirks. The conversation it sparks sits at the intersection of irony and authenticity, and highlights the complexities of cultural borrowing in a globalised age.
American core in Japan reflects a complicated mix of fascination, convenience and irony rather than simple admiration. It shows how cultural symbols can be stripped of their original context and repurposed—sometimes thoughtfully, sometimes superficially—to fit new tastes or trends.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Tatler Asia
28-05-2025
- Tatler Asia
Discover how Johor architect Razin Mahmood is redefining Malaysian architecture with tropical modernism
Above The contemporary facade of Denai House uses modern materials and techniques while respecting the cultural context of Johor's residential architecture. Above The timber screening system at Denai House exemplifies Razin's passive cooling strategies, providing solar protection while maintaining natural airflow—a contemporary interpretation of traditional tropical design principles. Who and what inspires your architectural approach? In my early years, I was deeply inspired by Richard Meier. His disciplined use of a monochromatic palette, simple geometries, and precise detailing appealed to my sense of order and clarity. But as I matured in my practice, I realised that architecture isn't just about aesthetics—it has to respond to its environment. Meier's glass-heavy approach, for instance, wasn't always suitable for the tropical climate. That's when I started looking closer to home. I became drawn to architects who embrace local materials, local craftsmanship, and cultural identity in their designs—Geoffrey Bawa, Kerry Hill, RT+Q, and SCDA, to name a few. Their work resonated with me because it wasn't just about form; it was about creating spaces that belong to their place. I began focusing on designing with the climate in mind, using passive design principles, and working with the natural elements instead of against them. Don't miss: Luxury car brands transforming skylines: How Porsche, Bentley and Bugatti are redefining ultra-luxury living Photo 1 of 2 The open-plan living space at Denai House embodies Razin Mahmood's approach to tropical modernism, seamlessly connecting indoor and outdoor areas while incorporating natural ventilation and cultural considerations Photo 2 of 2 True to Razin's philosophy of biophilic design, Denai House incorporates living trees within the building structure, creating natural cooling and ventilation while bringing nature into the heart of the home. Your practice emphasises local architectural identity and sustainability—how do these principles manifest in your recent projects, particularly in the context of Johor's rapid development? There was a turning point in my practice when I realised that architecture should always be truthful to its time and place. In the early years, clients often came in with design magazines, bookmarking pages of European or American-style homes, asking us to replicate those aesthetics in Malaysia. At first, we obliged, but over time, something shifted as we built and published more projects rooted in tropical design principles. Clients began seeking us specifically for homes that embraced open-plan living, natural ventilation, and passive cooling techniques. Expatriates, in particular, were drawn to the idea of experiencing the tropical climate fully—something they couldn't do in their colder home countries. When you design for the local climate, sustainability follows naturally. Orienting a house properly, designing for shade, and maximising cross-ventilation aren't just eco-friendly strategies—they make the home more comfortable and livable. Now, we're seeing a resurgence of traditional tropical design elements, even in housing developments. Take airwells, for example—once a common feature in traditional shophouses, they are now being reintroduced as 'courtyards' in modern terrace house designs. It's encouraging to see both individual homeowners and developers recognising the value of these timeless design solutions. Read more: Bill Bensley: Eco-luxury hotels' design rebel Above Masjid Daing Abdul Rahman in Johor is a modernist masterpiece Malaysian architecture often balances tradition with modernity—how do you interpret this in your projects? I see tradition and modernity not as opposing forces, but as two sides of the same coin. Architecture should respect the past while embracing the present, and in my work, I try to weave both together seamlessly. For instance, I incorporate traditional elements like natural ventilation and deep overhangs but reinterpret them using modern techniques and materials to suit contemporary lifestyles. Culture plays a huge role in how we experience spaces. Take something as simple as the way Malaysians remove their shoes before entering a home. This small ritual can easily become an afterthought in modern housing design, leading to messy piles of shoes at the doorstep. In one of our projects at Senibung Cove, we addressed this by designing an entryway at the same level as the car porch. This allowed for a more