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Irish Times
3 days ago
- Entertainment
- Irish Times
The Narrow Road to the Deep North review: Unflinchingly savage war tale starring Ciarán Hinds is a gruelling watch
There are war movies and there are movies about war, and The Narrow Road to the Deep North ( BBC One, Sunday nights, 9pm), Justin Kurzel's adaptation of Richard Flanagan's Booker -winning novel about the forced construction of the Burma-Thai Railway by Australian prisoners of war (POWs), falls unambiguously into the latter category. This is Kurzel's first foray into television, but he gives short shrift to the conventions of the medium, essentially making a five-hour film of unflinching savagery and darkness. The darkness is both figurative and literal. The Narrow Road is a gruelling watch. It is also a strain on the eyes, with much of the action shrouded in shadow, making it often difficult to discern what is going on. That is perhaps a mercy. Much like the book, the series is a rebuttal to cinema's historic tendency to portray the second World War as a jolly jaunt in distant climes. The moral centre of the piece is Belfast actor Ciarán Hinds . He plays the older version of Dorrigo Evans, a surgeon from Tasmania captured by the Japanese in Indonesia and forced to labour on the notorious Burma Death Railway. READ MORE As empathetically brought to life by Hinds, Evans is a successful doctor who reluctantly recalls his war years for a journalist. But just below the patrician surface lurks unresolved trauma. The source of that pain is made dreadfully clear in the flashbacks to the war, where the young Evans is played with charismatic stoicism by Jacob Elordi . Flanagan's novel drew on his own father's experience of war. Kurzel's version hits like a sort of negative image of David Lean's Bridge on the River Kwai. That film depicted the war in southeast Asia as a triumph of stiff upper lips over Japanese cruelty. But the Narrow Road to the Deep North removes all the romance. In its place, there is nothing but cruelty and humiliation, exposed ribs and unmasked savagery. The awfulness to come is hinted at in an early scene in which Evans' unit is taken prisoner by the Japanese, who declare their incarceration an incomprehensible shame and that the only way the POWs can redeem themselves is by building a railway. To their captors, Evans and his comrades are dead already. What follows is not a punishment but natural retribution for their lack of honour. Horror is blended with heartache through flashbacks, in which Evans embarks on an enthusiastic affair with his uncle's wife (Odessa Young) shortly before shipping out to war – and despite being engaged to his girlfriend (Olivia DeJonge). Oddly, the same plot device is central to Sebastian Faulks' first World War elegy, Birdsong. What is it about young men who are about to potentially meet their maker and the forbidden rhapsody of the love of an older woman? Sunday nights on the BBC tend to be dedicated to superior, cosy crime or binge-worthy drama. The Narrow Road to the Deep North is something else. It's slow, difficult TV. But it is worth the effort, and Hinds has never been more commanding as a man who has left hell but knows hell will never leave him. The Narrow Road to the Deep North is on BBC 1, Sunday, 9pm
The Guardian
3 days ago
- Entertainment
- The Guardian
The Narrow Road to the Deep North review
There is an overwhelming darkness to The Narrow Road to the Deep North, Justin Kurzel's adaptation of Richard Flanagan's Booker prize-winning novel. Thematically, this is to be expected: it is about a group of Australian prisoners of war constructing the Burma railway in the mid-1940s, at the tail end of the second world war. It is about the lasting trauma of conflict and imprisonment. It spans half a century, and though it tempers its darkness with a rich love story, it is largely violent, fatalistic and sorrowful. But visually, too, you may find yourself fiddling with the contrast and brightness settings. This very much matches its mood to its palette. Jacob Elordi is perfectly handsome and haunted as the younger Dorrigo, a poetry-loving doctor who is about to be married to the well-to-do and socially connected Ella (Olivia DeJonge). The show covers three timelines, two of which follow closely on from one another. Elordi takes the main shift, Dorrigo as a young man. It opens in the thick heat of battle, going straight into the action. Young soldiers trade barbs with gallows humour, as they joke and tease, and place bets on how long they think they are going to live. Their banter is interrupted by exploding mines, the casualties already considerable, just a few moments in. The survivors are captured and put to work on the railway. It is hellish from the off, a vivid nightmare of torture and a tale of impossible endurance. Forty-nine years later, towards the end of the 1980s, Ciarán Hinds is the older Dorrigo, a successful, wealthy and celebrated surgeon, still married to Ella (now played by Heather Mitchell). Dorrigo is brooding, even more haunted and undergoing a reckoning with his own history. He is also celebrated as a war hero, but he is combative, arrogant, even reckless, in his professional and personal life. He gives a furious television interview, ostensibly about his experiences of war, to promote a book, the nature of which is deliberately abstruse. This enforced reflection causes him to remember what he has tried so hard to forget and, as a drama, flipping between timelines, it builds up a picture of what made him the unhappy, unfaithful man he has become. It does this slowly, convincingly and in great, awful detail. The 1980s storyline, in which Dorrigo's philandering ways are laid bare, provides some respite from the relentless