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Time of India
an hour ago
- Entertainment
- Time of India
Monotone magic: The sleek style evolution of Timothée Chalamet
The Dune actor is setting the fashion world abuzz with his bold, theme-inspired red carpet looks. From vibrant pink hoodies to daring metallic jumpsuits, he consistently combines creativity with elegance. His fearless style choices showcase a perfect blend of fun and sophistication. — Deveshi Jhunjhunwala Whether it's his butter-yellow suit at the Oscars or his bright red halter jumpsuit, Timothée Chalamet has been hailed for his fashion choices on the red carpet. The actor, who is counted among the best-dressed men in Hollywood, often matches his red-carpet fashion to the theme of the film he is starring in. His style is synonymous with candy-coloured structured silhouettes that showcase an effortless air of fashion. Stylist Kareena Desai says, 'Timothee's tall, lean frame allows for monotone looks. I feel neutrals are overused and overdone, and I would love to see more people wear colour like he does.' Willy Wonka energy Keeping up with the Candyland theme of Wonka, donned a custom Prada shirt and trouser set for its promotional event. He effortlessly blended his personal style with his work demands. His look, a nod to his role as Willy Wonka, was completed with a diamond necklace and white boots. Powerful in pink The actor was clicked at the Berlin Film Festival for the screening of A Complete Unknown wearing this cotton candy pink hoodie designed by Chrome Hearts, along with matching pink sweatpants and shoes. He elevated this nonchalant aesthetic with a diamond tennis necklace. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Trading CFD dengan Teknologi dan Kecepatan Lebih Baik IC Markets Mendaftar Undo He then famously stripped off his hoodie in the freezing cold and flaunted a matching tank top underneath, creating a viral moment for his fans. Daring and dashing At the 2022 Cannes, he sported his most daring red carpet look at the screening of his cannibal romance Bones and All - a custom halter jumpsuit by designer Haider Ackermann. Cut in a metallic red fabric, this almost backless piece featured a draped neck. It was styled with Cartier rings, black shoes and sunglasses, giving it a retro vibe. Smooth as butter Timothee Chalamet has played muse to many celebrated designers, and at the Oscars, he was seen in Sarah Burton's first menswear look for Givenchy. A slight shift from his usual dopamine dressing, this time he opted for a more nuanced approach with the butter-yellow cropped blazer, shirt, and trouser combo. Capturing the cowboy vibe At the SAG Awards, Timothee donned a custom Chrome Hearts and vintage Cartier look. His modern cowboy vibe was enhanced with the leather jackets, pants, and bolo tie. The neon green shirt showcases the staple Timothee pop of colour seamlessly. Esha Amin, celebrity stylist, says "I love how bold and fashion forward is Chalamet's style. He always keeps it classic for his red carpet appearance. Even with his streetwear look he goes casual, but elevates it with chunky sneakers, retro graphics, Chelsea boots and leather jackets." One step to a healthier you—join Times Health+ Yoga and feel the change
Indian Express
2 hours ago
- Entertainment
- Indian Express
Homebound director Neeraj Ghaywan: ‘I'd been hiding for 35 years. When you masquerade, your confidence dies'
Neeraj Ghaywan's debut feature Masaan premiered in the Un Certain Regard at the Cannes Film Festival in 2015. Set in Banaras, it was a story of collisions, in which unruly modernity and hidebound tradition rubbed up against each other, showing us the pushes and pulls India has lived with for centuries. And giving us a filmmaker to watch out for. Ten years on, he returned to the Croisette with his second feature Homebound, which screened in the same section, the only Indian film to have been officially selected at the festival. The film, born out of a New York Times piece by journalist and writer Basharat Peer, cements the filmmaker's concerns — capturing the voice of the marginalised, speaking up for empathy and kindness and leaving us with a glimmer of hope. Neeraj Ghaywan spoke to The Indian Express a day after the Cannes premiere — attended by the cast and crew, including lead actors Ishaan Khatter, Vishal Jethwa and Janhvi Kapoor, and producers Karan Johar, Apoorva Mehta and Somen Mishra — which left the audience teary-eyed, garnering a nine-minute standing ovation. It was a free-flowing conversation on how Homebound came about, his own struggle with accepting his identity and how his 'coming out' has impacted his life. Excerpts: Masaan's reception here at Cannes was quite memorable. How did you feel about the way the audience responded to Homebound? There were so many wet eyes and you were wiping away tears yourself… I have seen the film a hundred times and even during the tech check I was dozing off, thinking I can't stand this film anymore, let's just get done with it. But once it started, so