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Wes Anderson's ‘The Phoenician Scheme' Tees Up Strong Indie Weekend With Angelika Film Center Takeover

Wes Anderson's ‘The Phoenician Scheme' Tees Up Strong Indie Weekend With Angelika Film Center Takeover

Yahoo01-06-2025
Focus Features has done a full takeover of the Angelika Film Center with on all six screens for filmmaker Wes Anderson's latest. There's a lobby and café redesign for full immersion, a jazz band, custom cocktails, t-shirts and totes as the film, which clocked a lengthy standing ovation at its recent Cannes world premiere (see Deadline review) bows theatrically in limited release at six locations including NYC's Alamo Brooklyn and AMC Lincoln Square and AMC's The Grove, Century City and Burbank in LA.
Around this time in 2023, Anderson's Asteroid City, also from Focus, delivered a massive jolt to the arthouse and specialty world with a $790k three-day weekend, also at six theaters, including a takeover of the Landmark LA. That opening per-theater average of $132k was the biggest in years for a helmer known to energize the specialty box office. His Grand Budapest Hotel in 2014 opened at $800k on four screens for a PSA of $200k — still considered the one to top in absolute.
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The Angelika's immersive experience features a Marseille Bob's themed bar with customized menu items including a signature champagne cocktail and photos taken by a film-inspired Egyptian elevator and vintage train. The theater is offering a premium ticket for $60 with a t-shirt, large popcorn and drink (including cocktail) combo and King Size Hershey's Bar. A standard experience ticket is $30.
Q&As Friday with Anderson and cast members Benicio del Toro, Mia Threapleton and Michael Cera at the 4:40 pm and 5:40 pm shows.
Del Toro stars as wealthy businessman Zsa-zsa Korda, who names his only daughter (Threapleton), a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists, and determined assassins.
Anderson (The Grand Budapest Hotel, The French Dispatch, Moonrise Kingdom, Fantastic Mr. Fox, The Darjeeling Express, Isle Of Dogs, Rushmore and more) will be introducing shows at 7 pm. and 7:20 pm.
The director's large and devoted following is welcome as independent films have generally struggled post Covid and the 2025 indie box office only recently perked up from a long post-holiday lull. It's been feeling some love in recent weeks from a lively Cannes and an overall crush in ticket buying at the North American box office.
'Wes means a huge amount to me personally as an artist, and I feel like I'm probably not the only one in the room who would say something like that, and just getting to be even a small part of any of his movies truly means the world to me,' said Focus Features chairman Peter Kujawski at screening of The Phoenician Scheme at Jazz At Lincoln Center this week. 'I can speak for all of us at Focus when I say it is just such a joy, such a pleasure, such a point of pride to be part of this ride with Wes and the entire team.'
New openings: IFC debuts period action-drama written and directed by John Maclean in moderate release on 412 screens. Set in the rugged landscape of 1790s Britain, the film follows Tornado (Kōki,) who finds herself caught in a perilous situation when she and her father's traveling puppet show crosses paths with a ruthless criminal gang led by Sugarman (Tim Roth) and his ambitious son Little Sugar (Jack Lowden). In an attempt to create a new life, Tornado seizes the opportunity to steal the gold from the gang's most recent heist. World premiered at the Glasgow Film Festival in February.
Music Box Films presents , Jonathan Millet's debut feature that opened Cannes in 2024 (Deadline review here). Inspired by true events, the drama-thriller follows Hamid, a former literature professor from Syria, (rising French-Tunisian star Adam Bessa, César-nominated for his performance), living in France two years after being released from one of Bashar El-Assad's's jails. Haunted by the traumatic memories of his imprisonment, Hamid tirelessly searches for the man who tortured him, helped by members of a secret cell of other exiled Syrians hunting down war criminals. The film excavates the moral dilemmas migrants confront as they struggle to rebuild their lives and take control of their destinies. Written by Millet and Florence Rochat, also stars Tawfeek Barhom, Julia Franz Richter and Hala Rajab.
Abramorama opens Jack Sumner's documentary at the Quad in NYC. In a career spanning sixty years, concert promoter and impresario Ron Delsener was the name behind virtually every major contemporary music concert in New York City for generations — from promoting the Beatles at Forest Hills Tennis Stadium, to bringing David Bowie to Carnegie Hall and Patti Smith to the Palladium, to somehow convincing Simon and Garfunkel to bury the hatchet and play the biggest concert of all time in Central Park. Features Jon Bon Jovi, Jimmy Buffett, Cher, Art Garfunkel, Billy Joel, Lorne Michaels, Bette Midler, Gene Simmons, Paul Simon, Patti Smith, Bruce Springsteen, Paul Stanley and Steven Van Zandt.
Live events: Trafalgar presents j-hope tour , a live broadcast of the BTS star's concert from Osaka to 2,700+ cinemas including 631 across North America. Select encores on Sunday.
Fathom is on about 800 screens in North America with and Rossini's Il Barbiere di Siviglia (The Barber of Seville). Encores on Sunday.
Noting A24's Friendship, which has had a great run, is on 1,280 screens in week 4 (the distributor is opening horror wide on 2,400 screens), and Sony Pictures Classics Jane Austen Wrecked My Life, which had a strong debut last week, jumps to 526 screens from 60.
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Woman Swaps Seats With Kid on Plane, Couldn't Predict What He Would Do Next
Woman Swaps Seats With Kid on Plane, Couldn't Predict What He Would Do Next

