Harrison Ford Lands First-Ever Emmy Nomination For ‘Shrinking'
The superstar landed his first nomination on Tuesday for his role as therapist Dr. Paul Rhoades in Shrinking, in the category of best supporting actor in a comedy series. He is nominated alongside Shrinking co-star Michael Urie as well as Ike Barinholtz (The Studio), Colman Domingo (The Four Seasons), Jeff Hiller (Somebody Somewhere), Ebon Moss-Bachrach (The Bear) and Bowen Yang (Saturday Night Live).
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Ford — also in the awards race this year for his role in Taylor Sheridan drama 1923 — was previously considered majorly snubbed after not being recognized for the first seasons of Shrinking and 1923, but season two of the Apple TV+ comedy finally made it happen. The 83-year-old was nominated for a Golden Globe, SAG Award and Critics Choice Award for the show's first season as well.
Shrinking is coming into this year's ceremony with an impressive nominations haul, as star Jason Segel landed a nod for lead actor in a comedy series and Jessica Williams is up for supporting actress in a comedy series. The show is also nominated for outstanding comedy series opposite Abbott Elementary, The Bear, Hacks, Nobody Wants This, Only Murders in the Building, The Studio and What We Do in the Shadows.
Nominations for the 77th Emmy Awards were announced via livestream by Harvey Guillén and Brenda Song; winners will be presented at the Emmys primetime ceremony hosted by Nate Bargatze and broadcast live Sunday, Sept. 14, on the CBS Television Network and available to stream live and on demand on Paramount+.
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The Hill
2 hours ago
- The Hill
Former NPR CEO: ‘This has not been a great week for free speech'
Former NPR CEO Vivian Schiller criticized CBS's canceling of Stephen Colbert's show in a Saturday interview amidst pushback of a decision that the network said was made due to financial constraints. 'This has not been a great week for free speech and speaking truth to power, without a doubt,' Schiller said on MSNBC. CBS has garnered criticism for the move, which many took in the context of its decision earlier this month to settle a lawsuit brought by President Trump for $16 million. CBS's parent company, Paramount, is currently seeking federal approval for a merger deal with entertainment conglomerate Skydance. Colbert panned CBS's move afterwards, calling the settlement a 'big fat bribe' in his monologue and pointing out Paramount's merger effort. Paramount's lawyers had previously characterized the lawsuit, which took issue with CBS's editing of an interview with former Vice President Harris, as 'without basis in law or fact.' Schiller acknowledged Saturday that the evidence around the cancellation of 'The Late Show with Stephen Colbert' was 'circumstantial,' but still called the move 'curious.' The network has maintained that the decision was motivated by financial concerns. 'We have to also make note that Stephen Colbert is unafraid to, again, speak truth to power,' the former NPR executive said. 'He does it in a very bipartisan way over the years, and comedy and parody is an important part of a democratic ecosystem.' Schiller's comments come after a difficult week for NPR, the media organization she helmed for three years. Republicans voted to zero out funding for the Corporation for Public Broadcasting, a nonprofit that provides a small slice of money to NPR's national headquarters and a significant portion of revenue for the broadcaster's member stations. Schiller told NPR's media reporter this week that she thought the loss of federal funds was inevitable, and that the network should have better prepared itself ahead of the vote by Congress. 'Any evidence-based news organization that reports critically is going to be accused of left-wing bias,' she said. 'Journalism and government funding in the United States — those two things are incompatible.' Schiller exited NPR in 2011 over her own controversy surrounding federal funding. Republicans at the time were threatening to cut the broadcaster's funding when video surfaced of a prominent NPR fundraiser attacking Tea Party activists.
