logo
Popular TV personality Osher Gunsberg reveals surprise new TV gig: ‘A chance to test myself'

Popular TV personality Osher Gunsberg reveals surprise new TV gig: ‘A chance to test myself'

News.com.au02-05-2025
Osher Günsberg hyped up audiences on Australian Idol and charmed viewers on The Bachelor when he hosted the popular programs.
But now the much-loved Aussie TV personality has the unenviable task of roping in the feisty and fabulous cast of The Real Housewives of Sydney.
Günsberg has been announced as the host of the upcoming Season 3 reunion episode of the hit BINGE series, which airs next Tuesday, May 6. And while he says his new gig sounded daunting, he was up for the challenge.
'You don't get many opportunities in your career to test your skill set at the highest level,' he tells news.com.au ahead of next week's reunion.
'I've built some pretty strong muscles holding space for difficult conversations through hosting The Bachelor shows over the years – but hosting a Real Housewives of Sydney reunion? That's Olympic-level TV work for me. What a chance to test myself!'
Stream The Real Housewives of Sydney on BINGE, available on Hubbl.
With the drama that has unfolded this season between housewives Terry Biviano, Caroline Gaultier, Dr Kate Adams, Krissy Marsh, Nicole O'Neil, Sally Obermeder, Victoria Montano and newcomer Martine Chippendale, Günsberg absolutely has his work cut out for him.
But as a fan on the genre, he was hellbent on making sure all 'unanswered questions' were resolved and no stone was left unturned.
'I wanted each cast member to walk away feeling they'd had the chance to say what needed to be said. That they had clarity, closure, and nothing left unsaid,' he says.
'Being on a reunion show is a big deal, and I wanted them to walk away knowing they were heard. And let me tell you – they came out firing.
'It was like [rugby league player] Dane Gagai in Game 1 of the 2017 State of Origin: try within five minutes. My bum barely hit the couch before things took off.'
The seasoned host said he was already familiar with what transpired as his wife, Audrey Griffen, is a make-up artist on the show and gives him a debrief. But still, he made sure to do his research before taking the hot seat.
'Thank goodness I did my homework – there were so many tangents and callbacks to moments that weren't clearly set up. I had to provide context on the fly and bring in others to make sense of it all,' he says.
'At one point, a surprise guest shows up – and it is chef's kiss magnificent. There's some delicious, juicy reality TV to feast on in this reunion.'
Drama aside, Günsberg says he has nothing but the utmost respect for the Housewives because of the lives they've built.
'There are people in this cast I find incredibly inspirational. They've built businesses and made entrepreneurial moves that are absolutely gobsmacking,' he says. 'They've created unbelievable lives for themselves.'
'They're also powerful. You don't get to that level of success without serious drive. And it's hard to switch off that energy … There was a lot of energy on that set.'
Despite his own fame, Günsberg says he in no way runs in the same social circles at the RHOS cast.
'These women are upper echelon – I'm middle-class celebrity at best,' he says. 'They live completely different lives to me. I hang out with my family, sit in the sauna, go to bed early, wake up to train, write books, make podcasts. I don't go on the kinds of holidays these ladies do.'
'But I'm absolutely familiar with them – they're high-profile, successful women who've worked hard to build their careers.'
As for potentially making a cameo on the show in the future? Günsberg doesn't rule it out, but there are some conditions.
'Only if they wanted to join me for a 5am kettlebell session,' he jokes. 'But I don't talk much during those – just a lot of Viking metal and heavy lifting. They'd have to wake up at 2am to get ready. So I doubt that's ever going to happen.'
One person he would like to see join the cast is fellow TV and media personality Abbie Chatfield, who he met when she placed runner-up on The Bachelor in 2019.
'She's the biggest fan of the [Real Housewives] franchise. She'd be perfect,' he says. 'That would be wild. I'd come back just to host that reunion.'
Before Günsberg came on as the Season 3 reunion host, designer Alex Perry and radio star Joel Creasey steered the ships in Seasons 1 and 2, respectively. Pretty big shoes to fill so Günsberg called in the reinforcements.
'When you talk about big shoes to fill – Alex Perry and Joel Creasey's shoes couldn't be bigger or more fabulous. So, I called up Melissa Byrne, who's styled me for years, and said, 'I need the most magnificent boots possible.' I think they were Alexander McQueens,' he says of his footwear in the reunion.
'What I've learned from watching those guys is that you have to meet the ladies where they are, especially when it comes to fashion,' he says. 'You can't just show up in any old suit. You don't wear a regular outfit to a bedazzler fight.'
But looking the part was only half of the job, he says.
'When it comes to handling the actual hosting duties, anyone who's seen Joel or Alex do it knows it's no easy feat,' he concludes. 'They took some heavy artillery, and I learned a lot from watching them. Hopefully, I was able to honour the incredible work they did.'
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Boycott': Aussies fume over Netflix's latest price hikes
‘Boycott': Aussies fume over Netflix's latest price hikes

