Greg Wise: ‘It wasn't love at first sight when I met Emma'
Would you say 'nepo baby' to a doctor whose parents were both doctors? No. I was brought up in a house of two architects and I trained as an architect. Our daughter is a young actor. We were never not going to have a daughter who wanted to be an actress. If a household seeps a certain profession through every pore, you're going to pick up on that as a child. She's the spitting image of a young Emma, and played her in a film.
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The Guardian
18 minutes ago
- The Guardian
Roger Norrington: a maverick, an irresistible firebrand and a musical visionary
The conductor Sir Roger Norrington, whose death was announced yesterday at the age of 91, remains still the maverick presence that classical music needs. His mission wasn't only to make us hear the repertoire we thought it knew through the prism of the techniques and playing styles of its time, rather than the ossifications of later traditions. He was also an irresistible firebrand in performance, whose energy wasn't only about inspiring his performers to get closer to the music they were playing, it was also an invitation to his audiences that their listening should be involved too. Norrington wanted everyone to feel the urgency of Beethoven's rhetorical power and rudeness, from the radiance of one of his favourite pieces, the Missa Solemnis, to the emetic contrabassoon in the finale of the Ninth Symphony, which was always the richest of raspberries in his performances and recordings. The Guardian's journalism is independent. We will earn a commission if you buy something through an affiliate link. Learn more. Haydn's symphonies, particularly, were pieces of participative performance art in Norrington's hands, in which his delight in sharing the radical humour and jaw-dropping discontinuities of the music was so evident. The conductor would turn round to his listeners - especially in the Prommers in the arena of the Royal Albert Hall in one of his 42 appearances at the Proms - to make sure we all realised just how weird and wonderful this music really was. The revelations of hearing Norrington's historically informed musical mission in action defined an era, along with his fellow iconoclasts, such as Nikolaus Harnoncourt, Christopher Hogwood and John Eliot Gardiner, all of whom founded ensembles of period instruments, like Norrington's London Classical Players, and took the lessons they had learnt therein to transform the sound world of modern instrument orchestras. Norrington's work with the Stuttgart Radio Symphony Orchestra is the sound of his later legacy in action, in Brahms, Berlioz, Tchaikovsky, and Elgar, as well as Beethoven and Mozart. But Norrington's distinctiveness was his unshakeable belief that there was a right way to play Beethoven – and a wrong one. He was also completely committed to his idea that the curse of vibrato was an aberration in performances of all music composed before the early 20th century, whether Bach to Mahler. While his vibrato-free performances brought astonishing moments – listen to the opening of the slow movement of Bruckner's sixth symphony, and connected music from across the centuries, it was an experiment that didn't catch on. Or at least it hasn't yet. Norrington's many crusades for the right tempo and textures in Beethoven's symphonies, for the clarity and directness of drama in Bach's Passions, for the transparency of sound world in Wagner and Debussy, have had repercussions across the whole of classical music, even with conductors and orchestras who might not think they're working under his influence. Norrington's decades-long mission to wean musical culture off the drug of vibrato may yet have its day. And his work remains fresh and thrilling. His Beethoven recordings with the London Classical Players - all the symphonies, and the piano concertos with Melvyn Tan, from the 1980s - are as impishly radical as ever. The paradox of Norrington's performances is that what seemed like austerity and ideology was in fact a generous invitation to re-hear the incendiary meanings and power of music that had been taken for granted for too long. Norrington was associated with what used to be called 'authenticity' in the performance of 17th, 18th, and 19th century repertoires. But he was too intelligent to believe that what he was doing was a mere restoration job or a return to a sound world of Mozart's or Beethoven's time - something that can never truly be recaptured. He wasn't a musician trying to return to the past. Instead he was going back to find a musical future. The sound of his recordings is the sound of the indelible imagination of all those composers he loved being released in all their rapier wit, sublimity and delirium into our time.
BBC News
30 minutes ago
- BBC News
Charli XCX weds drummer of The 1975 George Daniel
Pop star Charli XCX has confirmed her marriage to George Daniel, drummer of band The 1975, after a video snapped by a passer-by sparked online speculation of a pair were spotted posing on the steps of Hackney Town Hall on Saturday afternoon - Daniel in suit and tie and the 'brat' idol in white.A TikTok post from the singer several hours later confirmed the nuptials, racking up 3.9m views and thousands of congratulatory comments for "Mr and Mrs XCX".Charli XCX's album, Brat, became a global cultural phenomenon on its release last year. Filling social media feeds with viral videos and receiving critical acclaim, its success saw her perform a headline slot at Glastonbury in June. The singer confirmed the news while dressed in an off-the-shoulder white dress and her signature dark wraparound sunglasses. She stomped away from the camera – pretending to be annoyed – on a video beneath text that read, "When George isn't crying when he sees me walking down the aisle."But "Luckily he did xx" was the accompanying caption. A later post, which included shots of Daniel wearing Charli's veil, gave "bridal party energy", according to footage from outside Hackney Town Hall suggests the couple had an intimate ceremony. The two have been public about their relationship for several years and shared engagement photos in have also worked together multiple times, first collaborating on Charli's song Spinning and then on Brat, with Daniel named as co-producer and co-writer of two also took part in the viral "Apple dance" at one of Charli's London shows, appearing on the concert's screens in front of thousands of band The 1975 is fronted by singer Matty Healy and are well known for their song Chocolate. Daniel has released several tracks as a solo artist in recent years.
Daily Mail
32 minutes ago
- Daily Mail
Retro diet that doctors say can be BETTER than weight loss jabs: New research shows it can burn fat fast, maintain muscle and slash your health risks - with no side-effects. No wonder experts call it 'game-changer'
It was one of the most popular fad diets of recent decades – rocketing to fame in 2013 after a single tweet from Victoria Beckham. 'Love this healthy eating cook book!!' gushed the former Spice Girl turned fashion designer, alongside a picture of recipe book Honestly Healthy.
