
Two of Chicago's Most Venerable Japanese Restaurants Unite for Omakase in Old Town
Adam Sindler and Mari Katsumura represent royalty when it comes to the rich history of Japanese restaurants in Chicago. In 1967, Sindler's family founded Kamehachi, the city's first sushi bar, before planting its flag in Old Town along Wells Street. Katsumura's parents started the pioneering Yoshi's Cafe in Lakeview with Yoshi Katsumura combining French and Japanese cuisine into something special. The restaurant was a fixture along Halsted for 39 years.
'He claimed he invented wasabi-mashed potatoes in the '90s,' Mari Katsumura says of her late father with a laugh. 'I love spreading that rumor and perpetuating that story.'
Sindler has brought on Katsumura as chef to open a new restaurant along Wells Street inside the same space that housed his family's restaurant. SHŌ is scheduled to open on Tuesday, August 12, at 1533 N. Wells Street, giving the two a canvas to show Chicago their brand of omakase. Katsumura, now rejuvenated after her work at Michelin-starred Yugen in West Loop, will offer a six- to eight-course omakase for about $145. There will also be supplements. SHŌ will offer the menu both at a 12-seat sushi counter and the restaurant's four tops. The meal won't be 100 percent sushi, which is often a misnomer.
When it comes to Japanese cuisine, Sindler and Katsumura admit that Chicago often lags behind the coasts. Katsumura feels it's harder to compete in the Midwest as the region is limited when it comes to fresh seafood. That's something that 2024 James Beard Award-winning chef Hajime Sato of Sozai in suburban Detroit faced before he closed his restaurant earlier this year.
SHŌ/Mistey Nguyen
SHŌ/Mistey Nguyen
SHŌ/Mistey Nguyen
There's also a glut of omakase restaurants opening or that have recently debuted. Katsumura points out that most of them — if any — don't have Japanese chefs or owners. She feels that '39 years of eating Japanese food' — mostly cooked by her parents — gives her a unique perspective on the cuisine, which is why courses like a reimagined chawanmushi with truffled dashi custard and cauliflower foam, accompanied by Osetera royale caviar, and shaved summer truffle will shine. Hand rolls are also making their way through Chicago. SHŌ will riff on those with a build-your-own course that emulates caviar service with numerous add-ons available.
Still, the two are careful as they don't want to gatekeep culture. Sindler points out that he is both Italian and Japanese. He also mentions Sushi by Scratch's Phillip Frankland Lee, saying the chef — who isn't Japanese — presents the culture and cuisine as he sees it. At SHŌ, Sindler says while respecting tradition is important, adhering to authenticity — however that's defined — is not.
'We are inherently Japanese in terms of how we grew up,' Sindler says. 'The food is personal in that regard.'
Sindler designed the space and added several nods to music. Joining them is GM Preston Smith, currently the sommelier and assistant general manager at Beity in Fulton Market.
SHŌ/Mistey Nguyen
SHŌ/Anthony Tahlier
Entering the restaurant business wasn't a given for Sindler, who washed dishes at Kamehachi as a teen before going off to explore art and music. The latter is shown in how SHŌ approaches its food. It's not so much a progressive menu, but a mixtape. This is a collaboration between two like-minded Japanese Americans who grew up in Chicago. Although their families are from parts of Japan, the common ground was so strong that Katsumura, an award-winning pastry chef, even welcomed Sindler's input on the dessert course.
Sindler ended up working at the Alinea Group's Roister before returning to the family business during COVID. Kamehachi has had numerous locations in Chicago, including one at the corner of Wells and Schiller (most recently a Broken English Taco Pub). They vacated that address in 2011 and moved to where SHŌ will debut. The new restaurant's name is a shortened version of the Japanese word 'keisho,' which translates to inheritance. The traditional lore attached to the name involves a family passing a katana down through generations. Sindler says it symbolized the torch being passed: 'It's three letters,' he says. 'I think it's powerful.'
