Latest news with #Angelika
Hindustan Times
5 hours ago
- Entertainment
- Hindustan Times
New York film screening: What's playing at ongoing Tribeca Film Festival?
New York has been the site of some of the biggest and most happening movie premieres in recent times. From Celine Song's Materialists to Tom Cruise's Mission: Impossible - The Final Reckoning, the city has seen some high-profile premieres in the past few weeks. Not just that, the ongoing Tribeca Film Festival is playing host to documentaries about iconic rock bands like Metallica. Over the coming days, films like Anupam Kher's Tanvi the Great are set to be screened at the New York Indian Film Festival (NYIFF) 2025, as per Eventbrite. Village Rockstars 2 will also be showcased at the event. The film festival will be held from June 20–22 at the Village East by Angelika. Iconic rock group Metallica's relationship with fans is the subject of a documentary called Metallica Saved My Life. Robert de Niro also made an appearance at the film festival recently, reuniting with his Meet the Parents co-star Ben Stiller. Apart from that Tribeca also hosted the premiere of Billy Joel: And So It Goes, a documentary about the musical genius. Joel, who was diagnosed with a brain disorder known as Normal Pressure Hydrocephalus recently, did not attend the premiere, Variety reported. The latest film premiere to dominate NYC is of course, Celine Song's Materialists. Starring Pedro Pascal, Chris Evans and Dakota Johnson, the rom-com revolves around a matchmaker caught between her ex-boyfriend and a wealthy man she's seeing. The project marks Song's second project after her acclaimed directorial debut Past Lives and is based on her own experience of working as a matchmaker for a while. Movie premieres are held in several locations like the AMC Lincoln Square and the Times Center. It can cost anywhere between $500 and $4,000 to film for a 14-day period in New York, according to the city's website. Yes, the city is home to prestigious film schools like the Lee Strasberg Theatre & Film Institute and Tisch School Of The Arts.
NZ Herald
5 days ago
- Politics
- NZ Herald
Tonga princess calls for legal rights for whales
Tonga's Princess Angelika Lātūfuipeka Tukuʻaho is calling for whales to have legal rights. Photo / 123rf Tonga's Princess Angelika Lātūfuipeka Tukuʻaho is calling for whales to have legal rights. 'The time has come to recognise whales not merely as resources but as sentient beings with inherent rights,' Princess Angelika told the One Ocean Science Congress in France. Talanoa Tonga reported the global 'I'm
Yahoo
25-05-2025
- Entertainment
- Yahoo
‘Sound of Falling' Review: Four Generations of German Girls Suffer the Same Growing Pains in Mascha Schilinski's Mesmerizing Stunner
Unfolding like 100 years of home video footage that were shot by the family ghosts, Mascha Schilinski's rich and mesmeric 'Sound of Falling' glimpses four generation of young women as they live, die, and suffuse their memories into the walls of a rural farmhouse in the north German region of Altmark. In the 1940s, after some of the local boys are maimed by their parents in order to avoid fighting Hitler's war, teenage Erika (Lea Drinda) hobbles through the halls with one of her tied legs up in string, eager to know what losing a limb might feel like. Unbeknownst to her, cherubic little Alma (Hanna Heckt) expressed a similar curiosity some 30 years earlier when she played dead on the parlor room couch, posing in the same position that her late grandmother's corpse had been placed for a post-mortem daugerreotype. More from IndieWire Here's How to Find Work When Entertainment Jobs Are Scarce Documentarian Sacha Jenkins Has Died: 'Louis Armstrong's Black & Blues' Filmmaker Started as a Journalist And yet, coming of age in the German Democratic Republic of the 1980s, Angelika (Lena Urzendowsky) might think she's inventing her girlish impulse towards self-negation when she fantasizes about lying down in front of her father's tank-sized land imprinter as it mulches her body into the earth, just as Lenka (Laeni Geiseler) — living in our present — wonders if she's the first person to be looked at in a way that burns under her skin. We rarely see these characters overlap in a literal sense, and their specific relationships to one another remain hard to define (it would take a professional arborist to untangle the roots of this movie's family tree, at least on first watch), but 'Sound of Falling' is deeply attuned to the echoes between them. Somehow both hyper-subjective and hauntingly disembodied all at once, Schilinski's recursive second feature floats through the decades like an errant thought hoping to find someone who might recognize it as one of their own. The film lopes forwards and backwards in time without notice or warning, Fabian Gamper's camera often peering through keyholes and floorboards in order to reconcile the tunnel vision of being alive with a quietly Teutonic awe at the vastness of having lived. Some eye-level shots are clearly tethered to the perspective of a certain character, while others seem to stem from the POV of an invisible spirit crouching next to them, as if assigning physical dimension to the third-person of our remembered pasts. Intimate and infinite in equal measure, the movie's freeform structure and emotional tonality might evoke everything from 'The Hours' and 'The Virgin Suicides' to Robert Zemeckis' 'Here,' and Charli XCX's 'Girl, so confusing' (why not), but its style found me returning to Edward Yang's magnificent 'Yi Yi' as the most immediate point of reference. Specifically, the character of eight-year-old Yang-Yang, who photographs the backs of people's heads in order to show them the parts of themselves they can't see on their own. 