seamless transition—residents could step inside with their shoes on, sit down on a bench, remove them comfortably, and store them neatly in a designated cabinet. It's a small detail, but one that makes a meaningful difference in daily life. Similarly, cultural traditions around food influence kitchen design. In Malaysian households, cooking is often a multi-generational affair, with strong, aromatic spices and wok-frying being part of the process. This impacts everything from ventilation requirements to the layout of the kitchen itself. These are the nuances that I love to explore—because at the end of the day, it's the little things that shape how we experience space. See also: Not A Hotel Toji reimagines luxury mountain living in Minakami, Japan Above The intricate brickwork and geometric screening of Masjid Daing Abdul Rahman demonstrate how traditional Islamic symbolism can be expressed through modern construction techniques What unique characteristics of Johor's landscape and climate inform your designs? Johor's tropical climate, with its high humidity, heavy rainfall, and intense sun, is something I constantly factor into my designs. You can't fight the climate—you have to work with it. That's why I always prioritise passive cooling techniques, deep overhangs, and natural cross-ventilation to mitigate heat buildup. Landscaping plays a crucial role, too. Whether it's a home, an office, or a public space, I always try to integrate greenery in a meaningful way. Large trees provide much-needed shade, especially on the west-facing facades, helping to reduce heat gain. But it's not just about placing trees around the building—sometimes, the best place for them is inside. I love incorporating courtyards with trees growing within the building itself. It's biophilic design at its core, where nature isn't just an external element but an integral part of the space. A tree in an interior courtyard doesn't just provide shade—it actively cools the air, improves ventilation, and enhances well-being. There's something deeply calming about sitting near a living, breathing tree in the heart of a building. Don't miss: Biophilic luxury: 7 stunning nature-integrated resorts Above The interior of Masjid Daing Abdul Rahman is a contemporary reinterpretation of Islamic architectural elements, while incorporating passive cooling strategies to reduce reliance on air conditioning. How has your international experience influenced your local practice? Working in Texas for a year in the late '80s was an eye-opener. The firm I worked for specialised in religious buildings, and I saw firsthand how they were commissioned for projects all across the country. More than just architecture, I learned about the business side of running a practice—how to build a solid reputation, the importance of marketing, and how consistency in quality earns trust. Travel, too, has been an invaluable part of my education. For me, traveling isn't just about sightseeing—it's research. Every new place offers lessons, whether in urban planning, materials, construction methods, or how people interact with their built environment. I've been inspired by Japan's meticulous attention to detail, Europe's respect for heritage, and the innovative sustainability solutions I've seen in places like Scandinavia. But at the end of the day, I always return to one fundamental truth: architecture has to be rooted in its own place. No matter how many global best practices I absorb, my work has to remain true to Malaysia's culture, climate, and people. Read more: How The Campus Ampang is revolutionising Malaysia's retail landscape through adaptive reuse Above A multipavilion house in Ledang Heights with expansive outdoor areas which seamlessly connect to the indoor areas Could you walk us through your most challenging project and how it shaped your approach? Masjid Daing Abdul Rahman was one of the most challenging projects I've ever worked on, and also one of the most rewarding. Designing a mosque is more than just creating a place of worship—it's about embodying faith, culture, and community in a single space. There was a delicate balance to strike: respecting Islamic architectural traditions while ensuring the design felt progressive, inviting, and environmentally responsible. One of the biggest challenges was reinterpreting traditional mosque elements in a way that felt contemporary yet meaningful. The client wanted a space that carried the essence of Islamic symbolism without feeling overly ornamental. At the same time, I was determined to integrate passive cooling strategies to reduce reliance on air conditioning. This project reinforced a few key lessons for me: the importance of clear communication, the value of collaboration, and the necessity of creative problem-solving. It also reaffirmed my belief that the best designs don't just meet functional needs—they carry deeper meaning and leave a lasting impact on the people who use them. See also: Embracing warm minimalism: Beyond austerity in interior design Above Jacaranda is a modernist villa with generous overhangings and natural