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As Shakira kicks off new tour, she talks setlist, special guests and prioritizing her kids

As Shakira kicks off new tour, she talks setlist, special guests and prioritizing her kids

Yahoo13-05-2025
Shakira is the bestselling female Latin artist of all time.
She's also a musical technician who has achieved worldwide domination – along with four Grammy Awards and 15 Latin Grammy Awards – with rhythmically rich songs that mash pop, bachata, reggaeton and rock into aural fixations that underscore her Colombian roots ('La Tortura,' 'Loca') and seduce American listeners ('She Wolf,' 'Whenever, Wherever') with equal charm.
And lest we forget to mention those hip bones that seem to liquify every time she rotates them.
Following the February launch of her world tour in South America to support last year's 'Las Mujeres Ya No Lloran,' her 12th studio album featuring collaborations with Cardi B, Karol G and Rauw Alejandro, Shakira tweaked her stadium spectacle for her North American fans.
At the May 13 kickoff, she'll continue her record-breaking career as the first Latin female artist to headline a sold-out show at Bank of America Stadium in Charlotte, North Carolina. She'll crisscross the country – New York, Chicago, Washington, D.C., Atlanta, Miami, Phoenix and San Diego among her stops – through June before another round of shows in Mexico, where she recently broke Taylor Swift's record of four sold out concerts at Estadio GNP Seguros in Mexico City with her own seven (and counting).
On a brief break before leaving for the studio, Shakira, a seemingly ageless 48, chatted excitedly about the visual extravaganza she's created, the guests she's giddy about performing with (Wyclef Jean and Alejandro among them) and how her sons Milán, 12 and Sasha, 10, are her most constructive critics.
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Question: You've had a bit of a break from the tour since basically taking over Mexico in March. How have you been spending the past month?
Answer: (Laughs) If you can call it a break. I've been taking my kids to doctor's appointments, doing homework with them, but also working on the new wardrobe changes and surprises I have prepared for the North American tour. That all takes some time and preparation and then I also had to prepare for the Met Gala and the (May 6) appearance on Jimmy Fallon, so I haven't had a day off. I'm completely exhausted but at the same time thrilled because I'll soon be reuniting with my fans in America. It's been a long time and it's going to be epic. This is like a renewal of our vows!
What do you have to do to prepare to get back on stage again for a two-hour-plus stadium show?
I have to rehearse a few days and test everything again from the screens to the music. There are some new additions to the repertoire like 'Underneath Your Clothes.' I know some of my American fans will want to hear the classics other than 'Hips Don't Lie' and 'Whenever, Wherever.' There are a lot of things that are new to this tour, and then I have friends like Alejandro Sanz on the first date in Charlotte and Rauw Alejandro my second night in New York and Wyclef Jean in Charlotte, which will be a one-of-a-kind moment to share the stage with him after so many years.
I'm sure fans will love hearing him introduce 'Hips Don't Lie' with 'Shakira, Shakira.' It's hard to believe that song is 20 years old.
That's a song that is timeless and performed for every single tour and every single performance. It was one of the first songs that had a reggaeton sound back in the day when it was a niche thing to do. I remember having discovered this groove from Puerto Rico and I started playing with it and decided to build a track on that (rhythmic) pattern. I never knew that years later it would have such an impact.
You said whenthat you used it to transform pain into productivity. Does playing live also give you a feeling of catharsis, because on stage you always look like you're totally enraptured in the music.
I am. There's no way out because the audience is right there and they are so immersed in the music and the connection is undeniable. The emotions we feel every night from joy, moments when we sing and dance and celebrate to moments where I see people emotional and crying and remembering moments in their own life. It's more than a concert. It's not about my ego. It's a community and a union and a dialogue between the audience and an artist that has dedicated her entire life to making music that has been the soundtrack to their lives. I feel this identification that is truly unique. I've never seen more loyal, more militant fans. They protect me against anyone and lift me up when I need them the most.
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You're decades into a career and still setting milestones. You're the first Latin female act to headline these stadiums in Charlotte and Boston and San Diego and you just broke Taylor Swift's record at the stadium in Mexico City. Is it all a bit surreal?