'You always see things from the outside, but never yourself,' one of Schilinski's characters muses in a snippet of the diaristic voiceover that holds this film together. She rues the fact that blushing externalizes the exact emotion that someone is trying to hide, just as Angelika — who's cannonballing into her sexuality, and rumored to be sleeping with her uncle — resents that she can will her legs to move, but not her heart to stop beating. Do our brains flip the world rightside up, or do they force us to see it upside down? 'Sound of Falling' isn't disinterested in personal drama, but that drama is reliably sublimated into the perspective through which it's experienced. So tenderly in touch with the shared but unspoken traumas that are visited upon her cast of young women, Schilinski mines tremendous sorrow from the secret poetics of girlhood; she weaponizes cinema's ability to access the deepest interiors of human feeling, and swirls her characters together in a way that tortures them for their subjectivity. The more intimately we come to understand the hurt and heartache that Alma, Erika, Angelika, and Lenka all experience in their own ways, the more it kills us that they aren't able to commiserate with each other (the film's temporal porousness is heightened by its glancing attention to various social and political borders, some of which are more easily crossed than others). Nothing is new in this world, but pain turns us all into pioneers. If only the film's characters had the chance to compare notes, perhaps they might not share the same affinity for self-erasure. But they do feel one another (intangibly, the way that an amputee might scratch at a phantom limb), and the 150-minute 'Sound of Falling' is held aloft by its compelling attention to sense memory. As one of the girls puts it: 'It's funny how something can hurt that's no longer there,' and that hurt accrues an ethereal power of its own as Schilinski doubles back to flesh it out. Her film is piloted by sense memory, its story (a lot) less concerned with conflict or incident than it is with the buzz of a housefly, the bite of a fish, or the beat of that one pop song that Lenka and her only friend listen to all summer long. Brittle silences give way to an ominous hum, and occasionally to the fuzz of a record needle in search of the groove it needs to know its purpose. It's the perfect soundtrack for a reverie that spins in smaller and smaller circles until its attention grows focused enough to observe a single mote of sublime transcendence — and to defy the gravity that's been accumulated from almost 100 years of solitude. 'It's too bad you never know when you're at your happiest,' one of the girls laments, and it's true that none of these characters may ever be able to contextualize their emotions with the perspective necessary to survive them. But Schilinski's arrestingly prismatic film — so hazy and dense with detail that it feels almost impossible to fully absorb the first time through — keeps sloshing its way through the years until those blind spots begin to seem revelatory in their own right. These girls can only see so much of themselves on their own, but 'Sound of Falling' so vividly renders the blank space between them that it comes to feel like a lucid window into the stuff of our world that only the movies could ever hope to show us. 'Sound of Falling' premiered at the 2025 Cannes Film Festival. It is currently seeking U.S. distribution. Want to stay up to date on IndieWire's film and critical thoughts? to our newly launched newsletter, In Review by David Ehrlich, in which our Chief Film Critic and Head Reviews Editor rounds up the best new reviews and streaming picks along with some exclusive musings — all only available to subscribers. Best of IndieWire The 25 Best Alfred Hitchcock Movies, Ranked Every IndieWire TV Review from 2020, Ranked by Grade from Best to Worst
Metro
22-04-2025
- Business
- Metro
First time buyers explain exactly how they got on the property ladder
