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Hindustan Times
a day ago
- Entertainment
- Hindustan Times
Music Review: Cult hero Alex G's 'Headlights' is an introspective meditation on fame
LOS ANGELES — Fame is a double-edge sword. Though it comes with obvious perks — money, opportunity, praise — it can also prompt a kind of existential reckoning. Now what? Is this all there is? Am I changed because of it and, if so, for better or for worse? Music Review: Cult hero Alex G's 'Headlights' is an introspective meditation on fame This is the kind of wrestling Alex Giannascoli, better known as the influential indie rocker Alex G, performs on 'Headlights,' his 10th album and first on a major label. 'Has your wish come true?' he asks, perhaps of himself, on the aptly titled 'Is It Still You In There?' Although Giannascoli achieved quiet success early in his career — collaborating with Frank Ocean on his critically acclaimed 2016 album 'Blonde ' and joining the R&B superstar on tour — Giannascoli has, until recently, been more frequently labeled a cult indie figure than a household name. But the 32-year-old has risen to prominence in recent years, particularly after his 2022 album, 'God Save the Animals,' which marked a distinct shift from his austere, lo-fi sound to more robust production and instrumentation. He has since collaborated with the pop star Halsey on her latest record and scored filmmaker Jane Schoenbrun's A24 horror hit, 'I Saw the TV Glow.' That trajectory informs Giannascoli's contemplative poignancy on 'Headlights,' releasing Friday. 'Some things I do for love / Some things I do for money / It ain't like I don't want it / It ain't like I'm above it,' he admits on the 'Beam Me Up,' his whirring guitars strumming mesmerizingly against airy background vocals. Many of his lyrics here, like in the past, are poetically inscrutable. But there are also moments of explicit frankness about ambition, self-doubt, transition and success. 'Hoping I can make it through to April / On whatever's left of all this label cash / No I never thought I was the real thing,' he croons on 'Real Thing,' as a pan flute synthesizer whistles underneath him. With 'Headlights,' Giannascoli continues further down his 'God Save the Animals' sonic pivot to higher fidelity — perhaps to be expected on an album coming from a major label like RCA Records — recording in studios in lieu of his home for a more ornate sound. Think dreamy synths and reverb-soaked riffs. Subdued lyrics and a distorted guitar solo almost turn 'Louisiana' into a shoegaze track. 'Louisiana / Wild and Free / The only one who wanted me,' he repeats with distorted vocals. If there is a central message to 'Headlights,' it appears on the song 'Bounce Boy.' 'I'm up in the clouds and I pray,' he sings with pitched-up vocals, one of his signature effects. 'Say goodbye / To the life / That you knew for so long.' For better or for worse, there is no turning back. This article was generated from an automated news agency feed without modifications to text.
San Francisco Chronicle
a day ago
- Entertainment
- San Francisco Chronicle
Music Review: Cult hero Alex G's 'Headlights' is an introspective meditation on fame
LOS ANGELES (AP) — Fame is a double-edge sword. Though it comes with obvious perks — money, opportunity, praise — it can also prompt a kind of existential reckoning. Now what? Is this all there is? Am I changed because of it and, if so, for better or for worse? This is the kind of wrestling Alex Giannascoli, better known as the influential indie rocker Alex G, performs on 'Headlights,' his 10th album and first on a major label. 'Has your wish come true?' he asks, perhaps of himself, on the aptly titled 'Is It Still You In There?' Although Giannascoli achieved quiet success early in his career — collaborating with Frank Ocean on his critically acclaimed 2016 album 'Blonde ' and joining the R&B superstar on tour — Giannascoli has, until recently, been more frequently labeled a cult indie figure than a household name. But the 32-year-old has risen to prominence in recent years, particularly after his 2022 album, 'God Save the Animals,' which marked a distinct shift from his austere, lo-fi sound to more robust production and instrumentation. He has since collaborated with the pop star Halsey on her latest record and scored filmmaker Jane Schoenbrun's A24 horror hit, 'I Saw the TV Glow.' That trajectory informs Giannascoli's contemplative poignancy on 'Headlights,' releasing Friday. 'Some things I do for love / Some things I do for money / It ain't like I don't want it / It ain't like I'm above it,' he admits on the 'Beam Me Up,' his whirring guitars strumming mesmerizingly against airy background vocals. Many of his lyrics here, like in the past, are poetically inscrutable. But there are also moments of explicit frankness about ambition, self-doubt, transition and success. 'Hoping I can make it through to April / On whatever's left of all this label cash / No I never thought I was the real thing,' he croons on 'Real Thing,' as a pan flute synthesizer whistles underneath him. With 'Headlights,' Giannascoli continues further down his 'God Save the Animals' sonic pivot to higher fidelity — perhaps to be expected on an album coming from a major label like RCA Records — recording in studios in lieu of his home for a more ornate sound. Think dreamy synths and reverb-soaked riffs. Subdued lyrics and a distorted guitar solo almost turn 'Louisiana' into a shoegaze track. 'Louisiana / Wild and Free / The only one who wanted me,' he repeats with distorted vocals. If there is a central message to 'Headlights,' it appears on the song 'Bounce Boy.' 'I'm up in the clouds and I pray,' he sings with pitched-up vocals, one of his signature effects. 'Say goodbye / To the life / That you knew for so long.' For better or for worse, there is no turning back.