Time Magazine
3 hours ago
- Time Magazine
Breaking Down the Twists and Reveals in the Ending of Netflix's 'Untamed'
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But it's also a trim limited series rooted in the stuff of parenthood, like Top of the Lake—the sins of the father (and the mother, for good measure), self-doubt, overwhelming powerlessness, and lots of grief. No conflict is had between the old ways and the new, so to speak, not even in context with white settlers' theft of Indigenous land. Instead, the show excavates the souls of its co-leads, Kyle Turner (Eric Bana), an Investigative Services Branch (ISB) agent for the National Park Service in Yosemite; and Naya Vasque (Lily Santiago), an L.A. transplant and NPS newbie, assigned to assist Turner in following the threads of a potential murder case in the park. What they unravel from that skein cuts not only to their cores as parents, but the story's supporting characters' cores, too, from Paul Souter (Sam Neill), Turner's friend, mentor, father figure, and boss as Yosemite's chief ranger, to Jill (Rosemary DeWitt), Turner's ex-wife, who can't resist the gravitational pull of his PTSD. She has her own emotional and moral baggage, too, some that's conventional, and some that's harder to spot, like sunlight glinting off a hunting rifle's scope. Jill takes the hit… Likewise, the reveal of one Sean Sanderson's fate lands one episode too late in Untamed to make an impression on the narrative; it's a missed opportunity by the Smiths to lend Jill necessary character depth. Sanderson (Mark Rankin in a walk-on role) went missing in Yosemite about five years ago in the show's timeline, but his name is brought up frequently in its present. His family is filing a wrongful death suit against the park, and their lawyer, Esther Avalos (Nicola Correia-Damude), visits Turner and Jill alike, sniffing around for information about his disappearance. DeWitt is one of our most casually gifted actors, in that whatever role she plays in whichever medium she chooses, she constitutionally reads as at-ease in her characters; they're lived-in and breathe life through the screen. Jill is no exception. But the guarantee of a good DeWitt performance can't offset Jill's meager profile on the page. She is, like Turner, figuratively haunted by the death of their young son, Caleb (Ezra Wilson), revealed in the series opener, 'A Celestial Event,' to have tragically died prior to Untamed's events–about five years, in fact. Turner is literally haunted, per his recurring conversations with Caleb; it isn't made explicit whether he's an apparition or just a hallucination, but there is nonetheless a ghostly quality to their dialogue together. In keeping with popular male balms for spiritual suffering, Turner turns to alcohol and functions as a mollusk, socially and professionally; his stoicism is an act, one his peers pick up on, and which some openly deride. 'Christ, here comes Gary Cooper,' grouses Milch (William Smillie) when Turner strides on horseback into the scene of the crime that spurs Untamed's A-plot: the murder of Lucy Cook (Ezra Franky), met in 'A Celestial Event' when she leaps off of El Capitan and into the ropes of two climbers ascending the granite monolith—a plunge she doesn't survive. The no-nonsense lawman routine is tired, within the text as well as without—if Milch and the rest of the park staff are done with Turner's schtick, then maybe television writ large should be, too—but at least it's normal. Jill, by contrast, responds to Caleb's death another way altogether. It turns out that Sanderson—he of the missing persons case—is Caleb's killer, whose crime was caught after the fact on motion cameras set up by Shane Maguire (Wilson Bethel), Yosemite's Wildlife Management Officer and staff reprobate. Shane intended those cameras to document animal migration patterns; instead, they reflect Milch's words to Vasquez in the second episode, 'Jane Doe,' that when people trek into the wild, they assume no one's around to watch them, 'so they do whatever bad sh-t pops in their head.' Shane brings this information to Turner and Jill, and offers them revenge in the form of taking out Sanderson. Turner refuses; but Jill accepts. We spend most of the show assuming Turner's change in temperament, following Caleb's death, is the catalyst for his and Jill's divorce. It's a welcome change to the formula that Jill's decision to engage Shane's services is in fact what broke their marriage. If only the Smiths worked that twist into Untamed before the finale. Dropping that grenade on the audience with so little time left to feel the impact does Jill little justice, but DeWitt does, in fairness, invest great pathos in her. As much as it comes as a shock that someone so mild-mannered would turn that dark, the matter-of-factness in DeWitt's delivery reads as confrontational: given the opportunity, would you, fellow parents, make the same choice as her? …but Souter takes a fall There is, of course, another twist to accompany Jill's