Latest news with #British-Italian
AsiaOne
6 days ago
- Entertainment
- AsiaOne
'How dare you': YouTubers call out London stall for selling 'fake Malaysian food', Lifestyle News
Manchurian chicken, sweet and sour tofu? These two dishes definitely do not come to mind when one thinks of Malaysian food, and one British YouTuber named Pat was none too pleased when he came across these items being sold under the guise of "Malaysian street food" at a London market. For some context, Pat is one half of the duo behind Pat & Giulia, a British-Italian couple who spent six months locked down in Malaysia during the Covid-19 pandemic. It is understandable then that they developed an appreciation for Malaysian food, as well as a basic grasp of Bahasa Melayu. In the video published on Tuesday (July 22), the couple appear to be on a mission to seek out both authentic and inauthentic Malaysian cuisine in London. Sharing that London is home to a large number of Malaysians, they wrote: "There exists some very good Malaysian food, but we also uncovered some of those selling fake Malaysian food." "Now we're back in London, we're craving a bit of Malaysian food, so we thought we'd come out here to get some," said Pat. Their first stop? An eatery in northeast London known for offering "the cheapest roti canai (roti prata) in London". "British people love a roti canai, let me tell you," said Pat. Their order of two roti canais cost £4.95 (S$8.60), along with two curry puffs for £1.80. Their review of the curry puffs? "Very nice," said both. "It actually tastes like Malaysian ones, doesn't it?" Pat remarked. The freshly made "not frozen" rotis also received good reviews. The dish came with a dhal curry as well as sambal. "Very, very delicious," said Pat, adding that it might be the best roti canai he's had in London. "It's like being back in Malaysia," Giulia concurred. However, their next stop in their Malaysian food hunt left more to be desired, with Pat proclaiming that they'd "found fake Malaysian food in London". They do not identify the stall's location, but the camera pans to a shot of Camden Lock, suggesting that it could be at Camden Market, a place known for its many food stalls. When asked what's classic Malaysian food, a man behind the Malaysian food stall replies, "beef rendang" and "chilli chicken Manchurian", even adding that it's a "traditional curry from Malaysia". "Interesting," Pat responds. The hawker then recommends "sweet and sour tofu", as well as a soupy item he introduces as "laksa". "Can you speak Bahasa Melayu?" Pat quizzes the pair in Malay, also asking "Dari mana (where are you from)?" But it is evident that they don't speak the language. "You guys aren't Malaysian," Pat adds, to which the duo behind the counter state that their boss is from Malaysia, more specifically, Penang. Needless to say, Pat and Giulia leave empty handed. 'How dare you say this is Malaysian?' "How funny was that?" Pat remarked to the camera following the encounter. "It wasn't Malaysian food at all... we called them all out." Sharing that he was "getting a bit annoyed", he added: "How dare you say this is Malaysian [food]?" Pat also indicated that the items sold were all "typical Chinese-British food". "There we go, fake Malaysian food here in London," he quipped. Many in the comments praised the couple for their effort in calling out such stalls and also for appreciating Malaysian culture. "You guys are so Malaysianised... For non-Malaysians to be able to spot that fake stall is crazy, respect!" one commenter stated. Wrote another: "I hope this brings awareness and vendors should stop misrepresenting and mis-labelling food as an easy way out. Good on ya for pointing it out. I'd be hangry too." One netizen appeared to notice another small sign that the stall wasn't authentic. "The guy didn't call you 'boss', which suggests he isn't Malaysian selling authentic Malaysian food," joked another, to which several others agreed. [[nid:678898]] candicecai@
Indian Express
17-07-2025
- Business
- Indian Express
Delhi High Court reserves verdict in AgustaWestland accused's plea for quashing non-bailable warrant against him