SHŌ, 1533 N. Wells Street, opening on Tuesday, August 12, reservations available via OpenTable
Eater Chicago
All your essential food and restaurant intel delivered to you Email (required)
Sign Up
By submitting your email, you agree to our Terms and Privacy Notice . This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Eater
21 minutes ago
- Eater
Gymkhana, London's Two-Michelin-Starred Indian Restaurant, Is Opening at the Aria
A two-Michelin-starred restaurant out of London is landing on the Las Vegas Strip, bringing upscale Indian dining to the Aria Resort and Casino. Gymkhana will debut this fall with a design inspired by Indian social clubs, chaat-style sharing plates, and the refined cooking that made it one of London's most sought-after reservations. In London, Gymkhana was upgraded to two Michelin stars in 2024 after earning its first star in 2014 for its extensive Northern Indian-style menus, with standout dishes like tandoori masala lamb chops and kid goat methi keema. At Aria, the restaurant will focus on tandoor-grilled chicken, classic curries such as Goan prawn curry and pork cheek vindaloo, and fragrant biryanis, like a version made with wild venison, pomegranate, and mint raita. Gymkhana will also introduce new menu items exclusive to Las Vegas, along with a full bar program built around Indian-inspired cocktails. The restaurant will take over the former Julian Serrano Tapas space, which closed in February following legendary chef Julian Serrano's retirement. In London, Gymkhana spans two floors, designed with jewel-toned interiors, a vivid red basement dining room, and architectural elements influenced by Northern India. At Aria, the Las Vegas outpost will feature a bold forest green entrance, replacing Tapas' open format with double doors that lead into a mirror-flanked foyer and a dramatically warm interior. The restaurant was founded by siblings Jyotin, Karam, and Sunaina Sethi of JKS Restaurants, inspired by Indian social clubs where members of high society socialize, eat, drink, and play sports. Gymkhana is the first-ever upscale Indian restaurant to open on the Strip, which is surprising given the sheer number of restaurants and the breadth of Indian cuisine in the city. While Tamba, which opened earlier this year at Town Square, recently brought higher-end Indian cooking back to Las Vegas Boulevard, Gymkhana will be the first to bring a globally recognized Indian fine dining standard to the heart of the Strip. Gymkhana opens this fall, marking a rare moment for the Las Vegas Strip: the arrival of an acclaimed Indian fine dining restaurant — and a major win for the Aria, which hasn't seen a marquee opening since Cathédrale, whose brief two-year run ended in May.
Yahoo
26 minutes ago
- Yahoo
JELLY ROLL, JONAS BROTHERS, CECE WINANS, DAN + SHAY, AND MORE UNITE IN NASHVILLE FOR STAND UP TO CANCER'S FUNDRAISING SPECIAL
Sheryl Crow to host and perform in ninth biennial roadblock special, airing Friday, August 15, 8 p.m. ET and PT / 7 p.m. CT LOS ANGELES, Aug. 6, 2025 /PRNewswire/ -- Stand Up To Cancer® (SU2C) has added more star power to its ninth biennial roadblock televised fundraising special. The telecast will feature performances by Jonas Brothers, Noah Cyrus, Gavin DeGraw, Marcus King, Brothers Osborne, Jon Pardi, Jelly Roll, Dan + Shay and CeCe Winans – joined by Nashville Community Gospel Choir, all lending their talents to help raise critical funds for cancer research. The special will also include pre-taped segments featuring Kevin Bacon, Jamie Foxx, Tim McGraw, Zoe Saldaña, Keith Urban, and Reese Witherspoon. Grammy® Award-winning artist Sheryl Crow will serve as the evening's host and also perform, along with remarks by SU2C co-founder Katie Couric. Music icon Dolly Parton previously participated in a tune-in campaign to raise awareness for the Nashville telecast. This year's show airs Friday, August 15, at 8 p.m. ET and PT / 7 p.m. CT, marking the first time the biennial special will be broadcast from Nashville, bringing SU2C's mission to the heart of Music City. The telecast will feature powerful stories from survivors whose lives were transformed by research that was made possible through donor support. Viewers will also hear from SU2C-funded researchers about recent breakthroughs in early detection and cancer