disclosure to her second husband, Scott (Josh Randall), as we are still awaiting resolution in the matter of Lucy Cook's death. After Turner cleverly unlocks Lucy's iPhone by applying formaldehyde to her corpse's cheeks to dupe its facial recognition biometrics, he discovers that Lucy's heretofore anonymous lover, Terces—'secret' spelled backwards—is actually Shane, and based on videos showcasing him abusing her, not to mention his pro-murder worldview, he looks like the culprit responsible for her ultimate plunge off of El Capitan. But looks are deceiving. Sure, they're not deceiving enough that we feel any kind of pity for Shane when Vasquez gets the drop on him and guns him down, saving Turner's life; unsurprisingly, Turner figures out Shane's involvement in a drug trafficking scheme in Yosemite, moving product in and out of the park through bygone mining tunnels; Shane takes the discovery badly, and nearly kills Turner in a drawn-out hunt over hill and dale. But if Shane is a monster who is guilty in the matter of how Lucy lived, as both her abusive partner and a participant in the drug ring, he is nonetheless innocent in the matter of her death. The real guilty party here is Paul Souter, who also happens to be her biological father, a truth only he and Lucy are privy to. In an abstract perspective, this makes thematic sense. Untamed is about parenthood on a molecular level: the lengths we'll go to protect our children, and the depths we plumb if we're so unfortunate as to mourn them. Vasquez' character arc involves Michael (JD Pardo), her ex-partner on the force and in life, and their son, Gael (Omi Fitzpatrick-Gonzales), whom she took with her to Yosemite for his safety; in flashbacks, we see Lucy with her mother, Maggie (Sarah Dawn Pledge), in happier times, learning about her Miwok ancestry; Paul looks after his granddaughter, Sadie (Julianna Alarcon), while his other, acknowledged daughter, who isn't seen in the show, struggles with personal demons of her own. None of this makes the screenwriting decision to put the burden of Lucy's death on Paul any more welcome or tasteful, though. It's another knife in Turner's back when he's just gotten off of bedrest, post-recovery after his grueling fight with Shane; when he connects a few stray dots that lead him to Nevada, where he meets Faith Gibbs (Hilary Jardine), whose parents fostered a slew of kids, including Lucy. Faith recalls Lucy talking about how her father, a policeman, would come for her one day, and arrest the Gibbs, who severely mistreated their various wards. The gears in Turner's head grind along as she dredges up this memory, and he confronts Paul first thing upon returning to Yosemite. All Paul can do is argue that he only meant the best by whisking her away to the Gibbses, far from her violent stepfather. It's a weak case for the character to make, given the abuse the Gibbses subjected Lucy to, and that when she comes back to the park as an adult to extort Paul, he reacts by accidentally chasing her to her death off of El Capitan–a revelation that feels quite like letting all the air out of a balloon. …and Turner moves on. Consequently, that makes a weaker conclusion for the narrative, one the series can only wrap up by having Paul use his pistol on himself and take a tumble into rushing river waters. Worse, that unceremonious and unearned end robs oxygen from Turner's own catharsis, a black flag at Untamed's last lap. Turner is the lead. His growth as a human being is what we're here for. Paul's increasingly bad decisions throw up a smoke screen around that growth, minutes before the story closes the arc of Turner's self-destructive bereavement. The pivot to Paul's complicity is especially frustrating given the wonderful foundation for Turner's ultimate closure laid out by his friend, former colleague, and Miwok community leader, Jay (Raoul Max Trujillo), in a monologue in the fifth episode, 'Terces,' about the connection he feels to his forebears through his connection to Yosemite's land. 'When it's my time to die, I will die here,' Jay says. 'But if I chose to die somewhere else, I would still have my ancestors with me, because the spirits in this valley are within each one of us.' Turner tearfully echoes the sentiment in 'All Trails Lead Here,' during a final farewell with Caleb's visage. 'No matter where I am, or where I go, you'll always be with me,' Turner chokes. When the credits roll, he's on his way out of Yosemite, the site of his anguish, for good, newly at peace and secure with the memories he has of his beloved son. Untamed incidentally reminds viewers just how vast our country is, at a moment when the world feels smaller than ever–an illusion we perform on ourselves with slavish devotion to our personal devices and social media. Paul's confession and suicide therefore strikes a sour chord on the series' driving motif. Emphasizing the bonds we hold with our loved ones, whether they're with us or not, makes a more fitting ending, for Jill, for Vasquez, and especially for Turner.
