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The Herald Scotland
3 days ago
- Entertainment
- The Herald Scotland
When The Herald met 'beautiful' Terence Stamp
His dad called him "the horizontal champ" for the way he used to lie in front of the fire like an exotic cat. Ask anyone about Terence Stamp and before you can say face of the sixties, the Terry who met Julie at Waterloo Station every Friday night, beau of Jean Shrimpton, sweet transsexual in Priscilla, Queen Of The Desert, or Steven Soderbergh's London gangster in The Limey, the word "beautiful" comes up. Never handsome, always beautiful. "He'll be the first to admit how beautiful he still is," says Paul Andrew Williams, the director who has taken the looker from Bow and turned him into a grumpy old man in the new British comedy-drama, Song For Marion. With Vanessa Redgrave as his wife, the pair play an ordinary, elderly couple living on a council estate. Marion is ill and keeps her spirits up by singing in the local choir, Arthur is terminally grouchy and terrified about losing the love of his life. Stamp may not know much about being ordinary, but he's a Nobel prize winner when it comes to broken hearts. Stamp and Shrimpton were the Posh and Becks of their day, Burton and Taylor without the bling. Famously choosy about the parts he plays ("I don't like to do crap unless I haven't got the rent," he writes in his memoirs), Stamp, now 74, thought Williams had written a wonderful script. Having seen one of his previous films, the thriller London To Brighton, and had a look at the rest of the cast list, which includes Gemma Arterton as the choir mistress and Christopher Eccleston as Arthur and Marion's son, Stamp knew Song For Marion was going to be a cut above. But that B word, beautiful, kept nagging at him. "How can I say this without seeming unusually vain -" he begins. There is a long pause. It is going to be the first of many as we take tea on the rooftop terrace of a hotel during the London Film Festival. Stamp, who has devoted a fair part of his life to seeking enlightenment from the East, is a man who is very comfortable with silence. He takes his time to get just the right answer. Waiting for him to do so would normally be torture for an interviewer facing a ticking clock, but the answers are worth waiting for (not always the case with actors), and, in Stamp's case, let's just say the view while you wait is not too shabby. While considering whether he should do Song For Marion, a friend told him there was only one problem: everyone would know he was a pensioner, and once that door was opened it could not be closed again. "He knew I don't see myself like that." Nor do most people. Courtesy of his films and photographs, some of the most remarkable taken by David Bailey, Stamp's beauty is a matter of record, like parliamentary debates and court rulings. Michael Caine, with whom Stamp shared a flat in the early, hungry days, told him the camera was "his lady" and to never forget that. He should have added that while the lady never ages, those she gazes upon always do, eventually. Michael Caine, David Bailey, Julie Christie, Jean Shrimpton, Federico Fellini, Marlon Brando (his Superman II co-star), Princess Diana ("her company was heaven"), Bob Dylan - like Woody Allen's Zelig, Stamp has collected famous friends, co-stars, lovers and acquaintances like, well, stamps. It is not bad going for the son of a tugboat captain from the East End of London, as he would be the first to admit. Born in 1938 to Tom and Ethel, Stamp was the first of five children, one of whom, Chris – manager of The Who – died last November at the age of 70. Hearing him speak about his mother and father, and the way he writes about them, it is clear that he saw something of his own parents in Arthur and Marion. Like them, they were "twin souls" who had found each other in the maelstrom of life. There is certainly something of his father in Arthur, a working-class man who loves his son dearly but would never say it openly. We start to speak about his father when discussing his Song For Marion costume. Clothes are to Stamp what oxygen is to the rest of us. They matter. A lot. In the case of Arthur's character, it was the Clarks desert boots that proved to be the madeleine. When he was younger, Clarks dezzies were the very dab, he recalls, but you could only get them in a few places, Glasgow being one of them. He got his first pair when he started earning as an actor. "My dad was very elegant, very poor but very elegant. My brothers and myself, those of us who had taste, got it from my dad. He just had it. He didn't have money but he had style. Part of the great pleasure of my success was getting him things he could never have afforded. Even when I was not well off I managed to get him a pair of Clarks." Dad was good looking and funny. He could have had any woman he wanted, says Stamp. "But he only ever loved my mother. What he gave up was extraordinary, really, in order to keep her. Like, she wanted kids; he would never have wanted kids. He was like me, a loner. So he sacrificed. But what he got was this love of his life. He was never unfaithful. He was a drinker but every Friday he brought home the wages. I thought, that's like a twin soul relationship." Stamp was not as close to his dad as he was to his mum. It was the way of the times. Stamp senior had gone to sea