Latest news with #Bala
Time of India
3 hours ago
- Politics
- Time of India
Acting principal suspended over fatal gate collapse in Jaisalmer
Jaisalmer: Acting principal of the govt school in Jaisalmer's Poonam Nagar village where a seven-year-old student was killed by a collapsing entrance pillar and main gate, was suspended Tuesday. The state education department acted against principal Suman Bala citing her 'failure to address a known safety hazard' at the school premises. Officials said that despite being aware of the damaged pillar and the availability of an alternative entrance, Bala had not taken adequate measures to prevent students from using the unsafe gate. The victim, Arbaaz Khan, whose father had previously succumbed to COVID-19, lost his life in the incident Monday. The suspension triggered protests among Poonam Nagar villagers, who have locked two govt schools and staged demonstrations. Protesters argued that the real culprits were being shielded while an innocent person faced punishment. Their demands included revoking Bala's suspension, action against those truly responsible, Rs 10 lakh compensation for Arbaaz's family and a contractual job for one of his family members. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like No annual fees for life UnionBank Credit Card Apply Now Undo I n response to the tragedy, district authorities have ordered closure of all govt and private schools, along with anganwadi centres in Jaisalmer district, from July 29 to July 31. Chief district education officer Shankar Singh Udawat said that during this period, a comprehensive safety audit would be conducted, examining structural stability, entrances, toilets, boundary walls, roofs and other facilities. District collector Pratap Singh emphasised that children's safety was paramount and called for full cooperation from all departments and school officials during the survey. The administration assured that only schools passing the safety audit will be permitted to reopen, with strict action planned against those found negligent. The situation in Poonam Nagar remained tense as villagers continued their protest, vowing to maintain the lockout until their demands were met.
Economic Times
2 days ago
- Entertainment
- Economic Times
Why did Archana Puran Singh's son Aaryamann demand royalty from her?
Agencies A Joyful Family Moment as Aaryamann Shares a Glimpse of His Upcoming Song Archana Puran Singh's son Aaryamann recently 'threatened' her with a lawsuit for 'violation of copyright. The 'Comedy Nights With Kapil' star recently returned with another lively vlog that offered her followers a peek behind the curtains of The Great Indian Kapil Show. In this new entry, she walked viewers through a typical day on set, which included sharing lighthearted moments with guests, including a humorous exchange involving cricketer Yuzvendra Chahal. Once she wrapped up her professional commitments for the day, she transitioned from the studio lights to a cozy dinner setting, accompanied by her husband, Parmeet Sethi; their two sons, Aaryamann and Ayushmann; and a new member—actress Yogita Bihani, who's dating her elder son, Aaryamann, and joining them at the table. During the vlog, Aaryamann teased that his musical compositions, frequently featured in Archana's videos, would soon be off-limits unless he received proper credit and compensation. He jokingly warned of removing them from every episode and mock-threatened a copyright strike, making sure the fun continued until the very last frame."He said, 'You will have to pay me royalty for all of this. I will not give you the audio for any of my songs, and I will hit your channel with a copyright strike. My songs are used in every episode. Saare episode se nikaloonga mai (I will take them out of every episode)..." he said. Aaryamann offered his family a behind-the-scenes peek at his latest musical project, Madhubala, unveiling a captivating moment that left everyone smiling. In this new track, Yogita Bihani takes center stage in a glamorous traditional avatar, and it was her appearance in full costume that turned an ordinary day into a heartwarming memory for the Sethi a striking yellow saree, Yogita embraced her character with poise and grace, capturing the aesthetic of classic cinema. Her transformation into the titular role of 'Madhubala' wasn't just professional—it sparked genuine admiration from those closest to Aaryamann. Archana Puran Singh was visibly overjoyed upon seeing Yogita in the look, beaming with affection and visibly moved by the effort and elegance she brought to the quick with clever banter, Aaryamann turned the mood playful, drawing a humorous comparison between his mother and Yogita. This light remark led to a tender family revelation—Archana shared that her own mother had the name Satyabala, adding a deeper emotional connection to the wordplay. The sentiment gave the moment a layer of nostalgia and affection, blending family heritage with the to the cheer, Parmeet Sethi joined in by dancing spontaneously to the iconic track Bala, infusing the scene with laughter and energetic fun. His lightheartedness lifted everyone's spirits, while Archana's reaction to Yogita reflected genuine appreciation and warmth. The bond between them, though new, already seemed rooted in affection and mutual atmosphere remained light and affectionate as the conversation turned into a lively back-and-forth. Archana, impressed with Yogita's presence and charm, praised her son's good taste. Yogita, never one to miss a beat, responded with her trademark cheeky confidence, adding to the familial humor of the Aaryamann has generally kept a low public profile, his artistic journey is beginning to turn heads. His foray into music and his growing online footprint suggest a creative path that's steadily gaining momentum. Meanwhile, Yogita Bihani—already familiar to audiences through her performances in Dil Hi Toh Hai and Vikram Vedha—is not only featured in the song but is also becoming an integral part of Aaryamann's personal life as well.
