
Sophia Loren's son reveals how his mother saw husband Carlo Ponti - who met legendary Italian star when she was 15 while he was 37 - as a 'father figure'
Speaking to The Times, director Edoardo Ponti, 52, spoke of the how the 22-year age gap affected the budding star, who is now 90.
'In addition to the romantic love and the attraction, he provided that sense of security, that sense of protection, which my mother was always in want of,' he explained.
Sophia, who grew up not knowing real real dad that well, was brought up just outside Naples - but aged around 16, her mother Romilda relocated them to Rome and tried to track him down for financial support.
He refused. But whereas Romilda decided to make her way back, Sophia decided to set up camp in the Italian capital.
'Imagine today a 16-year-old daughter telling her mother, "I'm not leaving. You go, I'll stay",' Edoardo continued.
'I mean, it's absolutely unthinkable. Every character that my mother has built on screen comes from the fabric of her trauma - there's no question. She understood that poverty for an artist is gold, because adversity, not knowing where your next meal is going to come from, all of those elements create such a wealth of inner life.
'[She understood] the humility of being in the service of something, her characters, her directors. She has never been the diva. She's always a team player.'
Sophia has previously recounted meeting her husband at a small town beauty pageant.
And in excerpts of her memoir Yesterday, Today, Tomorrow: My Life - shared in an issue of Closer Weekly, the actress had also recounted similar sentiments of feeling a paternal fondness for her late husband.
'By that time whenever I went out it was with Carlo,' she reminisced in her autobiographical book. 'True, he was married and we had to be careful, only later would our fondness turn into love.'
He helped launch her career as a sought-after star when the Italian film producer casted her in some of her first starring roles in Anna and I Dream Of Zorro.
Upon meeting him, Sophia knew Carlo would be someone in her life forever.
'I was content to be lucky enough to finally have someone beside me who knew how to speak to me, who could give me advice, who supported me in the parts I chose, which is crucial when an actor is just starting out,' she said.
Sophia added: 'I was trying to get ahead but without taking any false steps, and knowing that Carlo was on my side was a huge help. There was something fatherly about his presence, too, and I'd never had a real father.'
'He gave me a rootedness and stability that kept me grounded, while the world around me seemed to swirl dizzyingly, excitingly.'
Two years later the couple welcomed their first child Carlo Ponti, Jr and another son, Edoardo, in 1973; their eldest is an orchestra conductor while the latter is a director whose debut film Between Strangers also starred his mother
During their early years of courtship, he was still married to first wife Giuliana Fiastri. But during the summer of 1954, both Sophia and Carlo knew they were destined to be.
'It was there, while making Woman Of The River, that we finally understood we'd fallen in love. Our intimacy had turned into love,' she wrote.
He had proposed marriage to Sophia in 1957, prompting for a divorce from Giuliana which was forbidden in his native country at the time.
However, Carlo could not deny his strong feelings for the sex symbol and married her by proxy after obtaining annulment documents in Mexico.
As a result Sophia and Carlo would have wound up on the hook for concubinage and bigamy in their native country and so they annulled their marriage in 1962.
The pair eventually worked out a deal with Giuliana whereby they all moved to France and obtained citizenship there.
Giuliana gave Carlo a divorce under French law in 1965, and the next year he remarried Sophia whom he stayed with until his death in 2007.
Two years later the couple welcomed their first child Carlo Ponti, Jr and another son, Edoardo, in 1973; their eldest is an orchestra conductor while the latter is a director whose debut film Between Strangers also starred his mother.
Sophia has four grandchildren and told Closer she regularly keeps up with them, chatting daily with her family on FaceTime during lockdown.
'My approach to life is very simple,. Enjoy all the good news that my children tell me about their lives,' shared the Marriage Italian Style star.
Sophia, who lives in Geneva where she gave birth to both her sons, said: 'The beauty of my grandchildren fills me with joy although they are far away in California.'
A few years ago she told the New York Times that what she enjoys about life in Switzerland is that 'It's calm. When you live in a big city like Rome or like New York, there's so many things going on and the streets and the cars. Here, it's a really very peaceful place. And then, of course, it's the center of Europe.'
In the Times article however, Edoardo also revealed that his brother often complained is mother 'wasn't like the others' at school drop off, despite the star wearing jeans to be as lowkey as she could.
Sophia drew international acclaim for the 1960 film Two Women which was also about the ravages of World War II in her native Italy.
Her performance in the Vittorio De Sica movie made her the first person ever to earn an acting Oscar in a language other than English.
However she has not appeared onscreen in a feature film since Nine, Rob Marshall's 2009 movie adaptation of a Broadway musical of the same name.