when he was 15. He grew up in a tough, all male environment where it wasn't the done thing to reveal your feelings. "He was very funny but rather wicked funny. He was only really social in the pub – I don't remember anybody coming into our house, no visitors." Terence was his mother's son. She never wanted him to leave home. It was her death in 1986, while he was in New York filming Legal Eagles with Robert Redford, that started him writing. He wrote her a letter and set fire to it in Central Park ("a gesture I felt she might appreciate") and he hasn't stopped writing since, producing three volumes of memoirs, a novel and even a cookbook. The memoirs are funny, tender and wise, like Rupert Everett minus the bitchiness. Be warned, however: the reader has to endure a fair bit of Eastern mysticism and actorly musings about craft along the way. He also has a thing for star signs. Stamp had his own "twin souls" experience once, and it was not, alas, with Elizabeth O'Rourke, whom he married in 2002. She was a former pharmacy student and 28, he was 64. His first marriage, it lasted six years. "She just got bored with me," he says. "People find that hard to believe, how did she get bored? She got bored! The kind of life that I was leading, after the thrill of the first few years - This is me giving her an opinion. I have never really spoken to her about it. I realised that this was not how she envisaged it." His twin soul was the Shrimp, Jean Shrimpton, the original supermodel, even more super than Twiggy. When he first met her she was with David Bailey, and her beauty made him gasp every time he saw her. My God he adored her. He loved her so much he became terrified of losing her. When she briefly left him his fears became real. "Unable to contemplate life without her, I pushed her away," he wrote in Double Feature. He fell into a deep depression, complete with suicidal thoughts. He got high. At one point he lay down and willed himself to die, like an animal. He picked up a couple of hitchhikers who then pulled a gun on him. Such was his mood of despair he told them to "pull the trigger or piss off". They ran from the car. Looking back today, he realises he was just young and careless, careless about other people's feelings. He believed she would love him for ever. "I thought it was always going to be like that, I didn't realise that was it." He can even say now that her ending the relationship was "probably" the best thing that happened to him. The way he tells it, his life was a ship that left Southampton bound for Shetland, but due to a tweak on the compass, he wound up in Reykjavik. (Since we've got the atlas open, I should say that he now lives "on the move" between London and the US.) "That's what happened to me. I wound up in Reykjavik because [Jean leaving] was such a shock. It proved to be such a shock to me that I began to view my life differently." He went travelling, to India, Egypt, Japan and Ibiza (to help on a friend's organic farm), and sought enlightenment from wise men wherever he could find them. In one case it was the guru Jiddu Krishnamurti, in another it was Fellini, the director who cast him in 1968's Spirits Of The Dead and pulled him out of the post-Shrimp slump. Wherever he has gone, whatever he has done, from working on his 1962 breakthrough film Billy Budd, directed by Peter Ustinov, or with Soderbergh in 1999's The Limey, he is always asking questions and seeking advice. Perhaps that's why people are forever finding him beautiful. By fixing them with those dazzling eyes, and being interested in them, he makes his subject feel like the most fascinating thing in the room. They see themselves in him, like a mirror, and like what they see. Beautiful people can do that. When he was the face of the sixties fame had its pleasures, and plenty of them. No restaurant was ever fully booked if Tel turned up. Tailors struck oil when he walked in the door. His ex-wife once said he knew more about clothes than acting. Today, for fellow dedicated followers of fashion out there, he is wearing a corduroy suit the colour of runny honey, a blue and white striped shirt that brings out the azure in his eyes, and handmade shoes. He tells me the dates when everything was bought: 1969, 1968, the suit he acquired for a movie. He buys things to last. Comes from once having nothing, he says. His dad was the same. It was his dad who, seeing young Terence's fascination with actors when the family got its first television, told him: "Son, people like us don't do things like that." But he did, and after Billy Budd, for which he received an Oscar nomination, he was phenomenally successful, even if he was sometimes a lousy picker of parts, leaving Alfie to Caine, Georgie Girl to Alan Bates, and Camelot to Richard Harris. He became what he calls one of the "young, educated, working-class tigers let loose on the world, and on showbiz". There was still the sense of something missing, though. Although he had been a grammar school boy, he left school feeling he hadn't learned very much. "I was a kind of a conundrum. I wasn't stupid but I appeared to be stupid because I couldn't learn by rote. So everybody just assumed I was thick." Fame bought him two things: the confidence and means to carry on acting (to eat well, to look good), and the money to buy books and other beautiful objects. He had an eye, or when he didn't he