The Delhi High Court Wednesday reserved judgment in a plea by AgustaWestland deal accused and former Emaar MGF director Shravan Gupta seeking quashing of non-bailable warrants issued against him in the money laundering case by the Enforcement Directorate (ED). The AgustaWestland VVIP chopper case concerns a 2010 agreement between the Indian government and AgustaWestland, a British-Italian helicopter design and manufacturing company, for the purchase of 12 helicopters meant for VVIP transport. The contract deal was allegedly riddled with corruption, involving kickbacks and bribes to Indian officials to secure it. Gupta had allegedly created an offshore corporate structure to launder the proceeds of crime generated by a co-accused in the case, who also reportedly received the same as kickbacks. According to the ED, Gupta received proceeds of crime amounting to approximately Rs 28.69 crore. He allegedly left the country in 2019 and has failed to join the probe despite multiple summons and warrants. A trial court issued a non-bailable warrant against him on August 31, 2020. The ED made Gupta an accused in the case in February 2022 in a supplementary chargesheet. Before the court of Justice Neena Bansal, senior advocate Vikas Pahwa, appearing for Gupta, informed the court that Gupta cannot participate in the probe physically but is available to join online. It was also submitted that a fresh application has been filed seeking permission to appear virtually. According to a press release by the ED, after Pahwa sought an adjournment, Justice Krishna noted that the matter had previously been argued by both parties on two occasions, after which Pahwa requested an adjournment. The court observed that such conduct is 'unbecoming of a senior advocate' and reserved the matter for verdict. In May, hearing an application moved by Christian Michel James, an accused and alleged middleman in the AgustaWestland VVIP chopper case, Special Judge Sanjeev Aggarwal of Rouse Avenue Court said that it was 'sad to see that the trial has not started in seven years'. ( James, who was extradited from the United Arab Emirates (UAE) in 2018 and has been in Tihar jail for close to seven years, had moved an application earlier requesting adequate security measures in prison, alleging that his tea was being poisoned and that there were threats to his life. —-
Euronews
01-07-2025
- Euronews
France, Japan, China: Where are the world's most beautiful airports
Whether dashing down corridors to reach a gate or whiling away hours during a layover, travellers are rarely inspired to stop and admire airport architecture. But an attractive water feature or a quirky ceiling can make the frustrating process of waiting for a flight a little more pleasurable. The Prix Versailles, a prestigious global architecture award, has revealed its annual list of the world's most beautiful airports. Secretary general Jérôme Gouadain emphasises how even functional spaces like departure terminals or check-in desks can benefit from thoughtful design. 'The mark left by airports stems chiefly from their ever-growing role in international exchanges. As a result, this infrastructure must resolve formidable difficulties in terms of flow management and the aircraft themselves,' he says. 'But this new brand of facilities can also be seen as works of art, or at least as things of beauty. In fact, we should strive to make this happen, given their inescapability in our built environments and our landscapes.' The award also prioritises 'intelligent sustainability' in airport design. Here are the winning airports, chosen for their 'operational, ecological and aesthetic excellence'. Nature and light fill Yantai Penglai International Airport, China First place went to Yantai Penglai International Airport's Terminal 2. Spanning 167,000 square metres, the architecture of the new building pays homage to Yantai's unique coastal landscape. Aedas, in collaboration with CSWADI and the Shanghai New Era Airport Design and Research Institute, drew inspiration from the majestic Kunyu Mountain for the terminal's sweeping roofline and undulating shapes. Its E-shaped layout was developed to optimise passenger flow and minimise the impact on the existing terrain. The curves, materials and tones of the interior draw on nature and natural light permeates the entire terminal, which can help travellers find a sense of calm. Reinterpretations of wooden ships' hulls are scattered here and there in a nod to the Maritime Silk Road. A sustainable restoration of Marseille Provence Airport, France A European airport took second place. Architects Foster + Partners recently designed a bright, new structure to unify Terminal 1 at Marseille Provence Airport