logo
PropertyGuru and Mr Sabotage reimagines the souvenir jacket

PropertyGuru and Mr Sabotage reimagines the souvenir jacket

Vogue Singapore3 days ago
As Singapore celebrates 60 years of independence, PropertyGuru pays tribute not just to nationhood, but to the unsung heroes who help build it—property agents. Often overlooked yet integral to the fabric of everyday life, agents guide families through new chapters, quietly shaping neighbourhoods and helping Singaporeans find a place in this city to call home. This SG60, their journey becomes the heart to a powerful fashion statement.
In a rare collaboration, PropertyGuru partners with homegrown streetwear icon Mark Ong—better known as Mr Sabotage—to reimagine the classic souvenir jacket as a layered expression of this duality and devotion. Inspired by the lives of agents, who juggle personal commitments with professional ambition, the design honours their emotional labour and enduring presence in our communities. Jazreel Lim, ERA property agent, wears the PropertyGuru x Mr. Sabotage SG60 jacket slung over her shoulder, revealing the bold red reverse embroidered with icons of everyday Singapore. Courtesy of PropertyGuru
'There's a quiet beauty in how property agents move through the world, helping others begin new chapters, while balancing their own,' shares Sivaram Parameswaran, marketing director of PropertyGuru Singapore. 'That tension between the personal and professional felt poetic to us, and we wanted the jacket to express that duality with subtle power.' Beyond its tribute to agents, the jacket also honours SG60 as a reflection of our collective national spirit—rooted in everyday stories, cultural nuance, and the evolving pride of a nation still writing its story.
Reversible in design and rich in symbolism, the piece channels the duality many Singaporeans—like the property agents featured in the campaign—navigate daily between tradition and progress, home and hustle. Their lived experiences form the emotional backbone of this collaboration, grounding the jacket's narrative in authenticity and resonance.
Drawing from the inspiration of the classic souvenir jacket, Ong modernises the form with a deliberate balance of sophistication and personality, infusing the silhouette with unmistakably local references. Featuring a reversible structure, one side of the jacket presents a refined grey pinstripe, a nod to Singapore's polished modernity and sense of structure. On the reverse, a vibrant red canvas comes alive with embroidered motifs: a heartland cat emerging from the louvre windows of a Peranakan shophouse, the island's outline stitched beneath its paws, and a blooming Vanda Miss Joaquim beside the words 'Orchid City', anchoring the look. Like the agents it was inspired by, this contrast mirrors their duality of a tailored exterior with an inner depth rooted in care and connection. A subtle tribute to resilience and hybridity, the elements come together to build a narrative, capturing fragments of a collective memory and transforming the jacket into a wearable story.
'There's a quiet beauty in how property agents move through the world, helping others begin new chapters, while balancing their own'
Ong's mastery lies not just in motif, but in meaning. Every detail is considered, from the tension placed on each thread—intentionally loosened to create subtle imperfections—to the symbolism woven throughout. 'Creating this piece was personal,' Ong shares. 'It was about capturing the lived-in textures of Singapore, not the polished façade. It had to feel emotional, imperfect, real.' In typical Sabotage style, the result is raw but refined, nostalgic yet current—a design language that mirrors the rhythms of the city itself.
This collaboration goes beyond aesthetics—it is a quiet tribute to those who contribute daily to nation building, and a reminder that fashion, too, can hold space for reflection and gratitude. While its production run remains limited, the jacket's impact is far from small. It stands as a testament to the power of fashion to hold memory, provoke reflection, and connect people across backgrounds and aspirations. ERA property agent Shaun Dillon wears the PropertyGuru x Mr. Sabotage reversible SG60 jacket, showcasing its tailored grey pinstripe side—a nod to professional polish with a streetwear edge. Courtesy of PropertyGuru
Only 150 jackets have been produced, most of which will be gifted to standout property agents who embody the spirit of the campaign. But 10 have been set aside for the public through a special SG60 scavenger hunt activation—where they'll be hidden at secret locations across the island. In celebrating the nation's 60th year, PropertyGuru and Mr. Sabotage invite Singaporeans to rediscover their sense of place, pride, and belonging—through a piece of design that threads together identity, memory, and home.
In distilling the spirit of Singapore into a single garment, PropertyGuru and Mr Sabotage craft more than outerwear—they offer a poetic salute to the everyday heroes whose work often goes unseen, yet never unfelt.
From now to 9 August, follow them on Instagram to uncover clues and join the hunt for your chance to own a piece of design that threads together the fabric of identity, memory and home.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Inside Singapore Gallery Month: Private tours, studio visits and art perks
Inside Singapore Gallery Month: Private tours, studio visits and art perks