had a friend who did. It was the books in particular, more than the chichi restaurants or other trappings, that gave him the biggest kick. "I could study anything. That's what I did." He has made fortunes and lost them, most of the latter being done in his "resting" and travelling years when he couldn't get work or didn't fancy what was offered. His comeback came with 1994's The Adventures Of Priscilla, Queen Of The Desert, in which he played Bernadette, a transsexual hauling herself, with two drag queens, across Australia. He says he looked like "an old tomcat", but critics and audiences alike warmed to the comedy. The Washington Post said he looked like "Marlene D with killer eyes". The Limey, in which he played an East End geezer coming to avenge the death of his daughter in LA, brought him to a new audience. The likes of Wanted (with James McAvoy), Yes Man (Jim Carrey) and The Adjustment Bureau (Matt Damon) followed. The old hipster had become hip again. The face of the sixties had made it to the noughties. And now he's donning an 'orrible old raincoat and a scowl in Song For Marion. It is a risk in some ways. For the first time in a while, the "horizontal champ" is standing up and asking to be counted more for his acting than his looks. He even sings, something he has long been reluctant to do on screen. He is not worried, he says, but he is curious as to how people will respond. When he looks in the mirror in the morning, what does he see? A figure that's ageing, he says, but that doesn't chime with what he feels is the reality. It will be terrible, he says, if he stays young here – he points to his head – but his body won't work properly. It comes to us all, I offer. Age, the great leveller. "Of course it does, but it's very in focus with me because there's no sort of retirement, as it were. Things keep coming up and I keep engaging." In The Limey, Stamp starred alongside Peter Fonda, another young tiger of the sixties. In one scene, Fonda's young girlfriend is lying in the bath asking him questions about all that ancient history. "Must have been a time, huh?" she says. "A golden moment." For Stamp, it was. And for Stamp, though older, the golden years go on.
Daily Mail
08-08-2025
- Politics
- Daily Mail
The four-bed rental home that Labour minister Rushanara Ali 'kicked tenants out of to put on the market'... only to rent out at hiked price months later
This is the four-bedroom rental property at the centre of an embarrassing eviction row which saw Labour 's homelessness minister forced to quit last night. Rushanara Ali is said to have ejected tenants from one of her properties in East London, before putting it back on the market for an extra £700 a month in rent. Following mounting calls to resign amid claims of 'staggering hypocrisy', she said she would stand down from the Government to avoid becoming 'a distraction'. Ms Ali bought the property in the Bow area, roughly a mile from the Olympic Park at Stratford, in May 2014 for £570,000 - just below the asking price of £585,000. She is alleged to have told four tenants to move out of the home, only to relist it at a rent of £4,000 a month - a £700 rise - amid suggestions she failed to find a buyer. Laura Jackson, 33, a self-employed restaurant owner, was one of those who rented the house, roughly a mile from the Olympic Park, in March 2024, at £3,300 a month. The tenant told the i newspaper that she then received an email in November telling her the lease would not be renewed this year, and that she and her housemates would need to move out, giving them four months' notice to March. The current occupants reportedly moved in 'four to five months' ago on the increased terms. It is believed Ms Ali owns at least one other property in the area. Ms Jackson said: 'It's an absolute joke. Trying to get that much money from renters is extortion. It's morally wrong that MPs can be landlords, especially in their own area. It's a conflict of interest.' The now ex-minister's actions would be illegal under long-awaited legislation to improve renters' rights which is in its final stages after passing through the House of Lords last month. Sources close to Ms Ali told the i the tenants were offered a rolling contract while the house was up for sale and that it only went back on the rental market when no buyer emerged. Fourth Labour minister to leave their role over personal matter Ms Ali is the fourth Labour minister to have left their role over a personal matter. Keir Starmer sacked Andrew Gwynne as health minister and suspended him from Labour in February after The Mail on Sunday exposed his racist and sexist messages, including one vile post saying he hoped a pensioner who didn't vote Labour would die before the next election. Tulip Siddiq resigned as City minister in January, 26 days after the Daily Mail revealed she was facing a major corruption probe in Bangladesh. She denies any wrongdoing. And Louise Haigh stepped down as Transport Secretary in November last year following media revelations that she had pleaded guilty to a fraud charge a decade ago. The property is currently on the market for £894,995, down from an initial listing of £914,995 in November last year. A listing on Rightmove advertising the property for rental in February last year said that it was 'very spacious', with 'off street parking for one to two cars'. The home was also said to be 'close to amenities' with 'good transport links' and has a 'separate study'. Ms Ali said in a letter to the Prime Minister that she had followed 'all relevant legal requirements' and said she 'took my responsibilities and duties seriously'. She wrote: 'It has been the honour of my life to have played my part in first securing and then serving as part of this Labour Government. You have my continued commitment, loyalty and support. 