Fed up with moving from rental to rental, marketing executive Angelika Smith felt that the time was right to buy a place of her own. But with property prices – and rent – being so high, the 33-year-old couldn't see how she'd be able to buy on the open market, or get anywhere near saving the hefty deposit needed. Instead, Angelika look to shared ownership, which allows you to buy a portion of a property and pay rent on the part you don't own. This can work out cheaper than renting somewhere similar, and deposits are a fraction of what's usually required. 'My job in Kensington requires me to be in the office almost every day, so I needed somewhere with an easy commute, while remaining close to my family and friends,' says Angelika. 'A few things were non-negotiable: plenty of natural light, outdoor space, and a peaceful environment.' She found a one-bedroom flat at the One Hundred development from Guinness Homes, next to the Grand Union Canal in Alperton. It not only ticked all Angelika's boxes, but it was affordable, too. She moved in earlier this year. You can access completely fee-free mortgage advice with London & Country (L&C) Mortgages, a partner of Metro. Customers benefit from: – Award winning service from the UK's leading mortgage broker – Expert advisors on hand 7 days a week – Access to 1000s of mortgage deals from across the market Unlike many mortgage brokers, L&C won't charge you a fee for their advice. Find out how much you could borrow online Mortgage service provided by London & Country Mortgages (L&C), which is authorised and regulated by the Financial Conduct Authority (registered number: 143002). The FCA does not regulate most Buy to Let mortgages. Your home or property may be repossessed if you do not keep up repayments on your mortgage. One, two and three-bedroom shared ownership flats at the One Hundred start from £85,000 for 25% of £340,000. It's no wonder that budding buyers like Angelika find it so hard to save a deposit when rent's so expensive. Recent research by found that 31% of prospective purchasers have less than £5,000 in savings, and over a third spent 40% of their income on rent. 'Our survey highlights the need for more accessible, affordable housing options which can help buyers step on to the property ladder with initial lower costs,' says Jade Turnstill, head of brand and content at Share to Buy, which is hosting the London Home Show on April 26. 'The London Home Show is a vital resource for anyone looking to navigate the challenges of getting on the property ladder,' says Jade. 'Our commitment remains the same – to support aspiring buyers by providing honest, unbiased guidance, giving them the knowledge needed to make confident decisions about their home-buying journey.' Angelika has no doubts she made the right choice. 'Once I fully understood how shared ownership works, the process was straightforward,' she says. 'I purchased my flat in November and moved in by January. My mortgage advisers, the housing association and the solicitors were all incredibly helpful throughout and made the whole process a lot smoother and easier than I had expected. 'Given the high prices in London, without shared ownership, I would likely have been limited to properties outside the city, which just wasn't ideal. The scheme gives me the flexibility to gradually increase my share in the property over time, making it the perfect, sustainable, long-term investment.' Angelika has spent the year so far settling in. 'The location is fantastic, with multiple commuting options making it easy to get to work in under 30 minutes,' she says. 'Additionally, the convenience of having shops, a community hub and even a gym just 30 seconds away from the building makes it ideal. 'My flat has a spacious living room and a large terrace, which is perfect for outdoor relaxation. Large windows overlooking the canal flood the space with natural light, and the open-plan kitchen and living area make it feel even larger. 'But without a doubt, my favourite part is the terrace. It's my little sanctuary where I can unwind after a long day. Despite being so close to central London, my home provides me with the sense of tranquillity that I was looking for. 'I'm beyond happy with my decision – I have found a home that perfectly fits into my life.' New parents Josh and Chloe Clark found their desire to buy a house increased with the arrival of their son Mason, now a toddler. The childhood sweethearts – now both 25 – were living with their parents in Reading at the time. 'Josh and I were living at home, but having recently had a baby, we knew it was the right time to move out and find a place of our own,' says Chloe, who works in healthcare. 'Location was the most important factor for us – we wanted to find somewhere local that would allow us to travel to work easily and see friends and family nearby.' They knew of Reading's new Bankside Gardens development and in February 2024 moved into a two-bed shared ownership flat from L&Q. 'I'm the postman for Bankside Gardens,' says Josh, 'so we were aware of the new homes and knew that shared ownership might be a good option for us to get on to the property ladder with a lower deposit. From my work, I knew how well-connected L&Q at Bankside Gardens is. You've got Reading Green Park train station right on the doorstep, and it's easily accessible by bus and car. 'We learnt all the apartments came with parking, which was important.' The excellent amenities came as a pleasant surprise. 'What we weren't expecting were the onsite facilities that we would also have access to,' says Chloe. 