‘The White Lotus' Creator Mike White and Team Break Down the Finale's Deadly Piña Colada Scenes — and Why Season 3 Made Him Feel Like a ‘Head Case'
'As dark as we go in this show, that's too dark,' White says. That's why Timothy Ratliff (Jason Isaacs) can't go through with his plan to poison his family in the Season 3 finale, even though letting them live means they'll soon learn he's lost everything they have by getting caught in a money laundering scandal.
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'You're showing the weaknesses of human behavior and how that can lead to deadly consequences. At the same time, there's hopefully enough empathetic humanism to offset all the acid. It's got enough of everything to be palatable, and yet, you still feel like you're doing something new.'
Timothy is partially based on French aristocrat Xavier Dupont de Ligonnès, who was plagued by debt and allegedly killed his wife, four children and two dogs in 2011 before disappearing. A producer pitched White on writing a show about the murders, and though he found the idea too depressing, he never stopped thinking about that family.
'I kept thinking about how someone could lose the plot and kill the thing that he loves the most — this idea of somebody wanting to protect his family from hardship, and that they couldn't survive without all the creature comforts they're used to,' White says. 'I started thinking it'd be interesting to have a guy realize this at the beginning of vacation, so there's this public shaming that's going on back home, but they're ensconced in this paradise somewhere far away.' White's thought was, 'Well, that is so 'White Lotus.''
The Ratliffs' phones are taken away upon their arrival at the Thailand outpost, but Timothy eventually wrangles his back and finds out that the FBI is investigating him. Dosed up on lorazepam he stole from his wife, Victoria (Parker Posey), Timothy spends the rest of the season having visions of suicide, which broaden to murder-suicide as Victoria and their children inadvertently reveal how ill-prepared they are for poverty.
'It's not a fantasy; it's a plan,' Isaacs says of the dream sequences. 'I mean, it's a drug-addled plan, but even if he wasn't taking the drugs, there is no way to avoid the stuff going on in his head — the terror of the abyss.'
Rather than Dupont de Ligonnès, Isaacs' reference of choice was disgraced media mogul Robert Maxwell, who is now more famous for fraud, embezzlement and being Ghislaine Maxwell's father than for any of his business successes. Though Maxwell's 1991 death by drowning was ruled an accident, Isaacs sees it differently: 'He jumped off his yacht and killed himself rather than come onto land, and I thought about him a lot. I thought, 'You know, it's not a bad choice for Tim.' The only thing is, he starts roping in his wife when it becomes clear she can't cope. Then, my son can't. Then, my jewel, my daughter. He's such an alpha male patriarch. His daughter has a special place in his heart, and when she comes and says, 'I'm a princess. I couldn't bear to be poor,' there's a crushing disappointment knowing he has to kill her too.'
While visiting a monastery, a monk (Suthichai Yoon) tells Timothy that death is like being a single water droplet falling back into the ocean, saying, 'No more suffering. One consciousness. Death is a happy return.' Unsurprisingly, Timothy takes away the wrong message, deciding he can now justify his most depraved instincts. 'He's continually trying to find some other way,' Isaacs says. 'There's always someone to pay off, something to be done. And when there isn't, and the monk paints a picture of death that seems incredibly inviting to him, that makes it all right to kill.'
In their own ways, Victoria, Saxon (Patrick Schwarzenegger) and Piper (Sarah Catherine Hook) all fail to prove to Timothy that they can handle a more humble life. So, in the finale, Timothy hatches a plan to blend the poisonous seeds of the resort's native pong-pong trees into piña coladas for his family to share — minus Lochlan (Sam Nivola), who isn't 21 and, crucially, is the only family member who passes Timothy's secret test and is deemed grounded enough to make it without wealth.
The images on screen slow and distort as the lethal cocktail comes together on the Ratliffs' last night in Thailand. Rum and coconut milk fall gently from Timothy's hands into the blender, the camera watching from a chaotic assortment of angles that make each ingredient appear close enough to get a whiff.
'We really wanted to put the audience inside of Tim's head,' says cinematographer Ben Kutchins. 'He's lost in this nightmare where no one loves him if he's not rich, and I was using various lenses, including these very old projection lenses, to show how disturbed his worldview had become.'
Each family member elegantly slides in and out of fame as Timothy distributes the poison. 'We're doing this ballet with the camera and the actors as he's passing out the drinks in floating, dreamlike slow-motion,' Kutchins continues. 'Then we hard cut. Previously, this would have been where we reveal that this is just a dark fantasy. But this time, we see that Lochlan is getting a Coke, and everyone else has the piña coladas. This is real. This is happening.'
