logo
I took 7 tweens to see 'Lilo & Stitch.' Tears were shed, blue snacks were eaten and fart jokes were enjoyed.

I took 7 tweens to see 'Lilo & Stitch.' Tears were shed, blue snacks were eaten and fart jokes were enjoyed.

Yahoo29-05-2025
Hello there, Yahoo Entertainment readers. My name is Suzy Byrne, and I've been covering entertainment in this space for over a decade — and longer elsewhere, but … details!
While I work with many A+ cinephiles here, I'm the first to tell you I'm not one of them. My dad tried hard by getting me to watch Hitchcock movies as a child, but — blame my seeing The Birds at age 5 — I've grown into the moviegoer who only goes to the big, buzzy films (bonus points for comedy) mostly, so I'm not left out of the group chat.
Since I had a child, though, I've made it a point to see as many kid-friendly movies as possible. Maybe it's because I'm a big kid ✔ and I like a cheerful resolution ✔. But also, as a busy working parent, is there greater joy than getting two hours to turn off your phone, put up your feet and eat whatever you want — while your child is fully entertained?!
So that's what this is — one entertainment reporter + her 10-year-old child + usually a group of friends (two words: silent playdate!) seeing family-friendly fare on the big screen, indulging in film-themed treats and replying all, to you, about the experience. Welcome to kids' movie club.
An adult just walked into the theater wearing a full-on Stitch costume. I must be in the right place.
On the day that megahit Lilo & Stitch opened, I gathered my ohana — or chosen family — to see Disney's live-action adaptation about an orphaned girl, Lilo (Maia Kealoha), raised in Hawaii by her under-resourced big sister, Nani (Sydney Agudong), after the death of their parents.
Lilo, who's lonely and struggling with her new reality, befriends a house-destroying but adorable genetically engineered alien fugitive, Stitch (voiced by Chris Sanders, as in the original), who teaches them the meaning of family.
This was one of those movies where everyone I invited said yes — thanks to that cute and fluffy little blue guy who's a sweeter and less demonic version of the Gremlins of my youth. We were a plus-size viewing party of 11 — seven tweens (ages 9-10) and four adults (my husband and two mom friends) — at a Look Cinema dine-in theater.
The big humans were hopeful it would be good. We all knew the broad strokes of the story, based on the 2002 original animated film, and that director Dean Fleischer Camp (Marcel the Shell With Shoes On) knows how to tug at the heartstrings. Even the one Disney employee in our group was excited for the movie, not exhausted by internal company hype.
The little humans expected it to be a masterpiece — well, based on the merch they rolled into the theater with. There were big-eared Stitch plushies all around for the kids and Pez dispensers featuring Stitch or his girlfriend, Angel. One girl in our crew wore a sweatshirt with Scrump, Lilo's rag doll. Upping our swag, a mom — who did not join for the movie — sewed all the kids custom Lilo & Stitch pouches that Etsy buyers, and probably the adult wearing the Stitch costume, would go cuckoo for. One of the girls made the others bracelets.
We fit right in with our surroundings. The girl sitting next to me, who wasn't part of our group, had on a Stitch T-shirt and carried the same live-action plush as our crew. There was also a baby one row in front of us and mostly asleep (thankfully) during the movie in a Lilo & Stitch top.
With the food dye ban coming, I greenlit as a last hurrah a Galactic Popcorn (regular popcorn with blue M&Ms) and an Aloha Blue Breeze (a mix of lemonade, Sprite and nonalcoholic blue curaçao). The popcorn was as expected, but the drink was surprisingly good.
The one negative was the light-up ice cubes, which were unexpectedly bright, so the entire theater had a blue glow going. Though they were not bright enough to illuminate the QR on my tray table when I needed to reorder food in the dark, halfway through the movie. (Why is scanning those things so annoying?)
My editor alerted me that the movie would be emotional — and it was. The kids expected the dead parents — the norm for, like, every Disney movie, am I right? — having seen the original movie and the TV series. There was a suspenseful near-drowning scene, but we knew the House of Mouse wasn't going to kill off a title character. The ending — which has been somewhat controversial — was a tearjerker, however. (What I'll say is: Thank goodness for portal guns and teleportation. And: Isn't higher education something to celebrate?)
Throughout the film there's a looming social services caseworker (Tia Carrere, who played Nani in the original) reminding that Lilo could be taken from Nani at any minute. That came more into focus at the end — amid a pile of medical bills — so did the prospect of Lilo and Stitch potentially being separated, despite the 'family means nobody gets left behind' mantra.