treatment, along with the growing potential of AI to accelerate progress in the field. The one-hour commercial-free special will air simultaneously on over 30 participating media platforms across the United States. All four major U.S. broadcast networks will carry the show, with broadcasters donating prime time slots to support the cause. The telecast will also be available to watch on-demand across multiple digital and streaming platforms, ensuring broad and flexible access to this one-night-only event. As a lead-up to the televised special, SU2C has launched the #Up2Us to #StandUpToCancer campaign, which runs through Sunday, August 31. Now in its fifth year, this month-long fundraising initiative brings together creators from across Twitch, TikTok, Facebook, and YouTube to support groundbreaking cancer research. The campaign features diverse livestream content, from gaming to other engaging genres. Creators will host fundraising streams to raise awareness and support SU2C's mission to fund research aimed at detecting, treating, and ultimately curing all cancers. Notable participating streamers and creators include Tess Bohne, Neebs Gaming, Trisha Hershberger, The Jang, KandidlyKayla, Stormfall33, and Khleo Thomas. Additionally, SMOSH and Marissa Hill are among the YouTube creators attending the SU2C telecast. Since its inception, SU2C has united over 3,100 top researchers from more than 210 leading institutions across 16 countries to collaborate on advancing cancer research. This unprecedented cooperation has contributed to saving tens of thousands of lives worldwide and continues SU2C's 17-year mission to accelerate breakthroughs in cancer treatment and prevention. SU2C gratefully acknowledges the Nashville Convention & Visitors Corp, Corner Partnership, LLC, Tennessee Titans, and Vanderbilt-Ingram Cancer Center for their generous support as we bring this year's telecast to Nashville. This year's production is made possible through generous in-kind contributions from local partners, including The Westin Nashville, W Nashville, Omni Nashville Hotel, and Premier Global Production. SU2C is also supported by generous donors and collaborators who share the same goal of fueling groundbreaking cancer research. Among them are Mastercard® and American Airlines, whose continued support helps make this work possible. The organization's founding partner, Major League Baseball, remains a steadfast supporter, providing annual financial contributions and unique opportunities to amplify the organization's mission across its global fan base. The show will take place at The Pinnacle and is being co-produced by Stand Up To Cancer and Done + Dusted. Executive producers include Done + Dusted's David Jammy and Liz Kelly, SU2C co-founders Pamela Oas Williams and Lisa Paulsen, alongside Rod Essig of Creative Artists Agency (CAA), and Kevin Yorn of Yorn Levine / BroadLight Capital, and Rick Yorn of LBI Entertainment / BroadLight Capital. James Merryman will serve as the show's director, and Derek Wells as the musical director. To learn more about SU2C's 2025 telecast, visit For more information about the #Up2Us to #StandUpToCancer campaign, visit About Stand Up To CancerStand Up To Cancer® (SU2C) raises awareness and funds research to detect and treat cancers with the aspiration to cure all patients. SU2C is a 501(c)(3) charitable organization and was initially launched as a division of the Entertainment Industry Foundation. Established in 2008 by media and entertainment leaders, SU2C utilizes these communities' resources to engage the public in supporting a new, collaborative model of cancer research, to increase awareness about cancer prevention, and to highlight progress being made in the fight against the disease. As of April 2025, more than 3,100 scientists representing more than 210 institutions are involved in SU2C-funded research projects. The American Association for Cancer Research (AACR) is SU2C's scientific partner. A Scientific Advisory Committee, led by William G. Nelson, M.D., Ph.D., conducts rigorous competitive review processes to identify the best research proposals to recommend for funding, oversee grants administration, and provide expert review of research progress. Current members of the SU2C Founders and Advisors Committee (FAC) include Katie Couric, Sherry Lansing, Kathleen Lobb, Lisa Paulsen, Rusty Robertson, Sue Schwartz, Pamela Oas Williams, and Ellen Ziffren. The late Laura Ziskin and the late Noreen Fraser are also co-founders. Julian Adams, Ph.D., serves as SU2C's president and CEO. For more information visit Instagram, TikTok, X, Facebook, and YouTube. View original content to download multimedia: SOURCE Stand Up To Cancer
