The Department of Culture and Tourism Unveils the Abu Dhabi Masterpieces Collection though a series of Exhibition-Dossiers
Abu Dhabi, United Arab Emirates –April 2025: Over the past decades, the Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi) has developed the inspiring and comprehensive Abu Dhabi Collection, offering a global discourse of the world's artistic production. Bringing together spectacular artworks and artefacts from around the world and spanning prehistory to the present, the Collection further positions Abu Dhabi as a world-leading cultural centre engaged in the creation and sharing of research and knowledge.
DCT Abu Dhabi continues to expand and enrich the Abu Dhabi Collection as a whole, as well as through the addition of artworks and artefacts which form the Abu Dhabi Masterpieces Collection, a grouping of the most significant pieces within the Abu Dhabi Collection. Abu Dhabi Masterpieces Collection spans a plethora of art movements and genres of art history, adopts the best practices and ethics of collection management and fosters global conversations on the world's art scene.
Abu Dhabi Masterpieces Collection signals Abu Dhabi's commitment to forging a cultural legacy of exceptional quality and significance and highlights the emirate's dedication to building a collection that communicates cross-cultural and universal narratives. The Abu Dhabi Masterpieces Collection affirms the dynamic cultural vision of Abu Dhabi while enhancing and complementing other collections in the emirate's museums and reflects a commitment to fostering pluralistic dialogues and promoting the exchange of knowledge in the arts.
H.E. Mohamed Khalifa Al Mubarak, Chairman of DCT Abu Dhabi, said: 'Developing this comprehensive collection, featuring masterpieces from across the history of art, supports the growth of a vibrant cultural scene across Abu Dhabi and the wider region. Creativity holds immense power to drive education and social change, and offering access to such remarkable works is intrinsic to Abu Dhabi's cultural engagement, nurturing a cultural scene, and fostering strategic partnership and exchange opportunities with the world.'
The DCT Abu Dhabi is presenting a selection of the Masterpieces Collection in a series of exhibition-dossiers, offering a way to understand the vision of the Collection and illustrating its principle to cover all techniques and periods of civilisations, from prehistory to present time.
Three inspiring works that launched the series of exhibition-dossiers
Organised at Manarat Al Saadiyat, Abu Dhabi, the inaugural exhibition-dossier showcased three remarkable works from the Masterpieces Collection: Confirmation by the 17th-century master Nicolas Poussin, Self-Portrait by the 20th-century artist Pierre Bonnard, and Triptyque 2000 – 23.12.2001 by the contemporary artist Zao Wou-Ki.
Confirmation (ca. 1637–1640) by Nicolas Poussin is part of the artist's renowned Seven Sacraments series. This painting holds a central place in the history of Western art, created by an artist regarded as a pivotal figure in the history of art in general. Touching on both spiritual and social themes, the work's inclusion in the Masterpieces Collection aims to attract a new global audience and to inspire future generations.
Self-Portrait (1939) by Pierre Bonnard is a key component of the artist's late series of self-portraits. In its depiction of an intimate and enclosed world, the painting creates a powerful emotional impact, standing as one of the most sensitive and deeply affecting self-portraits of its time.
Triptyque 2000 – 23.12.2001, (2000-2001) by contemporary artist Zao Wou-Ki is an important work that highlights the expressive possibilities arising from the intersection of different cultural traditions and pictorial languages. Blending traditional Chinese aesthetics with Western modernist techniques, the triptych is a lyrical representation of nature that transcends visual perception.
The first exhibition-dossier of the Masterpieces Collection immersed viewers in the unique creative universes of these three artists, showcasing works that represent the pinnacle of their artistic achievements..