The end led to a household milestone when my daughter — who reached out to hold my hand, in front of friends, but spared of embarrassment by darkness — shed a tear for the first time watching a movie. That was nothing compared to my sweet adult friend, who was still crying after the credits (which are worth staying for) rolled and we walked to the lobby. She said it was a good cry though, a cathartic release.
During the movie I had to accompany a child to the bathroom. During a slow handwashing, she informed me that she didn't need to rush because she was going to see the movie again that weekend. The interlude led to me missing the Angel cameo, among the many fun easter eggs. If I learned anything from this day, it's that the kids really like Stitch's little pink girlfriend and would have liked more of her.
What got the most laughs from the kids was — no surprise — anything fart, burp or diarrhea related. I saw one of the kids we took to the movie four days later and the first thing she did was recite the Lilo line, 'The only superpower that I have is that sometimes when I run too fast, I fart.'
The kids also loved mischievous Stitch's quest for cake and thirst for lava lamp juice, seeing the 'Ice Cream Man,' all animal sightings (goat, frogs), multi-eyed Jumba (Zach Galifianakis) being called a 'hairy potato' and one-eyed alien Pleakley (Billy Magnussen) becoming part of the family.
This adult loved the music — Elvis, Elvis, Elvis. The soundtrack features almost all of the songs from the original movie. I learned that the young love of 'Uptown Funk' still runs deep in elementary schools, 10 years after its release.
I was also a superfan of the use of the original voice actors, which shows the attention to detail and nod to nostalgia while still moving the franchise forward. Also, seeing Hawaii on the big screen was like a mini mental vacation. As one adult told me, every beach scene swept them a million miles away — if only temporarily, being snapped back to reality with near-drowning scenes and underwater goodbyes. Though another said: It also showed that it's not necessarily easy to live in paradise.
My husband pointed out that this is the first film he's seen in which jumper cables saved a life — well, alien 626's life — and neither of us remembered breath spray being in a movie since the '90s. The folks who make Binaca must be delighted.
While the kids couldn't stop laughing at the fart joke, my favorite line was more sentimental about how 'sometimes family isn't perfect' and that it's OK. I mean — that's pretty much the motto at our house.
On the ride home, I tried to listen in on the kid convo in the back. They burst into laughter talking about all the dead moms in Disney movies ('I'm starting to think that all the people who made those movies were too lazy to add moms,' said one girl) and how so many of the early Disney princesses look alike. ('There are so many blonde ladies who wear pink, blue or purple,' said another.)
My daughter talked about crying in the movie, comparing Lilo saying goodbye to Stitch recently losing a family pet. A friend supportively replied, 'I didn't shed a tear, but I was about to.' Another said, 'It's OK — we all cry from time to time.'
Spoken like a kid in touch with their feelings — probably from seeing Inside Out 2.
Both the big and small members of our group seemed most excited by the Zootopia 2 and Bad Guys 2 trailers. Makes sense — everyone in our group had seen the originals. Zootopia originally came out in 2016, so the anticipation for a sequel has been building. Bad Guys is also such a popular book series that the kids want more.
No. 3 was Elio, about the boy who wants to be abducted by aliens because he feels like he doesn't fit in on Earth, which is relatable for all ages.
There wasn't as big of a reaction to Superman (maybe if there were more boys?) or Karate Kid: Legends from the kids. Mom here was a different story about the latter, as Ralph Macchio's face covered the walls of my childhood bedroom. It's next on my viewing schedule.
The theater didn't show the How to Train Your Dragon live-action trailer, unless I missed it while ordering seven popcorns, pretzel bites, mini pizzas and those blinding drinks my eyes are still adjusting from, but the kids talked about it nonstop on the ride there. Dragon love remains strong among tweens, so Universal must know: If they build it — in this case, the land of Berk — the kids will come.
These ones will, for sure.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Kindness On The Menu: What Brands Can Learn From La La Land x Mickey & Friends Collaboration
Kindness On The Menu: What Brands Can Learn From La La Land x Mickey & Friends Collaboration