'The residents' club is a great feature. It has a cinema room, gym and co-working spaces.' L&Q's one and two-bedroom flats at Bankside Gardens start at £67,500 for 25% of £270,000, and Chloe and Josh had a £10,000 deposit and bought a 25% share of their £384,000 two-bedroom flat, which cost £96,000. Their combined mortgage, rent and service charge come to approximately £1,342 each month. They have settled in quickly and agree it's the perfect place for Mason to grow up. 'He loves it here!' says Chloe. 'We've got our own space with new furniture, and we really enjoy taking him to the communal gardens and going for walks around the lake. 'It has been a big change for us, going from living with our parents to moving out and living together as a family but it's been the best thing. 'We may buy more shares in our home in the future, but at the moment, we're settling in and enjoying everything it has to offer.' Austin Winton, 26, an analyst at a media agency, had been renting in Clapham before moving back into his family home in Ealing to reduce his monthly outgoings and save towards a place of his own. While chatting with friends, he started looking at North Acton as a potential location to buy a home and was made aware of new development the Perfume Factory, which piqued his interest. With the help of his father, he paid £125,000 for a 25% share in a two-bedroom flat, putting down a £25,000 deposit. His monthly costs are now around £1,500 – £750 rent, £500 mortgage and £250 service charge. No two-bed flats remain at the Perfume Factory, but a few one-bedroom flats remain, with prices from £102,500 for 25% of £410,000 from NHG Homes. 'I got a lot of my advice from my father about buying in London,' says Austin. 'After speaking with him about the Perfume Factory and shared ownership as a way to buy, he agreed it was a wise investment and gifted me the deposit. I wouldn't have been able to do this without him.' Since moving in 15 months ago, he has enjoyed making the space his own and doesn't see himself moving anywhere else in the near future. More Trending 'The quality of the property is great and the space is really good for hosting – I love getting my friends together to see the flat and introduce them to my new area,' he says. He can't get over how lively North Acton is. 'The place is buzzing and there's a real energy, with something always going on somewhere,' he says. 'Although I can be in central London in under 20 minutes, it's great to not have to go into the city because there's enough for me to do here. It means I can have a nice work-life balance and make the most of the evenings and weekends close to home.' View More » Austin is full of praise for shared ownership. 'I would recommend it to anyone looking to buy – it's helped me get my foot on the property ladder and given me the independence I was looking for,' he says. You take out a mortgage to buy a share in a leasehold property and pay discounted rent on the rest, usually to a housing association. This share is generally between 25% and 75% of the full market value, though 10% shares are sometimes available. value, though 10% shares are sometimes available. The minimum deposit is normally 5% or 10% of the share you buy. To be eligible, you must be over 18, a first-time buyer, former owner or selling your current home, and have a good credit history. Household income must not exceed £90,000 in London or £80,000 outside it. You can buy more shares in your home in the future via a process called 'staircasing'. The more shares you own, the less rent you pay. Once you've staircased to 100% ownership, there's no more rent to pay – just your mortgage and service charge. Housing providers cover essential repairs for the first ten years. Shared owners can claim up to £500 per year towards the cost of repairing or replacing fixtures such as a boiler. You don't have to be first-time buyer to purchase a shared ownership property – but you do have to live in it and it must be your only property. All shared ownership homes are leasehold properties. You can normally rent out a room in your home but you must be living in it. For those who bought their home after October 2023, any rent rises are capped at the consumer prices index level of inflation, plus 1%. To find out more visit or Head to the London Home Show to learn all about shared ownership and explore other home-buying options. You'll be able to explore the latest developments and talk to property experts, mortgage brokers and solicitors. You can get tailored financial and legal advice and have all your questions answered. The show takes place at the Queen Elizabeth II Centre, Westminster, SW1P 3EE, on Saturday April 26, 10am- 5pm. Register in advance for a free ticket here. Do you have a story to share? Get in touch by emailing MetroLifestyleTeam@ MORE: Priced out of the area of your dreams? Try these more affordable postcodes next door MORE: Bukayo Saka injury fear and PSG plans will not stop Arsenal delaying Liverpool's Premier League title party MORE: Hurry! The £4.50 Lip Mask to rival Laneige that beauty buffs are going crazy for is back!
