Simone Bellotti debuts Jil Sander reign with rock video and vinyl LP
Shot in Hamburg, where Frau Sander founded her fashion house in 1968, the video dashes past the huge docks, railways, monumental red brick warehouses, and famed Gothic Revival church St. Nicholas — the tallest building in the world in the 1870s — scattered around Germany's largest port.
Entitled 'Bochum Welt,' or wanderlust, the 2.40-minute short stars four youths dressed in the minimalist style that Sander conceived. A crew neck navy blue cashmere sweater for guys; a crisp boyish white cotton shirt, dove gray wool jacket, and just-above-the-knee skirt for the girl, as they cross one of the city's innumerable bridges in an open-top BMW. One pal cycles along the harbor before wandering down to join them in a midnight blue cashmere tank top, as migrating birds fly past giant wind turbines.
For Bellotti, Jil Sander is clearly a house that owns duality. Its aesthetic is based on the power of heightened simplification and the energy released by the face-off of strictness and lightness, rigor and abandon. This opposition is captured by the city of Hamburg, with its northern elegance and harbor thriving in all kinds of activities, where it all started.
'Contrasts — stillness meeting with chaos, day blending into night, nature colliding with urban sprawl, raw, unfiltered moments featuring real individuals from Hamburg's hidden corners alternating with cinematic scenes and mundane moments — release a lyrical flow set to Bochum Welt's melodic electronica,' said Bellotti in a release.
This March, Bellotti was appointed creative director of Jil Sander, which is based in Milan and part of the OTB Fashion Group of Renzo Rosso that also includes Viktor & Rolf, Marni, and Maison Margiela.
The Italian designer debuted the video at an event in art institute OHG in Hamburg this week, indicating his desire to return to Jil Sander's aesthetic roots in northern Germany. By debuting his first Jil Sander ideas through an electronica video, Bellotti is also clearly signaling his intention to support music in the long run as integral to the definition of the brand's landscape.
The video's title is a combination of the German word for 'world' (Welt) and the name of a high-powered astral telescope. Bochum Welt is the stage name of Italian electronic musician Gianluigi Di Costanzo, whose mix of aural electronic experimentation and sentimental dance 'has an affinity with the Jil Sander duality,' Bellotti argues.
The list of tracks on the vinyl EP is a narrative of oppositions in itself: Crystal Ice / Wanderlust / Shades / Night's Frost / San Peder a Sent / More Light (Escape Mix) / Cresting Waves.
Directed by Sean Vegezzi, with styling by Charlotte Collet, the video stars models Pauline Schubach, Laurent Huyskens, Colin Otto, and Ojo.
The vinyls are now available at select Jil Sander boutiques, JilSander.com, and across Kudos Distribution worldwide later in August.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
LeMonde
19 hours ago
- LeMonde
As World War II ended, the French Riviera became a 'GI's heaven'
Blues, pinks, reds… Multicolored sparks lit up the sky over Nice on the evening of July 4, 1945. Ten days before the traditional Bastille Day festivities, the city was celebrating on the Baie des Anges. The war already seemed far away, even though fighting had continued into the spring near the Italian border. Food was still scarce, reconstruction was slow to begin and the atmosphere remained heavy with purges and calls for vengeance, just as they did across France. Though perhaps more intensely in Nice, a city that in 1940 had inherited the grim nickname "Eldest Daughter of the National Revolution" from Philippe Pétain. But on this night of July 4, as firecrackers echoed, the mood along the Promenade des Anglais was relaxed. The famous seaside boulevard had not regained its former glory. Mines still littered parts of the coast, swimming was not entirely safe and bunkers still lined the beach – sometimes disguised with fake shopfronts painted by the Germans. As a result, sea bathing was not really part of daily life for "long-established Niçois, who were generally not very receptive to this semi-Baudelairean invitation," read a column in La Liberté de Nice et du Sud-Est. So, no swimming for the people of Nice, but the entertainment was still plentiful. One year after the city's liberation, on August 28, 1944, audiences at the Paris-Palace cinema applauded Charlie Chaplin's masterpiece The Great Dictator – "remarkable in every respect," according to one local critic. Next to the Rationing section, newspapers listed daily "Feasts and banquets." Bars and dance halls regained their clientele and enjoyed certain privileges that were not universally appreciated: "Since the Liberation, they have invested several tens of millions to renovate their establishments. (...) It seems to us that raw materials should go not to places of pleasure, but rather to schools, hospitals and workers' housing," lamented La Liberté de Nice et du Sud-Est.