Nine was based on the seminal Italian movie 8 1/2 directed by Federico Fellini whom Sophia never worked with despite the two being stars at the same time.
She has kept working since Nine - she dubbed a role in Italian for the 2011 Pixar movie Cars 2 and has appeared in a short film.
A decade ago she also played her own mother Romilda in the Italian miniseries My House Is Full Of Mirrors, based on a book by her sister Maria Scicolone, who once spent a decade married to Benito Mussolini's jazz pianist son Romano.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
4 hours ago
- Daily Mail
Cosy up with classic crime this month: A Case of Life and Limb by Sally Smith, The Magus of Sicily by Philip Gwynne Jones, The Golden Age of Murder by Martin Edwards
A Case of Life and Limb by Sally Smith (Raven Books £16.99, 320pp) Following up on a successful debut novel is tough for any author. Expectations are high but rarely fulfilled. Smith is one of the exceptions. We are once again in the company of Sir Gabriel Ward KC, a scion of the Inner Temple, an exclusive reserve for the legal elite. When mummified body parts start turning up on the doorsteps of leading residents, causing one occupant to die of shock, Gabriel is asked to lead an investigation and stop scandal spilling out to nearby Fleet Street. Meanwhile, our part-time detective has his work cut out representing a music hall singer in a defamation case against a high-born seducer. A brilliant mystery. The Magus of Sicily by Philip Gwynne Jones (Constable £22, 384pp) A small town in Sicily is in festive spirit until a man's body is fished out of the sea. He was a leading psychic, one of a fraternity of fraudsters. A cub reporter on the local newspaper, Nedda Leonardi believes there is more to the case than an accidental drowning. Her unlikely ally is known as the Magus, a gambler and showman who is well-versed in the tricks of the mystic's trade. While Nedda is on the track of a scoop, the Magus is occupied keeping one step ahead of jealous rivals. Philip Gwynne Jones is on a winning streak with his Italian mysteries. While the action has moved from Venice to Sicily, there is no let-up in the tension that keeps us rooted to the page. The Golden Age of Murder is available now from the Mail Bookshop The Golden Age of Murder by Martin Edwards (Collins Crime Club £14.99, 528pp) Focusing on the inter-war period, Edwards draws on his encyclopaedic knowledge of the Golden Age. We are treated to an intriguing profile of Dorothy L. Sayers, a vicar's daughter whose erratic career started in advertising, from which she took extended leave to give birth to an illegitimate child. For Sayers, as for the followers of her urbane detective, Lord Peter Wimsey, crime fiction was an escape from a dismal present. Edwards delves into the often surprising sources of leading authors' creativity. Much of the inspiration came from the Detection Club, bringing together the top professionals of their day. Still a prestigious gathering, it counts Edwards among its members. It would be hard to imagine a better dip-into book for summer.


The Guardian
11 hours ago
- The Guardian
Chromatic Renaissance album review – Exaudi negotiate these writhing lines with exemplary precision
'Chromaticism is a rare and exotic bloom in Western music,' writes Exaudi's director James Weeks in his wonderfully comprehensive essay in his group's disc of late 16th-century choral works. 'It flowers only when conditions allow: when a harmonic theory exists which can accommodate it, and more importantly when composers desire to use it to increase the emotional expressiveness of their music.' Exaudi's exploration of the power of chromaticism begins with the high renaissance settings of Orlando di Lasso – his motet Timor et Tremor and six of the cycle of 12 motets that make up his Prophetiae Sibyllarum. It then moves through settings of more unfamiliar composers such as Vicente Lusitano and Nicola Vicentino to end with Marenzio and Luzzaschi, whose madrigals – settings of Petrarch and a section of Dante's Inferno respectively – seem to be poised on the cusp between the renaissance and the early baroque. It's music that was composed in the same period as Gesualdo's much better known madrigals, which sometimes use chromaticism and dissonance to even more spectacular effect. Yet the writhing, convoluted lines of these pieces, negotiated with exemplary precision and clarity by the seven singers of Exaudi, their voices perfectly matched and balanced, carry their own expressive power. This is a disc that becomes more fascinating and involving the more you listen to it.