many visceral emotions welled up… like there's the making of a pukka ghar (belonging to the Dalit protagonist). When I was very young, we also had a kachcha khaprail wala ghar (house with clay-tiled roof). When we were building our house with cement, it was such a dream, all of us children would fight with my father, saying, 'Humein bhi daalna hai paani (we also want to help moisten the cement)'. When I saw this on screen, all those memories started coming back. I started tearing up and Karan (Johar) was sitting next to me and he also started tearing up. And I was like, who do I turn to, everyone is crying. It was overwhelming. Also Read | Cannes 2025: Neeraj Ghaywan's Homebound is a timely, trenchant testament to our times We don't even realise we put in our films so much of what we are, who we are. Also because I'm so much that person, my work and I are so fused together, maybe that's why I took 10 years to make another film. How did Homebound come about? When I first started reading Basharat's story, which Somen (Mishra) got me, it shook me, and I thought why don't I write a larger story. Across the world, all minorities, people of colour, ethnic, religious, sexual minorities, even migrants, are relegated to statistics. It takes away accountability and becomes empty rhetoric. What if we pick one person, see what all happens in that person's life, what did they eat, whom did they love, who did they leave behind, what made them go back, maybe there will be more empathy. I'm not coming from a place of anger. I don't want to villianise anyone. In fact, I feel people want to empathise with the 'other side', I want to hold their hand, I want to say, let's talk. Maybe we've gone too far, let's recalibrate. Empathy and kindness are what the world needs badly at this point. For a long time, you were not talking about your identity. Then at some point you embraced it and your being Dalit has become almost a badge of honour. What changed? How did you find the courage to come out? For 35 years, I had been hiding. When you masquerade, your confidence dies. Every step you take, you think someone's watching you. My eldest sister was getting married — it was a Buddhist wedding — and I didn't want to go, because my big fear was that I would be outed. And then, finally, when I did speak up and it made the papers, my domestic help said, 'Bhaiyya, aap ki photo aayi hai (Your photo is in the paper)'. It took me three days to find the courage to tell her. How did she respond? She said, 'Achcha dada, aap Jai Bhim waley ho, par usse koi fark nahin padta (You are part of the Jai Bhim community, but that doesn't make a difference)' because you take care of us so well. Then I called my driver, made chai for him, and told him as well. He went quiet for a bit, and said 'Hamaare ghar waley chooaa-chhoot maantey hain (my family practises discrimination) but it makes no difference to me'. Just imagine, speaking to my staff was difficult, it was super-duper difficult to talk to anyone else. My journey of becoming an Ambedkarite happened after that… I was like Chandan (the Dalit protagonist in the film), I was also hiding, but the more I read up, the clearer everything became. But I also have to say that the weight of it is insurmountable. To be the only self-acknowledged Dalit in all of Hindi cinema history is two things — one that you have immense responsibility and at the same time, I don't want to be bracketed. I want to be a filmmaker making various kinds of films. I come from Ray's school where politics can never supersede your narrative. If that happens you are a propagandist. Then you're not cinema, you're vox pop. What changed after the coming out? Because I came out, my entire extended family got outed. Like me, most of them were masquerading, in their workplaces, in government offices, in senior positions. My nieces told me they were not comfortable with how they were being perceived. One person said good for you, but tough for me. I'm still trying to navigate this, and coming into my own. I don't rue the fact that many people from my community want to practise Hinduism. It should be to each their own, as long as you practise humanity. My transformation happened through support from a lot of members of the community (Prakash Ambedkar, Suraj Yengde) and, of course, my close friends from within the filmmaking community. A post shared by Shubhra Gupta (@shubhragupta) You got a lot of flak for showing a very glittery Dalit wedding in the TV series Made In Heaven (Season 2, 2023). Are you compensating by showing a very simple one in Homebound? I'm glad you asked this question. The character in Made In Heaven was a very successful Dalit woman from Columbia University. It was a show about rich people. I wanted to shoot it with aplomb, so a Bvlgari ka mangalsutra wouldn't be out of place, okay? Also our production designer (Sally White) made it so stunning. It was a statement. Just because we are Dalit, why can't we have designer things? Aap ko jeans pehenne se dikkat hai, aap ko mooch ugaane se dikkat