materials embedded into the design How do you collaborate with clients to meet their lifestyle needs while maintaining architectural integrity? It all starts with listening. Every client comes with a unique set of needs, aspirations, and daily habits, and my job is to translate that into a well-designed space. The first stage of any project is almost like an interrogation—I ask a lot of questions, trying to uncover not just what they want, but why they want it. Then comes empathy—understanding the way they live, work, and interact with their space. Once I have that deep understanding, I start looking for creative solutions. Sometimes, clients have strong ideas that might not be the best for the long-term, so part of my role is to guide them towards designs that are not only beautiful but also functional, sustainable, and timeless. It's a conversation—a back-and-forth process of refining and improving. At the end of the day, the best projects come from true collaboration, where both the client and architect bring something valuable to the table. Don't miss: Y2K aesthetic revival: Decoding the millennium design trend making a comeback Above The resort-style Baan Tara features generous overhangs and water features Which sustainable design innovations are you most excited to implement in upcoming projects? I'm really excited about pushing the boundaries of low-tech, passive design strategies. High-tech sustainability solutions have their place, but sometimes, the simplest approaches are the most effective. I'm currently working on projects where we're using advanced natural cooling techniques, such as carefully placed air vents, shaded courtyards, and thermal massing to reduce heat absorption. I'm also keen on integrating rainwater harvesting and edible landscaping into more urban projects. Imagine a city where homes and offices don't just consume resources but also give back—where buildings collect rainwater, where green roofs reduce heat, and where urban gardens provide fresh produce. I'm actually implementing some of these ideas in institutional buildings right now, with plans to obtain official green ratings for them. Sustainability shouldn't just be an add-on—it should be embedded in the DNA of every design. Read more: 9 greenest skyscrapers in Asia Above Double-height spaces are impressive while delivering practical benefits of enhanced light, air circulation, and spatial flows How do you envision the future of architecture in Malaysia's rapidly developing urban landscape? I see a future where architecture serves as a bridge between modernity and heritage. Malaysia is growing fast, and while progress is exciting, we need to ensure that development remains thoughtful and people-centric. The danger is in chasing trends without considering long-term impact. Technology will play a huge role in shaping our cities—smart buildings, energy-efficient materials, and AI-driven design processes will change how we work. But at the same time, we have a responsibility to protect our cultural and environmental heritage. I believe the cities of the future should be more than just high-rises and glass towers—they should have identity, character, and a strong connection to nature. The best architecture is not just about creating buildings; it's about shaping how people experience their environment. If we get it right, Malaysia's urban future can be one that is innovative yet deeply rooted in its traditions, a place where modern design and cultural heritage coexist in harmony. NOW READ Home tour: A Malaysian home that masters traditional-modern fusion 7 iconic cantilever chairs that shaped modern furniture Luxury car brands transforming skylines: How Porsche, Bentley and Bugatti are redefining ultra-luxury living Credits


Tatler Asia
27-05-2025
- Tatler Asia
Home tour: a bold, Japanese-inspired home in Park Avenue, New York
Photo 1 of 3 The living room at a home in Park Avenue, New York, designed by Phillip Thomas Photo 2 of 3 The living room at a home in Park Avenue, New York, designed by Phillip Thomas Photo 3 of 3 The living room at a home in Park Avenue, New York, designed by Phillip Thomas One of the first details Thomas noticed about this New York home was that each room had grand, high ceilings. To maintain a sense of lightness in the space, each wall is lacquered to mirror-like perfection. Even the ceilings feature a sheer metallic finish that suffuses the room with colour throughout the day. Yet for all its sophisticated surfaces, this room remains deeply personal. Every corner reveals treasures from the owners' extensive art collection, from a vibrant Sonja Delaunay tapestry to Tom Otterness sculptures that playfully frame the windows, alongside pieces of African tribal art that speak to decades of collecting. 'I needed to incorporate many elements from their past while leaving room to create new stories in the future,' says Thomas. 