After an awkward speech about their 'perfect family' and 'perfect life,' the Ratliffs clink their glasses and take a sip. However, they notice that something tastes wrong but continue drinking anyway — until Timothy suddenly swats Saxon's glass out of his hand, shattering it.
'This was his solution, but instinctively, he bypasses his brain,' Isaacs says. 'On an animal level, he just loves them too much. There aren't completed thoughts, just terror, panic and the overbearing love for life.' Thus, the Ratliffs trade their piña coladas for chardonnay as Timothy mutters about the coconut milk being 'off,' and he eventually goes to bed understanding that his money problems are inescapable, but at least he has his family by side.
But the next morning, Lochlan makes a protein shake in the unwashed, poison-ladened blender and, in a way, dies. After vomiting into the swimming pool and rolling onto his back, he begins to hallucinate that he's deep underwater and trying to swim towards four shadowy figures who are standing over the surface. At first, he sees flashes of his family's faces, but the figures turn out to be monks.
According to editor and second unit director John Valerio, an earlier version of the finale script included Lochlan's body washing ashore at full moon party, where he watches a group of four monks using a flaming jump rope. White cut the scene before it was ever shot, but the idea stuck with Valerio.
'While I was shooting second unit, one of the transition shots we had for Episode 3 was this very low angle at looking up at the monks. That reminded me of Mike's original finale script,' he says. 'I was like, 'What if, when Lochlan is in the water, he can see the monks waiting to take him to the next world?' So we shot the monks standing over a mirror. We threw water on it to give it a reflective, watery surface, and I cut to it when Lochlan is dying. It was a more simple, personal, spiritual moment, rather than the wildbacchanal of a full moon party.'
Eventually, while being held and shaken by a sobbing Timothy, Lochlan wakes back up. 'I think I just saw God,' he says.
'Lochlan is a kid in search of firmer footing in the world,' White explains. 'He wants to be a believer, but he needs some kind of proof. He's so lost with what happens with Saxon' — the aforementioned sexual encounter — 'that I was like, 'Well, here's some catharsis for him. He's centered in a deeper way than he was at the beginning of the week.'
As the Ratliffs take a boat away from the resort, moments away from learning of their financial ruin, there's an almost-smile on Timothy's face. The water surrounding them recalls the image of death described to him by the monk.
'He thinks, 'This is exactly what we need: to be a drop of water in the ocean. To be part of common humanity,'' Isaacs says. 'It's actually the best thing that could happen. They will be humbled by this, and they'll no longer need to maintain this huge gap of superiority over the rest of the world. They'll recognize they are just like everybody else.'
'His friend Donald [Trump] could make a phone call and give him a pardon,' Isaacs continues, speculating. 'He could [evade] prison easily. Someone could change the law. But I don't think he wants to. I think he wants to embrace a new reality.'
Posey, for her part, imagines that Victoria will work to find her way back to her old reality 'I think it's going to be hard for her without money, but I have no worries about her finding her own wealth, she says. Victoria and Timothy have 'known each other since the seventh grade, and it's been very locked in for a very long time. But the karma of that is over, so I would love to see her fury. I'd love to see see her wake up, because she's delusional. So it's either that, or to see her with another wealthy man.'
Fans of the 'White Lotus' have their own theories about what happens next — as well as opinions about every other beat of the story. White, throughout the season, was vocal about experiencing significant anxiety over the two months that episodes of Season 3 were being released due to criticism he was receiving on the internet.
'Over time, I can digest all of that. But in the moment, sometimes it feels more than that you just didn't like this storyline,' he says. 'It feels like I came and took a shit on your lawn or I set your house on fire. The anger — it just feels like, 'Whoa.''
'I mean, I'm 54 years old. I'm not a kid. I've been on reality shows — I know what it's like to be criticized,' White continues. (He has competed on 'The Amazing Race' twice and 'Survivor' once, and is currently filming 'Survivor' Season 50.) 'But I was so excited about the finale and getting it out there, and it made me realize that some people just can't get past that [Lochlan] makes the shake in a dirty blender.'
Obviously, those feelings aren't keeping White from continuing to make the show the way he wants to; 'The White Lotus' was renewed for a fourth season before Season 3 had even premiered. 'The show is not built to win a popularity contest. It's built to be provocative, and it's not going to have a uniform reaction,' he says. 'So I need to suck it up. I'm just a combination of somebody who wants to, like, goose people, but then also you want people to embrace you. That's just human nature.'
With a laugh, White concludes: 'So, whatever. I'm just a head case.'Best of Variety
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