Newsweek

time3 hours ago

  • Newsweek

Woman Swaps Seats With Kid on Plane, Couldn't Predict What He Would Do Next

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A Denver woman says she narrowly avoided a travel nightmare on a United Airlines flight after making a split-second decision to switch seats with a young child—unknowingly sidestepping a midair vomit incident that would leave his father in the "splash zone." The incident was detailed in a video was posted by Chelsea Anderson (@chelseaexplainsitall on TikTok and @Chelsea_Explains on Instagram), a 33-year-old Colorado-based content creator. In the clip, Anderson describes how a simple act of kindness spared her from becoming collateral damage in a turbulent landing. "Sometimes it's a blessing when a person is in your seat on a plane," reads the text overlaid on the video. The incident unfolded on a recent United flight from San Francisco International Airport (SFO) to Denver International Airport (DIA). Anderson originally booked a window seat for the flight. "I actually prefer aisle seats. I had booked the trip last minute, so the window was all that was left," Anderson told Newsweek. When she boarded, she found a young child, around 3 or 4 years old, already seated at the window, with his father in the middle seat. A screenshot from a viral TikTok video of Chelsea Anderson detailing her unexpected seat swap on a plane. A screenshot from a viral TikTok video of Chelsea Anderson detailing her unexpected seat swap on a plane. @chelseaexplainsitall on TikTok Instead of asking them to move, Anderson opted to take the aisle. "It was a win win; the dad and son didn't have to move and I got the aisle," she said. It turned out to be a fortuitous decision. As the flight neared Denver, the weather took a sharp turn. "The flight was a little under three hours, but we only had turbulence when landing," Anderson said. "The weather was so bad that day, we almost had to reroute to Grand Junction [a regional airport]. I wouldn't say it was the worst I'd ever experienced, but it was way worse than a typical bumpy DIA landing." The turbulence during the flight incident in the viral post is not surprising because clear-air turbulence (CAT) was found to have increased over the past 40 years or so, according to a June 2023 study published in Geophysical Research Letters. The study found that the increases were largest over the U.S. and North Atlantic, both of which are busy flight regions. According to the study, "severe-or-greater CAT increased the most, becoming 55 percent more frequent in 2020 than 1979," and CAT is "projected to intensify in response to future climate change." In the case of the TikTok clip, the turbulence shook more than just the cabin. In the video, Anderson says: "I think what happened is that [the child] vomited with such force … that it splashed back on his dad and covered his dad … it was in his eyes, it was in his nose, it was in his mouth, not a pretty sight." While Anderson was spared, the child's father took the brunt of the airborne eruption. Despite the messy situation, Anderson said the dad remained calm and composed throughout. "But the dad stays unbelievably calm," she says in the clip. "He's trying to solve the problem, he's like [telling the child], 'Okay buddy, you threw up. We're gonna try to clean it up. We're not landed yet' … he's so polite and he's so nice to his kid … he's like dad of the freaking year. "And the kid is also very regulated, which tells me that this is how the dad always acts, not just how the dad acts in public," Anderson added. She told Newsweek that several people offered help during the ordeal. "I asked a man across the aisle for a spare barf bag, and he was happy to oblige. A gentleman behind us offered the dad some positive encouragement," she said. "As far as I know only the dad was in the splash zone." She said she was particularly moved by the father's compassion during the chaotic moment. "Obviously it was a stressful situation and I'm sure the dad wanted to make sure no one around them had been impacted, but I was touched with how reassuring the dad was," she said. "He took his son's mind off the situation and made him feel better while also trying to handle the mess, which is hard to do during a bumpy plane landing." As the two walked behind her on the jet bridge after landing, Anderson overheard the dad telling his son that "he was the luckiest dad in the world (not sarcastically!)," she noted in the caption of the video. Do you have a travel-related video or story to share? Let us know via life@ and your story could be featured on Newsweek.