Winnipeg Free Press
a day ago
- Entertainment
- Winnipeg Free Press
Music Review: Cult hero Alex G's ‘Headlights' is an introspective meditation on fame
LOS ANGELES (AP) — Fame is a double-edge sword. Though it comes with obvious perks — money, opportunity, praise — it can also prompt a kind of existential reckoning. Now what? Is this all there is? Am I changed because of it and, if so, for better or for worse? This is the kind of wrestling Alex Giannascoli, better known as the influential indie rocker Alex G, performs on 'Headlights,' his 10th album and first on a major label. 'Has your wish come true?' he asks, perhaps of himself, on the aptly titled 'Is It Still You In There?' Although Giannascoli achieved quiet success early in his career — collaborating with Frank Ocean on his critically acclaimed 2016 album 'Blonde ' and joining the R&B superstar on tour — Giannascoli has, until recently, been more frequently labeled a cult indie figure than a household name. But the 32-year-old has risen to prominence in recent years, particularly after his 2022 album, 'God Save the Animals,' which marked a distinct shift from his austere, lo-fi sound to more robust production and instrumentation. He has since collaborated with the pop star Halsey on her latest record and scored filmmaker Jane Schoenbrun's A24 horror hit, 'I Saw the TV Glow.' That trajectory informs Giannascoli's contemplative poignancy on 'Headlights,' releasing Friday. 'Some things I do for love / Some things I do for money / It ain't like I don't want it / It ain't like I'm above it,' he admits on the 'Beam Me Up,' his whirring guitars strumming mesmerizingly against airy background vocals. Many of his lyrics here, like in the past, are poetically inscrutable. But there are also moments of explicit frankness about ambition, self-doubt, transition and success. 'Hoping I can make it through to April / On whatever's left of all this label cash / No I never thought I was the real thing,' he croons on 'Real Thing,' as a pan flute synthesizer whistles underneath him. With 'Headlights,' Giannascoli continues further down his 'God Save the Animals' sonic pivot to higher fidelity — perhaps to be expected on an album coming from a major label like RCA Records — recording in studios in lieu of his home for a more ornate sound. Think dreamy synths and reverb-soaked riffs. Subdued lyrics and a distorted guitar solo almost turn 'Louisiana' into a shoegaze track. 'Louisiana / Wild and Free / The only one who wanted me,' he repeats with distorted vocals. If there is a central message to 'Headlights,' it appears on the song 'Bounce Boy.' 'I'm up in the clouds and I pray,' he sings with pitched-up vocals, one of his signature effects. 'Say goodbye / To the life / That you knew for so long.' For better or for worse, there is no turning back.
Hype Malaysia
2 days ago
- Entertainment
- Hype Malaysia
Michelle Yeoh Joins English Cast Of Chinese Animated Film 'Ne-Zha 2'
The box office Chinese animated hit, 'Ne Zha 2', broke records for one of the highest-grossing films of 2025. To amplify its reach to its global audience, the studio that brought you 'Ne-Zha' is set to invest in an exciting project for all fans to enjoy. An English-dubbed version of 'Ne-Zha 2' (哪吒之魔童闹海) is set to release with Michelle Yeoh in the list of English voice actors for the film. The reprise will hit United States, Canada, Australia and New Zealand theatres on 22nd August 2025. The Academy Award-winning actress will voice Ne-Zha's mother in the film. 'Sharing this with audiences in English is such a joy, and I can't wait for everyone to experience the wonder, heart, spectacular artistry, and magic of this film on the big screen', she details her honour in playing the role to The Rakyat Post. In a rare collaboration, U.S. company A24 and Chinese media company CMC Pictures will jointly distribute the film for its English audience. With its RM7.55 billion gross worldwide, 'Ne-Zha 2' makes it to the 5th highest-grossing film at the global box office, making it China's highest-grossing film of all time. With its popularity and box office success, the English reprise of 'Ne-Zha 2' will be a welcome success for all global audiences. Sources: Forbes, The Rakyat Post Alyssa Gabrielle contributed to this article
Tom's Guide
4 days ago
- Entertainment
- Tom's Guide
5 best new movies to stream this weekend on Netflix, Max, Hulu, and more
Another weekend is here, which means the question of what to watch is fresh on our minds. But with so much coming and going from the best streaming services, narrowing down what's worth adding to your watchlist can quickly turn into a headache. That's why we regularly comb through all the new releases to highlight the best of the bunch, so you can skip the scrolling and get to streaming. Leading the pack this week are two premieres on paid video-on-demand services: Wes Anderson's new espionage black comedy, "The Phoenician Scheme," and the latest nostalgia-filled entry in the martial arts drama series, "Karate Kid: Legends." Over on Netflix, you can find Tyler Perry's latest spin as everyone's favorite sassy matriarch in "Madea's Destination Wedding." Elsewhere, Max just