Business Times

time10 hours ago

  • Business Times

Inside Singapore Gallery Month: Private tours, studio visits and art perks

[SINGAPORE] Singapore Gallery Month (SGM) returns on Aug 15 with scale, sophistication and a dash of insider glamour. Now in its fifth edition, the annual celebration stretches until Sep 14, and brings together over 30 art galleries showcasing 120 artists – up from 99 last year. But this edition marks a critical shift: For the first time, SGM is fully community-led, curated by the Art Galleries Association Singapore (AGAS) and its member galleries, making it a love letter to the city's art ecosystem – by galleries, for galleries. AGAS president Audrey Yeo said: 'We're celebrating what we can achieve when we come together – not just as gallerists, but as storytellers, connectors and advocates for the regional art community.' Suzann Victor's gorgeous installations at Gajah Gallery probe the theme of colonialism in Singapore. PHOTO: GAJAH GALLERY Marking Singapore's 60th year of independence, several shows take a reflective tone. At STPI, four Cultural Medallion recipients – Han Sai Por, Goh Beng Kwan, Ong Kim Seng and the late Chua Ek Kay – offer tactile works in print and paper. At Gajah Gallery, Suzann Victor refracts Singapore's colonial memory with luminous installations. For something grittier and younger, Haridas Contemporary brings together emerging and mid-career artists like Melissa Tan, Esmond Loh and Jeremy Sharma in a dynamic group show. A NEWSLETTER FOR YOU Friday, 2 pm Lifestyle Our picks of the latest dining, travel and leisure options to treat yourself. Sign Up Sign Up But perhaps the most intriguing is JW Projects' The Other Singaporeans, a provocative display featuring naturalised citizens, expats and former Singaporeans pushing against the boundaries of belonging and national identity. Esmond Loh's painting, Between Spaces (2024) at Haridas Contemporary. PHOTO: HARIDAS CONTEMPORARY Golden ticket However, the biggest attraction this year may be the newly upgraded Patron's Pass. For a cool S$1,000, it grants its holder artist studio visits, private previews, guided walkthroughs and intimate home tours with some of Singapore's most discerning collectors. The artists involved include Wei Leng Tay, Yen Phang, Yanyun Chen, Tiffany Loy, Mike HJ Chang, Dylan Chan, Marion Abraham and Emi Avora. The home tours are conducted in spaces ranging from a 1930s Peranakan terrace house in East Coast and a black-and-white bungalow in Bukit Timah to a Bugis loft-turned-art sanctuary. Pass holders also get S$500 in gallery credits to purchase artworks priced S$1,000 and above, an invitation to the swish SGM launch party on Aug 15 at Prestige Gallery, as well as VIP access to future events like the Affordable Art Fair (November 2025) and ART SG Vernissage (January 2026). Desmond Mah's Still Living Rent-Free (2025) is part of JW Projects' exhibition on identity and belonging in Singapore. PHOTO: JW PROJECTS Also on the menu: A sake-and-art pairing tour at Gillman Barracks, brunches with Cultural Medallion winners Han and Goh, a complimentary luxury facial from Cle de Peau Beaute, and a masterclass on art law and succession planning – because real collectors know it is not just about acquiring, it is also about protecting and passing it on. For more information, visit

'We bonded over kaya toast and kopi': SG60 film Kopitiam Days premieres with 14 cast members and President Tharman in attendance, Entertainment News
'We bonded over kaya toast and kopi': SG60 film Kopitiam Days premieres with 14 cast members and President Tharman in attendance, Entertainment News

AsiaOne

time11 hours ago

  • AsiaOne

'We bonded over kaya toast and kopi': SG60 film Kopitiam Days premieres with 14 cast members and President Tharman in attendance, Entertainment News

