Pianist Bruce Liu joins Asian Modern Symphony Orchestra's debut in Hong Kong
Deep into the second half of the Hong Kong concert, principal violin Gyoon Kim intoned the slowly paced, melancholy motif that opens the second movement (Andante non troppo) of Tchaikovsky's Piano Concerto no 2 in G major.
The tentative phrasing – which might have been deliberate – gave the solo section a diaphanous quality. Principal cello Joonho Shim then responded with rhythmically less imaginative, yet unerringly paced, versions of the same melody.
In keeping with his unassuming manner, guest star
Bruce Liu added the piano to this ethereal interplay with great tact and discreetly filled out the texture with subdued dynamics and an impeccable sense of colour.
Right at the heart of one of the most virtuosic pieces in the piano repertoire, Tchaikovsky folded in a chamber trio of only average technical difficulty but extraordinary emotional impact. And it felt as if the three musicians were discovering Tchaikovsky's conceit before our very eyes.
Canadian-Chinese pianist Bruce Liu performs Tchaikovsky's Piano Concerto No 2 during the premiere concert by the Asian Modern Symphony Orchestra at the Hong Kong Cultural Centre. Photo: Kevin Ku
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