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Concert review: K-pop girl group Babymonster cheered on by growing fan base

Concert review: K-pop girl group Babymonster cheered on by growing fan base

Straits Times19-05-2025
K-pop girl group Babymonster – (from left) Asa, Rora, Chiquita, Ahyeon, Pharita and Ruka – played to a sold-out crowd at the Singapore Indoor Stadium on May 17. PHOTO: YG ENTERTAINMENT
2025 Babymonster 1st World Tour: Hello Monsters In Singapore
Singapore Indoor Stadium
May 17, 6pm
What a difference a year makes. If you had caught K-pop septet Babymonster's debut Singapore show in June 2024, you would be amazed by how much their fan base has grown since.
The girl group sold out their May 17 concert at the Singapore Indoor Stadium, a larger venue than The Star Vista where they last played to around 5,000 fans. They also performed at the Formula One Singapore Airlines Singapore Grand Prix in September 2024.
The demographic of their fan base has also diversified, based on this writer's observations. The about 9,000-strong audience of the 2025 concert included a more even gender mix, and ranged from primary school children to adults in their 30s, compared with their predominantly teenage female audience earlier.
The girl group have worked non-stop to win hearts since they were officially formed in 2024, and celebrated their first anniversary on April 1.
Now aged 16 to 23, the seven members were assembled from three countries by K-pop agency YG Entertainment. They are Ahyeon, Rami and Rora from South Korea, Asa and Ruka from Japan, as well as Chiquita and Pharita from Thailand.
Their first world tour kicked off in Seoul in January, and went to New Jersey and Los Angeles in the United States and five Japanese cities, before arriving in Singapore, their first stop in South-east Asia.
Babymonster were quick to proclaim their love for Singapore fans or Monstiez, as they are known. 'It's so good to be back,' Rora said, after they opened the show with two high-energy tracks, Drip and Batter Up.
But as Ahyeon told the packed stadium: 'We're very sad that Rami couldn't join us this time.'
Babymonster opened the show with two high-energy tracks, Drip and Batter Up.
PHOTO: YG ENTERTAINMENT
YG Entertainment had announced on May 9 that Rami would not take part in the remaining stops of the Asian leg of Babymonster's world tour 'due to health-related reasons'.
While the agency did not elaborate on her condition, it revealed that the 17-year-old has been undergoing treatment since her debut. But as her condition has not improved, 'medical professionals have advised that she suspend all activities and take absolute rest for the time being', it said in a statement.
The statement added: 'Even in the face of this unexpected situation, the six remaining members are more determined than ever to successfully complete their meetings with fans across Asia.'
That the members did, as they held their audience captive with a concert which was backed by a four-piece band and clocked in at just under two hours.
Babymonster held their audience captive with a concert which was backed by a four-piece band.
PHOTO: YG ENTERTAINMENT
Besides delivering hits such as Sheesh, Forever and Love In My Heart, they also took turns to sing solos.
Chiquita, for instance, belted out a rendition of American singer-songwriter Olivia Rodrigo's Traitor (2021), while Pharita hit all the high notes in What Other People Say (2021), a duet by Australian singer-songwriter Sam Fischer and American singer Demi Lovato.
Meanwhile, Asa and Ruka performed Woke Up In Tokyo, their quirky duet from the group's first full-length album Drip released in November 2024.
Babymonster covered Blackpink's hits Kill This Love and As If It's Your Last for the first time on their concert tour.
PHOTO: YG ENTERTAINMENT
But the real treat for fans came when the group covered Kill This Love (2019) and As If It's Your Last (2017), two dance-pop numbers by the massively popular quartet Blackpink, which are also managed by YG Entertainment. This was Babymonster's first time performing these cover songs on the concert tour, Ahyeon said.
Several members, including Ruka, revealed during their trainee period that Blackpink served as their inspiration to pursue a K-pop career.
The concert also featured a recap with clips from Last Evaluation, an eight-episode YouTube reality series released in March 2023, which documented Babymonster's journey as K-pop trainees.
Babymonster's Singapore concert drew a good gender mix of fans, and ranged from primary school children to adults in their 30s.
PHOTO: YG ENTERTAINMENT
With the group's dedication and their agency's extensive promotion, there is no doubt that Babymonster will reach greater heights, and perhaps even match up to Blackpink's fame.
As the show came to an end, Asa summed up the sentiments of her group mates and fans when she said: 'Next time, I hope we can be back, with all seven of us.'
K-pop girl group Babymonster took photos with their fans at their sold-out concert in the Singapore Indoor Stadium on May 17.
PHOTO: YG ENTERTAINMENT
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Celebrate K-culture, K-pop and BTS at 2025 Purple Festa in Jeju on Sep 12 and 13
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  • Straits Times