As Abu Dhabi continues to innovate and invest in the arts, DCT Abu Dhabi remains dedicated to promoting cross-cultural understanding and showcasing timeless works that will inspire future generations. New exhibition-dossiers from the Abu Dhabi Masterpieces Collection will be unveiled over the coming months, offering further exciting opportunities for engagement and discovery.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Al-Ahram Weekly
7 days ago
- Al-Ahram Weekly
The moral high ground
A few months into the war on Gaza, following the 7 October attacks, I found myself like everyone else, glued to the news around the clock, watching non-stop the horror coming out of Gaza. One night, as the Israeli forces started to bomb Al-Shefa Hospital – a spot I was familiar with, having developed a bond with the reporter who broadcast from there – I realised that reporter was no longer there. He was not even mentioned. That night was particularly heartbreaking for me. I felt pressure in my head, as if it might literally explode. Waves of anxiety surged through me, along with terrible thoughts, and I had to turn off the television and wander around my house at 2:00am, desperately trying to shift my focus. I remembered that night as I watched the Palestinian documentary A State of Passion – directed by Carol Mansour, a Lebanese-Canadian filmmaker with Palestinian ancestry, and Muna Khalidi, who has a very close friendship with Abu-Sittah – which follows the renowned Palestinian-British plastic and reconstructive surgeon Ghassan Abu-Sittah when he volunteered to enter Gaza for the sixth time at a time of conflict only to realise that this time it was full-scale genocide. He had never performed this number of amputations on children ever in his life, as he said at one of the most moving moments. At this point, when the film was recently screened at Zawya in the lineup of the Between Women Filmmakers Caravan – an independent initiative organised by a group of female filmmakers and film curators – the Gaza war was already one year and eight months old. Still, I'd missed the first screening of the film, which made its world premiere at the Cairo International Film Festival, receiving three awards: the top award of the Horizons of Arab Cinema section, the Saadeddin Wahba Award for Best Arabic Film, and the second prize for Best Palestinian Film as well as a Special Mention for Abu-Sittah. After 43 days in Gaza, Abu-Sittah jumped on a plane to Amman to spend 24 hours with Mansour and Khalidi, who had called to request the meeting. As they stated in an online interview with the audience after the screening, the phone call that appears in the film is the real phone call. In Amman, the camera captures the emotions involved in the meeting, which also involves an old friend of Abu-Sittah's and his proud mother, whose favourite son he was, according to the two filmmakers. Mansour and Khalidi accompany Abu-Sittah on a quick visit to Kuwait, where he was raised and where he reminisces about his father, also a doctor, in front of said father's former clinic. Abu-Sittah was born in Kuwait to a Palestinian father and a Lebanese mother. His father's family originated in Maain Abu-Sittah in the southeast of Gaza, which they were forced to flee when the Zionists attacked during the Nakba. They moved to Kuwait and later to the United Kingdom in the 1980s and Abu-Sittah eventually realised his father's dream by studying medicine at Glasgow University. The documentary includes some harsh photos of children undergoing surgical procedures, especially when Abu-Sittah is trying to prove that Israel used white phosphorus in their military operations, but such graphic imagery was limited, reflecting the filmmakers' decision to give only a small taste of the horror after they were faced with the predicament of whether and how much to show. Abu-Sittah recalls performing amputations on six children in a single day, and when he elaborates on how complicated the situation is there, he explains that health procedures are based on people directing you to save the life of the only living member of the family or whether a doctor can just clean up a wound that will keep someone alive for a day so as to save a few other lives that require urgent attention. Abu-Sittah made his way to Gaza to treat patients all the way through Rafah many times; his first medical visit to Gaza was during the first Intifada in 1987. He was back during the second Intifada in 2000 and then in the wars of 2009, 2012, 2014, 2021 and finally 2023. Mansour alone accompanies Abu-Sittah to London where he lives with his family: his wife Dima and three