'My clients are avid travellers and collectors of both modern and outsider art. I wanted to incorporate all of this into their new apartment.' Multiple seating arrangements accommodate intimate conversations and larger gatherings, while a custom mantlepiece created in collaboration with Chesney's celebrates the room's magnificent proportions. In case you missed it: 7 designer dining chairs that you'll recognise from restaurants and dining rooms Above The outdoor terrace at a home in Park Avenue, New York, designed by Phillip Thomas Another key component of this home is its seamless connection to the outdoors. 'They had grown accustomed to enjoying the outdoors while in an urban setting,' shares Thomas. The space includes a wraparound terrace accessible through French doors from both the living room and solarium. Here, Manhattan reveals itself in all its glory with views stretching down Park Avenue toward Midtown and across to Central Park and the West Side. Above The dining room at a home in Park Avenue, New York, designed by Phillip Thomas, with a custom circular table from John Boone and a restored chandelier from the owners' previous home Above A glimpse of the living room through the vivid red dining room doors at a home in Park Avenue, New York, designed by Phillip Thomas Crossing back through the gallery leads to the dining room, where the boldness of crimson takes centre stage. Here, the apartment's signature red imbues all millwork with its warm, dramatic hue—a deliberate departure from the more neutral palette of adjoining spaces. The custom circular table by John Boone anchors the space, alongside a display of Japanese woodblock prints, treasured china and crystal. Above the fireplace, artisans created a panel inspired by the displayed prints, symbolising an intuitive connection between the past and the present. Elevating the space further, the grandly proportioned chandelier was rescued from the clients' previous home, infusing the room with comfort while emphasising the room's impressive ceiling height. Photo 1 of 3 The solarium at a home in Park Avenue, New York, designed by Phillip Thomas Photo 2 of 3 The solarium at a home in Park Avenue, New York, designed by Phillip Thomas Photo 3 of 3 The solarium at a home in Park Avenue, New York, designed by Phillip Thomas Adjacent to the dining area, the solarium demonstrates how thoughtful renovation can transform potential into reality. By opening the ceiling to reveal previously hidden skylights, this space floods with natural light while serving multiple functions, from casual dining to quiet reading retreats. Custom chandeliers designed with Charles Edwards of London can be raised or lowered depending on the room's immediate purpose, embodying the flexibility essential to successful city living. Above The unexpectedly moody details of a kitchen, designed by Phillip Thomas While colour celebrates itself throughout the apartment, the kitchen takes a dramatically different approach. Finished entirely in graphite grey satin paint, this space intentionally recedes into the background when viewed from the dining room. The star here is an unexpected delight: a giant koi sculpture from Guinevere Antiques. The piece was converted into a chandelier with a single rock crystal bubble emerging from the fish's mouth, adding a touch of whimsy to the space. Above The guest bedroom at a home in Park Avenue, New York, designed by Phillip Thomas Moving into the more personal spaces, the music room doubles as a home office and a guitar practice area. Blue lacquered walls bring vibrancy and light, balanced by yellow carpet and ceiling treatments that create visual harmony. A custom daybed from Ralph Pucci offers afternoon reading comfort while providing guest sleeping accommodations when needed. Photo 1 of 3 The primary bedroom at a home in Park Avenue, New York, designed by Phillip Thomas Photo 2 of 3 The primary bathroom at a home in Park Avenue, New York, designed by Phillip Thomas Photo 3 of 3 The walk-in closet of the primary bedroom at a home in Park Avenue, New York, designed by Phillip Thomas The primary bedroom creates the unexpected sensation of residing in a luxurious hotel suite rather than a New York apartment. Walls upholstered in sumptuous raw cream linen outlined with the New York home's signature red establish intimacy and charm. Meanwhile, a stunning vintage Donghia bed serves as the space's sculptural centrepiece. Every detail of this New York home is designed to echo the couple's rich, dynamic history. 'The greatest compliment I can get when a project is complete is to hear from the clients that their friends say 'this apartment is so you,'' enthuses Thomas. And such is the case for this New York pied-à-terre. From the cherry blossom ceiling to the carefully preserved chandelier, this is the art of downsizing elevated to its highest form. It is a thoughtful distillation of experiences into their most essential and beautiful expressions. As family and friends enter the space, they recognise a profound truth: that the time and energy poured into one's memories never goes to waste. Building a lifetime of cherished memories turns a house into a home. NOW READ Home tour: a family's marble masterpiece in Bengaluru, India How Osaka Expo's leading architects redefined national pavilions Meet Carla Mae Leonor, whose fusion of business and design is elevating Filipino creative industries Credits Photography: Genevieve Garruppo Styling: Laurel Benedum