The Sun
13 hours ago
- The Sun
Sharon Osbourne revealed her darkest secrets to me over beer at LA mansion… including tragic sacrifice she made for Ozzy
"BIRTHS, booze, drugs, bike accidents, cancer, burglary, you name it and we've got through it,' Sharon Osbourne told me candidly at her glamorous Hollywood home with Ozzy. But amongst such turmoil, she could still pick out one memory that haunted her more than any other and led to a deep, traumatic schism for over two decades. 9 9 9 Consumed by grief, a pale and weeping Sharon yesterday laid a single pink rose on Birmingham's Black Sabbath Bridge as the funeral cortege waited. It was emotionally fraught to watch this determined and resolute woman engulfed by such all-encompassing sorrow. As she was helped back towards her black limo at Wednesday's funeral procession, she flashed the peace sign - husband Ozzy's trademark gesture. Having interviewed Sharon at the family's Beverly Hills mansion, I had witnessed first hand their enduring love. Back in 2005, Sharon invited me into their sumptuous Los Angeles home - where MTV reality show The Osbournes was filmed - to talk about her autobiography called Extreme. Ozzy - knowing it was his wife's gig - ambled around making fruit drinks for us then watched on from a polite distance. But he couldn't help interjecting with one-liners. Make no mistake, this was a double act. One Sharon - with a supreme, sharp-elbowed talent for showbiz management - had forged. When she first started working with Ozzy in 1979 he was a washed up, drug-addled, alcoholic headbanger who'd been sacked as lead singer of heavy metal giants Black Sabbath. When I interviewed Ozzy three years earlier at their Buckinghamshire home, he'd admitted: 'I'd have beer for breakfast and work me way up. 'I would down four bottles of brandy a day, plus beer, wine, cocaine, pills and pot.' Tearful Sharon Osbourne reads fans' touching tributes to beloved husband Ozzy as she joins family at funeral procession Yet Sharon, 72, saw something in the wildman when most others thought he was an unsalvageable wreck. "When I first met my husband, I knew instantly that for the first time in my life, I was in love," she would later say on her chat show The Talk. "He was so funny and quick-witted and yet very vulnerable. And I just thought he was the funniest, sweetest guy I'd ever met." Marriage sacrifice It would lead to marriage, three kids - and an almighty fall out with her father - self-anointed Godfather of Rock Don Arden, who was Sabbath's manager. When Sharon married Ozzy, bruiser Don - real name Harry Levy - gave her his contract as a wedding present. 9 9 Repacking the frontman from dated '70s rock dinosaur to 80's Prince of Darkness, Sharon switched Ozzy from her dad's Jet Records and signed him up to a much bigger US company. It caused a rift with her father that would last more than 20 years before they patched it up. Back in 2005, Sharon told me with sadness in her voice: 'Don has never said he's proud of me. That hurts.' Dark presence Don - who died aged 81 in 2007 - had been a dark presence in her childhood that left deep psychological scars. 'There was nothing unusual in seeing my dad threatening someone or brandishing a firearm,' she said in a TV interview. "My father really had a temper. He had a voice which could echo through the entire house. "A couple of times, he would whack me and he used to yank my hair. But I wouldn't say I was abused and beaten. In those days it was the normal thing." In adulthood Sharon had struggled with bulimia, telling me: 'Some people do drink and drugs but for me it's food, food, food. It's about having low self-esteem. 'I went through a stage where I loved my husband. I loved my kids, I had a great career and thought, 'What the f*** does it matter what I look like? Have another pint of ice cream, you deserve it'. 'But I was kidding myself. I wasn't well. I was so fat I couldn't get up the stairs. My son Jack used to have to push me up with one hand on each arse cheek while I yanked myself up with the rail. "I literally had to lift the rolls of fat off my belly to wash under it, that's how fat I was. How bad is that? Ozzy loved me as I was but I didn't." 9 9 At 5ft 2ins, Sharon would weigh 16st at her heaviest before having her stomach stapled and losing half her body weight. Then The Osbournes reality show - peppered with four-letter outbursts and family rows - turned her into a superstar in her own right. Her own US chat show and a stint as an X Factor judge followed. Toughest challenges In the meantime this indomitable woman survived colon cancer, having surgery the day before her 2002 20th wedding anniversary, followed by chemotherapy. That year Ozzy admitted to me that Sharon had been his saviour: "I have a great wife and five of the most beautiful kids in the world. Without my wife I would be long dead.' 9 9 During my interview with Sharon three years later she was amazingly candid and witty. As photographer Dave Hogan packed away his camera gear and I put away my notepad, Ozzy piped up: 'Fancy a beer?' Most celebrities can't get rid of journalists quick enough but Ozzy and Sharon were eager to chew the fat. Alcoholic Ozzy produced a four-pack from the fridge, and handed me one while sticking to soft drinks himself. I eagerly asked him about heavy rock yet he explained his real love was The Beatles. As welcoming and down-to-earth a couple as you could wish to meet, Ozzy and Sharon were eager to hear about gossip from Britain. They were a hilarious double act and the fierce love between them was evident. That Ozzy became a national treasure was largely Sharon's doing. Now he's gone the Osbourne matriarch will do everything in her power to maintain her husband's legacy and be strong for their three children.