hai, aap ko ghodi chadne se dikkat hai, toh main aap ko dikhaaoonga ki yeh sab ho sakta hai. (You have a problem if we wear jeans, grow a moustache, or be carried on horseback for our weddings: I will show you that all of these can be done, and why not?) But in Homebound, I was also aware of the class I was showing. Sudha Bharti (the other Dalit protagonist in the film) ek railways ke chotey officer ki beti hai, toh uska setup bhi chota hi rahega (is the daughter of a junior railway office, so her setup is spartan). I was trying to represent Sudha's reality. How long did it take to add the layers of gender and class to the base story of Chandan Kumar and Mohammad Shoaib Ali, the Muslim-Dalit duo? It took me three years to write the screenplay. There's a lot of me in it, the masquerading, my own journey, acceptance. In my childhood (in Hyderabad), I had a great friend called Askar, and his biryani would be the best, and one Eid when it didn't come, I jumped over the terrace and starting gobbling it straight from the vessel, and when the family returned and saw me, I was so embarrassed. This is in the film. If there's one thing common to any community in the world, it is patriarchy. It is a unifier. Growing up, I was the son after three daughters, so I was pampered a lot. More than my father, it was my mother and grandmother. And when I became aware of it, I was so ashamed, and I wanted to call out myself. So there is Chandan's sister Vaishali (in the film) calling him out on his privilege. What made you choose Ishaan and Janhvi? Was there pressure from Dharma Productions to include stars? I had a cakewalk, you know. Here I am, making an indie-minded film with the biggest studio, with Karan Johar, with these stars, and Mr (Martin) Scorsese lending his name (to our film), and we are at Cannes. I'm vicariously living the dream of every independent filmmaker. I didn't set out to make a disruptive movie. The actual reason is that the people attached came with genuine passion and empathy, that's all what I wanted. I cannot attach to people who don't feel for the politics (shown in the film). The deeper truth is much more important because they have to feel the lived reality as I have done. If they don't, I would feel dishonest. We, as indie filmmakers, have a snooty bone about stars. Janhvi, I was sure about. We had been talking about making a biopic before this. I met her and told her I wanted her to audition, I'll train you, and workshop with you. She was going through a difficult time. For 10 days, we worked together. Initially, she would cry a lot, and slowly, I don't know how, it became therapy for her, and she became better through it. I spoke to her about privilege, and she read Annihilation of Caste, and went into a rabbit hole of understanding caste on her own. She started questioning a lot of things. She transformed through those days and came up with a terrific audition. I did a very long immersion with the boys (Ishaan and Vishal). I told them that you come from varied backgrounds but are privileged. The characters won't come to you, you have to go to the characters, you will have to leave yourselves behind, unless tum log teh tak nahin pahunchoge, woh sach camera mein dikh jayega, agar tum sach se avgat nahin ho paatey ho, toh uss character ko karne ke haqdaar nahin ho, tumhaara privilege nahin banta (until you reach the depths, the truth, you do not have the right to play that character, that is not your privilege). Also Read | Homebound at Cannes 2025: The real story behind Neeraj Ghaywan's sophomore directorial Like in Masaan, I had told Vicky (Kaushal, in his breakout debut role) that ki yaar, tumko Banarasiya banna padega, nahin toh unki tauheen hai (you will have to become Banarasiya, or you will demean the character you are playing). During the immersion exercise, we toured around north Indian villages, we went into homes, ate with families, lived through so many magical moments. It rewired them somehow, and you can see that in the film. Also I was aware that main Cannes mein dikhaoonga, aur phir Mumbai, Delhi, Bangalore, do-teen screen mil jayega, that's all. (I was aware that the film will be in Cannes and then in big cities in India in two or three screens, that's all). But is that the extent of our responsibility? If the people we are basing our film on, if they don't feel seen, what is even the point of us artistes? If the presence of stars gives me that extra edge then maybe the film will go to a Kanpur, a Lucknow or Bhopal. That is a win. But at the same time, I will never compromise on performance. In 10 years, do you see any difference in the perception of Indian cinema at Cannes? I have two words: Payal Kapadia. She has just exploded, she has broken the ceiling, she has made way for so many people to come in and I don't think we celebrate her enough. I think that's the biggest change that's happened. Personally, for me, it's a sort of homecoming. This is where it all started, and I'm homebound to where it started. Toh meri ek tarah se ghar waapsi hai!