Perth Now

time7 hours ago

  • Perth Now

‘Boycott': Aussies fume over Netflix's latest price hikes

Aussie Netflix users have been quick to call out the streaming giant following its sixth price increase since entering the Australian market in 2015. On Wednesday, the platform announced all subscription tiers would be impacted as early as September this year. Understandably, it's not been met with open arms by users already impacted by the cost-of-living pinch. Taking to social media, users even threatened to 'cancel' their subscriptions as they vented their frustrations. 'Greedy company. Raising prices multiple times per year will only push more ships into the sea,' one person said. 'Boycott Netflix. Raising prices again...,' another added. Aussies react to Netflix price rises. Credit: Supplied In response to the promotion of the Netflix original film My Oxford Year, other Netflix subscribers argued the quality of content available for streaming didn't warrant the uptick in price. 'Worst content on your platform in history losing so many shows and you think you need a price increase 😂,' one user said. 'Another price increase? Cancel time,' another chimed in. Subscribers on Netflix's two standard plans will be forced to part with an extra $2 every month, with the 'standard with ads' option shifting from $7.99 to $9.99, and the ad-free Standard plan now set at $20.99 monthly. Prince Harry and Meghan Markle have become regular features on Netflix. Credit: Netflix / Netflix Premium subscribers are looking at the steepest leap, with a $3 rise, taking the plan from $25.99 to $28.99. According to tech site Tom's Guide, Netflix's initial prices for Australian users were $8.99 monthly for a basic ad-free plan and $14.99 for premium access, making today's Premium option nearly double the cost. Netflix said the higher prices would allow them 'to bring you even more exciting, new entertainment', promising 'fresh, can't-miss shows and movies every week'. Netflix (inclusive of price updates) $9.99/month - inclusive of ads $20.99/month - Standard ad-free $28.99/month - Premium ad-free Amazon Prime $9.99/month — inclusive of ads $12.98/month — ad-free Stan $12/month — Basic ad-free $17/month — Standard ad-free $22/month — Premium ad-free Apple TV+ $12.99/month — ad-free Disney+ $15.99/month — Standard inclusive of ads $20.99/month — Premium ad-free Binge $10/month — Basic inclusive of ads $19/month — Standard ad-free $22/month — Premium ad-free Paramount+ $6.99/month — Basic inclusive of ads $10.99/month — Standard ad-free $13.99/month — Premium ad-free Australian streaming platform prices compared. Credit: Supplied

Rocky Horror changed my life 50 years ago. I've been in a time warp ever since
Rocky Horror changed my life 50 years ago. I've been in a time warp ever since

Sydney Morning Herald

time8 hours ago

  • Sydney Morning Herald

Rocky Horror changed my life 50 years ago. I've been in a time warp ever since

In 1973, I was a 19-year-old hoofer either busking the streets of London in top hat, tails and tap shoes or being the soda jerk at a Knightsbridge cafe, dressing like Ruby Keeler, keeping boredom at bay by tap dancing on tables to 1930s music. Jim Sharman, another Aussie, arrived at the cafe with actor Richard O'Brien, whose unfinished rock musical based on Frankenstein, Jim had agreed to direct. Jim was explaining that the script needed two more servants as one was not enough for back-up vocals. On seeing me, he turned to Richard and said, 'There's your servant.' It was my first professional role on the London stage – in the tiny attic of The Royal Court Theatre, the Theatre Upstairs. A three-week rehearsal period to be followed by a three-week run for a play described by O'Brien as a 'fun knees-up'. The Rocky Horror Picture Show was the result of a symbiotic, creative, relationship between O'Brien, Sharman, set designer Brian Thomson, musical director Richard Hartley, costume designer Sue Blane and, of course, actor Tim Curry. The following year, we all gathered in the freezing cold Bray Studios an hour outside London to begin filming The Rocky Horror Picture Show. Fox offered Jim a big budget and all-star cast but Jim wanted to use the original stage cast so Fox slashed the budget and gave him less than six weeks to shoot it. The one casting that they insisted on was that Brad and Janet be played by Americans. He flew to LA and cast Susan Sarandon and Barry Bostwick. The film opened to silence. Fox gave it a minimal distribution and it was shelved. But then a man in the publicity department at Fox's LA office decided to take it off the shelf and have a look. He thought it could work being shown at midnight screenings at the Waverly Theatre, New York City and sent it over. The same audience came week after week and began dressing up as the characters. Then they started calling out to the screen – the first one was when Janet puts a newspaper over her head to protect herself from the rain, that was the beginning of the callbacks. Soon after that, they began performing in costume in front of the screen and the 'shadowcast' was born. We had no idea about this until we were invited to New York for a one-year celebration of The Rocky Horror Picture Show and there were fishnets galore – lines of sequinned Columbias, Frank-N-Furters and the rest of the cast. It was fabulous. I think one of the reasons it has become a cult hit is because it is a joyous celebration of all things homosexual, bisexual, transsexual, heterosexual and cross-dressing. The script is witty, there's not a dud song in it, and it doesn't take itself seriously. The film has helped sexually liberate great swaths of conservative America. It took me some time to realise many of the fans were a combination of nerds who stayed in their rooms, unable to express themselves or people struggling with their sexuality. I find it so uplifting to be part of something that has and, 50 years later, continues to liberate so many. Many fans tell me that they had felt isolated or lonely, even cast out by their families, then discovered The Rocky Horror Picture Show community and found their people. I've met so many fans who have met their partners this way and now have a gaggle of mini fans. It brings me so much joy to be part of a film which has had such a positive and profound effect on so many people and continues to this day.