'Further to recent reporting, I wanted to make it clear that at all times I have followed all relevant legal requirements. I believe I took my responsibilities and duties seriously, and the facts demonstrate this. 'However, it is clear that continuing in my role will be a distraction from the ambitious work of the Government. I have therefore decided to resign from my ministerial position.' Ms Ali has repeatedly cast herself as a voice for hard-up tenants, and has spoken out against private renters 'being exploited and discriminated against'. And she championed the Renters' Rights Bill going through Parliament, which will ban landlords who evict tenants from re-listing a property for a higher rent until at least six months after the occupants have left. Her actions would have been illegal under this law. Tory leader Kemi Badenoch earlier led calls for Ms Ali to be sacked, telling the Daily Mail: 'I warned that Labour's Renters' Rights Bill was a mess. Ms Ali's letter to the Prime Minister announcing her resignation as homelessness minister 'Now we find out the minister responsible is doing the opposite of what the Bill proposed – the homelessness minister is making people homeless. Rushanara Ali's hypocrisy is shameful.' Conservative Party chairman Kevin Hollinrake added last night: 'It is right that Rushanara Ali has now quit the Government following our calls for her to go. 'Keir Starmer promised a government of integrity but has instead presided over a government of hypocrisy and self-service. 'Once again it's one rule for Labour and one for everyone else. With a fourth minister now having to step down in disgrace, it is clear the British public deserve so much better than the endless sleaze and scandal of this Labour Government.' But one of Ms Ali's Government colleagues insisted she had not broken the law or any rules. Energy minister Miatta Fahnbulleh was asked by Sky News whether the reports about Ms Ali were a 'good look', as the Government brings forward reforms to the rental sector aimed at helping tenants. Ms Fahnbulleh told the broadcaster: 'She's been really clear that she's not broken any rules or any laws. She's chosen to resign, and that is a personal decision for her. What we care about as a Government is that we are levelling the playing field for renters. 'So we absolutely recognise that across the country... I hear stories all the time of people who are not getting a fair deal as a tenant. 'In the end, if you're a renter, you want security in the thing that is your home and so that is what the Renters' Rights Bill is trying to do. I think that is absolutely right.' Tom Darling, director at the Renters' Reform Coalition, said of Ms Ali's resignation: 'This is the right decision. Her position was completely untenable given she was going to be required to defend the Government's legislation outlawing practices she herself had recently engaged in. 'The Government must get on now and end no-fault evictions urgently so that no more tenants are subject to the kind of behaviour Rushanara Ali engaged in.' It is understood the Prime Minister had 'full confidence' in the MP, who has represented Bethnal Green and Stepney since 2010, right up to the point she quit. She is an ally of his, having backed him in the Labour leadership race in 2020. Ms Ali previously described how Labour would abolish no-fault evictions, designed to offer greater protections for tenants. Last year, the minister said new laws would prevent 'private renters from being exploited and discriminated against'. She told the Commons: 'The Renters' Rights Bill will give renters much greater security and stability so they can stay in their homes for longer.' Responding to her resignation, Sir Keir said: 'Thank you for all you have done to deliver this Government's ambitious agenda. 'Your diligent work at the Ministry of Housing, Communities and Local Government, including your efforts to put in measures to repeal the Vagrancy Act, will have a significant impact. 'You have also begun the process of delivering landmark reforms including tackling harassment and intimidation in public life and encouraging more people to engage and participate in our democracy. This will leave a lasting legacy. 'I know you will continue to support the Government from the backbenches and represent the best interests of your constituents in Bethnal Green and Stepney.' A Liberal Democrat spokesperson said the former minister had been 'staggeringly irresponsible'. The spokesperson said: 'Rushanara Ali fundamentally misunderstood her role. Her job was to tackle homelessness, not to increase it. 'At a time of widespread political disillusionment, her actions were staggeringly irresponsible and only added insult to injury after years of delay for renters' rights reform under the Conservatives. 'The Prime Minister must appoint a new homelessness minister swiftly who will take the need to end homelessness once and for all seriously.'