Forbes

timean hour ago

  • Forbes

Kindness On The Menu: What Brands Can Learn From La La Land x Mickey & Friends Collaboration

As back-to-school nerves set in and the emotions of returning to the playground run high in many households, compassion becomes more than a virtue, it becomes essential. One U.S.-based coffee chain has embedded it into its brand DNA from the start, in a way that feels genuine, timely, and commercially astute. This week, La La Land Kind Café just announced its first-ever Kids' Menu, created in partnership with Disney's Mickey & Friends and rolling out across its 23 locations in Los Angeles, Dallas-Fort Worth, Houston, Austin, and Nashville from August 19. On paper, it's a lighthearted collaboration: mini drinks in pastel colours, petite slices of toast, and a Pluto-inspired pup cup for four-legged friends. In practice, it's a masterclass in how to align product, purpose, and cultural moment. The brand already stands apart for more than its signature yellow cups. La La Land's founding purpose is to promote kindness and community while supporting young people transitioning out of the foster care system, not through charity alone, but by providing paid internships, mentorship, and long-term skills. It's a 'teach a person to fish' philosophy that has built both loyalty and a strong, values-led narrative. At the heart of La La Land Kind Café is founder and CEO François Reihani, a social entrepreneur whose vision stretches far beyond foam art and Instagrammable 'normalize kindness' mugs. Reihani's journey began at 20 with a successful restaurant in Dallas, but his real calling emerged when he attended a meeting with CASA and heard firsthand the challenges faced by youth aging out of foster care. Moved by those stories, he launched the 'We Are One Project' in 2017 and then, in 2019, opened the first café as a training ground for mentorship, paid internships, housing support, therapy, and life skills. His goal? Not merely to employ, but to empower and to design a business so replicable another brand could copy it for good. His philosophy is simple but powerful: growth matters only if it starts with heart. By bringing Mickey & Friends into that space, the café is tapping into something both nostalgic and universal: the comfort of familiar characters, the reassurance of a safe and friendly place, and the shared joy of treating children to an experience that feels special but accessible. For parents, it's an easy 'yes' the coffee is for them, the fun is for their children, and the brand ethos feels good to support. The timing is no accident. Back-to-school season is emotionally loaded, particularly for younger children and their families. It's a moment when the tone of the year is being set and when messages about kindness, inclusion, and friendship have maximum resonance. In the United States, one in five students report being bullied, according to PACER's National Bullying Prevention Center. Brands that understand the emotional context of this season, and respond with genuine, values-driven initiatives, create not just transactions but trust. The campaign also integrates exclusivity and share-ability, from the limited-edition Mickey & Friends reusable coffee cups for the first 300 guests at each location on August 22, to 'Be Kind' tote bags and plush toys, to QR-code-enabled in-store displays at select sites. It's a reminder that while purpose is the heart of the offer, retail theatre still matters: people want a reason to show up, stay, and share the experience. In a marketplace where brands often overcomplicate 'purpose', La La Land has kept it simple: a clear value (kindness), a tangible action (mentorship and support for foster youth), and an activation that appeals to multiple audiences without diluting the core message. The Disney partnership amplifies the reach but doesn't overpower the brand's identity and in the process, creates a blueprint for how other businesses can show up in culturally relevant ways. Because kindness is not seasonal. But at a time of year when young people are negotiating new friendships, new routines, and new challenges, it's worth remembering that brands can do more than sell. They can help set the tone, one coffee, one conversation, and one act of kindness at a time.