sons. Khalidi couldn't go due to complications with her visa. And this is where the documentary becomes a more personal exploration of Abu-Sittah's extraordinary character. When he's not working, he is with his family, a dedicated husband and father whose presence is a delight to them. He is seen ironing his sons' school uniforms and putting together their lunch boxes in the morning. There is a sequence in the 90-minute documentary when we hear the exchange of voice messages between him and his three sons. It is touching how he says good morning to each of them in spite of the horrors he is enduring so many miles away. Dima and Abu-Sittah have a sweet relationship with the Palestinian cause at its core. Dima explains how she took the children to Gaza, showing them every corner of it with a strange presentiment that it might not survive. They went to the beach and visited all the landmarks. Her presentiment was right: they returned on 7 September, exactly a month before the horrific incidents began. When Dima and Abu Sittah were in Gaza, they took along Dima's mother, who needed medical attention in London while her father remained alone, an old man tired of being repeatedly displaced, refusing to leave his house. The mother could not return to Gaza but she has been living in Egypt: she was even present at the screening of the film. When Dima spoke of Palestinian resilience, it rang true in a way it usually doesn't. 'If he hadn't gone to Gaza, I wouldn't have known how to maintain my respect for him,' she also said of Abu-Sittah, who, for his part, said they were both so clear about his need to be there, the decision didn't even have to be discussed. * A version of this article appears in print in the 5 June, 2025 edition of Al-Ahram Weekly Follow us on: Facebook Instagram Whatsapp Short link:


Mid East Info
02-06-2025
- Mid East Info
Abu Dhabi to Host the Inaugural Edition of M&I Expo in 2026, Strengthening the Emirate's Position as a Global MICE Hub
DCT Abu Dhabi partners with M&I to bring senior MICE decision-makers from 14-16 April 2026 Abu Dhabi, UAE –June 2025: The Department of Culture and Tourism – Abu Dhabi (DCT Abu Dhabi) and Worldwide Events have signed a strategic partnership to host the highly anticipated M&I Expo in Abu Dhabi from 14-16 April 2026. M&I, a leading events provider and global innovator in the Meetings, Incentives, Conferences, and Exhibitions (MICE) sector and a recognized event brand within the portfolio of Worldwide Event's, will bring to Abu Dhabi the 'MICE 1,000', a curated group of the most senior, influential decision-makers in the global MICE industry for three days of networking, knowledge-sharing, and business development. The exclusive event, to be hosted at the state-of-the-art Abu Dhabi National Exhibition Centre (ADNEC), further cements Abu Dhabi's growing position as a global MICE hub, with the goal to strengthen collaboration and mutual value creation, while shaping a robust future for the sector in the emirate. Building on the previous success of M&I's sold-out event: M&I Fest Global, M&I Expo in Abu Dhabi will feature immersive booths, compelling branded spaces and storytelling-driven showcases attracting global exhibitors, including tourism boards, convention and visitor bureaus (CVBs), major hotel brands, conference centres, destination management companies (DMCs), and technology providers who will present their offerings to an audience of high-calibre industry professionals. Mubarak Al Shamsi, Abu Dhabi Convention & Exhibition Bureau Director, DCT Abu Dhabi said: 'Hosting the M&I Expo in Abu Dhabi reinforces the emirate's strength and sustained growth as a premier destination for business events and incentive travel. Our latest achievement reflects our strategic commitment to building a world-class MICE ecosystem offering cutting-edge event venues and exceptional hospitality rooted in our core cultural values. With iconic venues such as Qasr Al Watan and Yas Marina Circuit, complemented by Abu Dhabi's diverse leisure attractions such as the newly opened teamLab Phenomena, we are confident this event will showcase the very best of what our destination has to offer.' Abu Dhabi's emergence as a global MICE destination is complemented by a diverse, value-added offering across heritage, entertainment, adventure and beyond, and driven by the strategic vision of DCT Abu Dhabi to enhance infrastructure and support event organisers and industry partners. Richard Barnes, CEO of M&I said: 'Following the success of two incredible editions of M&I Fest in 2024 and 2025, the event has naturally evolved into something bigger and bolder. M&I Expo