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Deep-sea creatures are interconnected across globe via hidden ocean ‘superhighway'

Deep-sea creatures are interconnected across globe via hidden ocean ‘superhighway'

Independent3 days ago
Marine animals living in the cold, dark depths of the ocean are interconnected across the world by a hidden 'superhighway', a groundbreaking new study suggests.
The research, published in the journal Nature, provides a detailed global map of marine creatures closely related to starfish called brittle stars.
Researchers at Australia's Museums Victoria Research Institute assessed how these spiny creatures occupied every ocean, from tropical shallows to icy depths stretching from the equator to the polar regions.
They analysed DNA from nearly 2,700 brittle star specimens taken during hundreds of research expeditions and housed in 48 natural history museums worldwide and found that these creatures had crossed entire oceans over millions of years.
The gradual migration of these deep-sea creatures led to invisible links forming between ecosystems as far apart as Iceland and Tasmania, they found.
Brittle stars have lived for over 480 million years and come to occupy all ocean floors, including at depths of over 3,500 meters.
'You might think of the deep sea as remote and isolated, but for many animals on the seafloor, it is actually a connected superhighway,' Tim O'Hara, lead author of the study, said. 'Over long timescales, deep-sea species have expanded their ranges by thousands of kilometres. This connectivity is a global phenomenon that's gone unnoticed, until now.'
The study also examines the critical role played by these creatures in marine ecosystems across all the oceans. While life forms in shallow waters are restricted by temperature boundaries, the deep-sea environments are more stable, allowing species to disperse over vast distances.
In such environments, brittle stars produce yolk-rich larvae that drift on currents for extended periods, giving them the ability to colonise far-flung regions.
'These animals don't have fins or wings, but they've still managed to span entire oceans. The secret lies in their biology,' according to Dr O'Hara, 'their larvae can survive for a long time in cold water, hitching a ride on slow-moving deep-sea currents.'
Deep-sea ecosystems are more closely related across regions than their shallow-water counterparts. Marine animals off southern Australia, for instance, share close evolutionary links with species in the North Atlantic, on the other side of the planet.
'A close relationship exists between deep-sea faunas of the northern Atlantic and, on the opposite side of the globe, southern Australia,' researchers said.
But extinction events, environmental change and geography have over the millennia created a patchwork of biodiversity across the seafloor.
'It's a paradox,' Dr O'Hara explained. 'The deep sea is highly connected, but also incredibly fragile. Understanding how life is distributed and moves through this vast environment is essential if we want to protect it, especially as threats from deep-sea mining and climate change increase.'
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Birds love to boogie! Cockatoos have 30 distinct dance moves - and even link them together in elaborate routines, study finds
Birds love to boogie! Cockatoos have 30 distinct dance moves - and even link them together in elaborate routines, study finds

Daily Mail​

time2 hours ago

  • Daily Mail​

Birds love to boogie! Cockatoos have 30 distinct dance moves - and even link them together in elaborate routines, study finds