Tatler Asia
21-05-2025
- Tatler Asia
From workwear to logo tote bags: ‘American core' is big in Japan
'Ame-Tra': Japan's take on American traditional fashion A distinct subgenre of American core in Japan is Ame-Tra, short for American Traditional. This style focuses on classic Americana staples like chore coats, baseball shirts and workwear, often worn with a distinctly Japanese sensibility. Ame-Tra enthusiasts value authenticity but also embrace layering and mixing vintage pieces with modern Japanese streetwear. The style is prevalent among younger generations who see it as a way to connect with an idealised American past while crafting their own identity. Levi's plays a central role in Ame-Tra. Beyond just the classic red-tab jeans, many Japanese consumers prize Japan-made or Japan-exclusive Levi's for their quality and unique details. These versions often feature distinct fabric weights, stitching and fits tailored to local tastes, reflecting a fusion of American heritage and Japanese craftsmanship. Levi's in Japan thus becomes both a nod to Americana and a bespoke product adapted to the Japanese market. Ame-Tra enthusiasts carefully curate their outfits on social media and fashion magazines, embracing a nostalgic yet contemporary interpretation of American style. The result is a vibrant subculture where historical Americana is reimagined through the lens of modern Japanese identity. Americana-inspired boutiques in Tokyo and Osaka Tokyo's youth culture has long been shaped by niche fashion movements, and American core is no exception. In neighbourhoods such as Koenji, Daikanyama and Shimokitazawa, boutiques like BerBerJin and Ragtag curate vintage collections imported directly from the US. Think Levi's 501s, Carhartt jackets and western boots. These shops do more than sell clothes—they double as cultural archives and hangouts for collectors and stylists alike. In Osaka, the centre of American-inspired fashion is Amerikamura, or 'American Village', a vibrant district near Shinsaibashi. Known for its graffiti-covered alleys, indie shops and second-hand stores, the area has been a street-style hotspot since the 1980s. Vintage stores like Pigsty and Chicago stock racks of varsity jackets, flannel shirts and leather boots, while the crowd outside is often dressed like extras from a Bruce Springsteen album cover. The vibe is younger, louder and more eclectic, a reminder that American core in Japan is not monolithic but varies from city to city. Everyday icons: from grocery totes to gas station chic Not all American core in Japan is built around big-ticket vintage or subculture codes. Sometimes, it is the small, ordinary things that speak loudest. Trader Joe's tote bags—simple canvas grocery totes from the popular American supermarket chain—have become unexpected street-style favourites. Their appeal lies in their casual charm and instant recognisability, offering a slice of US suburbia that feels exotic, ironic and useful all at once. Other items follow a similar pattern. Dunkin' Donuts mugs, IHOP T-shirts and Waffle House caps often surface in second-hand shops or curated vintage racks. These pieces, once everyday American objects, have been recontextualised into ironic, nostalgic fashion statements. 7-Eleven logo sweatshirts and Budweiser-branded jackets are worn not for their brand loyalty but for their kitsch Americana feel. The attraction lies partly in the graphic boldness of these logos and partly in their ability to suggest a specific vision of the American everyday—one that feels oddly foreign, even cinematic, when seen from across the Pacific. The 'Americancore' TikTok trend: satire and cultural reflection While American core has found a devoted following in Japan through fashion, music and lifestyle, a parallel conversation has taken off online. The TikTok trend known as 'Americancore' offers a satirical lens on American culture, with creators who are mostly from Asian or international backgrounds treating everyday American scenes as if they were exotic exports. Videos of Walmart aisles, red solo cups or suburban diners are framed with faux-wonder and playful admiration. The trend mirrors how Western media has often aestheticised Asian culture in the past, turning the familiar into the 'other'. It works as both parody and critique, inviting viewers to reconsider the cultural assumptions that shape how we perceive foreign aesthetics. Some Japanese TikTok users have joined in, offering their takes on Americana's quirks. The conversation it sparks sits at the intersection of irony and authenticity, and highlights the complexities of cultural borrowing in a globalised age. American core in Japan reflects a complicated mix of fascination, convenience and irony rather than simple admiration. It shows how cultural symbols can be stripped of their original context and repurposed—sometimes thoughtfully, sometimes superficially—to fit new tastes or trends.