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GOP activist reveals why New Jersey is not 'just a Democrat state' in push to flip governorship

GOP activist reveals why New Jersey is not 'just a Democrat state' in push to flip governorship

Yahoo4 days ago
Republican activist Scott Presler is pushing voter registration and turnout efforts in New Jersey in hopes of flipping the governorship red in November.
Presler focused his 2024 efforts for the election on the neighboring battleground state of Pennsylvania, which went red, but said his group Early Vote Action is focusing on the Garden State based on promising numbers for Republicans in recent years.
"So, I think the best place to start is a lot of people think that New Jersey is blue. However, look at 2021, and I think that context is Jack Ciattarelli, who is our Trump-endorsed Republican candidate this November, just narrowly lost the governorship in 2021, four years prior by 84,000 votes, and that was a much less favorable environment for the Republican Party, for Donald Trump, etc.," Presler said in an interview with Fox News Digital. "And so the fact that we were still close back then shows the appetite that it's not just a Democrat state."
Democrat Mikie Sherrill Wins Nj Gubernatorial Primary, Setting Up Showdown With Trump-backed Gop Winner
In 2024, President Donald Trump lost the state by a narrower margin than expected, as he garnered 46% of the vote, compared with just over 41% in 2020. In 2021, Republican Jack Ciattarelli, who is the nominee again, lost to Gov. Phil Murphy by just over 84,000 votes, which was a much tighter race than the 2017 gubernatorial election. This year, Rep. Mikie Sherrill is the Democratic nominee as Murphy is wrapping up two consecutive terms in office.
Presler said that team is "very diverse," and they're doing a variety of outreach efforts to not only boost turnout in deep-red areas of the state, but also to connect with key communities in the state, including Jewish, Muslim, Hispanic and Black Americans.
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"I definitely think that the America First emblem or the America First motto, that has been key to saying, 'Listen, why are we the personal piggy bank of the rest of the world? Why aren't we investing in the infrastructure and education here in our country?' Whereas Democrats wanna put the rest of the globe first and not American citizens," Presler said.
Trump-backed Jack Ciattarelli Captures Gop Nomination For New Jersey Governor
He noted that in many areas of the state that border Pennsylvania, there are "shared values" that help better understand the electorate.
"Our strategy is we want sky-high voter turnout in the rural areas. Therefore, Hunterdon, Salem, Warren, Sussex, those are going to be key to our victory. And sure, the margins of the vote population aren't huge there," he said. "But in a state that was decided by 84,000 votes four years ago, you betcha that a thousand here or a thousand there is gonna make a difference."
The race, along with other off-year contests, could be an earlier indicator of the political environment headed into the midterm election and the 2028 presidential race. The activist noted that in New Jersey, touting key Trump policies, like the creation of a major tax deduction on tips, could be crucial to getting out the vote.
Trump Not On Ballot, But President Front And Center In New Jersey's Primary For Governor
"You have our beautiful casinos over there," Presler said of Atlantic City. "What did President Trump and the Republican Party just put forth with the BBB? No tax on tips, no tax on overtime. A lot of New Jersey is tourist-centered, and a lot of it is working class in the hospitality industry. I think there's going to be a direct correlation between the economy getting better and the people of New Jersey, especially independent voters coming over for President Trump," he said.
The general election in the Garden State is Nov. 4. Virginia is the only other state with a gubernatorial election this year.Original article source: GOP activist reveals why New Jersey is not 'just a Democrat state' in push to flip governorship
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The real meaning behind that viral Department of Homeland Security painting
The real meaning behind that viral Department of Homeland Security painting