Mexico City was crazy. We did seven nights and we're going back and will make it 11. I never expected anything like that. It's overwhelming and humbling and insane. It is totally surreal, but I've worked so much on every detail of this show. I'm building the biggest setlist of my career. There are going to be visuals I created, the narrative and the details of them. There are 145 people on this tour to make it happen every night. I've created original music for the transitions in the show, new choreography and arrangements. I have 13 costume changes, so all of what I've learned these years of making music, I feel like this is a recap of that journey.
You've been very open with sharing your musical life with your kids. As they get older, has motherhood changed the way you approach your music?
Last night I was at the studio and Milán was like, 'Mommy come home, I miss you.' I was in the middle of a really creative moment and was like, 'Sorry guys, I have to go.' I'm not just an artist. I am, first and foremost, a mother and they are my absolute priority in life and they know that. In a way I have less time to accomplish more, but to see them and how musical they are inspires me and I hope I'm showing them how hard you have to work to achieve a result. They are witnesses to how hard I work and how much I give of myself.
Do they tell you about new music?
They're huge fans of Kendrick Lamar. And the reason I ended up collaborating with Bizarrap in 2023 was because of Milán. He told me you've gotta collaborate with him and I said 'Who is that?' and he was like 'He's the Argentinian god.' He turned my attention to his music and we ended up doing ('Shakira: Bzrp Music Sessions, Vol. 53") together and it was a No. 1 hit. I pick their brains and ask for their opinions on everything I do. They have a good eye and good ears, and they are very demanding (laughs). They give me notes after the shows they come to. They always give me comments like, 'OK, tonight this happened …'
When you were first starting, there was a lot of emphasis on 'crossover success' with artists like Ricky Martin and Enrique Iglesias also recording in English to break into the mainstream. What has it been like to see this new generation of Latin stars rewrite that playbook and succeed with all-Spanish music?
If you think about it, for me being Colombian and a woman and also singing in Spanish like with 'La Tortura' (in 2005) and having the general market in America playing music in Spanish, that was a real challenge back then. That was one of the few songs that made it of that genre and that's why it's so important for me to have Alejandro (Sanz, who also sings on the track) back with me for opening night. It's going to be a very special moment.
This article originally appeared on USA TODAY: Shakira says huge tour isn't 'about my ego,' but a love letter to fans
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‘Listen To Me And Not Your Mother': How Gloria Estefan's Grandma Steered Her To Superstardom
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remembers vividly the first time she met her husband, Emilio Estefan Jr. 'He had short shorts, he had great legs, playing the accordion — he looked naked,' she says with a laugh while reflecting on a moment that would change their lives forever. She was at a friend's house putting a band together for one night, and Emilio, who knew her friend, showed up to give them some pointers. 'I was sitting on the floor and I thought, 'Wow, this guy has charisma,' ' she recalls. 'He left, we did our gig, everybody went their separate ways.' More from Billboard Gloria Estefan on 'Raíces': 'It's Like a Modern Mi Tierra' Meet the Producers Making Regional Mexican Music Explode Soulshine at Sea 3 Is Cancelled After Artist Exodus That summer, the two would meet again at a wedding that her mother had dragged her to. He was part of the band, playing Van McCoy's 'Do the Hussle' on the accordion when she spotted him — this time in a tux. 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Going back to your beginnings, what do you remember about your start in the music business? You've said in the past that you were shy. It's not that I was shy, because one-on-one I was perfectly fine and I could handle any situation. I was an observer. But what I don't like is to be the center of attention; that's just not my nature. So to join the band, it was for fun. I never thought, 'Oh, I'm going to be famous,' or 'I'm going to do these crazy things.' No. And there was a really nice guy in that band… He was, but I saw him as a man. He was only four-and-a-half years older than me, but he was very responsible, and he took care of his parents. He worked during the day, he studied at night, he had side jobs, he had businesses. I saw him as 'Oh, Mr. Estefan,' you know, the boss … I didn't start dating him until a year after. He had an older girlfriend, let me tell you. She was 36, he was 22. And I didn't think he would be interested in me. I had zero experience, never went out anywhere because I took care of my dad [who had multiple sclerosis]. Joining the band was a freeing experience, and marrying him was an even more freeing experience. I didn't think I'd get married the day after I turned 21. I had no doubt that I wanted to be with him the rest of my life. We've made a very unique partnership, and a lot of the things we've accomplished [are] because we're together. When did you realize that you had really made it in music? When 'Conga' crossed charts in Billboard, I thought, 'OK, they're getting it, they're understanding what we have believed all along could happen.' And look, that song is now going to the Grammy Hall of Fame [after] 40 years. Which three songs do you consider to be the most important in your career and why? 