Pamela Anderson reveals 'chemistry' with Liam Neeson and admits 'love' for him
Pamela Anderson reveals 'chemistry' with Liam Neeson and admits 'love' for him

Yahoo

time5 hours ago

  • Yahoo

Pamela Anderson reveals 'chemistry' with Liam Neeson and admits 'love' for him

Pamela Anderson's career renaissance is continuing apace, as she's currently starring alongside Hollywood heavyweight Liam Neeson in the quirky comic franchise reboot, The Naked Gun . A sequel to the original trilogy, Northern Irish star Liam plays Lt Frank Drebin Jr, son of Leslie Nielsen's legendary bumbling lawman, while Baywatch icon Pamela plays Beth, who turns to Frank for help in catching her brother's killer. Comedy moments aside (one montage involves Liam and Pamela in a threesome with a snowman), it's the smoking chemistry between Liam and Pamela — on and off-screen — that's had everyone talking. The pair have looked undeniably cosy on red carpets, although neither have confirmed or denied any romance. Here, Pamela, 58, talks about her latest role, gushes about working with Liam, and reveals how her sons are her greatest supporters and 'harshest critics'… Hi, Pamela! Everyone's talking about you and Liam Neeson. How was it working together? Liam's fantastic. Everyone, I think, is going to fall in love. He's had an incredible career, starting in theatre and being part of acting royalty, starring in Schindler's List and all his other films. So it was intimidating. I was afraid to meet him. I was literally shaking the first day I came to rehearse with him. But he's such a gentleman, such a sweetheart, so giving and generous, and so complimentary and supportive that, you know, you can't help but fall in love with him. The chemistry between you two is fantastic… We do have chemistry and, you know, off-set, he's silly. He has that little boy sense of humour. Yeah, he's funny. On set, I don't think we broke too much, but in rehearsals, we'd be playing around and having a bit of a laugh. But we'd still be shooting the film today if we laughed at everything! Some of the crew had to hide in corners, and the video village was really far away, in some kind of soundproof room, so they could not laugh. What attracted you to doing a comedy film? Well, I've kind of restarted my career — I did Chicago on Broadway, then The Last Showgirl . I thought it would be a nice juxtaposition to do a high comedy after a drama. It was exciting to play with, and I really respond to comedy. The fact they even thought of me for this was so exciting. I'm glad I did it. Were you a fan of the original movies? Oh, I love the Naked Gun s. They were really funny — such crazy, silly comedies. The world needs that right now. Everyone needs a good giggle, and this movie definitely has some of those. So what can people expect from this film? It's just one laugh after another. I think people will love all different parts of it. There's definitely an audience for this. It's a genre, but silly — you know, burst-out-laughing stuff. It's really wild. How did you prepare to play your character, Beth? I work a lot on the character before I even get to the set. Whether it's a drama or a high comedy, you still put the work in. So we talked a lot about her backstory and the storyline. The director was very scientific with the jokes, but I also wanted to bring honesty, authenticity and vulnerability to Beth. I see some sincere and tender moments, which I don't think you'd expect in a film like this. I was proud to see that. What were your favourite scenes to shoot? I think the montage is one of my favourites. I loved all the snowman scenes, he was really cute. But it was all exciting and fun. It's interesting to work with such an incredible actor as Liam, because I'm soaking it all in like a sponge. I feel new at this, so I really pay attention and observe him, on and off camera. How he conducts himself is really incredible to witness and learn from. You've got a scene where you sing in a jazz club… I loved that scene. The song was scripted, it wasn't improv, so I had to learn it. I still sing it in the shower — I can't get it out of my head. It kind of started a little Fabulous Baker Boys and went into, like, craziness. It was something I was worried about at first, but then I just jumped into it, and it was fun. Is this a film that's better to watch on the big screen? Any movie is seen best at a movie theatre — especially this one, with all the stunts and craziness. There's a lot of stuff going on, there are layers. If you see it a second time, you might see something different. There are a lot of references and funny things in the background. So yes, it's definitely one of those movies you need to enjoy on a big screen, with popcorn and friends — you'll get a greater kick out of it. Your son Brandon encouraged you to do The Last Showgirl . What input did he have with this film? Brandon and my other son Dylan actually saw an early cut of this film before I did. I got the call, 'Mom, it's funny. It's really funny. You and Liam are great.' They were so excited about it. They don't pull any punches. They're my harshest critics, as sons can be, but that gave me a bit of confidence because they wouldn't say that if they didn't love it. There's a new generation of kids who don't know these movies and are craving some real slapstick belly laughs. Your fans seem to be really embracing this second act in your career. What do you think has been the best part? Oh, thank you. Just working. It's a happy surprise that I get to do this again. I've gone home and thought, 'OK, I'll make pickles and bake bread and make my life beautiful, no matter what.' But I had this real craving to do more in this industry, so I'm really grateful. READ MORE: Michelle Keegan's flattering linen Topshop trousers are on sale for under £40

‘Splitsville' Duo Michael Angelo Covino & Kyle Marvin Challenge Conventional Wisdom On Comedy's Global Reach – Comedy Means Business Podcast
‘Splitsville' Duo Michael Angelo Covino & Kyle Marvin Challenge Conventional Wisdom On Comedy's Global Reach – Comedy Means Business Podcast