got "Opus," a new A24 thriller led by "The Bear" star Ayo Edebiri, and "A Quiet Place Part II" just arrived on Hulu for all you horror fans out there. So without further ado, let's dive into the best new movies on streaming to watch this weekend. After his intense psychological thriller "Straw" hit Netflix's No. 1 spot last month, Tyler Perry is back with his famed Madea persona for another romp as the moomoo-wearing matriarch with a mouth. Written, directed, and produced by Tyler Perry, "Madea's Destination Wedding" carries on the series' trademark mix of over-the-top slapstick humor and heartfelt family drama, this time set against the vibrant backdrop of the Bahamas. When Madea's nephew Brian (also Perry) and his ex-wife (Taja V. Simpson) discover their daughter is marrying a rapper (Xavier Smalls) she met on a yacht in just two weeks, the entire family heads to the islands for an unforgettable showdown. You can expect the classic Madea formula: a joyful family gathering that quickly devolves into a pressure cooker situation of strained relationships, long-buried secrets, and hijinks. Watch it now on Netflix Get instant access to breaking news, the hottest reviews, great deals and helpful tips. The sixth installment in the 'Karate Kid' franchise wears its nostalgia on its sleeve, but fans eager for more training montages and martial arts showdowns have already propelled "Karate Kids: Legends" to the top of the streaming charts now that it's on PVOD. With plenty of throwbacks to the original series, "Karate Kid: Legends" packs a familiar punch, and clearly there's an audience for it (even if its theatrical debut fell short). In the newest chapter of the 'Karate Kid' saga, kung fu prodigy Li Fong (Ben Wang) moves to New York City with his mother to attend an elite school, but finds himself in the crosshairs of a formidable local karate champion. Determined to stand his ground, Li decides to enter the ultimate karate tournament. But to have a shot at winning, he'll need some serious training, and thankfully, kung fu master Mr. Han (Jackie Chan) and the iconic Daniel LaRusso (Ralph Macchio) are there to help as he prepares for an epic martial arts showdown. Streaming now with purchase on Amazon or Apple I was surprised to learn "The Phoenician Scheme" is Michael Cera and Wes Anderson's first collab. (Cera's brand of awkwardness seems built for the Wes Anderson cinematic universe.) Cera's part of a star-studded ensemble cast for the legendary director's latest comedy alongside Riz Ahmed, Tom Hanks, Bryan Cranston, Jeffrey Wright, Scarlett Johansson, and Benedict Cumberbatch. The film centers on Zsa-zsa Korda (Benicio del Toro), a wealthy businessman and arms dealer who is fed up with all these assassination attempts ruining his day-to-day. After yet another near-fatal encounter, he sets out to reconcile with his daughter, Sister Liesl (Mia Threapleton), a nun, and shocks everyone by naming her his sole heir. That bold move puts both of them in the crosshairs of terrorists, assassins, and a slew of Korda's enemies. Who, if anyone, will survive the mad scramble? You'll have to watch this espionage black comedy to find out. Streaming now with purchase on Amazon or Apple Ayo Edebiri is easily my favorite star of "The Bear," and watching season 4 this week has me eager to check out her performance in the A24 horror thriller "Opus," director Mark Anthony Green's feature debut. Edebiri stars as a young music journalist invited to the secluded desert home of Alfred Moretti (John Malkovich), a legendary pop star who vanished without a trace 30 years ago. He promises her and her fellow journalists a front row seat to his shocking return to the world of music, but things quickly start to get weird. For starters, he's surrounded by a cult-like group of robe-wearing yes men who treat him less like a pop idol and more like the second coming. As she investigates further, she grows more uneasy with Moretti's fans and his equally unsettling behavior, and it's not long before their sinister intentions come to light. Watch it now on Max If "28 Years Later" has you itching for more horror thrills, Hulu just got one of the best horror sequels of all time. "A Quiet Place Part II" follows the Abbott family once more as they desperately try to navigate a world overrun by deadly aliens that hunt by sound. Though Emily Blunt's Evelyn discovered these monsters are vulnerable to high-pitched sounds, with their home destroyed, her husband Lee (John Krasinski) dead, and a newborn to keep quiet, knowing that weakness doesn't make their world any less dangerous. As they set out from the safety of their former shelter, they find a familiar face: "28 Days Later" star Cillian Murphy as Emmett, an equally hardened survivor and old family friend. From him, they learn about a colony of survivors led by Djimon Hounsou's character, who also shows up in the prequel "A Quiet Place: Day One" (my personal favorite of the series). Packed with edge-of-your-seat tension and deeply relatable characters, "A Quiet Place: Part II" is such an intense thrill ride that you may catch yourself holding your breath right along with the cast. Watch it now on Hulu