Yahoo
22-04-2025
- Entertainment
- Yahoo
James Ivory Documentary, Manoj Bajpayee Starrer to Headline New York Indian Film Festival's 25th Anniversary Slate
The New York Indian Film Festival (NYIFF) is rolling out the red carpet for its silver jubilee with a program that bridges cinematic generations, connecting Oscar-winner James Ivory's enduring fascination with India to contemporary star power led by Manoj Bajpayee in the festival's opening night selection. Set to run June 20-22 at Manhattan's Village East by Angelika, NYIFF's milestone 25th edition will spotlight 'An Arrested Moment,' a short documentary from The Metropolitan Museum of Art directed by Dev Benegal that explores Ivory's long-standing relationship with Indian art and culture. More from Variety Rotterdam Winner 'Bad Girl,' Venice Selection 'Little Jaffna' Bookend IFFLA 2025 as Fest Expands Industry Programming (EXCLUSIVE) Anurag Kashyap Turns Cop in Adivi Sesh-Mrunal Thakur Starrer 'Dacoit' (EXCLUSIVE) Anurag Kashyap Boards Manju Warrier Starrer 'Footage,' Trailer Unveiled (EXCLUSIVE) The festival kicks off with the East Coast premiere of 'The Fable,' starring acclaimed actor Manoj Bajpayee alongside Priyanka Bose and Deepak Dobriyal. Directed by Raam Reddy, whose debut 'Thithi' captured the Golden Leopard at Locarno, the film debuted at the 2024 Berlinale. This year's lineup reflects both reverence for cinema's past and excitement for its future. The festival will honor the late master filmmaker Shyam Benegal with a screening of the 4K restoration of his 1976 landmark 'Manthan' about India's White Revolution, which premiered in the Cannes Classics section last year. Anurag Kashyap's noir thriller 'Kennedy,' which premiered in Cannes' Midnight section, serves as the centerpiece selection featuring Rahul Bhat and Sunny Leone, while debut director Kaushal Oza's coming-of-age dramedy 'Little Thomas' will close the festival with stars Rasika Dugal and Gulshan Devaiah in attendance. 'What began as a grassroots platform is now a global stage for Indian independent cinema,' said festival director Aseem Chhabra. 'This year's lineup is one of our most powerful and wide-ranging to date.' The program features 22 feature-length films – 18 narratives and four documentaries – plus 21 shorts, spanning more than a dozen languages and regions from Tamil and Odia to Assamese, Hindi, and Malayalam. Notable titles include Rima Das' 'Village Rockstars 2,' Sharmila Tagore's return to Bengali cinema in 'The Ancient,' and Shonali Bose and Nilesh Maniyar's deeply personal documentary 'A Fly on the Wall.' 'This festival has long been a space where India's cinematic legacy meets its most daring futures,' said Suman Gollamudi, executive director of the Indo-American Arts Council, which presents NYIFF. 'At 25, we are not just celebrating the past – we are investing in what's next.' Best of Variety New Movies Out Now in Theaters: What to See This Week What's Coming to Disney+ in April 2025 The Best Celebrity Memoirs to Read This Year: From Chelsea Handler to Anthony Hopkins