News18
4 days ago
- Entertainment
- News18
Bharat Bala Recalls AR Rahman Recording Vande Mataram At 2 AM: ‘Woke Up, Lit A Candle'
Last Updated: Filmmaker Bharat Bala revealed that AR Rahman made a separate studio to record the song. AR Rahman's iconic 1997 rendition of Vande Mataram remains a classic hit to this day. Reminiscing about the old times, filmmaker Bharat Bala shared behind-the-scenes stories of recording this iconic track. Bala, who directed the music video, shocked fans as he revealed that AR Rahman recorded the track past midnight. AR Rahman Recorded The Song At 2 AM During an interview with The Lallantop, Bala revealed that AR Rahman made a separate studio to record the song. 'He made a separate studio on the second floor for this project. We were trying, but nothing was working out till six months," Bala recalled, sharing that one day AR Rahman woke up at 2 am and wanted to record the song. 'He suddenly woke up at 2 am. He made everything spiritual. He lit a candle that came from Ajmer Dargah and woke me up. He asked me to call the sound engineer, but there was no one," he added, revealing that he was the one who recorded the track with Rahman without anyone else present at the studio. Bala further stated that Rahman wanted him to sit down with him and work on the song. 'I didn't want to take responsibility for recording in those 15 minutes. But nobody was there. He went into the recording studio and started singing. 'Maa Tujhe Salaam.' That emotion…I was in tears!" Bala narrated the whole event. Filmmaker Bharat Bala's Vision Behind Vande Mataram Music Video Bala was also seen sharing his thoughts behind making the music video. While talking about the song, Bala shared that he wanted to go for a more romantic vibe than making it purely patriotic. 'I wanted to make an idea called Vande Mataram, not just a music video," he stated, revealing that he worked on it for nearly six months. 'Uss zamaane mein vo All India Radio mein aata tha, ek purana sa scratch tha. There was no feeling as such; I wanted to change that. Even though we took the idea of creating that for India, we wanted to keep it romantic. It's a love song for your country, your mother. That's why it's much deeper and stays like that even today," he said. Additionally, Bala confessed that there was no prior planning or storyboarding involved; he just wanted to capture the real people. 'I was clear about one thing: I will film with real people; there will be flags, and people of every village and landscape will be filmed artistically," he stated. 'Jahan bhi jayenge, ek bada jhanda rakhenge, logon ko ikkattha karenge, and we will shoot it. No makeup, no choreography, but it should be epic," Bala revealed about his vision. The music video was ultimately filmed within 20-25 days and was out in another ten days. First Published: July 26, 2025, 13:20 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.