Yahoo
3 hours ago
- Entertainment
- Yahoo
Former Child Star Turns Heads in Glamorous Strapless Gown at Cannes
turned heads as she posed for photographers on the red carpet at the 78th Cannes Film Festival in Cannes, France, in a gorgeous gown that has some fans comparing her to a Disney princess. The 27-year-old dropped jaws in a sparkling, form-fitting gown with a flowing train at the Affeksjonsverdi, or Sentimental Value, premiere on May 21, 2025. It was a soft sage green color with pale floral appliqués and darker green beading forming their leaves. Gold beading lined the strapless sweetheart neckline, which formed a deep V. Her blonde hair was left straightened and down, while her makeup featured bright pink hues with a red lip, and fans could not get over the "elegant" look after makeup artist Erin Ayanian Monroeshared several photos from the event on Instagram. "She's ridiculously beautiful! 🔥🔥🔥," one fan gushed right off the bat, while others called her "Stunning 😍😍😍😍" and "breathtaking!!!" "Wow, she absolutely slayed it in that dress 😮🙌👗🔥❤️," another praised, as someone else agreed, "She looks amazing!! Her makeup, and everything else, is perfection! CONGRATULATIONS! 🩷🌟👏🏻." "Elle looks amazing, she's just like Cinderella in that dress. So beautiful!👗✨😍🥰💚," someone else complimented. "I love her style, elegant👏," another fan wrote, with somebody else agreeing that it was "Beautiful styling -stunning." "WOW 🔥," another comment read emphatically, while others begged, "we need makeup deets 🙌."Former Child Star Turns Heads in Glamorous Strapless Gown at Cannes first appeared on Parade on May 25, 2025
Daily Telegraph
3 hours ago
- Entertainment
- Daily Telegraph
Elle Fanning: Sentimental Value star on Cannes Film Festival, Hunger Games prequel casting
Don't miss out on the headlines from Celeb Style. Followed categories will be added to My News. EXCLUSIVE: Whether she was wearing a powder-blue Chanel gown or a white T-shirt with the words 'Joachim Trier Summer' on it, Elle Fanning was the toast of the recent Cannes Film Festival. Nevertheless, Fanning confesses that fronting the press at the Palais des Festivals for the premiere of her upcoming film Sentimental Value – and as an ambassador for L'Oréal Paris – was 'nerve-racking' in the best possible way. 'My heart is pounding,' Fanning tells Stellar, recalling the moment she stepped onto the red carpet. 'It's like I have so many butterflies because it's just so magical. [Cannes] is a special place for me, I've been here with many films, I've got to be on the Jury. There's no feeling quite like it on the giant carpet at the Palais.' Elle Fanning in CHANEL at the closing ceremony of the 78th annual Cannes Film Festival at Palais des Festivals. Picture: Getty Images Picture: Getty Images Picture: Getty Images At 27 years old, Fanning is already a Hollywood veteran. She made her film debut at two in 2001's I Am Sam, playing the younger version of her actor sister Dakota Fanning's character. After that came a string of roles. There was Sofia Coppola's dreamy 2010 drama Somewhere, and Maleficent with Angelina Jolie in 2014. In 2017 she co-starred with Nicole Kidman in The Beguiled; and last year, she featured in the Oscar-nominated Bob Dylan biopic A Complete Unknown, opposite her close friend Timothée Chalamet as Dylan ('we had such a fun time', Fanning recalls). She will work with Kidman again in the upcoming TV series, Margo's Got Money Troubles, and was recently cast to play the role of Effie Trinkey in Hunger Games prequel, Sunrise On The Reaping. She was back in Cannes to promote the Joachim Trier-directed Sentimental Value, in which she fittingly portrays a young Hollywood star. Picture: Getty Images Picture: Getty Images The movie – already earning raves as an early Oscars contender – won Cannes' coveted Grand Prix after receiving a reported 19-minute ovation. Fanning says that working with the Danish-born Norwegian director was on her 'bucket list'. But like Kidman, who has famously vowed to work with a female director every 18 months, she is also keen to increase women's representation in Hollywood. 'There's so much more progress to be made,' she tells Stellar. 'But we're having these conversations and there are, hopefully, more opportunities being opened up for these talented female filmmakers.' When asked how she feels about being a role model to young women herself, Fanning pauses to consider those who have inspired her. At the premiere of "Affeksjonsverdi" (AKA Sentimental Value) at Palais des Festivals in Cannes, France, last week. Picture: Getty Images Elle Fanning and Renate Reinsve co-star in Sentimental Value. Picture: Getty Images Picture: Getty Images Elle Fanning and her Sentimental Value co-star, Stellan Skarsgard. Picture: Getty Images 'I have so many role models that have inspired me,' she says. 