Celebrate K-culture, K-pop and BTS at 2025 Purple Festa in Jeju on Sep 12 and 13

Sign up now: Get ST's newsletters delivered to your inbox The inaugural 2025 Purple Festa festival aims to be more inclusive, with wheelchair-friendly activities. SINGAPORE – On Sept 12 and 13, the inaugural K-culture festival 2025 Purple Festa will be held on Jeju Island, South Korea. Hosted by the Jeju Special Self-Governing Province and organised by Jeju Tourism Organization (JTO), the free festival will feature activities like music performances, an art exhibition and a flea market. Jeju Island, known for its sprawling natural landscapes and fresh seafood, has received more international attention in recent years. Not only was the popular Netflix drama When Life Gives You Tangerines (2025) – starring South Korean A-listers IU and Park Bo-gum – filmed there, members of K-pop supergroup BTS have often visited the island for photo shoots, variety show filmings and leisure trips. 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This Singapore director's films have won global acclaim, but he almost moved to the UK to take up citizenship aged 6
This Singapore director's films have won global acclaim, but he almost moved to the UK to take up citizenship aged 6

CNA

time2 days ago

  • CNA

This Singapore director's films have won global acclaim, but he almost moved to the UK to take up citizenship aged 6

Sundays were sacred when Mr K Rajagopal was a boy in the late 1960s and early 1970s. Not quite for religious reasons, but you could say the cinema within the grounds of the old Seletar Camp where he lived with his family served as a temple of joy for the youngster. There, he often sat on wooden benches alongside his four siblings, underneath a thatched roof that sloped down just enough to provide a vantage point under ample shade for cinema goers to enjoy moving pictures projected onto a plain canvas. The family would dress the part too for these cinema evenings which took place once every three months. "We had long socks and shoes and we wore our best clothes. It was a big deal because it was very rare, you know, it was like a treat you get for being a good child or for behaving yourself," he said. It was there where he first caught a glimpse of works from the old matinee idols of Tamil cinema, such as MG Ramachandran and Sivaji Ganesan. A week before Singapore celebrates its 60th year of independence, I asked Mr Rajagopal – who also turns 60 in September and is now an internationally-acclaimed and award-winning filmmaker – to take me to his old stomping ground for a walk. The old Seletar Camp, now used by the Singapore military, was home to British forces back then. Mr Rajagopal's father and paternal grandfather worked for the Royal Air Force. As we entered the grounds of his childhood home, the sun was scorching and the man was dressed in black from head to toe. But even as droplets of perspiration trickled down his temple, his eyes lit up as he spotted familiar landmarks from his childhood. He pointed out the guardhouse along the Piccadilly roundabout where his father would drive by every day. He also drew my attention to the ghaut where he would watch a kind dhoby wash clothes. 'This brings back a lot of memories,' he said. But it is when he talks about film, including his mother's love of cinema, that his baritone voice perks up the most. He recalled: "Jalan Kayu used to have pasar malam (night markets) on Friday nights, and there were Tamil movies on Fridays too. "I remember my mum rushing us all back home (from the pasar malam) by 10pm so she could watch her movies on the TV. She would scold us and get us to hurry onto the bus. "It was an important part of our lives." Today, Mr Rajagopal is best known for his 2016 debut feature film A Yellow Bird – which follows a Singaporean man of Indian ethnicity navigating life after prison, grappling with the fractures he created within his family and being marginalised by society. The film premiered at the prestigious Cannes Film Festival's Critics' Week and was also screened at noteworthy festivals in Russia, South Korea and India, among others. He might not have known it then, but the memories gleaned from being glued to screens in 1970s Seletar played a crucial role in honing his creative sensibilities in the director's seat. STORYTELLER AT HEART I knew within the first five minutes of meeting Mr Rajagopal that I could listen to him talk all day as a throng of tales spilled out of him. He remembered that occasionally, on humdrum Sundays where a visit to the nearby cinema wasn't possible, an aunt named Rema would come to Mr Rajagopal's residence and recreate "entire movies" for him and his siblings. Aunty Rema would play the parts of every character, portray in detail the way they walked and talked, enunciate every bit of dialogue immaculately. Thus, his education in storytelling began very early. The fact he had a deep, articulate voice helped too – prompting his teacher at St Andrew's Junior College to persuade him to join the theatre. That teacher, Ms Marilyn, gave the young student a role in a play, which