The Sun
20-07-2025
- The Sun
Person dies as car ‘ploughs into crowd outside pub' in horror early hours crash
A PERSON has died and two others were rushed to hospital after a car ploughed into a crowd outside a pub. The Metropolitan Police were called to the Albert Bow, in Bow, east London, at 1.35am today. 3 3 3 Officers and London Ambulance Service crews found three people injured outside the venue, on St Stephen's Road. Paramedics sadly pronounced one person dead at the scene. Two others were taken to hospital, but their conditions are unknown. A spokesperson for London Ambulance Service said: 'We were called at 1:35am today (20 July) to reports of a road traffic collision on St Stephen's Road, Bow. 'We sent resources to the scene, including ambulance crews, an advanced paramedic, an incident response officer, members of our hazardous area response team (HART) and London's Air Ambulance. 'Our crews treated three people. "Sadly, one person was declared dead at the scene. We took the other two patients to hospital.' is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video.
Daily Mail
08-07-2025
- Entertainment
- Daily Mail
LeAnn Rimes reveals real reason her teeth FELL OUT on stage
is opening up about her long history of dental issues that ultimately led to her teeth falling out on stage last month. The 42-year-old singer has been in the spotlight most of her life, from competing on Star Search as a child and releasing her first independent album at just nine, before becoming a bona fide country music star at just 13. She ventured into acting as well and made headlines for her affair with Eddie Cibrian before they tied the knot back in 2011, and still going strong today. However, she's had more than her fair share of health struggles, including dealing with the chronic autoimmune condition psoriasis She has also dealt with plenty of dental drama as well, opening up on what started it all in a wide-ranging cover story for Flow Space. She revealed that a decision to get veneers at just 16 is what started it all, but it wasn't from the first time she had them done. Sometime after getting veneers in the first place, she went to a different dentist to have them redone, except he didn't 'bond them correctly.' Rimes had to undergo a decade's worth of root canals and oral surgeries after the botched bonding, which was quite painful. 'I look at my pictures from that time, and my face was so different—it was just so swollen,' Rimes admitted. 'Oh, it was awful. I was in chronic pain for, like, two-and-a-half years,' Rimes continued. That ultimately lead to the incident last week, while on stage at the Skagit Valley Casino & Resort in Bow, Washington, her dental bridge popped out.' She took to Instagram last week, revealing what happened when her teeth popped out at that performance just one night earlier. 'We're going to do a little story time about how the show must go on. And this is the most epic example of how the show must go on. 'So last night, I was on stage in the middle of One Way Ticket. I feel something pop in my mouth. And if you've been around, you know I've had a lot of dental surgeries, and I have a bridge in the front. It fell out in the middle of my song last night,' she admitted. She stopped the performance and yelled out, 'Hold on!,' as she ran to the side of the stage and popped her bridge back in. 'I just had to get real with everybody and tell them exactly what was happening or else I would have had to walk off stage. And so, for the rest of the show, I was literally like this pushing my teeth in like every couple lines and singing,' she continued. It wasn't the first time she had a bizarre mishap on stage, with a 2014 Oklahoma performance ending early because her jaw popped out of place, resulting in her having to skip the encore performance. 'Oklahoma!!!! I love you so much! I'm sorry for no encore. I had my jaw pop out of place & I can't hear out of my left ear,' she tweeted at the time. 'I had the best time tonight with my Oklahoma fans! I love y'all!' she added.