Time of India
4 days ago
- Time of India
2 brothers murdered over financial dispute
Trichy: A tense situation prevailed in Avudaiyarkoil town in Pudukottai district after two brothers were hacked to death by a gang on Thursday night. Pudukottai police, which formed six special teams, secured seven suspects on Friday. The double murder is believed to have been the fallout of a financial dispute over selling a high-end bike. A posse of policemen has been stationed in the area to de-escalate the situation. Police said the deceased, K Kannan, 35, and his brother K Karthi, 29, hailed from Kamarajar Nagar in Avudaiyarkoil town. Around 10pm on Thursday, the brothers were talking at a tank near their house when an unidentified gang hacked them to death and fled. Locals found the two bodies with cut injuries, and informed police. Police said Kannan was supporting one of his cousins, identified as Surya, who recently sold a high-end sports bike to one Bala, both belonging to the same locality. "Bala was supposed to pay Rs40,000 to Surya. As payment was delayed, the deceased Kannan asked Bala to pay up. One Muthu Kumar supported Bala in the dispute," an investigation officer said. A week ago, police said that an altercation broke out between Kannan and Muthu Kumar with the latter reportedly threatening Kannan with dire consequences. However, no police complaint was lodged. On Thursday night, on learning that the brothers were alone, an armed gang committed the murders. "The intention seems to have been to murder Kannan, but his younger brother attempted to protect him and apparently got killed. They both had similar physical appearances," the officer added. Among the seven secured is prime suspect Muthu Kumar, and further investigations is underway. A financial assistance of Rs12 lakh (Rs6 lakh each) was provided to the family of the two victims by the district administration.
Time of India
4 days ago
- Entertainment
- Time of India
Bharat Bala recalls AR Rahman recording Vande Mataram song at 2AM, says he makes everything spiritual: 'He lit a candle that comes from Ajmer dargah...'
Bharat Bala revealed that 'Maa Tujhe Salaam' aimed to be a love song for India, not just a patriotic anthem. AR Rahman recorded the iconic track at 2 a.m. after a spiritual awakening, using a candle from Ajmer Dargah. The final version is the raw, unedited take from that night, capturing pure emotion. 'Maa Tujhe Salaam' was more than just a song—it was a moment in history. Nearly three decades later, AR Rahman's 1997 rendition of Vande Mataram still echoes across generations. But few know the intimate, almost spiritual circumstances under which the track came to life. A love song, not a patriotic slogan During a conversation with The Lallantop, filmmaker Bharat Bala revealed that his vision for Vande Mataram went beyond a conventional patriotic anthem. He wanted the song to carry a romantic tone — a heartfelt ode to the country, rather than a jingoistic message. Bala shared that the idea was in development for nearly six months, inspired by an old scratch version that once aired on All India Radio. According to him, the goal was to craft something deeper — a love song for the nation and its people, one that would resonate emotionally and stand the test of time. A 2AM recording sparked by faith He also recalled the lengths AR Rahman went to for the recording of Vande Mataram. Rahman had set up a dedicated studio on the second floor of his home solely for the project. Despite months of effort, the right moment didn't arrive—until one night. Bala shared that they had been sleeping on the studio floor when Rahman suddenly woke up at 2 a.m., lit a candle brought from the Ajmer Dargah to set a spiritual tone, and felt inspired to record. With no sound engineer available at that hour, they still decided to capture the magic as it unfolded. Bharat went on to reveal that the version of Vande Mataram we hear today is the very same raw take recorded that night—without any retakes or refinements. With no sound engineer present, Rahman asked Bala to sit with him and assist. Though hesitant to take on the responsibility, Bala agreed, and within 15 minutes, Rahman stepped into the booth and began singing 'Maa Tujhe Salaam.' The emotion was so overwhelming that Bala was moved to tears. That powerful, impromptu rendition—captured in complete solitude—became the final version used in the now-iconic track. Details of the video Bala further shared that the Vande Mataram video was made with minimal planning and maximum emotion. There was no storyboarding or elaborate prep—instead, he focused on capturing real people, real landscapes, and genuine emotion. The vision was simple yet powerful: to shoot across diverse regions of India with a giant flag, gathering locals at each spot. There was no makeup, no choreography, no rehearsals—just raw, unscripted patriotism filmed artistically. The shoot wrapped in just 20–25 days, and Bala had the final video ready within another ten. His goal was clear: to make something epic, honest, and deeply human.