in France. It includes a 22,000 square metre extension that 'conveys peace and relaxation without expanding the terminal's footprint on the ground', according to the Prix Versailles judges. This window-lined hall stands 22 metres tall and was built with 70 per cent recycled steel. The roof features a grid of skylights framed with polished aluminium, allowing for natural ventilation. The project also involved restoring 28,000 square metres of space in keeping with French architect Fernand Pouillon's original 1960s terminal and integrated with British-Italian architect Richard Rogers' development in the 1990s. Now, travellers pass through security under a timber canopy, and the spaces containing shops and restaurants - likewise made of wood - are a reference to the boat houses of the Old Port of Marseille. Glass façades provide for maximum transparency, with views of the Provençal hinterland on one side and a maritime lagoon on the other. Working with Réunion Island's weather phenomena at Roland Garros Airport The new 13,000 square metre Arrivals Terminal of Roland Garros Airport on Réunion Island takes third place as the world's first tropical bioclimatic airport structure at this scale. This technical feat was achieved by working with 91 per cent local businesses, whose expertise helped come up with the idea for a central 'canyon'. This defines both the form and function of the building and acts as a thermal chimney, enabling natural ventilation. Réunion Island is subject to increasingly intense weather phenomena, so 830 sets of shutters connected to sensors on the façades adjust their angles in real time in response to changing conditions. The Prix Versailles judges say the firm AIA Life Designers 'has delivered a sensory journey for travellers through the extensive use of wood and native vegetation, in a living expression of the island's landscape and culture.' Streamlined services at Kansai International Airport, Japan Originally designed 30 years ago by Italian architect Renzo Piano on an artificial island in the middle of Osaka Bay, Kansai International Airport is an architectural icon. With its elegant structure and aerodynamic roofline, it is also the longest airport in the world. The newly restored Terminal 1, designed by architecture firm Populous, was awarded fourth place. Its capacity to accommodate international travellers has been expanded by 25 per cent. All the interior spaces have been reinvigorated with a palette of natural materials to give the terminal a distinctly Japanese feel. A smart queue management system has also been installed to help streamline the process for passengers. A forest-inspired experience at Portland International Airport Portland International Airport's new Main Terminal, designed by American architectural firm ZGF, comes in fifth place. It was inspired by walks in the forest, resulting in a calming, immersive experience for travellers. The star of the project is its undulating mass timber roof, extending over more than 36,000 square metres, which celebrates Oregon's history of forest product innovation. The materials employed were sourced from the local industry within a 500-kilometre radius of the airport, with a 'forest to frame' system to track as much of the wood as possible back to its forest of origin. The spectacular structure allows for natural light to flood in, views of the forested landscape, and the incorporation of a multitude of natural elements. A carbon-conscious terminal at San Francisco International Airport With its 25 new boarding gates, San Francisco International Airport's Terminal 1 takes the sixth spot. A collaboration between San Francisco International Airport and a team of partners led by global architecture firm Gensler, one of its main objectives was to reduce the building's carbon footprint by 79 per cent and its energy usage by 59 per cent. With soft natural light filtering through to every level, the new terminal provides a soothing, restorative setting for travellers. The architecture unfurls in a celebration of arts and crafts that reflects the unique character of the Bay Area. The airport is also home to the SFO Museum, the world's only accredited museum at an airport, which allows more robust exhibits and art to be shared throughout the terminals. Terminal 1 is also a tribute to Harvey Milk, a trailblazer for inclusion and the first openly gay man to be elected to public office in California.