eventually drew good reviews in the newspapers of the day. This both excited and emboldened him to audition for more roles. The arts had stuck. "The whole idea of making theatre and acting shaped me. That's what art does to you, it opens up your mind to various things," he said. Even though he discovered this talent for storytelling early on and had an obvious love for all things cinema, it was only at age 30, while working as a manager for an American firm in the arts industry, that he put two and two together and decided to make his first film. He wrote and directed I Can't Sleep Tonight in 1995 after being inspired at his evening job moonlighting at a motel in Little India where he met a whole host of people: refugees fleeing their countries, a woman conned into becoming a sex worker, a druggie backpacker trying to evade the law. That film, and two others from 1996 to 1997, won three consecutive Special Jury prizes at the Singapore International Film Festival – a hat-trick of scoops that cemented his reputation as one of the country's most compelling voices in cinema. I was thus puzzled when he told me he felt as though he still hadn't reached a certain "level" to call himself a filmmaker – even after the success of A Yellow Bird. Why? "Because I've watched some amazing films by amazing filmmakers. There are too many, and when I watch them, I just feel so inadequate. I think I have so much more to learn." Perhaps it is also to do with the fact that he never had a "proper" film education, he said. "But my films are my experiences. They're personal, they're a very good way to express what I feel, and that's why I've stayed true to it." ALL SINGAPOREAN, YET ALMOST BRITISH Every film Mr Rajagopal has made is rooted in Singapore. They may explore different themes, but all of the characters live and breathe in the same places he has. This is by design. "I feel that this is where I'm at my best," he said. "It's very important because I am trying to talk about Singaporeans, and I relate to the people and to things that happen in this country. "I like to examine our differences and similarities. I want to present different perspectives and not to judge. That's why I make films in Singapore – because I'm Singaporean." Yet, life might have turned out quite differently for Mr Rajagopal. In 1971, as British military forces prepared to leave Singapore, his paternal grandfather – a longtime employee of the Royal Air Force – was ready to leave with them. The United Kingdom was offering citizenship to those who had served the crown, and like many in the community, his grandfather saw it as an attractive proposition. But Mr Rajagopal's mother was resistant. He recalled: "She was a school teacher, and she felt very strongly about living in Singapore. She said that she didn't want to be a second class citizen in a foreign country. "Unfortunately at the time, she couldn't really voice her opinions, so she had to do it through my father." He might only have been six years old at the time, but Mr Rajagopal remembered vividly the altercation that occurred between his father and grandfather over this disagreement. "That created a bit of tension within my family. I think my grandfather slapped him, and I remember hiding behind my mum and watching the scene (unfold) in the living room. This story was the premise behind his 2015 work The Flame – which featured in an anthology of short films entitled 7 Letters, produced in homage to the nation's golden jubilee a decade ago. He said: "That story changed my destiny. I could have been in the UK now, speaking differently, maybe not as a filmmaker." LOOKING FORWARD Indeed, staying gave him a front-row seat to the nation's evolution, and the raw material for all the stories he has told and will continue to tell. Does he feel like his films – and especially his magnum opus to date – have made the impact he desires on Singaporeans? "I wouldn't say it's widespread, but I think the response from the fraternity – filmmakers and audiences who like independent cinema – appreciated the fact that I've made a very realistic film. "I want the film to reach out to a lot more people, but I can't force it. It's not about playing to the galleries, I think you have to make a film that you really believe in." In the same breath, he spoke with cautious optimism about the future of Singaporean cinema. The scene, he said, has grown significantly since he made his first short film three decades ago. It's now more vibrant and more varied, with filmmakers such as Royston Tan, Anthony Chen, Boo Junfeng and Yeo Siew Hua carving out distinctive voices. "It has definitely progressed, and it's encouraging," he said. "But we need to stay open – more can be done to accept different premises, stories and issues that can be discussed in films. Sometimes we can be a bit restrictive and self censor. He hopes the next wave of filmmakers will embrace Singapore's present and future, not just look at the past with nostalgia, and that the space for artistic freedom continues to widen. "In cinema, you have to explore. We must allow everyone to express themselves freely."