violence. This is visceral, in its truest sense. Kurzel captures the bodily horror of war in an almost confrontationally frank manner. As they hack away at rock and trees, the men are emaciated, filthy, full of malaria and dysentery. The camera nestles in among them, and hovers above, conveying a real sense of their closeness and suffering. At one point, a leg must be amputated. This is a gory and drawn-out ordeal. At least, in the darkness, it is partially obscured, though the audio alone is gruesome enough. For all of its bodily horrors, this is a passionate, full-bodied love story too, a strand that is delicately balanced but just as impactful. Before he is called up, Dorrigo visits his uncle Keith (a small, mighty performance from Simon Baker) and is immediately drawn to Keith's young wife, Amy (Odessa Young). She is intrigued, if not impressed, but when they meet again at a poetry reading in a bookshop, after Dorrigo has become engaged to Ella, that initial spark ignites into a forest fire. It takes time for their mutual attraction to become more than yearning and longing, lingering looks and touches, but the pacing of it is moving and affecting. Compared to the grinding chaos of the jungle, their affair is sad and beautiful, as romantic as it is doomed. This is a literary drama and it makes no apologies for that. Dorrigo loves Catullus and Aeschylus. The men perform Romeo and Juliet for each other in the jungle. Amy cements her attraction to Dorrigo with a fragment of Sappho, which reads, simply, 'you burn me'. At times, its novelistic roots are more obviously on show; some of the dialogue is writerly and elevated, as the characters reflect poetically upon human nature and cruelty. And there is much cruelty to consider. There are so many killings, so many deaths, and one particular execution, in the jungle, is one of the most distressing scenes I have watched on television in a long time. The Narrow Road to the Deep North, then, is not an easy prospect, but it is an immensely powerful one, driven by strong performances and a bracing confidence in its ability to tell this story, at its own pace, in its own way. My only complaint is that I would have liked to have been able to see just a little more of it. The Narrow Road to the Deep North aired on BBC One and is on iPlayer in the UK. It is available on Prime Video in Australia, New Zealand, the US and Canada.
The Guardian
4 days ago
- Entertainment
- The Guardian
TV tonight: Jacob Elordi and Ciarán Hinds are outstanding in a stirring war epic
9.15pm, BBC One Jacob Elordi and Ciarán Hinds are outstanding as the younger and older Dorrigo Evans, a war hero turned surgeon, in this haunting second world war drama. Based on Richard Flanagan's Booker prize-winning novel, the Australian epic tells Dorrigo's story over three timelines: a promising student who is engaged to be married into a well-to-do family; a Japanese prisoner of war who witnesses unimaginable horrors while building the Burma railway; and a retired traumatised man who is grappling with his past – including an intense and illicit love affair with his uncle's wife Amy (Odessa Young) – while doing publicity for his memoir. A stirring watch. Hollie Richardson 8pm, ITV1 Lauren Lyle returns as the young Scottish cop with the gumption to unravel ice-cold historic cases. This time round it's a doozy: the unsolved kidnapping of an oil heiress and her baby at the height of the miners' strike. ('Scotland's John Paul Getty,' mutters her boss.) Pirie and her team must piece together what really happened outside a Fife chip shop 40 years earlier. Graeme Virtue 8pm, Channel 4 Jimmy Doherty already has zebras, meerkats and capybaras at his wildlife park in rural Suffolk. But brown bears? That's a different matter. After launching a huge appeal to fund the building of a new home for Diego from Sweden, Jimmy also needs to find him a suitable flatmate – and what if they don't get along? Ellen E Jones 8pm, BBC Four Nicholas McCarthy was born without his right hand and he is the world's only professional one-handed concert pianist. He's making his Proms debut with Ravel's atmospheric Piano Concerto for the Left Hand (which pianist Paul Wittgenstein commissioned after losing his right arm in the second world war). HR 9pm, Channel 4 Elisabeth Moss (with an English accent) leads this espionage thriller written by Steven Knight. She plays MI6 spy Imogen, who is recruited by the CIA to go undercover and find out whether French woman Adilah El Idrissi (Yumna Marwan) is an Isis operative. Will Imogen be able to learn the truth and stop a terrorist attack? HR 10.20pm, ITV1 Kate Kniveton is a former MP who was abused by her husband, ex-Conservative minister Andrew Griffiths, for more than a decade. She has since campaigned for a ban on domestic abusers from seeing their children. In this candid documentary, Kniveton shares her story, listens to others' and shows the work she's doing. HR The Amateur, out now, Disney+ Rami Malek lends his disquieting intensity to this surprisingly enjoyable spy thriller. He plays a mild-mannered CIA cryptographer sent on a bloodthirsty revenge quest after his wife is killed in a terrorist attack. What's fascinating about this film is that, had the lead been any other actor, it would have devolved into generic pulp. But Malek, in the hands of director James Hawes, really leans into the character's psychopathy. He has a dead-eyed stare throughout, the sort you'd usually expect to find on a film's antagonist. Sure, this is a globe-trotting Bourne-style romp, but you're never allowed to forget the ethical iffiness of, say, blowing someone up inside a swimming pool. Stuart Heritage All-Ireland Senior Hurling: Cork v Tipperary, 3pm, BBC Two The championship final at Croke Park, Dublin.