Fashion United
26-06-2025
- Automotive
- Fashion United
Westminster MA menswear graduates showcase collections at Milan fashion week
Graduates of the University of Westminster's MA Menswear course showcased their collections on June 25, 2025, during Milan's official men's fashion week, Milano Collezioni Uomo. The event, held at the 247 Showroom, was supported by the UK Fashion and Textile Association (UKFT) and facilitated by the British Consulate in Milan. Eighteen designers presented the culmination of their two-year postgraduate study to an international audience of press, buyers, and industry professionals. This event provided graduates with an opportunity to present their work in a professional showroom environment typically accessed by established brands. In addition to the collections, the program featured discussions and exhibitions designed to foster cross-border industry relationships between the UK and Italy. Complementing the graduate showcase, the exhibition "Cut from a Different Cloth" examined the lasting influence of tailoring across decades. It featured five women's garments from Alexander McQueen's time with Romeo Gigli in 1991, loaned by Fondazione Sozzani. The exhibition also included ten archival menswear pieces from McQueen's 1996–2000 collections, sourced from Westminster's own archive, illustrating the combination of British tailoring and Italian production. Westminster University MA Menswear Credits: UKFT The exhibition's final section presented new work by current MA Menswear graduates. These garments were developed through direct research of the McQueen archives and discussions with members of the McQueen design team, offering a contemporary interpretation of tailoring heritage. A panel discussion, moderated by Professor Andrew Groves, Director of the Westminster Menswear Archive, included participants from both academia and industry. Contributors included Paul Alger (UKFT), Paul Toner (Deputy Editor of 10 Magazine ), and designer–educator Andrea Cammarosano. The discussion addressed the opportunities and challenges facing emerging menswear designers and explored how UK–Italy collaboration in fashion and textiles could be strengthened. Following the panel, Paul Alger interviewed several graduates, including Alex Page, Yuechen, Venus Studio, and Xinyue Zhang. The UKFT also used this occasion to engage with British-Italian fashion entrepreneurs, attending the Milan launch of Mark//Giusti, a retail brand formerly based in the UK. Westminster University MA Menswear Credits: UKFT The University of Westminster's MA Menswear course, established in 2017 and led by Professor Groves, is recognized for its focus on both conceptual creativity and commercial viability, with many alumni progressing into notable roles in the fashion industry. UKFT's involvement in the Milan showcase is part of its broader efforts to address skills gaps in British fashion manufacturing and education. The event also precedes the launch of a new MA in Fashion Manufacturing at Westminster in September 2025. This program aims to support sustainability, innovation, and future-oriented production strategies. The Westminster presentation in Milan highlights the increasing global reach of British fashion education and the significance of strategic collaboration between academia and industry. Through archival research, contemporary design, and international engagement, the showcase demonstrated how historical craftsmanship continues to influence the future of menswear. Westminster University MA Menswear Credits: UKFT
Perth Now
16-05-2025
- Entertainment
- Perth Now
Princess Eugenie supports coral reef conservation initiative
Princess Eugenie has helped launch a new initiative to raise money for coral reef conservation. The 35-year-old royal is backing Thirty Six For Coral, the world's first major global art exhibition dedicated to the cause, which will bring together 36 artists - including RETNA, Helen Beard and Petroc Sesti - for an initiative which will see their works eventually auctioned off to raise funds. Eugenie - who is a global ambassador for ocean charity Project Zero/The Coral Collective - said: 'Despite occupying less than 1% of the seabed, coral reefs support 25% of all life in the ocean, and one billion people around the world depend on coral reefs for food and jobs. "I'm pleased to be supporting Thirty Six for Coral, an important art exhibition that will help connect more people to the irreplaceable value of coral reefs, and raise essential funding to help protect and restore them for future generations.' The exhibition is also backed by the likes of Sienna Miller, Will Poulter, Rita Ora, and Slash and will debut at the iconic Grand-Hôtel du Cap-Ferrat on the French Riviera in June to coincide with the 2025 UN Ocean Conference, which runs in Nice from 9 to 13 June. Michele Clarke, CEO, Co-Founder, Project Zero/The Coral Collective, said: 'We are thrilled to be launching this exceptional exhibition of works from some of the world's most celebrated artists for coral. Today coral reefs are under threat of functional extinction. "We have the unique opportunity to be the generation that saves this irreplaceable ecosystem that supports life for over a million animals and plants and over a billion people around the world.' More artists who will be involved in the exhibition will be announced in due course. British-Italian artist Petroc Sesti has contributed a carbon sink sculpture medium that fuses eco-friendly concrete with carbon capture crystals. Petroc said: 'Artists are free thinkers and placemakers; they create artworks that inspire paradigm shifts toward new cultural narratives, offering alternative frameworks through which to interpret our environments. Through interdisciplinary collaboration and critical engagement with the natural world, artists are uniquely positioned to catalyse public discourse. "Cultural dialogue with the biosphere is not only urgent it is also generative, and will define the future of art itself. I believe we are entering a new cultural golden age—a renaissance shaped not by introspection alone, but by the discoveries that lie beyond ourselves.' Artworks will be available via with select pieces auctioned at a closing gala on 20 June. Proceeds will directly support coral reef protection and restoration around the world.