Fox News
5 hours ago
- Fox News
Rosie O'Donnell goes off on 'madman' Trump and Colbert's cancelation in scathing TikTok attack
Rosie O'Donnell launched a passionate TikTok attack against "madman" President Donald Trump and the cancellation of Stephen Colbert's late-night show on Friday and Saturday. O'Donnell claimed that Trump would "arrest every artist that disagrees with him" and took multiple shots at the president's mental and physical health. She also insisted, without basis, that Trump is responsible for Colbert's cancellation. "I think Americans should stand up and say, 'No way. You're not going to silence us. You don't have the right to silence us. You never did. And you never will. We, the people, have the right to speak up against atrocities, which are happening on a daily basis.' ICE, his own personal Gestapo — what will it take, America? What will it take?" she questioned. "He's gonna arrest every artist that disagrees with him and pretty much every artist does. Whether or not they're brave enough to say it is another thing." Regarding Colbert, O'Donnell wondered, "What's going on with Stephen Colbert, right? One of the most brilliant minds we've ever had in comedy. A very loving and compassionate man. I admire him very much. And he's courageous and brave. And CBS decided to give into the blackmail that Donald Trump forced them to." CBS announced on Thursday that "The Late Show with Stephen Colbert" would be canceled in 2026, and insisted that the decision was "purely a financial decision" and had nothing to do with their parent company Paramount's pending merger with Skydance. Paramount also recently settled a lawsuit with Trump over the editing of CBS' "60 Minutes" interview with former Vice President Kamala Harris last year. Trump also commented on the cancellation of Colbert's show, posting the following statement to his Truth Social account: "I absolutely love that Colbert' got fired. His talent was even less than his ratings. I hear Jimmy Kimmel is next. Has even less talent than Colbert! Greg Gutfeld is better than all of them combined, including the Moron on NBC who ruined the once great Tonight Show." Last Saturday, Trump re-ignited his longtime feud between him and O'Donnell, threatening to strip her of her citizenship because she is "not in the best interests of our Great Country." O'Donnell left the U.S. for Ireland shortly after Trump won back the White House last year. "Because of the fact that Rosie O'Donnell is not in the best interests of our Great Country, I am giving serious consideration to taking away her Citizenship. She is a Threat to Humanity, and should remain in the wonderful Country of Ireland, if they want her. GOD BLESS AMERICA!" he wrote on Truth Social. O'Donnell made a litany of allegations about the president's health in her TikTok rants, claiming that he's "physically ill" and is suffering from dementia. "How long do all of the voices against this horrific administration have in terms of their careers and ability to make money? Because this madman, this mentally incapacitated, physically ill, mentally ill man is spiraling out of control," she stated. "His dementia is out of control. He's horrible." Last month, O'Donnell told former CNN anchor Chris Cuomo that she became "very depressed" and began "overdrinking" after Donald Trump's first election victory in 2016. She also revealed that she left the U.S. for Ireland out of a sense of "self-preservation" following his second election win. When asked for comment, the White House referred Fox News Digital to the president's Truth Social posts regarding Stephen Colbert and Rosie O'Donnell.