'Conga,' clearly. Probably 'Mi Tierra.' And 'Con Los Años Que Me Quedan,' [which] became a love song and a wedding song and it's the first song that Emilio and I wrote together way back in the day. But there are so many more! OK, tell me two more. If we're going to be real, 'Dr. Beat,' which actually broke through, but I didn't write that one. 'Anything for You,' my very first No. 1. And 'Coming Out of the Dark,' which was a big thank-you to everyone that sent prayers my way after the accident. That song poured out of me in 10 minutes. [In March 1990, Gloria was in a tour bus accident that resulted in a broken back and temporary paralysis. She underwent surgery and a lengthy recovery.] I remember the first time you sang it live, at the American Music Awards. Oh, gosh, it was insane. I wanted to kill Emilio because Dick Clark had called Emilio in September [1990], so I was still at a point where I couldn't move by myself anywhere. And Emilio actually came to me to tell me that Dick Clark wanted me to perform the following January. I was inside this body that didn't feel familiar. I was relearning everything: how to walk, how to wash my face and not be in pain. The last thing that I'm going to think about is getting on a stage. I want to be able to walk and get a glass of water by myself. I want to not put my family through what I went through [with my father] if I could help it. He was nuts. I said, 'Babe, I can't.' And then he told Dick Clark, 'I can't convince her; you're going have to.' And Dick Clark got on a plane and flew to Miami to talk me into [the performance]. Did that help you with the recovery in any way? It did. Emilio, as usual, was right. My first outing three months after the accident was to the studio, because I felt so bad for him that he hadn't left my side. He said, 'I have this piece of paper that I wrote this thing on the day you had the accident, in the helicopter. I found it today in my pant pocket.' It was all washed. He hands it to me. I look at it and I go, 'Why is it in English?' (Laughs.) And it said: 'Coming out of the dark.' He said, 'I would love for you to come to the studio. Jon Secada is going to meet me there.' And I went, for him. And when I heard the one melody line of (Sings.) 'coming out of the dark' that Jon sang, it was like, Oh, my God. And it all poured through me. That's what I was going to perform at the American Music Awards. Having that goal really helped me to focus and not just deambular [wander]. Even though every day I was focused on getting better, it gave me a date to shoot for. Is there anything you miss doing or wish you could do without being recognized? Nothing stops me from doing anything I want. I was talking to my grandson about that the other day, because he and I would get in a car and go to an escape room and inevitably someone would ask for a picture. He knows I'm always going to stop. He always says, 'I'll take the picture.' He's very kind about it. My kids lived a different experience, because that part of it — when you are at the top, you literally can't go anywhere because it becomes impossible. It creates a scene, people go crazy, you divert from the kids. Even though I told them, 'If we're in public, I'm never going to say no to an autograph, because we have a moment to either make them happy or possibly traumatized from approaching anyone.' They understood, but it was harder for them. That's why I love this moment when, yes, we have a beautiful career and I still get the love, people ask me for hugs, but it's not the craziness of that moment when you're new, fresh; the fame is huge. As one of the most stable and beloved couples in Latin music, how do you and Emilio keep the spark alive? Oh, my gosh. He makes me laugh every day. And if he goes on a trip, I'll go to brush my teeth and there's a little note: 'Babe, I'm going to miss you.' He draws a little thing, him with the guitar or something. He's just very sweet and thoughtful. He would buy me stuff all year-round, to the point where I tell him, 'Babe, please, I don't need any more jewelry,' but he's happy doing that. Me mima, he spoils me in so many ways. And I try to do the same for him. We're excited, we love being with each other, we miss each other. We don't sleep the same when we're apart. It just becomes deeper, and there's a lot of respect and admiration. Is there anything you still would like to achieve professionally? This was always my go-to answer, and it's getting a little more difficult to envision it, but if it were to happen within the next few years, to sing in a free Cuba. Somehow that dream, every time we feel a piece of it — like what happened July 11 [of 2021 with the anti-government demonstrations] and we thought, 'Oh, maybe this is it, maybe this is the moment' — it dissipates under the crushing weight of that dictatorship. 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