Local France
a day ago
- Local France
France museum-goer eats million dollar banana taped to wall
Italian artist Maurizio Cattelan -- whose provocative creation entitled "Comedian" was bought for $6.2 million in New York last year -- said he was disappointed the person did not also eat the skin and the tape. After the hungry visitor struck on Saturday last week, "security staff rapidly and calmly intervened," the Pompidou-Metz museum in eastern France said. The work was "reinstalled within minutes", it added. "As the fruit is perishable, it is regularly replaced according to instructions from the artist." Cattelan noted the banana-eater had "confused the fruit for the work of art". "Instead of eating the banana with its skin and duct tape, the visitor just consumed the fruit," he said. Cattelan's edible creation has sparked controversy ever since it made its debut at the 2019 Art Basel show in Miami Beach. He has explained the banana work as a commentary on the art market, which he has criticised in the past for being speculative and failing to help artists. The New York Post said the asking price of $120,000 for "Comedian" in 2019 was evidence that the market was "bananas" and the art world had "gone mad". It has been eaten before. Advertisement Performance artist David Datuna ate "Comedian" in 2019, saying he felt "hungry" while inspecting it at the Miami show. Chinese-born crypto founder Justin Sun last year forked out $6.2 million for the work, then ate it in front of cameras. As well as his banana work, Cattelan is also known for producing an 18-carat, fully functioning gold toilet called "America" that was offered to Donald Trump during his first term in the White House. A British court in March found two men guilty of stealing it during an exhibition in 2020 in the United Kingdom, from an 18th-century stately home that was the birthplace of wartime prime minister Winston Churchill. It was split up into parts and none of the gold was ever recovered.
LeMonde
a day ago
- LeMonde
Museum-goer eats million-dollar banana taped to wall
A visitor to a French museum bit into a fresh banana worth millions of dollars taped to a wall last week, exhibitors said on Friday, July 18, in the latest such consumption of the conceptual artwork. After the hungry visitor struck on Saturday last week, "security staff rapidly and calmly intervened," the Pompidou-Metz museum in eastern France said. The work was "reinstalled within minutes," it added. "As the fruit is perishable, it is regularly replaced according to instructions from the artist." Italian artist Maurizio Cattelan – whose provocative creation entitled "Comedian" was bought for $6.2 million in New York last year – said he was disappointed the person did not also eat the skin and the tape. Cattelan noted the banana-eater had "confused the fruit for the work of art." "Instead of eating the banana with its skin and duct tape, the visitor just consumed the fruit," he said. Cattelan's edible creation has sparked controversy ever since it made its debut at the 2019 Art Basel show in Miami Beach. He has explained the banana work as a commentary on the art market, which he has criticized in the past for being speculative and failing to help artists. It has been eaten before. Performance artist David Datuna ate "Comedian" in 2019, saying he felt "hungry" while inspecting it at the Miami show. Chinese-born crypto founder Justin Sun last year forked out $6.2 million for the work, then ate it in front of cameras. As well as his banana work, Cattelan is also known for producing an 18-carat, fully functioning gold toilet called "America" that was offered to Donald Trump during his first term in the White House. A British court in March found two men guilty of stealing it during an exhibition in 2020 in the United Kingdom, from an 18 th -century stately home that was the birthplace of wartime prime minister Winston Churchill. It was split up into parts and none of the gold was ever recovered.