Irish Independent
04-07-2025
- Sport
- Irish Independent
New Ross junior rowers triumph at premier national event – ‘We are incredibly proud of them'
Competing against the best crews in Ireland, the club's young athletes delivered impressive performances in both the boys' and girls' junior events. Their skill, teamwork, and resilience were on full display as they achieved a commendable 20th place in the club trophy. This was doubly impressive considering New Ross's rowing team was much smaller than most of the other 46 clubs competing. The first New Ross victory was delivered on Saturday afternoon where Katey Nolan (Bow) and Janey Cashman (Stroke) stormed to victory in the Junior Girls 14s 2x. Nolan and Cashman lead from the off after a fantastic start and stride put them in control before the 250m mark. There was clear water between them and the competition at the halfway mark and from there the New Ross girls crew upped the power to dominate the race from start to finish, winning by a distance and leaving all other boats in their wake. The next victory came on Sunday morning, when Katie Nolan, rowing up an age-group in the Junior Girls J15 single scull, took to the water. Katie was in control of the race from the first stroke and by the 500m mark had a canvas lead on her nearest rivals. In the second half when Nolan increased the rate and upped the power, she began to stretch out to a boat length lead as the finish line approached and further extended that in the to put clear water between her boat and the Enniskillen sculler that placed second by the time the hooter sounded. Nolan also placed 3rd in u14 single scull to cap off a great weekend for the New Ross oarswoman. New Ross's final win of the event was delivered by Niamh Brennan (Bow) and Janey Cashman (Stroke) in a thrilling Junior Girls J15 2x final. Brennan not long off the water, after a great 2nd place finish in her single scull, teamed up with Cashman who was rowing up an age-group to complete the New Ross crew. Another fast start from New Ross ensured they were in control of the race right from the stakeboat. The New Ross crew never looked under pressure and had clear water between themselves and the competition by the halfway point. Not content with that, Brennan and Cashman increased their stroke rate above 40 stroke per minute to power home with clear water between them and the other crews in the race for an impressive victory. There were also commendable debut performances by Junior boys Cormac Crotty, Henry Roche and Aogán Slater in a single and double scull respectively. Crotty put in a great performance to finish 4th place in the Boys Junior 15 single scull, finishing very strong in an exciting and close race finish. Roche and Slater teamed up for a fantastic first regatta outing in the double scull. The crew got off to a great start and battled hard down the course against a crew from Bann Rowing club and were just pipped on the line for a 6th place finish. New Ross Boat Club Masters section also travelled in force to Lough Rinn and there were some commendable finishes with Stephen Ryan coming 3rd in his category of the Men's Masters Single Scull while Ger Morey (bow) and Paula Whelan (stroke) gelled well to finish a praiseworthy 3rd place in their category of the Women's Masters Double Scull. 'We are incredibly proud of our rowers and their achievements at the Rowing Ireland 1k Classic. Thank you to all the coaches, parents and safety boat drivers who helped the team prepare. It was great to see New Ross represented so well at one of the premium Rowing Ireland regattas.' said Amy O'Hanlon, Captain, New Ross Boat Club. Adding to the Captain's comments, coach Ger Morey said: 'Its just so great to see the kids enjoying themselves and achieving their goals after putting in so much hard work throughout the year.' The Chairperson of New Ross Boat Club, Sean Sutton, also commended the members on their recent success and said: 'Janey, Katie and Niamh performed superbly to combined for three victories. The girls have worked hard in training and deserve huge credit for their achievements.' "There was also fantastic debut by Cormac in his single scull and both Aogan and Henry can be very proud of their performance on their debut in the double scull,' he added. New Ross Boat Club Full Results from 1k Classic: 1st place in Girls J15 1x, Final 7: K. Nolan 1st place in Girls J14 2x, Final 4: K. Nolan (Bow), J. Cashman (Stroke) 1st place in Girls J15 2x, Final 2: N. Brennan (Bow), J. Cashman (Stroke) 2nd place in Girls J15 1x, Final 8: N. Brennan 3rd place in Girls J14 1x, Final 1: K. Nolan 3rd place in Men's Masters 1x, Final G: S. Ryan 3rd place in Women's Masters 2x, Final D: G. Morey (Bow), P. Whelan (Stroke) 3rd place in Mixed Masters 8+, Final 3: F. Sutton (Bow), U. Quirke (2), M. Dwyer (3), D. Roche (4), A. Dwyer (5), L. Gibbons (6), R. Hayes (7), S. Ryan (Stroke), K. Nolan (Cox) 4th place in Boys J15 1x, Final 4: C. Crotty 4th place in Women's Masters 4x+: R. Hayes (Bow), M. Dwyer (2), D. Roche (3), D. MacCarthy (Stroke), J. Cashman (Cox) 5th place in Women's Masters 4x+: F. Sutton (Bow), U. Quirke (2), A. Dwyer (3), T. Doran (Stroke), J. Cashman (Cox) 5th place in Mixed Masters 4x+, Final 1: F. Sutton (Bow), D. Roche (2), D. MacCarthy (3), T. Doran (Stroke), J. Cashman (Cox) 6th place in Boys J15 2x, Final 7: A. Slater (Bow), H. Roche (Stroke) 6th place in Women's Masters 4x-, Final A-B-C: P. Whelan (Bow), L. Gibbon (2), G. Morey (3), A. O'Hanlon (Stroke)