'I'm trying to learn from [them], and how they treated me, and try to kind of emulate that to younger girls that I work with. 'It's funny not being the youngest person on a film set now. 'I had a lot of people who were kind to me growing up and gave me advice. I just want to be that for people that I work with. 'It's so important for young women to have stories that are told from a woman's point of view. 'To show that you can express yourself and have the confidence to share your stories.' Part of that confidence, Fanning says, comes from her ambassador role with L'Oréal Paris, whose slogan is famously 'because you're worth it'. Picture: Getty Images for L'Oreal Picture: Getty Images for L'Oreal Musing on the sentiment, she says: 'It has nothing to do with stereotypical beauty as we see it. It really has to do with beauty from the inside, which comes from [having] the confidence to love yourself entirely and to treat yourself [with respect]. 'We are worth it to feel our feelings. We're worth it to be messy. Especially as women, we have the power. It's such a strong message.' While public appearances are now old hat for Fanning, she says it still takes her hours to get ready for events and premieres. Elle Fanning, right, with her sister Dakota in 2019. Picture: Getty Images As Fanning points out, it's about more than just how she looks. 'It's a three-hour situation to get ready for a red carpet for me,' she says with a laugh. 'I get up, I have coffee, I have breakfast – I put a face mask on. I put ice over the face mask that I use to de-puff from jet lag and travelling. I have a [L'Oréal] Revitalift serum that I use for my skin. 'I also try to calm myself because I know it's going to be nerve-racking. It might be a stressful day, so [it's important to] just kind of have the morning to yourself – and get going.' Read the full interview with Elle Fanning inside Stellar tomorrow, via The Sunday Telegraph (NSW), Sunday Herald Sun (VIC), The Sunday Mail (QLD) and Sunday Mail (SA). For more from Stellar, click here.
News18
3 hours ago
- Entertainment
- News18
Sister Midnight Review: Radhika Apte Will Suck You Into This Dark Comedy, Literally!
Last Updated: Sister Midnight Review: Radhika Apte owns and shoulders Karan Kandhari's directorial debut Sister Midnight beautifully. Sister Midnight Review: Dark comedy, feminist satire, surreal horror and some genre-defying character portrayal by Radhika Apte is what makes Karan Kandhari's directorial debut a film to watch. Sister Midnight, which premiered at Cannes 2024, has finally found some limited release in India. As you walk into relatively empty theatres, take a seat, grab your popcorn tub and sip on your choice of some beverage, because, Radhika Apte is going to transcend you into her world where she is a total mess trying to figure out her own tribe and mould her personality rather than just fitting into a society. It all begins when Uma, played by Apte, who is married to Gopal (played by Ashok Pathak), and travelling in a train to Mumbai. On a personal level, I could connect with Uma's version of Mumbai because the filming of the movie was done across the streets of my neighbourhood here in the city. However, Apte from the word go, is on her toes and is exploring this alien space and locality by herself. Though her marriage with Gopal is as terrible as it could get, she befriends Sheetal (played by Chhaya Kadam). Sheetal tries to teach her the nuances of running a house and cooking, but none of this domestic and daily life hustle impresses Uma. She voices out her opinions to everyone, even to Gopal, who is somewhere scared to talk to Uma because of her eccentric behaviour. Uma tries her best to find her footing and fit within the conventional norms of society, but just cannot get herself to live the way society demands her to survive. Nevertheless, things take a bizarre turn at a family event, and nothing remains the same after that. This is where Kandhari decides to take things to another level and makes this chirpy comedy-drama into something so dark that you will eventually feel what you just watched! Without trying to give out much of the plot of the film, it is safe to state that Uma finally finds herself in a situation where she is discovering something new within her, and is clueless about things happening to her. Eventually, she understands her cravings and decides to act on them. All of this journey, or self-exploration and discovering the truth about her being the way she is, unfolds in such darker circumstances that you cannot watch it without getting multiple goose bumps. Though there are other characters, this 107-minute-long film revolves around Apte and her journey. Overall, the movie has a good mix of humour, a strong message about how to find your own self, and most importantly, it teaches you that it is okay to be a misfit if you fall in love with who you are as a person. First Published: May 31, 2025, 07:17 IST