SG60 film Kopitiam Days held its gala premiere last evening (Aug 5) at The Sands Theatre at Marina Bay Sands with its six directors and 14 cast members. President Tharman Shanmugaratnam and Ms Jane Ittogi also graced the event with Minister for Digital Development and Information Josephine Teo and Senior Minister of State for Digital Development and Information Tan Kiat How. Local director Eric Khoo, who serves as the film's creative director and executive producer, said at the event that the inspiration for the film came to him one morning while he was having a local breakfast. "I was eating my soft-boiled eggs and drinking my kopi-o kosong (black coffee without sugar) and I thought I want to treat myself to something special for Singapore, and so we assembled these amazing directors to come onboard," the 60-year-old shared, adding that it's his "gift" to the nation. Kopitiam Days is an anthology which features Singapore in the past, present and future. While each of the six stories are independent, the kopitiam Heap Seng Leong — a real coffeeshop located at North Bridge Road — is a familiar place in all the characters' lives. The movie opens with director Yeo Siew Hua's Dragon Gate Assembly, which is an action-packed love story set in the kopitiam in 1975 that serves as a tribute to the wuxia genre and ode to the heartland uncles and aunties. It stars Richie Koh, Xenia Tan, Tay Ping Hui, Chen Tianwen, Douglas Kung and Tang Fu Kuen. Siew Hua said during event that the inspiration came from his love for the wuxia genre: "I was thinking, what if I mix the idea of a kopitiam and inn... the idea is that there are always very interesting characters that appear in the inn [in wuxia stories], and just like in our kopitiam where there are many interesting characters — rich and poor and old and young — so I think putting the two together kind of makes sense to me." Xenia, 30, who plays coffeeshop assistant Ling Ling, talked about the positive vibe on set. "I think the most memorable moments would be all the funny scenes, trying to hold my laughter, because I think Tianwen is a natural and Richie is really good with comedy. So, acting alongside him, the toughest part of my job is controlling my laughter and not having NG (no-good takes)." Richie plays Ling Ling's love interest Lim, and the 32-year-old shared that while they rehearsed most of the scenes before filming, they improvised a lot in the end when the cameras rolled. Ping Hui, whose character visits the kopitiam to hunt down Lim, said that while filming was done overnight in warm Singapore weather, he enjoyed the process of it. "If you watch it, you will realise that it's a very distinct kind of humour and it's the first time I'm doing something like this, so it was very interesting," the 54-year-old added. The second film in the anthology is director Shoki Lim's Meet Me At The Pavilion, which centres on Hainanese opera actress Chen Aihua (Hong Huifang) finding self-confidence and the possibility of romance with Mr Li (Zhu Houren) through opera in modern-day Singapore. Shoki shared that the story was inspired by his Hainanese relatives who were opera singers and one of his aunts served as a consultant for the opera performances in the short film. Huifang, 64, said about her experience: "I realised there's actually a difference between speaking Hainanese and performing in Hainanese and it's really not easy, so there's a need for [Shoki's aunt] to help in articulation." Director M. Raihan Halim's IZ-1 features an elderly woman (Zaliha Hamid) navigating life and relationship with her daughter Hannah (Siti Khalijah) in 2035 when the latter bought an android caregiver with the titular name to care for her. About the film, Raihan said: "It's a love letter to two women in my life, my mum and my grandma. They are getting older and it's very hard to actually convince them to have a helper or someone to stay home with them. And I thought, what if it's not human? Maybe they'll accept it as opposed to a human being, and the idea of a robot came to me." Siti, 40, shared the theme of the story resonates with her, as she is also living with her mum and her helper: "In terms of the mother-and-daughter relationship, the clashes that they have and their moments of connection, they're all very relatable to me." The anthology continues with director Tan Siyou's Red Plastic Chairs on Sticky Floors, which follows young Singaporean filmmaker Christina Goh (Iris Li) who works in the Netherlands and begin to miss home while working on sound design for her latest project. The short focuses on Christina trying to capture familiar and distinctive sounds — such as plastic chairs scraping on the floor — heard in a kopitiam. Siyou said at the event: "I think the film is about listening and about sounds and so that's why we pulled back on the dialogue to give it a bit more atmosphere and the sounds of the environment." Director Don Aravind's One Last Song is inspired by the 1986 Hotel New World tragedy and tells the story of forbidden and everlasting love between Michael (Stephen Zechariah) and Latha (Keerthana) that persists after unspeakable loss. Don shared: "I think when we talked about SG60, the common theme that we all resonate with is home and of course, what is closest to home is love, so this film encompasses that." The film comes full circle with director Ong Kuo Sin's The Morning Call, which centres on the blossoming relationship between May (Jennifer Wilkinson) and her grandfather Lim (Yang Shi Bin) when she returns to Singapore with her mother Chui Hoon (Yvonne Lim) and accidentally loses her grandfather's orange payphone from his kopitiam. Yvonne said the film resonated a lot with her as she had just returned to Singapore this January after living in Taipei for a decade with her family. The 48-year-old added: "It's so much fun and even though it was a short period of filming, we bonded somehow, we bonded over kaya toast and kopi, so this is a very local [experience] for us and it's an honour to be part of this SG60 film." Kopitiam Days will be released through community screenings and on streaming platforms. [[nid:716777]] No part of this article can be reproduced without permission from AsiaOne.