aims to deliver more valuable connections than any show that's previously existed. We don't want to become another big faceless exhibition where quality is diluted, time is wasted, and people are lost; our focus is on quality over quantity, we aim to attract the right level of delegates: M&I Expo caters exclusively to the elite of the MICE industry; the 1,000 most influential players in the MICE industry: the MICE 1,000. We believe that 1,000 is the sweet spot, not too big, not too small. It's just the right size.' The M&I Expo programme will feature M&I's market-leading one-to-one pre-scheduled meeting format alongside a fully inclusive networking programme with hosted lunches, evening socials, and keynote speakers. In addition to the exhibition programme, buyers will have the opportunity to experience Abu Dhabi firsthand; engaging with its unique venues, culture, and hospitality offering. Hosting the M&I Expo aligns with Abu Dhabi's Tourism Strategy 2030, which aims to establish the emirate as a global leader in culture and tourism, while serving as a catalyst for diversified economic growth. Business events such as M&I Expo are instrumental in advancing this vision, contributing to tourism sector development, promoting knowledge exchange, fostering innovation and creating lasting benefits for all stakeholders. This announcement comes as Abu Dhabi's tourism sector continues to grow in 2025, welcoming 1.4 million overnight guests in the first quarter alone. International visitation increased compared to the same period in 2024, with strong performance from key source markets including India, China, Russia, the UK, and the USA. This sustained success reflects Abu Dhabi's evolving and increasingly distinctive value proposition and offerings, driven by the Abu Dhabi Tourism Strategy 2030.


Mid East Info
28-05-2025
- Mid East Info
Tourism 365 to Participate in ITB China 2025 to Elevate Abu Dhabi and the UAE as Leading Global Tourism Destinations
Tourism 365, the tourism arm of ADNEC Group, has announced its participation in ITB China 2025, one of the most prominent trade fairs for the travel and tourism industry in the Chinese and wider Asian markets. This strategic participation underscores the company's commitment to reinforcing Abu Dhabi and the UAE's position as a preferred global tourism destination. During the three-day event, which will run from 27 to 29 May at the Shanghai World Expo Exhibition and Convention Center, Tourism 365 will showcase its exceptional tourism offerings to global industry leaders, professionals, and experts. These include unique travel experiences across Abu Dhabi and the UAE, as well as bespoke trip planning services. Josep-Antón Grases, CEO of Tourism 365, said: 'Our participation in ITB China 2025 is a key milestone in our strategy to position Abu Dhabi and the UAE as top-tier global destinations. Shanghai represents a market of immense potential and this platform provides us with a valuable opportunity to connect directly with new partners, highlight our diverse offerings, and reaffirm our commitment to delivering extraordinary travel experiences tailored to Chinese travellers. We are confident this engagement will significantly support our ambitious goals to increase inbound tourism to Abu Dhabi and the UAE.' Tourism 365 will exhibit as part of the Department of Culture and Tourism – Abu Dhabi's pavilion at the world's largest travel trade show. The pavilion will also feature iconic landmarks such as the Sheikh Zayed Grand Mosque and Louvre Abu Dhabi, along with other key attractions from across the emirate. Participation in global exhibitions like ITB China is central to Tourism 365's strategy to promote Abu Dhabi's distinct tourism experiences to a wider international audience and drive visitation from both established and emerging markets. China remains a priority market for Tourism 365, with increasing interest from Chinese tourists in exploring the UAE and Abu Dhabi's rich mix of cultural, leisure and heritage attractions. Tourism 365 plays a vital role in supporting the Abu Dhabi Tourism Strategy 2030, which aims to grow annual visitor numbers from approximately 24 million in 2023 to around 39.3 million by 2030. ITB China is a comprehensive platform for the travel sector with a particular focus on business travel – a dynamic and high-value segment. As the importance of business travel continues to rise, the event provides an excellent opportunity to explore new trends and forge meaningful collaborations. It also offers both businesses and attendees a direct gateway to discover travel destinations and gather inspiration for future trips.