Yahoo

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  • Yahoo

‘Splitsville' Duo Michael Angelo Covino & Kyle Marvin Challenge Conventional Wisdom On Comedy's Global Reach – Comedy Means Business Podcast

As multi-hyphenates who together have premiered a pair of acclaimed indie comedies at Cannes — first The Climb in 2019, and more recently, Splitsville — Michael Angelo Covino and Kyle Marvin have a unique perspective on the old adage that comedies don't travel internationally. 'At the advent of cinema, what were the first blockbusters?' asks Covino in an appearance alongside Marvin on our Comedy Means Business podcast. 'It was like Charlie Chapman and Buster Keaton and a ton of Pre-Code stuff where everyone was naked. But for the most part, it was slapstick. It was silent films where people were falling down or crashing into things or a hose was spraying them in the face, and that is universal and goes worldwide.' More from Deadline From Touring With Vampire Weekend To Helming Tribeca Prize-Winner 'On A String': Isabel Hagen On Forging A Unique Career Synthesizing Music & Comedy – Comedy Means Business Podcast Leanne Morgan & Chuck Lorre Defy Decline Of The Stand-Up-Driven Sitcom With Netflix's 'Leanne' – Comedy Means Business Podcast Joe List & Manager Chris Burns Talk Building Direct-To-Consumer Career & Going Theatrical With 'Small Ball' Special - Comedy Means Business Podcast In the case of 'very specific, topical comedy that is of a place and speaking to zeitgeist only, then sure,' Covino can see a case being made that a comedy might not translate. 'But universal comedy, I think, translates better than any other genre.' Covino and Marvin's films together jointly embody an interest in absurdist comedy elevated by sharp writing and dynamic visuals, which focuses on relationships. While The Climb focuses on a revelation emerging from a long-distance bike ride and the strain that it puts on the relationship between two friends, Splitsville tells the story of two evolving marriages, and another revelation that complicates the relationship between those two couples. When Ashley (Adria Arjona) tells Carey (Marvin), abruptly during a road trip, that she's been repeatedly unfaithful and wants a divorce, Carey turns for solace to married friends Paul (Covino) and Julie (Dakota Johnson), learning that the key to their personal happiness has been to open up their relationship. In a last-ditch attempt to salvage his marriage, Carey pitches Ashley on a similar situation, and chaos ensues. Covino tells me on the podcast that a driving force behind his films with Marvin has been an interest in 'strong point of view' — stories embodying a unique juxtaposition between 'grounded emotions and characters' and 'absurd…and farcical situations.' From Marvin's perspective, the film also highlights their very simple goal of making sure that 'people are entertained' if they take the time to check out their work, in a moment where there are seemingly unlimited options, as far as what people can be consuming or doing with their time. 'I think for us, that means not holding back,' Marvin explains. 'If you can make everything interesting and compelling and believable, why would you hold back on the scenarios or situations that are fun to watch or have things going on that put pressure on character? I think we talk a lot about that entertainment value — what the experience of viewing the movie is going to be, and how we make that experience as fun as possible.' A joke a minute, with some really memorable visual gags, Splitsville is certainly that. It's a film with no clear comp, which while complicating conversations around marketing, affirms to Covino that he and Marvin hit on something good. In their appearance on our podcast, Covino and Marvin discuss the process of creating indie comedies unlike any you'll find elsewhere — one that was helped along, in this case, by Adam Newport-Berra, the cinematographer on the rise who's coming off his first Emmy nomination for his work on The Studio. The pair also discuss test screenings, the idea of cultivating 'future nostalgia' through the theatrical release, their desire to tackle a Christmas movie, and more. Covino directed Splitsville from his script written with Marvin, with the pair also producing. Neon releases the film in limited theaters on August 22 and will go wide with it on September 5. Alongside the podcast, I release a Comedy Means Business newsletter for Deadline — chronicling the latest happenings in the comedy space — twice a month, on Mondays. Sign up to receive that here. View a video clip from the conversation with the Splitsville creatives above and listen to the full cut below. { pmcCnx({ settings: { plugins: { pmcAtlasMG: { iabPlcmt: 1, }, pmcCnx: { singleAutoPlay: 'auto' } } }, playerId: "32fe25c4-79aa-406a-af44-69b41e969e71", mediaId: "1377cfec-ba3f-480a-9612-458b693b51e2", }).render("connatix_player_1377cfec-ba3f-480a-9612-458b693b51e2_3"); }); Best of Deadline Everything We Know About 'The Boys' Prequel Series 'Vought Rising' So Far Everything We Know About 'Gen V' Season 2 So Far 2025-26 Awards Season Calendar: Dates For Emmys, Oscars, Grammys & More

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