If you thought head banging and body rolls were limited to rock concerts or hip-hop clubs, you'd be mistaken. Experts have discovered that cockatoos have at least 30 different dance moves in their repertoire – including these two signature steps. The routines – of which 17 are newly identified – can even be performed without music. And it shows that the birds' dancing skills are far more common, complex and varied than previously thought. Researchers from Charles Sturt University in Australia and Bristol University in the UK analysed 45 videos posted on social media that showed captive cockatoos dancing. Some of the newly-documented moves include the semi-circle high, the downward head/foot sync, the fluff and the jump turn. The researchers found that some birds also performed their own individual dance moves, often by combining several of the movements in unique ways. The most common move, performed by 50 per cent of birds, was the 'downward' which involved the head bobbing in a downward motion while keeping the eyes facing forward. Next came the 'sidestep', carried out by 43.5 per cent of cockatoos. Other popular moves included the 'fluff' which involves puffing up their feathers, and the headbang. Overall, movements involving just the head were more common while the least common movements were those involving just wings. Next, the researchers investigated dancing behaviour in six cockatoos from three different species housed at Wagga Wagga Zoo in Australia. They played the birds music, an audio podcast, or no audio, and found that all birds performed dance moves, regardless of whether music was being played or not. The study, published in the journal Plos One, revealed that dancing behaviour is present in nearly half of all species of cockatoo. The authors say that further research is needed to determine whether the birds enjoy dancing and whether encouraging this behaviour could improve welfare for captive cockatoos. Professor Rafael Freire said: 'The similarities with human dancing make it hard to argue against well-developed cognitive and emotional processes in parrots, and playing music to parrots may improve their welfare. 'Further research would be beneficial to determine if music can trigger dance in captive birds and serve as a form of environmental enrichment.' Researcher Natasha Lubke added: 'As well as supporting the presence of positive emotions in birds and advancing dance behaviour as an excellent model to study parrot emotions, the work suggests that playing music to parrots may provide a useful approach to enrich their lives in captivity, with positive effects on their welfare.' Several years ago, a viral cockatoo named Snowball was enlisted to help scientists study dancing in animals after becoming a YouTube sensation. The talented bird managed to wow researchers with 14 different moves as he bopped along to 80s classics. The sulphur-crested cockatoo was filmed swinging from side to side, lunging and lifting his foot as he grooved to Another One Bites The Dust and Girls Just Want To Have Fun. Snowball showed a more diverse range of motions when bopping along to Cyndi Lauper's 1983 classic, however. Scientists led by a team from the University of California, San Diego believe his 'remarkably diverse spontaneous movements' show that dancing is not limited to humans but a response to music when certain conditions are present in the brain. British scientists have taught a group of seals how to copy human sounds and one of them how to sing the popular lullaby Twinkle, Twinkle Little Star. Researchers from the University of St Andrews worked with three young grey seals from birth to determine their natural repertoire and say the research could help others study speech disorders. The seals were then trained to copy new sounds, such as vowels and melodies, by changing their formants, the parts of human speech sounds that encode most of the information that we convey to each other. One seal, named Zola, was 'particularly good' at the musical side of things - correctly copying up to 10 notes of songs, including the classic jingle of 'Twinkle, Twinkle'. The study, published in the journal Current Biology, found that the seals used their vocal tract in the same way as us - unlike our closest relatives in the animal world, monkeys and apes. Now scientists working on disorders can use seals as a new model system to study the 'nature vs. nurture' element of our speech development. Researchers Dr Amanda Stansbury and Professor Vincent Janik, of the Scottish Oceans Institute (SOI) at St Andrews worked together on the project. They taught the seals to sing by playing sounds close to their natural vocal range, before rewarding them with treats when they successfully copied them. Dr Stansbury, who now works at El Paso Zoo in Texas, said: 'I was amazed how well the seals copied the model sounds we played to them. 'Copies were not perfect but given that these are not typical seal sounds it is pretty impressive. 'Our study really demonstrates how flexible seal vocalisations are. Previous studies just provided anecdotal evidence for this.' Professor Janik, Director of the SOI, said: 'This study gives us a better understanding of the evolution of vocal learning, a skill that is crucial for human language development.' He added: 'Surprisingly, non-human primates have very limited abilities in this domain. 'Finding other mammals that use their vocal tract in the same way as us to modify sounds informs us on how vocal skills are influenced by genetics and learning and can ultimately help to develop new methods to study speech disorders.' As seals separate from their mothers when they are just two or three weeks old, the findings suggest they could be used to study speech disorders and test different methods for slower learners, the researchers said. 'Since seals use the same neural and anatomical structures as humans to produce these sounds, they provide a good model system in which to study how speech sounds are learned,' Professor Janik said. 'As they separate so early from their mothers, we can control what exactly they hear when, which makes such studies much easier than with humans who are exchanging sounds with parents for all of their development all the time.' A seal called Hoover was documented copying human speech - including phrases like 'how are you?' - at the New England aquarium in Boston, Massachusetts in the 1980s. However, this does not necessarily mean that the mammals could learn to talk like humans. Professor Janik added: 'While seals can copy such sentences, they would not know what they mean. 'We would have to investigate whether they are able to label objects vocally, which is a key requirement for actually talking about things. 'Our study suggests that they have the production skills to produce human language. Whether they can make sense of it would be the next question.'

Twinkle-toed cockatoos have 30 different dance moves, researchers find
Twinkle-toed cockatoos have 30 different dance moves, researchers find

Times

time2 hours ago

  • Times

Twinkle-toed cockatoos have 30 different dance moves, researchers find

To most Australians they are mischievous, loud hooligans but researchers have found cockatoos also have an unexpected skill — they are also great dancers. The large, raucous parrots have an impressive 30 different dance moves — including headbanging, sidestepping and body rolls — according to researchers at Australia's Charles Sturt University. They found some individual birds had unique dance moves when hearing music, which often involved combining several movements in new ways. Known for stripping timber, raiding rubbish bins and destroying lawns, cockatoos are among the louts of the bird world but they are also highly intelligent. Not only did the researchers review hours of footage of the birds in the wild and in captivity, they also played the birds music, a podcast or simply left them in silence to see their reactions. Among the songs the cockatoos danced to was The Nights by the Swedish DJ Avicii. The researchers said that they chose 'progressive house' music for the birds to dance too, believing it unlikely the cockatoos had previously heard the songs. All the birds danced, even when there was no music to dance to. The scientists said that the findings showed that at least ten of the 21 known cockatoo species enjoy a boogie, and suggested that playing music to captive birds could help keep them healthy and happy. The study, published in the journal Plos One, said that cockatoo dancing results from complex brain processes including imitation, learning and synchronised, rhythmic movement. Spontaneous dancing in time to music has only been reported in humans and parrots, although some other wild birds also display rhythmic movements as part of their courtship displays, it said. However, what motivates captive birds to dance remains unclear. The researchers analysed 45 videos posted on social media that showed cockatoos dancing. They identified a total of 30 distinct dance movements — 17 of which had not previously been described scientifically. When the researchers then investigated dancing behaviour in cockatoos from three species housed at a New South Wales zoo by playing them music, a podcast or no soundtrack at all, they found that all the birds performed dance moves. Cockatoos, the study said, appeared to display a wide repertoire of dance moves, many of which were similar to the courtship displays of wild parrots. This suggested that their dancing abilities may have originated as courtship behaviour that has been redirected towards their owners when the birds are in captivity. 'The analysis also indicated that dancing is far more complex and varied than previously thought, recording 30 different movements seen in multiple birds and a further 17 movements that were seen in only one bird,' said the lead researcher, Natasha Lubke. 'As well as supporting the presence of positive emotions in birds and advancing dance behaviour as an excellent model to study parrot emotions, the work suggests that playing music to parrots may provide a useful approach to enrich their lives in captivity, with positive effects on their welfare.'