'More like a trip with friends': Cast of K-drama Love, Take Two recall bonding in the countryside during filming, Entertainment News
'More like a trip with friends': Cast of K-drama Love, Take Two recall bonding in the countryside during filming, Entertainment News

AsiaOne

time2 days ago

  • AsiaOne

'More like a trip with friends': Cast of K-drama Love, Take Two recall bonding in the countryside during filming, Entertainment News

Filming for their new drama almost turned into a retreat for actors Yum Jung-ah, Choi Yoon-ji and Kim Min-kyu. AsiaOne recently spoke to the cast of new K-drama Love, Take Two about their experiences portraying their characters, as well as filming in the countryside. The comedy-drama follows the story of construction site manager Lee Ji-an (Jung-ah) and her medical student daughter Lee Hyo-ri (Yoon-ji), who move to Cheonghae Village in the countryside to start a new chapter in their lives. There, Ji-an bumps into her first love Ryu Jeong-seok (Park Hae-joon) and Hyo-ri crosses paths with his son Bo-hyun (Kim Min-kyu), a bright young farmer. The cast spoke to AsiaOne about the memorable times when they bonded on and off set. Min-kyu, 30, regaled: "One memory that comes to mind is the three-day shoot we had in Gangneung with our Cheonghae Village friends. We went to arcades, worked out together and enjoyed great food. "It honestly felt more like a trip with friends than work. We all got a lot closer during that period so it really stands out in my memory." Actors Kim Mi-kyung, Kang Ae-shim, Jung Young-joo and Park Soo-young played residents of the village. He added: "While filming, we visited so many beautiful places across South Korea. Each time, we'd have meals together and share stories together and those little moments became such a source of healing for me." We asked the actors if they would consider living in the countryside, now that they've had a taste of the fresh air and wide-open spaces. Min-kyu told us he would still pick living in the city. "It's mostly because I love food so much - I need delivery options even late at night. But rather than a big, bustling city, I prefer somewhere quieter. A city where I can enjoy time alone." Jung-ah, 53, said: "It's hard to choose between the convenience of city life and the comfort of the countryside but because we filmed most of this drama outside the city, the cast became closer than ever. "We even made fun little videos together like Shorts and Reels while watching funny clips. I hope viewers will enjoy these behind-the-scenes moments as much as we did." For Yoon-ji, it was through the drama that she found herself thinking: "Life in the quiet countryside might be wonderfully peaceful too." The 28-year-old added: "At times, the landscape even speaks for the characters' emotions. I think viewers will naturally find themselves immersed in that atmosphere. The calm, seasonal music woven throughout adds to a sense of peace, making the entire watching experience comforting." Living vicariously through their characters Despite having portrayed mother-daughter relationships in past shows, Jung-ah said it was different this time. "This was the first time the story felt so personal - like a reflection of my own life. That made it easier to fully immerse myself. As a mother myself who shares both tender and tough moments with her daughter, I naturally found myself blending into my character." In their likeness, she relates to her no-nonsense character Ji-an in more ways than just being mothers. The veteran actress shared: "No matter what role I take on, it's impossible to completely separate myself from the character. Ji-an's independence and boldness are qualities that really resemble who I am in real life. And like her, my children always come before work." "But honestly, she has more lovable sides than I do. In portraying these qualities, I found myself living vicariously through her at times." While Yoon-ji was never a rebel in her youth, she resonated with her character in other ways. "From the moment I first read the script, I felt that Hyo-ri's personality had a lot in common with mine and I really wanted to play her. She's a multi-dimensional character who lived a simple life but begins to grow through a major turning point and experiences a wide range of emotions. As an actor, I was drawn to that challenge. "However, because she doesn't openly express her feelings, I felt it was even more important to convey her inner world through silence and glances - nonverbal, subtle expressions rather than lines. "I don't see Hyo-ri as defensive. I think she's a girl who knows more than she lets on. Even in her cold tone, I felt there was a quiet desperation hiding beneath and I tried to reflect that in my performance." Love, Take Two is now available for streaming on Viu. [[nid:721111]] No part of this article can be reproduced without permission from AsiaOne.

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