How to watch the premiere of ESPN's new Kansas City Chiefs documentary 'The Kingdom'
How to watch the premiere of ESPN's new Kansas City Chiefs documentary 'The Kingdom'

USA Today

time2 hours ago

  • USA Today

How to watch the premiere of ESPN's new Kansas City Chiefs documentary 'The Kingdom'

The Kansas City Chiefs are preparing to face the Seattle Seahawks in a preseason exhibition at Lumen Stadium tomorrow evening, but fans in Western Missouri and Eastern Kansas will have their eyes glued to ESPN tonight for the premiere of the sports media company's new docuseries, 'The Kingdom.' The highly anticipated production has been teased for months and is expected to give fans a fresh look at the Chiefs' franchise history ahead of the NFL's 2025 regular season kickoff next month. While little is known about the show's contents, ESPN seems to have spared no expense in its production and is set to have football fanatics from Kansas City, Missouri, to Frankfurt, Germany, tuning in to see exactly what the six-part series has in store for them. Take a look at everything you need to know to tune into 'The Kingdom' tonight: On which channel will 'The Kingdom' be broadcast? The first two episodes of 'The Kingdom' will be broadcast on ESPN. All six episodes are set to become available via streaming on ESPN+ and Disney+ after the initial broadcast. What time will 'The Kingdom' be on TV? ESPN will broadcast the first two episodes of 'The Kingdom' at 8 p.m. and 9 p.m. CT on Thursday, August 14. All six episodes will be available on ESPN+ and Disney+ after the show's initial release tonight. What will 'The Kingdom' be about? According to ESPN, 'The Kingdom' will center around Kansas City's run to Super Bowl LIX last season. It is also expected to touch on little-known parts of Chiefs history and the advent of the Andy Reid era.

Kansas City Chiefs documentary series 'The Kingdom' releases tonight on ESPN
Kansas City Chiefs documentary series 'The Kingdom' releases tonight on ESPN

USA Today

time3 hours ago

  • USA Today

Kansas City Chiefs documentary series 'The Kingdom' releases tonight on ESPN

ESPN, Disney+, and Skydance Sports' The Kingdom, an ESPN Original Series on the Kansas City Chiefs, debuts tonight. Quarterback Patrick Mahomes and head coach Andy Reid recently revealed their thoughts on last season's filming process. "I have seen parts for sure. It's a great documentary. Obviously, the season is part of it, but it's great to see the history of the Kansas City Chiefs, and I saw stuff that I didn't even know. I thought I knew everything about the Kansas City Chiefs." said Mahomes during his training camp press conference, "So, the Hunt family, the Kansas City Chiefs (and) Disney, they all did it the right way and for them to let me be a part of it in some way and some form it was really cool for me. I got to do that after the season, so now we're back to football, but it is cool to see stuff like that done because I have loved documentaries my whole entire life, and so seeing how the bread is buttered is really cool." The highly anticipated six-episode docuseries on the Chiefs will explore the franchise's indelible and distinctive place in the NFL's landscape, spanning more than six decades of history, while offering an exclusive and revealing chronicle of the team's 2024 season. "Well, our owner asked me to do it (laughter). So, I mean, it's not really my deal, but that's, you know, he's my boss. And so, I jumped in on it. So, if I'm going in, I'm going in. I'm going to go all in," said Reid. "I thought the people handled it well. I thought they did a really good job of not being a distraction. I worry about that, and one reason I don't like doing those things. I thought they really handled themselves well, where I didn't have to tell people to get back, get out of here. That's not what it was. So, my hat goes off to them for handling it that way." All six series episodes will be available to stream on ESPN+ and Disney+. The first two episodes will air tonight on ESPN at 8 p.m. and 9 p.m. CT.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store