Rocky Horror changed my life 50 years ago. I've been in a time warp ever since
Rocky Horror changed my life 50 years ago. I've been in a time warp ever since

The Age

time8 hours ago

  • The Age

Rocky Horror changed my life 50 years ago. I've been in a time warp ever since

In 1973, I was a 19-year-old hoofer either busking the streets of London in top hat, tails and tap shoes or being the soda jerk at a Knightsbridge cafe, dressing like Ruby Keeler, keeping boredom at bay by tap dancing on tables to 1930s music. Jim Sharman, another Aussie, arrived at the cafe with actor Richard O'Brien, whose unfinished rock musical based on Frankenstein, Jim had agreed to direct. Jim was explaining that the script needed two more servants as one was not enough for back-up vocals. On seeing me, he turned to Richard and said, 'There's your servant.' It was my first professional role on the London stage – in the tiny attic of The Royal Court Theatre, the Theatre Upstairs. A three-week rehearsal period to be followed by a three-week run for a play described by O'Brien as a 'fun knees-up'. The Rocky Horror Picture Show was the result of a symbiotic, creative, relationship between O'Brien, Sharman, set designer Brian Thomson, musical director Richard Hartley, costume designer Sue Blane and, of course, actor Tim Curry. The following year, we all gathered in the freezing cold Bray Studios an hour outside London to begin filming The Rocky Horror Picture Show. Fox offered Jim a big budget and all-star cast but Jim wanted to use the original stage cast so Fox slashed the budget and gave him less than six weeks to shoot it. The one casting that they insisted on was that Brad and Janet be played by Americans. He flew to LA and cast Susan Sarandon and Barry Bostwick. The film opened to silence. Fox gave it a minimal distribution and it was shelved. But then a man in the publicity department at Fox's LA office decided to take it off the shelf and have a look. He thought it could work being shown at midnight screenings at the Waverly Theatre, New York City and sent it over. The same audience came week after week and began dressing up as the characters. Then they started calling out to the screen – the first one was when Janet puts a newspaper over her head to protect herself from the rain, that was the beginning of the callbacks. Soon after that, they began performing in costume in front of the screen and the 'shadowcast' was born. We had no idea about this until we were invited to New York for a one-year celebration of The Rocky Horror Picture Show and there were fishnets galore – lines of sequinned Columbias, Frank-N-Furters and the rest of the cast. It was fabulous. I think one of the reasons it has become a cult hit is because it is a joyous celebration of all things homosexual, bisexual, transsexual, heterosexual and cross-dressing. The script is witty, there's not a dud song in it, and it doesn't take itself seriously. The film has helped sexually liberate great swaths of conservative America. It took me some time to realise many of the fans were a combination of nerds who stayed in their rooms, unable to express themselves or people struggling with their sexuality. I find it so uplifting to be part of something that has and, 50 years later, continues to liberate so many. Many fans tell me that they had felt isolated or lonely, even cast out by their families, then discovered The Rocky Horror Picture Show community and found their people. I've met so many fans who have met their partners this way and now have a gaggle of mini fans. It brings me so much joy to be part of a film which has had such a positive and profound effect on so many people and continues to this day.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store