The Origin of Language by Madeleine Beekman review – the surprising history of speech
The Origin of Language by Madeleine Beekman review – the surprising history of speech

The Guardian

time4 hours ago

  • The Guardian

The Origin of Language by Madeleine Beekman review – the surprising history of speech

The story of human evolution has undergone a distinct feminisation in recent decades. Or, rather, an equalisation: a much-needed rebalancing after 150 years during which, we were told, everything was driven by males strutting, brawling and shagging, with females just along for the ride. This reckoning has finally arrived at language. The origins of our species' exceptional communication skills constitutes one of the more nebulous zones of the larger evolutionary narrative, because many of the bits of the human anatomy that allow us to communicate – notably the brain and the vocal tract – are soft and don't fossilise. The linguistic societies of Paris and London even banned talk of evolution around 1870, and the subject only made a timid comeback about a century later. Plenty of theories have been tossed into the evidentiary void since then, mainly by men, but now evolutionary biologist Madeleine Beekman, of the University of Sydney, has turned her female gaze on the problem. Her theory, which she describes as having been hiding in plain sight, is compelling: language evolved in parallel with caring for our 'underbaked' newborns, because looking after a creature as helpless as a human baby on the danger-filled plains of Africa required more than one pair of hands (and feet). It needed a group among whom the tasks of food-gathering, childcare and defence could be divided. A group means social life, which means communication. The evidence to support Beekman's theory isn't entirely lacking, though a lot of it is, necessarily, circumstantial. We know that the compromise that natural selection hit upon to balance the competing anatomical demands of bipedalism and an ever-expanding brain was to have babies come out early – before that brain and its bony casing were fully formed. One of the discoveries of the newly feminised wave of evolutionary science has been that alloparents – individuals other than the biological parents who contribute parenting services – played a critical role in ensuring the survival of those half-cooked human children. Another is that stone age women hunted alongside men. In the past it was assumed that hunting bands were exclusively male, and one theory held that language arose to allow them to cooperate. But childcare was another chore that called for cooperation, probably also between genders, and over years, not just hours or days. Luckily, the reconfiguration of the head and neck required to accommodate the ballooning brain had a side-effect of remoulding the throat, giving our ancestors more precise control over their utterances. With the capacity to generate a large range of sounds came the ability to convey a large range of meanings. To begin with, this was useful for coordinating childcare, but as speech became more sophisticated, alloparents – particularly grandmothers – used it to transmit their accumulated knowledge, thereby nurturing infants who were even better equipped to survive. The result of this positive feedback loop was Homo sapiens, the sole survivor of a once diverse lineage. Alas, Beekman takes a very long time to get to this exciting idea. She spends about half the book laying the groundwork, padding it out with superfluous vignettes as if she is worried the centre won't hold. Once she gets there, she makes some thought-provoking observations. Full-blown language probably emerged about 100,000 years ago, she thinks, but only in our line – not in those of our closest relatives. 'We may have made babies with Neanderthals and Denisovans,' she writes, 'but I don't think we had much to talk about.' And whereas others have argued that language must have predated Homo sapiens, because without it the older species Homo erectus couldn't have crossed the forbidding Wallace Line – the deep-water channel that separates Asia and Australasia – she draws on her deep knowledge of social insects to show that communication as relatively unsophisticated as that of bees or ants could have done the made a persuasive case for the role of alloparents in the evolution of language, Beekman concludes that we did ourselves a disservice when we shrank our basic unit of organisation down from the extended to the nuclear family. Maybe, but historians including Peter Laslett have dated this important shift to the middle ages, long before the Industrial Revolution where she places it, and the damage isn't obvious yet. Language is still being soaked up by young children; it's still a vehicle for intergenerational learning. It may take a village to raise a child, but as Beekman herself hints, a village can be constituted in different ways. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion The Origin of Language: How We Learned to Speak and Why by Madeleine Beekman is published by Simon & Schuster (£25). To support the Guardian buy a copy at Delivery charges may apply.

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