Yahoo
an hour ago
- Yahoo
MasterChef used to be a hug of a show, now it is just uncomfortable viewing
If telly and food have one thing in common, it's the importance of comfort. French onion soup, shepherd's pie, sticky toffee pudding; all classic comfort foods. As a three-course meal, they might be accompanied by some nice comfort viewing, like the BBC's cookery contest MasterChef, an hour-long hug of a show that returns this week. But, in the wake of allegations made against presenter Gregg Wallace and his co-anchor John Torode, which have resulted in the corporation severing ties with both men, this usually reassuring series is tinged with a strange, bitter aftertaste. When reports about Wallace's alleged misconduct broke last November, the BBC was still filming its latest competition, the 21st series of the show to air since it was revived in 2005. Wallace immediately announced that he would step aside from presenting during the investigation, with chef and former MasterChef: The Professionals judge Anna Haugh taking his place in the final episodes. Last month, following the conclusion of the investigation, Wallace was sacked, with his co-host, Australian-born chef Torode, also axed after scrutiny on the show's workplace culture unearthed an instance of racist language. This series – already filmed (and largely edited) by the time Wallace and Torode received their P45s – looked doomed. Yet, despite one contestant, Sarah Shafi, requesting that the show be scrapped (she eventually agreed to be edited out of it instead), the BBC has gone ahead with the broadcast. It makes for uncomfortable viewing. MasterChef is not thrill-a-minute television. It is a gentle, reliable programme that viewers have on in the background while doing the washing up after dinner. Recent series have run for 24 episodes, broadcast in three-episode tranches over a couple of months, meaning that the contestants – alongside Wallace and Torode – spend much of the late summer living in our houses. With Wallace and Torode both appearing here, condemned yet oblivious, that easy, ambient watching feels marred. Wallace cuts a distinctive figure on TV. Now, his broad, toadish smile evokes not just his cheeky greengrocer persona but the long index of allegations about inappropriate behaviour. Viewers (even Wallace's defenders) will be preternaturally alert to any sense that he is straying towards that dreaded 'banter'. 'Your girlfriend is a Disney princess?!' he marvels at a young cook at one point. 'Yeah,' the contestant replies. 'It's a tough life, Gregg.' Clearly no line is crossed in an exchange like that, yet the reports that have surfaced over the past year have transformed that genial rapport into a warning sign. An amber flag, if you will. 'Oh God, that was stressful,' a young challenger, Thea, says, pulling a face after a brief interaction with Wallace at the kitchen counter. It is the light, breezy comment that contestants have always made, yet it is also something that you can imagine being spoken in a more troubling context. Some viewers would never notice that, while others' minds will be drawn to it. It is indicative of the tension facing the BBC. There was no easy way out of this mess. To abandon the series would be to privilege the BBC's reputation over the hard work of not only the contestants, but a large cast and crew who stretch far beyond the show's two hosts (though when the credits roll and 'John Torode MBE' and 'Gregg Wallace MBE' get top billing, it is a salient reminder of how deeply embedded in the establishment bad behaviour is). Airing this series was a risk, yet the most striking thing is the uncanny normality of these new episodes. The allegations were looming, and yet filming went on. The result is something that, on the surface, feels inoffensively bland. An illustration, then, of how a toxic culture can seemingly hide in the plainest of plain sight.