South China Morning Post
5 days ago
- Politics
- South China Morning Post
Myanmar's military leader makes rare appearance at event honouring Aung San Suu Kyi's father
The head of Myanmar's military government made a rare appearance at a ceremony on Saturday honouring General Aung San, an independence hero and father of jailed former leader Aung San Suu Kyi. It was the first time that 69-year-old Senior General Min Aung Hlaing attended the Martyrs' Day wreath-laying since the army ousted Suu Kyi and seized power in February 2021. The leader's appearance comes as his embattled government is preparing to hold elections while fighting armed opposition groups across the country. Martyrs' Day was an important event in Myanmar's calendar for decades, but the military has downplayed the holiday in recent years. It commemorates the assassination of Aung San, a former prime minister who was gunned down at the age of 32 along with six cabinet colleagues and two other officials in 1947, just months before the country – then called Burma – achieved freedom from British colonial rule. A political rival, former prime minister U Saw, was tried and hanged for plotting the attack. Myanmar's national flag flutters at half-mast outside the City Hall in Yangon on Saturday on the 78th Martyrs' Day. Photo: AFP Suu Kyi was absent from the ceremony for a fifth year Suu Kyi, who was detained when the army took over in 2021, was absent from the event for a fifth consecutive year. She is currently serving a 27-year prison term on what are widely regarded as contrived charges meant to keep her from political activity. She has not been seen in public since her arrest. Ye Aung Than, a son of Suu Kyi's estranged older brother, laid a wreath in front of his grandfather's tomb during the main ceremony at the Martyrs' Mausoleum near the foot of the towering Shwedagon Pagoda in Yangon. With Myanmar national flags flying at half-staff, members of the ruling military council, and cabinet, as well as high-ranking military generals, joined Min Aung Hlaing in placing a basket of flowers in front of the tombs of the nine martyrs. As the ceremony was held, people in Yangon paid tribute to independence leaders by blaring car horns and sirens at 10.37am, the time of the 1947 attack.
Al Arabiya
5 days ago
- Politics
- Al Arabiya
Myanmar's leader puts in rare appearance at event honoring Aung San Suu kyi's father
The head of Myanmar's military government made a rare appearance at a ceremony on Saturday honoring General Aung San, an independence hero and father of jailed former leader Aung San Suu Kyi. It was the first time that 69-year-old Senior Gen. Min Aung Hlaing attended the Martyrs Day wreath-laying since the army ousted Suu Kyi and seized power in February 2021. The leader's appearance comes as his embattled government is preparing to hold elections while fighting armed opposition groups across the country. Martyrs Day was an important event in Myanmar's calendar for decades, but the military has downplayed the holiday in recent years. It commemorates the assassination of Aung San, a former Prime Minister who was gunned down at the age of 32 along with six Cabinet colleagues and two other officials in 1947, just months before the country – then called Burma – achieved freedom from British colonial rule. A political rival, former Prime Minister U Saw, was tried and hanged for plotting the attack. Suu Kyi was absent from the ceremony for a fifth year. Suu Kyi, who was detained when the army took over in 2021, was absent from the event for a fifth consecutive year. She is currently serving a 27-year prison term on what are widely regarded as contrived charges meant to keep her from political activity. She has not been seen in public since her arrest. Ye Aung Than, a son of Suu Kyi's estranged older brother, laid a wreath in front of his grandfather's tomb during the main ceremony at the Martyrs Mausoleum near the foot of the towering Shwedagon Pagoda in Yangon. With Myanmar national flags flying at half-staff, members of the ruling military council and cabinet, as well as high-ranking military generals, joined Min Aung Hlaing in placing a basket of flowers in front of the tombs of the nine martyrs. As the ceremony was held, people in Yangon paid tribute to independence leaders by blaring car horns and sirens at 10:37 a.m., the time of the 1947 attack. Democracy supporters also held scattered rallies in parts of the country that are not under military control. The military government is planning elections later this year. The event comes five months before elections that the military has promised to hold by the end of this year. The poll is widely seen as an attempt to legitimize the military's seizure of power through the ballot box and is expected to deliver a result that ensures the generals retain control. The 2021 military takeover was met with widespread nonviolent protests, but after peaceful demonstrations were put down with lethal force, many opponents of military rule took up arms and large parts of the country are now embroiled in conflict. Since the army took power, 6,974 people, including poets, activists, politicians, and others, have been killed, and 29,405 people have been arrested by the security forces, according to the Assistance Association for Political Prisoners, an independent organization that keeps detailed tallies of arrests and casualties linked to the nation's political conflicts. The military government calls that figure an exaggeration. The military, which is now estimated to control less than half the country, has been accelerating its counter-offensives to retake areas controlled by opposition groups ahead of the election.