Fast Company

time2 minutes ago

  • Fast Company

The real meaning behind that viral Department of Homeland Security painting

In recent months, The Department of Homeland Security (DHS) has used its social media platforms to promote its vision of an ideal country. In between posts celebrating mass deportations and defending ICE, the department has taken on the role of curator, posting a series of artworks that appear to communicate an idealized, Eurocentric concept of the American dream. The department's artistic choices haven't been subtle, but none can compare to the overt messaging of its most recent art choice. On July 23, DHS posted a painting titled American Progress, alongside the caption, 'A Heritage to be proud of, a Homeland worth Defending.' The 1873 painting by John Gast shows a group of white pioneers traveling west, forcing a group of Indigenous people out of frame. The irony of the DHS' post and caption, according to Martha Sandweiss, Princeton professor and historian of the U.S., is that American Progress does not show Americans 'defending' a homeland: 'What we actually see here are American settlers invading a homeland,' Sandweiss says. 'Of course, that's the homeland of the Native people that we see fleeing into the darkness, and, metaphorically, into extinction.' Gast's painting has long been used as an embodiment of the concept of ' Manifest Destiny,' a belief held by many during the nineteenth century (and beyond) that the United States was destined by divine right to control the entire territory from the Atlantic Ocean to the Pacific. For decades, this dogma was used to explain and legitimize the forced displacement and ethnic cleansing of Native Americans. The DHS's choice to highlight American Progress shows that its art choices have become an intentionally provocative flashpoint in an ideologically divided United States. And, Sandweiss says, it represents a whitewashing of the past that might signal a desire to exclude non-white Americans in the present. The fraught history of John Gast's 'American Progress' Gast's work on American Progress began in 1872, when he was commissioned to make a work for George Crofutt, an American publisher of several different guides promoting westward expansion. The image shows settlers traveling by stagecoach, conestoga wagon, and railroads, guided by a giant allegorical female figure of America, who holds a schoolbook in one hand and places a telegraph wire in the other. While these figures are glowing in a bright light, the fleeing Indigenous people are shrouded in darkness. 'On the one hand, [Crofutt] needs a set of ideas that his readers will readily respond to and are, in a sense, already familiar with,' Sandweiss says. 'In addition, he's using the picture as a kind of propaganda. He's picturing an imaginary scene that he hopes will resonate with people who might want to buy his travel guides and travel west themselves.' American Progress ultimately appeared in the monthly publication Crofutt's Western World. The image's description, as written by Crofutt, is full of racist tropes that align with the Manifest Destiny ideal of bringing 'civilization' to an 'uncivilized' place and people. 'This rich and wonderful country—the progress of which at the present time, is the wonder of the old world—was, until recently, inhabited exclusively by the [lurking] savage and wild beasts of prey,' Crofutt writes. Crofutt goes on to describe how the painting associates American settlers with the transformative power of technology, like transcontinental rail lines, trans-Atlantic trade (pictured in the top right of the image), and new telegraph wires. On her head, the symbolic female figure of America wears what Crofutt calls the 'Star of Empire.' In contrast, he writes, the lefthand side of the image 'declares darkness, waste and confusion.' The Indigenous people in the image are visually grouped with fleeing wild animals like a herd of bison and a black bear, all shown, per Crofutt, 'as they flee from the presence of the wondrous vision.' 'It doesn't reflect reality in any way' According to Sandweiss, it's no coincidence that American Progress shows trains in conjunction with the displacement of Native peoples. By 1872, it had been three years since the completion of the first transcontinental rail line, and several other lines were already underway. In the coming decades, Indigenous people would be forcibly located away from these routes. advertisement 'Absolutely, when the large reservations were created in the late 1860s, it was in part to move Native peoples away from the prospective railway lines so that they would not pose a threat to either the railroad companies or the settlers that the railroads would bring west,' Sandweiss explains. American Progress, Sandweiss says, is an idealized version of the American settler story. Encoded in the image is the idea that white Europeans were the sole people living in the American West, while, in actuality, the region was primarily settled by people of Spanish origin who arrived from Mexico. 'It doesn't reflect reality in any way,' she says. 'It doesn't reflect the multiple sources from which non-Native people came into the West. It doesn't depict the more complex racial identity of people who came into the West, which, by 1872 is including more free people, is including people coming north from Mexico, and it doesn't convey the role of women and families in the settlement of the Western landscape.' The press office of California Governor Gavin Newsom also reposted the painting with the response, 'This painting is housed at the Autry Museum of the American West in Los Angeles. The museum heavily features Native American history and intentionally embraces a more honest, inclusive understanding of Western history—a concept the Trump administration fails to understand.' This painting is housed at the Autry Museum of the American West in Los Angeles. The museum heavily features Native American history and intentionally embraces a more honest, inclusive understanding of Western history — a concept the Trump administration fails to understand. — Governor Newsom Press Office (@GovPressOffice) July 23, 2025 Whitewashing of the past leads to whitewashing of the present Many American schoolchildren will be familiar with American Progress because, for decades, textbooks have used it as a visual explanation of the Manifest Destiny concept. The image's themes of divine conquering, the spread of technology, the superiority of European settlers, and patriarchal structure capture the complex dynamics at play within this belief system. For the DHS to post this painting through an uncritical lens, Sandweiss says, signals 'a broader ignorance of American history on the part of the current administration'; an ignorance that she sees reflected in the administration's efforts to alter the historical information shared by agencies like the Smithsonian and the National Park Service. 'If you overly simplify the past—if you pretend that the only important people in the story were white men—you not only distort the past and dishonor the many other kinds of people who were part of American society at that moment, you also suggest that there's not a space for different kinds of people in the present,' Sandweiss says. 'Whitewashing the past makes it easier to whitewash the present, and pretend that people who are not like the people we see in this painting have never had a part in the American nation.' The early-rate deadline for Fast Company's Most Innovative Companies Awards is Friday, September 5, at 11:59 p.m. PT. 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Sen. Tim Scott On Liberal Outrage Over Gerrymandering In Texas: 'Dems Are Just Ticked Off We've Torn The Page From Their Book'
Sen. Tim Scott On Liberal Outrage Over Gerrymandering In Texas: 'Dems Are Just Ticked Off We've Torn The Page From Their Book'

Fox News

time3 minutes ago

  • Fox News

Sen. Tim Scott On Liberal Outrage Over Gerrymandering In Texas: 'Dems Are Just Ticked Off We've Torn The Page From Their Book'

South Carolina Republican Senator Tim Scott joins Fox Across America With Jimmy Failla to share his thoughts on the Texas Democrats who left the state this past weekend in an attempt to prevent the state House from holding a vote on new congressional maps. 'I mean, they're losing their minds because they're losing their voters. Think about the results of the 2024 election, especially in the eyes of gerrymandering. What the Democrats want you to believe is that gerrymandering in Texas is about race. Well, 48% of Hispanic men voted for Trump. Gerrymander that, baby! Thirty-plus percent of African American men for the first time in decades voted for Trump, a Republican. We saw Native Americans over 50% voted for Trump. So the fact of the matter is gerrymandering is about power. It is what's happening. It is legal in America to gerrymander for more power. That is just what the Democrats have been doing. What they're really ticked off about is that we've torn the page from their book and we're now applying it to reality, in the same way that they have done decade after decade after decade. The difference is we want to give the American people their money back, which gives them their power, Democrats want socialism taking their money and their power.' Senator Markwayne Mullin Breaks Down The Bombshell New Russiagate Revelations Senator Scott also tells Jimmy all about the themes covered in his new book, One Nation Always Under God: Profiles in Christian Courage . Listen to the podcast to hear what else they discussed!

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