Director Eric Khoo at 60: ‘I want to help the next wave of film-makers find their voice'
Director Eric Khoo at 60: ‘I want to help the next wave of film-makers find their voice'

Straits Times

time12 hours ago

  • Straits Times

Director Eric Khoo at 60: ‘I want to help the next wave of film-makers find their voice'

Sign up now: Get ST's newsletters delivered to your inbox Film-maker Eric Khoo put Singapore on the international film map in 1995 with his debut feature Mee Pok Man. SINGAPORE – Film aficionados will agree that local director and screenwriter Eric Khoo single-handedly put modern Singapore cinema on the international map with his seminal drama Mee Pok Man (1995), followed by another classic, 12 Storeys (1997). Both movies – the first about a noodle seller and his fascination with a disillusioned prostitute, and the latter a social commentary about a group of ordinary Singaporeans living in the same HDB block – blazed a trail, being screened at more than 60 film festivals worldwide. Khoo did Singapore proud when 12 Storeys became the first made-in-Singapore film to officially participate in the Cannes Film Festival in 1997, thanks to its nomination in the Un Certain Regard section. Through the years, he continued to garner attention and awards at the prestigious event. His works Be With Me, an anthology about love and solitude, opened the Directors' Fortnight sidebar in 2005; and My Magic, a drama about a single father, was selected to compete for the top Palme d'Or award in 2008. For his contributions to the local film industry, Khoo was conferred the Cultural Medallion for Film in 2007. The auteur is celebrating Singapore's 60th birthday with Kopitiam Days, an anthology of six short films revolving around a kopitiam that unveils the interwoven stories of strangers who find solace, love and connection within the country's social fabric. Khoo serves as the executive producer and creative director of the project that showcases six rising writer-directors: Yeo Siew Hua, Shoki Lin, M. Raihan Halim, Tan Siyou, Don Aravind and Ong Kuo Sin. It is jointly produced by Khoo's company Zhao Wei Films , as well as Akanga Film Asia and Clover Films. Kopitiam Days held its world premiere at the Sands Theatre, Marina Bay Sands, on Aug 5 with President Tharman Shanmugaratnam and his wife, Ms Jane Ittogi, as the guests of honour. Special screenings of the film are slated to be held at community hubs and centres across Singapore. Khoo, who turned 60 on March 27, is married with four sons – Edward, 31, a director; James, 29, and Christopher, 28, both producers; and Lucas, 26, a master's student at Dartmouth university in the US. What is your core memory of Singapore? The relentless heat, punishing humidity and nasty mosquitoes. But this tiny island also has a culinary scene as vibrant as its people. Meals are often mouthwatering experiences, thanks to generations of diverse cultures cooking side by side. What do you consider your biggest contribution to Singapore? Directing Mee Pok Man 30 years ago with a fantastic team. The film didn't just mark a milestone, it kick-started Singapore's modern cinema. Later, co-writing the white paper with a couple of my mates in 1997 led to the birth of the Singapore Film Commission, fuelling the rise of a new generation of talented home-grown film-makers. What do you love or hate about the country? I love the food, but hate the heat. I often wish we have four seasons: Imagine savouring my favourite wonton mee at Tanglin Halt or digging into Samy's Curry at Dempsey while snowflakes gently drift outside. It will be a true heaven for foodies. What is the one thing you miss about the Singapore of your childhood? Singaporean film-maker Eric Khoo at two years old. PHOTO: COURTESY OF ERIC KHOO Grabbing tasty bites from pushcart hawkers under five-foot-ways ; catching blockbusters that played for months in grand 1,000-seat cinemas, such as Bruce Lee's The Big Boss (1971) at Majestic Theatre; tuning into (cable-transmitted radio service) Rediffusion; and hunting for Action Man figures at that sacred toy shop, The Orchard Store. What is the best and worst thing about turning 60? These days, I've ditched dull, drawn-out films you watch only when you're ironing. There's just too much to do and not enough hours in the day. Life feels more exciting, and I'm more energised than ever. SG60's theme is Building Our Singapore Together. What would you like the Singapore of the future to look like? I wish my favourite Hainanese curry rice and Peranakan mee siam will stay just as delicious in the decades to come. (Singapore's first prime minister) Lee Kuan Yew once considered air-conditioning as one of the most important inventions ever, so I fantasise that we will become an air-conditioned city which is blissfully mosquito-free. Maybe I'm dreaming, but what matters most is that we keep loving, creating and savouring life together. I can't be prouder of our new SG60 film Kopitiam Days, a heartfelt tribute to our homeland, our community and, of course, those perfect soft-boiled eggs. (From left) Eric Khoo with Kopitiam Days directors Tan Siyou, Don Aravind, Shoki Lin, M. Raihan Halim, Ong Kuo Sin and Yeo Siew Hua. PHOTO: CLOVER FILMS And what does your next era look like? I don't have a crystal ball, but my greatest passion is film. I want to keep creating and help the next wave of film-makers find their voice. None of this would have happened without my late mother, who introduced me to the magic of cinema. May she keep smiling at me and guiding me from heaven.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store